70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

George Rouault (1871-1958), original colour lithograph on Velin de Rives paper, Tete de Jeune Fille, 35cm x 25.5cm. Lithography by Mourlot Freres for Revue Verve 5-6, Paris 1939, mounted, framed and glazed

Vieira da Silva, Blue Brown, original lithograph, 1977, issued XX Siecle Paris, sheet 31cm x 24cm, framedGood condition

Robert Tavener, American Embassy, Grosvenor Square, lithograph, 1968, signed in pencil, no. 11/25, sheet 52cm x 64cm, unframedGood condition, very light foxing in the margin only visible on close inspection

Pierre Soulages, abstract, lithograph no. 9, issued XX Siecle 1959, 30cm x 23cm, framedGood condition

[Peacock (Thomas Love, attributed to)] Sir Hornbook: or, Childe Launcelot's Expedition, second edition, 8 hand-coloured lithograph plates, original buff printed wrappers bound in, bookplate of Charles Todd Owen, later morocco, gilt, rubbed, heavily to spine, Printed for John Sharpe, 1815; and 7 others, 19th century children's books, v.s. (8)

America.- Moellhausen (Baldwin) Diary of a Journey from the Mississippi to the Coasts of the Pacific, 2 vol., first English edition, map (half missing) and 10 (of 11) lithograph and chromolithograph plates, one with short tear and misbound, plus wood-engraved plates and illustrations, soiled, ex-library copy with stamps, library calf-backed cloth, 8vo, 1858. 

19th century coloured lithograph - 'Start of the Grand Prix' horse racing print, together with a late 19th century coloured engraving after B. Herring - 'The Drag', pub. F. Herbault and 'The Birth Day Team', 56cm x 96cm and smaller, all framed under glass (3)

(Fashion Plates, Costume.) Four Trade Catalogues c.1880 for Maison A. Bulteau, Gaillard, Lecomte & Cie. Fabricants, Paris, 4 folio volumes containing a total of 105 large hand coloured lithograph fashion plates, comprising 'Bals-Soirées', No.12, 15 hand coloured litho plates (of which 1 folding), and 'Robes & Manteaux', No.'s 14, 16 & 20, 3 volumes, 90 hand coloured litho plates (each volume containing 30 plates), folio (44 x 33cm), uniform original publisher's cloth

Axel Amuchástegui: 'Some Birds and Mammals of Africa', London, The Tryon Gallery, 1979, limited edition signed, number 381 of a total edition of 505 copies, 14 fine colour lithograph plates by Amuchastegui as called for, all tissue guarded, descriptive text by Hilary Hook, large folio (54 x 36cm), fine original quarter blue morocco gilt over marbled paper covered boards by Zaehnsdorf, top edge gilt, original slipcase

Richard Bowdler Sharpe & Claude Willmott Wyatt: 'A Monograph of the Hirundinidae, Family of Swallows', London, for the authors, 1885-1894, 2 volumes, 98 (of 103) lithograph plates & 13 (of 26) maps, but with the missing plates and maps supplied in facsimile, of the 98 original lithographic plates, 12 hand coloured, 87 uncoloured, plates after Claude Willmott Wyatt, large 4to (32 x 25cm), uniform contemporary half calf gilt, tope edges gilt, endpapers/pastedowns replenished. A detailed monograph of all the known species of swallows. Scarce (2)

