* Newman & Co (Lithographers). Crumlin Viaduct, on the Newport, Abergavenny & Hereford Railway Extension to Taff Vale. Mr Charles Liddell Engineer, circa 1857, hand-coloured lithograph possibly after a drawing by T. W. Kennard, the contractor who built the viaduct, some spotting, 305 x 455 mm, mountedQty: (1)NOTESA scarce lithograph of the Crumlin viaduct which was unusually constructed of iron rather than stone. Iron was chosen because of the difficulties of shipping stone to Wales and because iron would provide a more stable structure than stone. An extraordinary engineering achievement, it remained the highest railway viaduct in Great Britain throughout its working life and the third highest viaduct in the world. It was not without its problems, and as had Liddell predicted, the location proved to be susceptible to high winds and resultant swaying, resulted in continual and expensive maintenance. It was, therefore, no surprise when, following the post-World War II nationalisation, British Railways reduced the entire extension line to a single track after 1947 and following the Beeching Act and the subsequent cuts, the last scheduled passenger train ran over the bridge on Saturday 13 June 1964, the 21:10 from Pontypool to Treherbert. The viaduct was dismantled and the last girder was removed in 1967. This image shows a train crossing the viaduct, with another in the valley below.
70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
70555 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
70555 Los(e)/Seite
* Yorkshire. Tomlinson (G. D.), To the Rt. Revd. Charles Thomas Longley, Lord Bishop of Ripon, This view of Huddersfield is by permission most respectfully dedicated..., Day & Son, circa 1840, uncoloured lithograph, slight marginal creasing and water staining, 310 x 430 mm, together with Le Keux (J.). The Prospect of Leeds from the Knostrop Road, Robinson & Son, Leeds, 1815, hand-coloured engraving, some marginal spotting and mount staining, some fraying to lower margin with partial loss to the publishing legend, 245 x 395 mm, mounted, with Smith (J. R.). Crown Street Halifax, Looking West..., Stott Brothers, Halifax, 1888, hand-coloured lithograph, slight spotting and mount staining, 365 x 365 mm, plus Illustrated London News (publisher). The New Town Hall Leeds, Cuthbert Brodrick, Architect, Sept. 11th 1858, chromolithograph slight marginal spotting, upper margin with some marginal fraying and repaired closed tears but not affecting image, 350 x 450 mmQty: (4)
Sir William Russell Flint RA, PRWS, RSW (1880-1969) - The Four Sisters, Chazelet, lithograph, signed by the artist in pencil, published by Frost & Reed Limited 1957, blindstamped, 48 x 62.5cm Good condition, undisturbed in the original wash line mount and light oak frame, as supplied by Frost & Reed and with their labels on the backboard
Sir William Russell Flint RA, PRWS, RSW (1880-1969) - The Unseen Target, lithograph, signed by the artist in pencil, published by Frost & Reed Limited 1966, blindstamped, 49 x 63cm Good condition, in the original wash line mount and light oak frame as supplied to the vendors family by Frost & Reed Limited with their labels on the backboard
EUROPE -- "PLAN DE LA VILLE DE BRUGES". Bruges, A. Ancot, n.d. (c. 1880). Plan of Bruges and vicinity on 10 cold. lithogr. sheets, each 610 x 465 mm (paper size), which can be conjoined to form a large plan. Lge-fol. Owrps. (Cover torn and a bit dam., but altog. in good condition). NOTE:Charming lithograph 'facsimile map' after the 1562 plan by Marc Gérard.
“The Orders of Chivalry, War Medals, Crosses, &c” by C N Elvin, 1892, with 31 mostly coloured plates (binding AF, most pages detached and loose); “The Book of Orders of Knighthood and Decorations of Honour of all Nations” edited by Sir Bernard Burke, 1856, with 100 coloured plates (not checked, covers very worn, most pages detached); a large catalogue of Wm Jones & Co, Military Outfitters, 236 Regent St, c 1870 (?), 16" x 19½”, with fine coloured lithograph title page, numerous monochrome plates of military and civil uniform patterns, lace, naval rank cuffs, etc, including 5 coloured plates, FC (very worn and well used, should originally have been 25 coloured plates); The Illustrated News Record of the Transvaal War, 1899-1900, basically GC (spine AF); and 5 volumes relating to WWII. GC (9) £30-40
A set of six original colour lithograph 'Olympische Spiele Munchen 1972' posters: after Joesf Albers, Fritz Winter, Jan Lenica, Hans Hartung, Tom Wesselmann and Max Bill, printed by Edition Olympia GmbH, 100 x 64cm, unframed, together with a reproduction Chinese cigarette advertising poster (7)
A rare early 20th century 'As You Like It' Table Garden 'Set B' by Table Gardens, Croydon, Surrey. c 1920s: in original box, with a quantity of flowers, trees, fence and landscape pieces, many in original small boxes for assembling the garden, the pieces being made mostly from wood, pictorial lithograph label to top.
