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70553 Los(e)/Seite
After James Duffield Harding (1797-1863) 'View of The Clifton Suspension Bridge' from a drawing by Brook Smith Proposed to be erected by the trustees appointed under the Act, according to the Design and under the Directions of Brunel Junr, Esq, Civil Engineer F.R.S. Coloured lithograph 33cm x 42cm
Henry Zvi Zilberstein (1929-2009) portfolio with 8 signed lithographs, Judaica. The cover is designed as an English newspaper with the headline - Yiddishkite- Zvi Zilberstein. The portfolio includes the following lithographs: 1. The Kotel 2. Conversation 3. The Old Couple 4. The Letter 5. In The Ghetto 6. Bread and Water 7. Jewish Schooling 8. Torah Writing Each lithograph measures: 16in x 11.4in / 40.6cm. x 28.95cm. Each lithograph is signed and dated in the plate and hand signed and numbered by the artist. Henry Zilberstein. Born on 1929 in Paris. On 1943 he Joined the "Premiere armee francais" and participated in many battles. On 1947 he came to Israel and settled down in Kibbutz Chulata. He worked there as a fisherman, a truck driver and an architect but later (1995) abandoned all of those professions to commit to his painting. "Zvi (Henry) Zilberstein lived 70 years following the modernist's way of life, when one day he left the architect sketching desk for something he wasn't familiar with himself. He was guided more by vague intuition then by nostalgia, he was always too connected with his own culture and time. And still, there was one thing that inspired him: a black and white album entitled "Disappearing world". Its author, Roman Wishniak, a brilliant photographer, had spent the 20s and 30s in eastern Europe, capturing the humble and yet very rich lives of the Jewish communities on film. Today, Zilberstein is reliving the magic of those photos with delicate colors and a touch of humor, inspired by his admiration to the great American cartoonist, Norman Rockwell." Gabriel Roth.
A set of four reproduction sepia photographs showing Bristol scenes including Clifton, St Vincent's Park, etc, produced by The Francis Thrift Collection 1976, 20 x 29 cm together with a 1973 limited edition of a reproduction lithograph produced by The Alexander Gallery to celebrate the Bristol 600 anniversary, and an 18th century plan of the City of Bristol by Benjamin Donn, 30 x 42 cm, etc, all framed
A collection of 19th century and other prints and engravings including a novelty coloured print from the R Evan Sly's New and Amusing Mechanical Prints Series showing an elegant lady with aperture to the bonnet to allow various humorous faces to appear, 27 x 21 cm together with a similar lithograph showing Mr & Mrs Caudle in bed, an 18th century coloured engraving after Charpentier showing a classically draped female figure accompanied by a dog and cupid, an embossed copper icon showing The Virgin and Child with various painted detail, 37 x 34 cm, etc
An oil painting on board of a continental town scene, possibly in Venice, with figures besides a canal, signed bottom left P Awbery, 40 x 29 cm in gilt frame and gilt slip together with an 18th century coloured engraving of a scene at Vauxhall with the characters identified on paper labels, and a 19th century lithograph of a French cityscape after F Hoffbauer showing Le Petit Pont Et La Place Du Petit-pont (1830) (all framed)
A promotional poster for the Joe Frazier v Muhammad Ali World Heavyweight Championship fight at Madison Square Garden 28th January 1974, billed as "Fight II ... the big fight everyone is wanting to see", lithograph by Passantino Printing Co., New York, 59 by 76.5cm., 23 1/4 by 30in., creases and tears, unframed
MIKHAIL CHEMIAKIN (RUSSIAN B. 1943)Transformation de Picasso, 1991suite of five original color lithographseach image size: 84 x 56 cm. (33 1/2 X 22 1/2 in.); each sheet size: 95.3 x 64.8 cm. (37 1/2 x 25 1/2 in.)each lithograph signed and titled in plate, signed in pencil lower right, numbered in pencil lower left 57/300LOT NOTESEach of the lithographs from this suite are individually framed. The set is sold with the original blue velvet coated portfolio with embossed silver design and title.PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 234. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 2:00 PM New York Time and goes from Lot 500 through Lot 657. We sell approximately 70 lots per hour.
MIKHAIL CHEMIAKIN (RUSSIAN B. 1943)Carnaval St. Petersbourg, 1988suite of five original color lithographs on kozo papereach image size: 48 x 41 cm. (18 7/8 X 16 in.); each sheet size: 75.5 x 54 cm. (29 5/8 x 21 1/4 in.)each lithograph signed and titled in plate, signed in pencil lower right, numbered in pencil lower left 57/75LOT NOTESThe set is sold with the original black velvet coated portfolio with gilt embossed design and title.PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 234. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 2:00 PM New York Time and goes from Lot 500 through Lot 657. We sell approximately 70 lots per hour.