(Ballooning, Aviation, Montgolfier Brothers etc.) Barthelemy Faujas de Saint-Fond: 'Description des Expériences de la Machine Aérostatique de MM. de Montgolfier', Paris & Brussels, B. Le Francq, 1784, 3rd edition, 9 engraved plates as called for, folding table, xxix, 204pp, contemporary paper wraps, printed paper label to spine; J. Glaisher, Camille Flammarion, W. de Fonvieille & Gaston Tissandier: 'Voyages Aériens', Paris, Hachette, 1870, 1st edition, 6 colour lithograph plates + 117 wood engraved plates as called for, pp383-400 with slight damage at lower margin not affecting text/plates, original quarter calf gilt, all edges gilt, Camille Flammarion: 'Mes Voyages Aériens Impressions at études Journal de Bord de Douze Voyages Scientifiques en Ballon', Paris, C. Marpon et E. Flammarion, 1883, 3rd edition, signed & inscribed by the author on half title "A mon chez ami Bernard. Petit souvenir de voyageur aérien. Camille Flammarion 12 Mars 1884", 390pp, contemporary quarter calf gilt, bookplate of Bernard Barbery to front pastedown, Griffith Brewer and Patrick Y. Alexander: 'Aeronautics: An Abridgment of Aeronautical Specifications Filed at the Patent Office from A.D. 1815 to A.D. 1891', London, Taylor and Francis, 1893, 1st edition, b/w engraved ills. of balloons, early flying machines etc. throughout, 160pp + [16]pp blank leaves at end with printed heading "Aeronautical Notes", original cloth gilt, Lanchester: 'The Flying Machine from an Engineering Standpoint', L, Constable, 1916, contemporary Cinque Port Flying Club pass for access to Lympne airport, Kent, signed by the Director, loosely inserted, ownership signatures/inscriptions at front "J.C. Bottrell. Wheeler. A.G.C. 022414 118 Cpy...September 15/17 Abbeville France", viii,135,[3]pp, diagrams including 1 folding, original cloth; plus 4 others early aviation (9)

Samuel Swarbreck: 'Sketches in Scotland', London, C. Hullmandel, 1839, 1st edition, pictorial lithograph title page + 25 lithograph views on 24 full page plates as called for, dedication and explanation of the plates leaves, a/f, gutta percha perished, leaves loose, several plates with heavy foxing, moderate foxing to many plates, some plates relatively clean/with minor to moderate foxing, large folio (54 x 40cm), contemporary quarter morocco gilt very worn, boards detached (but present), lacks backstrip; with a 19th Century engraving of Trafalgar Square

(Butterflies & Moths, Lepidoptera.) Henry Noel Humphreys: 'The Genera and Species of British Butterflies. Described and Arranged According to the System now Adopted in the British Museum', London, T.J. Allman, [nd], c.1860, additional hand coloured lithograph title page + 32 hand coloured lithograph plates as called for, original pictorial cloth gilt, all edges gilt; plus The Rev. F.O. Morris, 2 titles: 'A History of British Butterflies', London, Groombridge, 1865, 71 coloured plates + 2 uncoloured plates as called for, rebound full green morocco gilt, spine gilt in compartments, all edges gilt, 'A History of British Moths', L, John C. Nimmo, 1896, 5th edition, 132 hand coloured plates as called for, uniform original pictorial cloth gilt (6)

G.W. Bacon: 'Bacons New Chart of the World on Mercator's Projection', Manchester, Royal London Building, c.1906, large colour lithograph folding map, dissected and mounted on linen, approx. size 96 x 120cm, folding into original cloth gilt covers; plus 'Philips' Atlas for Beginners', L, George Philip, 1900, 48 pages of colour maps, original cloth gilt (worn) (2)

(Butterflies & Moths, Lepidoptera.) John Obadiah Westwood & Henry Noel Humphreys: 'British Butterflies and their Transformations', London, William Smith, 1848, additional hand coloured lithograph title page + 42 hand coloured lithograph plates as called for, 'British Moths and their Transformations', London, William Smith, 1843-45, 1st edition, 2 volumes, 124 hand coloured lithograph plates as called for, all large 4to (30 x 23cm), uniform original publisher's pictorial red cloth gilt, rebacked (British Moths Vol. II retaining top half of original backstrip, other 2 volumes retaining original backstrips), bookplates of the Rev. Henry Temple Frere, rector of Burston (nr. Diss), Norfolk. Two of Humphrey's most accomplished works as a naturalist illustrator. (3)

(Sindh, Pakistan, Afghanistan, Afghan Wars.) The Rev. Isaac Nicholson Allen: 'Diary of a March Through Sinde and Affghanistan, with the troops under the command of General Sir William Nott, and sermons delivered on various occasions during the campaign of 1842', London, J. Hatchard and Son, 1843, 1st edition, multi folding lithograph frontis of Kabul and surrounding country + 7 lithograph plates, viii,468pp, contemporary decorative calf gilt worn, lacks top portion of backstrip, all edges gilt. The author was assistant Chaplain on the Hon. East India company's Bombay establishment and for H.M. 40th Regiment. He travelled on foot for this campaign through Afghanistan. Covers a sketch of Dooraunee empire, lower and upper Sinde, Bolan & Kojuk Passes, Kandahar, to Ghuznee, to Kabul, and to Peshawur. Loaded with keen observations on the inhabitants, customs, ethnology, travel points, the mountains, terrain, weather, flora, fauna, food, and culture of Afghanistan