‡Ceri Richards CBE (Welsh 1903-1971) The Author's Prologue (from the Dylan Thomas Suite) Signed, dated and numbered 1 Ceri Richards 65 (in pencil, lower right) Lithograph, from an edition of 7059 x 81.5cm (sheet) Provenance: Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox
‡Sir Eduardo Paolozzi CBE, RA (Scottish 1924-2005) General Dynamic F.U.N.: An Empire of Silly Statistics...A Fake War for Public Relations; Inside Down Under...What are the building blocks of structuralism?; Totems and Taboos of the Nine to Five Day; Jesus colour by numbers Four, each signed Eduardo Paolozzi and numbered 22/350; 317/350; 22/350; 22/350 respectivley (in pencil) Each photo-lithograph Two 25.8 x 38.1cm; two 38.1 x 25.8cm Unframed (4)
‡Charles Bartlett (1921-2014) Ships at Anchor; Evening Anchorage Two, the former signed, numbered and inscribed 42/60 "Ships at Anchor" Charles Bartlett (in pencil to margin), and with Gorner & Millard blindstamp; the latter signed and inscribed Artist's Proof Evening Anchorage Charles Bartlett (in pencil to margin) Both etching and aquatint 41.2 x 55.4cm; 40.2 x 45.2cm (plate) Unframed Together with Didier Moreau (French 20th Century); L'amour angélique; signed Didier Moreau (in pencil); lithograph; 47.6 x 64.7cm; unframed (3)
‡HRH The Prince of Wales (b.1948) Balmoral Signed with initial, numbered, dated and inscribed 125/295 Balmoral C'91 (in pencil), and with three blindstamps Lithograph in 12 colours, published by Anna Hunter and Guy Thompson 30.8 x 44.9cm (image) Together with a certificate signed by the publishers (2)
DAVID HOCKNEY (born 1937); a signed limited edition lithograph printed in colours 'Red Square and the Forbidden City', from China Diary (MCA Tokyo 254), published 1982 and numbered 217 from the edition of 1000. Printed and published by Petersburg Studios, New York and London on Somerset paper, 49.5 x 54.5cm, folded as intended, framed and glazed. (D)Provenance: Private collection, Devon.Additional InformationColours strong, in good condition. Has the original limited edition detail card applied to the back of the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
AFTER DAVID HOCKNEY; lithograph on card, ‘Little Boodge’ (1993), small poster depicting the artist’s dog, with printed initials and date ’93 to stone, with further printed detail for 1853 Gallery, Salts Mill, Saltaire, Yorkshire verso, 28 x 42cm, loose. Additional InformationWith the usual yellowing to edges and corners, otherwise good condition.
AFTER ANDY WARHOL; lithograph on wove Arches paper with deckled edges, ‘Mickey Mouse (Red)’ (1978), printed signature to stone, no. 42/100, pub. Georges Israel (blind stamp recto) and Leo Castelli Gallery New York (stamp verso), the image 32.4 x 32.4cm, the sheet 56.4 x 38.2cm, loose. Additional InformationGood condition, colours strong, Arches watermark recto.
AFTER ANDY WARHOL; a limited edition coloured lithograph, 'Mickey Mouse (Black)' (1978), with printed signature to stone and numbered 80/100, on watermarked Arches wove paper with deckled edges, pub. Georges Israel & Leo Castelli Gallery New York with corresponding stamps, the image 32.4 x 32.3cm, unframed.Provenance: From a North West private collector.Additional InformationA slight mark to the stone central lower section, some further light marks, otherwise ok.
AFTER ANDY WARHOL; a limited edition coloured lithograph, 'Muhammad Ali (Four Images)' (1978), on wove watermarked Arches paper with deckled edges, pub. Georges Israel & Leo Castelli Gallery New York with corresponding stamps, no.35/100, printed signature within stone, the image 41.8 x 33.8cm, unframed.Provenance: From a North West private collector.Additional InformationGood condition.
AFTER ANDY WARHOL; lithograph on wove Arches paper with deckled edges, ‘Apple 359’ (1985), printed signature to stone, no. 72/100, pub. Georges Israel (blind stamp recto) and Leo Castelli Gallery New York (stamp verso), the image 31.5 x 31.5cm, the sheet 56.6 x 38.4cm, loose. Additional InformationThere is a tiny 4mm tear to upper right edge of the sheet, image in good condition, colours strong, Arches watermark recto.
AFTER SHEPARD FAIREY; offset lithograph, 'Vote Obama '08', from the 'Art for Obama' Presidential Campaign fundraiser poster series, edition of 5000, with 'Paid for by Obama for America' and further related stamps to lower border, the image 52.5 x 38cm, total 60.9 x 45.7cm, unframed.Provenance: From a private North West collector.Additional InformationGood condition, very very slight crease lower centre edge. Some very minor marks just below the image to lower border within the manufacture.
BANKSY (British, born 1974); offset lithograph on shaped wooden board, 'Peckham Rock' (2018), open edition, with printed text, code PRB 17752,2-2,1, 'Courtesy of Pest Control Office, Banksy, Peckham Rock, 2005' and original British Museum barcode price label verso, 12 x 18cm. (D)Additional InformationGood condition, very slight mark to reverse, almost certainly present at manufacture.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
SALVADOR DALI (Spanish 1904-1989); a signed limited edition lithograph, ‘As Pure as Her Heart’, 110/160, 51 x 39.5cm, framed and glazed. (D)Additional InformationWear to frame. The image appears to be in good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Loading...-
70555 Los(e)/Seite