JOAN MIRO (SPANISH 1893-1983)Album 19, Plate I, 1961color lithograph on Rives vellum paper66 x 50 cm (26 x 19 3/4 in.) signed with monogram lower right, numbered 58/75 lower leftPublished and printed by Maeght, Paris, 1961LITERATURERaymond Queneau, Joan Miro Lithographs, Volume II. Maeght Editeur: Paris, 1975, No. 312, p.185 (illustrated)PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 234. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 2:00 PM New York Time and goes from Lot 500 through Lot 657. We sell approximately 70 lots per hour.
An Edwardian fan in the 18th century style, with carved, gilded and silvered bone guards and sticks and hand coloured lithograph of 18th century couples and children in a garden setting, the reverse with landscape, approx. 27cm. cased. CONDITION REPORT: Sticks and guards in good condition. Paper fan with minor rips at crease tips. Light colour wear to the folds.
After Fernand Simeon, French 1884-1928- Costume studies; hand-coloured lithograph, 12.5x22cm: together with a mixed folio of fashion plates and prints of costume studies, mostly mid-late 20th century, after various hands, held in a folio entitled Costumes et Modes d'Autrefois, Horace Vernet, Incroyables et Merveilleuses, Paris 1810-1818, texte par Roger-Armand Weigert, (a quantity) (unframed)
British School, mid 20th century- Still life with flowers beside a mirror; pastel, 61x47.1cm: Phillipe Benoist, French 1813-c.1880- "Le Nouvel Opéra, Boulevard des Capucines" from Louis Fournel, Paris et ses ruines, publ. by Henri Charpentier c.1872-1874; tinted lithograph, 29.4x39.4cm: After Jean-Baptiste-Camille Corot, French 1796-1875, Henry Scott Bridgewater, British 1864-1946- "L'Eclogue", publ. by The Museum Galleries, London, 1929; mezzotint, signed in pencil, 38.5x47cm: together with four figure studies by a separate hand in pencils and chalks, one inscribed 'Feb 15/10 J H Ballard' in pencil, various sizes, (7) CONDITION REPORT: flowers - mounted in a glazed, wooden frame bears label for 'Chas H. West Ltd, 117 Finchley Road Swiss Cottage London NW3' attached to the reverse of the frame two minor blemishes to surface on left side otherwise in very good original condition L'Eclogue - mounted in a glazed frame may or may not be stuck down as unexamined out of the frame sheet very slightly ruckled in very good original condition
Louis Hague HPRI, Belgian 1806-1895- ''Encampment of Pilgrims Jericho'' after David Roberts RA, publ by F G Moon, 20 Threadneedle St April 1st 1834; hand-coloured lithograph, 23.5x34.5cm: together with two other hand-coloured lithographs by the same hand entitled "Tomb of Aaron, Mount Hor", and "Chapel of the Convent of St Saba", after David Roberts RA, publ by F G Moon, 20 Threadneedle St in March & April 1839, 23.5x34.5cm ea., (3) (in matching frames) CONDITION REPORT: In matching gilded, moulded and glazed frames with gold mounts Losses to the frames Unexamined out of frame All prints are a little discoloured Ruckled slightly under the mount Brown spotting/faint staining on all prints One print has mount shadow Otherwise in general good condition
Hullmandel after J Gould and H C Richter (19th century) Emberiza Rustica Lithograph together with three further examples depicting tropical birds from the same series and a large collection of antique and miscellaneous prints and modern watercolours of a botanical subject matter, a set of four Bartolozzi after F Wheatley mezzotints representing the four seasons, portraits etc (a collection)
After Ferdinand Hodler (1853-1918) Standing figure of a soldier Black and white lithograph, 75cm by 51cm together with an etching by Charles Beauchamp ''Suffolk Hazard'' from an edition of 75, a signed print of Igor Stavinsky by A Newton and two unframed monochrome signed etchings by Peter Freeth ''View from the War Ministry'', 69cm by 52cm, 24.5cm by 57cm, 60cm by 89cm respectively (5)
GROUP OF FOUR FRAMED PRINTS including a Japanese woodblock print of orange lillies, two colour lithographs of colourist style floral paintings by Anna Gusteiger (Viennese) both inside art deco style frames and a limited edition lithograph of 'Sgur na Gillean, Skye' by Rob Peary numbered 65/500

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70553 Los(e)/Seite