Edward Tuite Dalton: 'Descriptive Ethnology of Bengal', Calcutta, Office of the Superintendent of Government Printing', 1872, 1st edition, 40 lithograph portrait plates as called for, comprising frontispiece 'The Rest at Noon' depicting a group of Oraons taken at Ranchi by Tosco Peppe, plus 39 other, lithograph portrait plates from photos by Tosco Peppe & Sir Benjamin Simpson, each with corresponding descriptive printed tissue guard, final few plates with marginal waterstaining/ slight soiling, VI, 327 + (12)pp index at end, folio, contemporary half green morocoo (worn), rebacked retaining original backstrip , inner joints reinforces, original marbled end papers, verso FFEP with comtemporary signature/ inscription '*** Peppe Katc Chola Nagpore (?)', appears to be signature of either Tosco Peppe or another member of Peppe family, replenished front and rear blanks. The term Bengal in Dalton's time referred to what are now the Indian states of Bihar, Orissa, West- Bengal, Jharkhand, tripura, Assam, Arunacha/ Pradesh, Megalaya, Manipur, Mizoram and Nagaland, and the present day country of Bangladesh. A rave and important work by the irish born Soldier & Anthropologist colonel Edward Tuite Dalton (1815- 1880), a georgraphically precise description of the lands and people with each tribe described by Dalton and portrayed in stunning lithographs. Possibly one of only 100 copies printed, and also stated in pretace of Herbert hope Risley's ethnologies of British Colonial India that 'the book is now a rare one, I am infirmed that they entire stock was destroyed by an unfortunate accident some years ago'

Nine illustrated/typography/private press/poetry related books, including Patric Dickinson: 'Soldier's Verse', L, Frederick Muller, 1945, 1st edition, 12 lithograph plates by William Scott as called for, orig. pictorial cloth, plus others John Farleigh, Rigby Graham, Nonesuch Press, Stanley Morison etc (9)

(Northamptonshire, History & Topography.) Christopher Markham & Rev. J. Charles Cox: 'The Records of the Borough of Northampton', Published by Order of the County Borough of Northampton, London, 1898, large paper limited edition, number 17 of 100 large paper copies only, 2 volumes, folding lithograph plan in rear pocket of volume 2 + some photogravure and monochrome plates as called for, uniform original half vellum gilt, top edges gilt; together with William Whellan & Co: 'History, Gazetteer, and Directory of Northamptonshire', London & Peterborough, 1849, lacks map, 962pp, old half calf gilt (3)

§ Josef Herman OBE, RA (1911-2000) First Starsigned 'Josef Herman' (lower right); numbered 19/100lithograph49 x 62Provenance: Collection of Nottingham City Council Fry Art Gallery, Saffron Walden

§ The Connor Brothers (1968-) I tried to drown my sorrows but the bastards learned how to swimsigned 'Connor Brothers' (lower right)lithograph in colours on paper from the edition of 520 (wrapping paper), unframed70 x 50cmSome very shallow handling creases visible under raking light, otherwise in very nice overall condition. The work has been hand-signed in white ink.

Shepard Fairey (1970-) Le droit de vote est un Droit de l'Hommesigned and dated 'Shf23' (lower right)offset lithograph, unframed91 x 61cm

A vintage film poster, Lady with Red Hair, 1940, lithograph in colours, framed90 x 34.5cm

§ Mary Fedden OBE, RA, RWA (1915-2012) Red Sunset, 1994signed 'Fedden' (lower left); numbered 367/500offset lithograph on wove paper; published by Bow Art in 2000, with their blindstamp, unframed33.5 x 40cm

§ Josef Herman OBE, RA (1911-2000) On the Way Homesigned 'Josef Herman' (lower right); numbered 14/100lithograph50 x 62cmProvenance: Collection of Nottingham City Council Fry Art Gallery, Saffron Walden

§ Dame Elisabeth Frink CH, RA (1930-1993) Small Horse and Rider, 1970lithograph printed in brown26 x 32cm

§ Edward Bawden CBE, RA (1903-1989) The Queen's Gardensigned 'Edward Bawden' (lower right); titled and numbered 16/160, artist's prooflithograph in colours, from a linocut published by the Curwen Gallery, printed by the Curwen Studio, 198347 x 61cm

§ Sir Eduardo Paolozzi CBE (1924-2005) The Sculptor's Studio - two worksrespectively dated 1997 and 1998, each signed 'Eduardo Paolozzi' (lower centre); A/Clithograph, unframed35 x 39cm;together with An Old Themesigned and dated '1996 / Eduardo Paolozzi' (lower right); A/Clithograph with pencil, unframed35 x 25.5cm (3)

Shepard Fairey (1970-) Obey: Andre the Giantsigned and dated 'Shf23' (lower right)offset lithograph, unframed91 x 61cm

§ Josef Herman OBE, RA (1911-2000) Red Sunsigned 'Josef Herman' (lower right); numbered 16/100lithograph35 x 43cmProvenance: Collection of Nottingham City Council Fry Art Gallery, Saffron Walden

A vintage film poster, The Scarlet Pimpernel, 1934, lithograph in colours, framed90 x 35cmA number of tears and creases, tears particularly to upper and lower left corners.  Framed, but not mounted or stuck down.

§ Peter Blake CBE, RDI, RA (1932-) Dead as a Dodo, from Ghosts of Gone Birdssigned 'Peter Blake' (lower right); numbered 42/100lithograph, unframed49 x 41cmVery nice, clean condition throughout

§ Oskar Kokoschka CBE (1886-1980) Artist and modelsigned 'OKokoschka' (lower right); artist's prooflithograph, unframed51 x 42.5cm

Shepard Fairey (1970-) Liberté, Egalité, Fraternitésigned and dated 'Shf23' (lower right)offset lithograph, unframed91.5 x 61cm

§ Edwin la Dell ARA (1914-1970) Honfleursigned 'Edwin la Dell' (lower right); numbered 11/25lithograph42 x 54cmProvenance: Collection of Nottingham City Council Fry Art Gallery, Saffron Walden

A vintage film poster, Reach for the Sky, 1956, lithograph in colours, framed54 x 69cmThere is a small tear to the lower edge, fold lines and creases, particularly to centre.  Glazing has a crack running through.

§ Henry Cliffe RWA (1919-1983) The Couplelithograph, printer's proof20 x 25cm

§ Harold Cohen (1928-2016) Untitledsigned and dated 'Harold Cohen 1968' (lower left)lithograph49 x 39cm

§ Allen Jones RA (1937-) The Forest - from Islandssigned and dated 'allenJones 88' (lower right); numbered AP 7/10lithograph, unframed75 x 106cm

§ Feliks Topolski RA (1907-1989) The Lord Chancellors Procession at the Palace of Westminstersigned 'Feliks Topolski' (lower right)lithograph64 x 46.5cm

§ Nicholas Hely Hutchinson (1955-) Sea Breezessigned 'Nicholas Hely Hutchinson' (lower right); numbered 171/195lithograph50 x 69cmProvenance:With CCA Galleries, London

§ Edwin la Dell ARA (1914-1970) Cambridge Backssigned 'Edwin LaDell' (lower right); numbered 68/75lithograph34 x 51cmProvenance:With Heffers Gallery, Cambridge

§ Banksy Peckham Rock, 2018offset lithograph on wooden postcard, produced by the British Museum with the permission of Pest Control, unframed12 x 18cmThe reverse with a small area of paler wood where a retailer's label has been previously adhered. Otherwise in very nice overall condition.

Mackenzie Thorpe (British, 1956), 'Winter Romance', signed l.r., titled l.c., Washington Green blind stamp l.l., colour lithograph No.279/550, certificate of authenticity verso, 38 by 37cm, framed. Note: Artist Resale Rights apply

Mackenzie Thorpe (British, 1956), 'Sheltering', signed l.r., titled l.c., colour lithograph No.195/850, Washington Green blind stamp l.l., certificate of authenticity verso, 35 by 50cm, framed. Note: Artist Resale Rights apply

Paul Berthon (French, 1872-1909), Sa très gracieuse Majesté la Reine Wilhelmine, lithograph in colours, 39cm x 41cm, framed

Alberto Giacometti (Swiss, 1901-1996), Femme en Bust - Atelier Mourlot, lithograph, 25 by 19cm, framed. Provenance: with William Weston Gallery, London

François Joseph VERNAY (1864-1950) The Waterwheel Oil on cardSigned21.5cm x 16.5cmA lithograph of the image can be found in 'The Magic Moving Picture Book', Bliss, Sands & Co, Dover Publications 1975.

NICHOLSON, William Bulldog lithograph From 'The Square Book of Animals', published by William Heinemann in 1898, image size 13.5cm x 14cm, framed and glazed.

* Swissair. An advertising poster designed by Hermann Eidenbenz (1902-1993), circa 1948, colour lithograph, printed by Wolfsbergdruck Zürich, advertising the new Manchester to Zurich route, a striking illustration of a propeller plane flying high over the Swiss Alps with details of the new route printed in red, drilled holes to each corner, laid on contemporary board, framed and glazed (102.5 x 65.5 cm)QTY: (1)

* Bric (George, late 19th/early 20th century). Le "Zodiac III", circa 1910, colour lithograph on paper, showing a lady waving at an airship, sheet size 45 x 90 cm,unframed, closed tear upper right, area of staining from original frame, together with another colour lithograph circa 1912, La Quatrieme Arme (The Fouth Weapon), La Revue de Printemps vue à bord de dirigeable "Captain Ferber" (the spring review seen aboard the derigeable "Captain Ferber", published by Mabileau & Co, Paris 1912, 31.5 x 60 cm, mount aperture, framed and glazed, frame size 45 x 75 cmQTY: (2)NOTE:Provenance: Both items purchased from Wallis & Wallis, The David Kirch Collection of Zeppelin and Other Airship Memorabilia, 25 November 2013.

* Swissair. An advertising poster designed by Theodore 'Teddy' Brunner, circa 1938, colour lithograph with areas of heightening by hand in white, black and grey, 'Auch im Winter mit der Swissair' (Even in winter with Swissair) with an image of a Swissair aeroplane flying over alps and skiers, small area of creasing and a very small amount of red paint splatter to lower right of sheet, reinforced drilled holes to each corner, laid on contemporary board, framed and glazed (101.5 x 63.5 cm)QTY: (1)

* Ballooning Prints. St. Cloud en Ballon, vue prise de Boulogne, by Joules Arnaut, London: Gambart, Junin & Co., 1st February 1846, by Lemercier, Paris, after Joules Arnaut, published by Jeannin, Paris, and Gambart, Junin & Co., London, large uncoloured lithograph printed, with margins, a few marks and short closed tears to blank margins, sheet size, 39 x 56 cm, together with other 19th and early 20th century ballooning prints, including an engraved portrait of Vincent Lunardi, published by John Walker 1784, several late reprintings of engravings by John Kay, a hand-coloured engraving entitled An Exact Representation of Mr. Lunardi's Grand Air Balloon, circa 1780s (some staining), an engraved group portrait entitled A Consultation previous to an Arial Voyage from London to Weilburg in Nassau (published by Henry Graves, November 1, 1843, a hand-coloured engraving portrait by N. Whittock of John Hampton, Aeronaut, born 29th August 1799, published by J. Hampton, Hanover Place, Regents Park, circa 1839, togther with an original issue of The Mirror of Literature, Amusement and Instruction, Saturday June 15, 1839 with an account of Mr Hampton's ascent from Cremorne House, Chelsea, Thursday June 13, 1839, a four-page issue La Lune, 2 Juin, 1867, featuring a hand-coloured cartoon of Nadar to the front cover, etc.QTY: (25)

* Marx (Enid). Bulgy, the Barrage Balloon, & Nelson, The Kite of the King's Navy, 2 volumes, both 1st editions, London: Oxford University Press, 1941, & Chatto & Windus, [1942], lithograph illustrations printed in blue and black to each, original pictorial printed wrappers, generally in good condition (second title with some marks, fraying, and discolouration to edges), large slim 8vo, together with Wadsworth (Wallace). The Stubborn Dirigible and other stories, Pictures by Ruth Eger, Chicago: Rand McNally & Company, 1935, full-page colour printed plates and other monochrome illustrations to text, early ownership inscription to front pastedown dated 1938, original pictorial boards, rubbed and some marks, large 4to, plus Hints for Flight Sub-Lieutenants, Royal Naval Air Service, London: Forster Groom & Co., 1916, colour plates, advertisements at front and rear, contemporary signature to front endpaper of F. S. Russell, dated 1916, original blue cloth lettered in gilt and red, a little rubbed and some light damp marking, 12mo, and Warne (Frederick, publisher). Flying Days (Aunt Louisa's Home Toy Books-Series III), London: Frederick Warne & Co., circa 1910, four chromolithograph full-page plates, monochrome illustrations, some light marginal soiling and spotting, original pictorial chromolithograph boards, rubbed and some soiling and partial loss to blank spine, large slim 8vo, plus others ballooning titles, including E. F. Herbert and Philip Zec, Blossom the Brave Balloon, 1941, The Book of Airships, Ernest Nister, circa 1900, Florence K. Upton, The Golliwogg's Air-Ship, circa 1890 (covers damp marked), Raphael Tuck, Boo-Boo The Barrage Balloon, Raphael Tuck, [1943], Georgette Heyer, A Balloon Incident from Frederica, London: Bodley Head, 1965 (limited edition of 200 copies), Aviation Book, McLoughlin Brothers Inc., Springfield, Massachusetts, 1932, Blanchard, Journal of my Forty-Fifth Ascension, Oakham Bindery, Massachusetts, 1976 (miniature book limited edition 360/500), etc.QTY: (13)

* Vanity Fair. 'The Deutsch Prize', The aviator Alberto Santos-Dumont by George Hum, published Vanity Fair, November 14th 1901, colour lithograph printed by Vincent Brooks Day & Son Ltd., 37.5 x 25.5 cm (14 3/4 x 10 ins) mount aperture, framed and glazed, with printed descriptive text attached to verso, together with another Vanity Fair print depicting Frank Hedges Butler, entitled 'The Air', framed and glazed, plus Alvey (F.). The Vauxhall Royal Balloon, formed of 2,000 yards of silk and capable of ascending with 28 persons, beside ballast and apparatus... First Ascent with 9 persons made from Vauxhall September 9th 1836, hand-coloured lithograph by F. Alvey after Black, a few marks to outer margins, 28 x 22.5 cm mount aperture, framed and glazed, and other various ballooning prints and related, including an original pen and black ink humourous scene entitled 'Time badly Employed', depicting a crown of people with a balloon ascent, attributed to A. J. Groom, and dated circa 1828 in later pencil to verso, gilt frame, glazed (17 x 22 cm), a framed and glazed photogravure print of the Royal Naval Air Service in action, after John de G. Bryan, circa 1915, a later printing of a cartoon of a hand-coloured caricature entitled 'onne Farte raising a southernly wind, 1798 [but later], framed and glazed, a large colour lithograph entitled The Battle of Paardeberg, circa 1900, framed and glazedQTY: (9)

* Gamy. 'Londres-Manchester' 1910, a hand-coloured pochoir lithograph on paper, showing an aviation scene depicting Paulhan in his Farman biplane following the railway lines, 37 x 79 cm, mount aperture, framed and glazed, frame size 60.5 x 101.5 cm, overall toning QTY: (1)

Prof. Heinrich Plühr, In der SpinnstubeBlick ins ländliche Interieur mit alter Frau in Tracht am Ofen beim Spinnen, poesievolle Schilderung des kargen bäuerlichen Lebens, rechts unten am Ofen wartet in einem Tuch die Rohwolle auf ihre Weiterverarbeitung - sie wird zwischenzeitlich von einer Katze als Schlafstatt genutzt, während sich die Bäuerin aufs gleichmäßige Fadenziehen am Spinnrad konzentriert, links daneben nimmt eine Drehhaspel den frisch gesponnenen Faden auf, fein lasierende Genremalerei, Öl auf Leinwand, links unten ligiert signiert und datiert "H. Plühr 1887", farbschwundrissig und etwas verputzt, gerahmt, Falzmaße ca. 58 x 48,5 cm. Künstlerinfo: dt. Portrait- und Genremaler, Lithograph und Fotokünstler (1859 Bekum bei Hohenhameln bis 1953 Weimar), Kindheit in Höver/Sehnde, zunächst Lehre zum Lithograph, anschließend Tätigkeit als Fotograf und Fotoretuscheur in Hamburg, studierte ab 1883 an der Weimarer Malerschule bei Max Thedy und Woldemar Friedrich, unternahm mit Stipendium der Weimarer Kunstschule eine Romreise, beschickte Ausstellungen in Paris, erhielt 1900 eine Bronzemedaille auf der Pariser Weltausstellung, tätig in Weimar, Quelle: Thieme-Becker, Vollmer, Benezit, Dressler, Walther Scheidig "Die Weimarer Malerschule" und Wikipedia.

Alfred Kunze, Sognefjordtypische norwegische Fjordlandschaft im Sommer mit Fischerbooten und Blick auf schneebedeckte Berge, Öl auf Leinwand, rückseitig originaler Rahmenaufkleber sowie Kunstausstellungsetikett Gerstenberger Chemnitz, unleserlich signiert, mit alter Verkaufsquittung 1979 und beigegebener Künstlerbiografie, in schlichte getreppte Leiste gerahmt, Falzmaße 47 x 53 cm. Künstlerinfo: dt. Maler und Lithograph (1866 Chemnitz bis 1943 Chemnitz), zunächst Lehre zum Lithograph in Chemnitz, 1884-89 tätig als Lithograph in Nordböhmen, Prag, Wien und im Salzkammergut, anschließend Studienaufenthalte in Augsburg und Nürnberg, 1889 Gründung eines eigenen Ateliers in Leipzig, 1900 Rückkehr nach Chemnitz und Malstudium bei Wilhelm Franz, 1902 Mitglied der Kunsthütte Chemnitz, unternahm Studienreisen nach Paris, Belgien, Holland, Schweden, Dänemark, Tirol, Italien und an die Nordsee, Mitglied des Deutschen Künstlerbundes und ab 1907 Mitbegründer und Vorsitzender der "Künstlergruppe Chemnitz", Mitgliedschaft im Reichsverband Bildender Künstler Deutschland und im Deutschen Werkbund, tätig in Chemnitz, Quelle: Thieme-Becker, Vollmer, Dressler und Internet.

Josef Benedikt Engl, "Der Vorschuss"Reihe von Arbeitern beim Erhalt ihres schmalen Lohns und im linken Bereich gut genährter Herr mit Anzug und Brille, Tusche, Graphit, Aquarell und Deckweiß auf leichtem Karton, unterhalb der Darstellung diverse Angaben zum Druck, auf der Rückseite Stempel "Nachlass J. B. Engl" sowie Klebezettel mit Angabe zum dazugehörigen Text und bezeichnet "Simplicissimus Beiblatt, 6. Jahrg. Nr. 17", leicht lichtrandig und etwas angeschmutzt, Blattmaße ca. 35,5 x 50 cm. Künstlerinfo: dt. Zeichner, Illustrator und Kunstgewerbler (1867 Schallmoos bei Salzburg bis 1907 München), Kindheit und Jugend in München, Lehre als Lithograph, seit 1884 arbeitete er für die Fliegenden Blätter, ab 1885 Besuch der Königlichen Kunstgewerbeschule in München, ab 1888 Mitarbeiter bei verschiedenen Witzblättern, ab 1896 Arbeit für den Simplicissimus, Quelle: Thieme-Becker und Wikipedia.

Carl Röchling, "Berittener Spähtrupp"Gruppe von drei berittenen Soldaten des 1. Weltkriegs auf der Flucht, Aquarell, um 1918, rechts unten monogrammiert "C.R.", auf Rahmenrückwand Zuschreibung "Prof. Carl Röchling (1855-1920), org. Aquarell alt aufgezogen..." sowie "rücks. Alt beschr. "Berittener Spähtrupp vom Feinde entdeckt", farbfrisch erhalten, hinter Glas gerahmt, Falzmaße ca. 14 x 27 cm. Künstlerinfo: dt. Landschafts-, Schlachten-, Historienmaler, Lithograph und Illustrator (1855 Saarbrücken bis 1920 Berlin), studierte 1875-80 an der Akademie Karlsruhe bei Ludwig des Coudres und Ernst Hildebrandt, später an der Akademie Berlin, Meisterschüler und zeitweise Mitarbeiter von Anton von Werner, in Zusammenarbeit mit Richard Knötel als Kinderbuchillustrator tätig, wurde auch bekannt durch zahlreiche, durch den Kölner Schokoladeproduzent Ludwig Stollwerck verbreitete Sammelbilder, tätig in Berlin, Quelle: Thieme-Becker und Internet.