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Los 269
* HANNAH FRANK (SCOTTISH 1908 - 2008),WRAP THY FORM IN A MANTLE GREY (1941)lithograph on paper, signed in pencil, titled and datedimage size 39cm x 29cm, sheet size 48cm x 35cm, overall size 53cm x 39cmFramed and under glass.Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Los 110
Andy Warhol (American, b. 1928-1987) Apple Macintosh, 1986 Lithograph heavy paper poster Signed in plate and numbered 368/2400 Published by the Carnegie Museum Of Art with C.M.O.A back stamp 60 x 60 cm (23 x 23 in) Andy Warhol born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987 was an American artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 137
Banksy (British, b.1974)Tesco Value Petrol Bomb, 2011Offset lithograph in colour on smooth wove paperSigned in plate From an un-numbered edition of 200050 x 40 cm (19 x 15 in)Banksy is a pseudonymous England-based street artist, political activist and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls and bridges throughout the world. Banksy's work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 56
Jamie Reid (British, b. 1947) Various Items "Fuck Forever" offset lithograph print designed by Jamie Reid 2006. This anti-war poster was printed up as a freebie for "Don't Panic" flyer packs distributed around London Nude and The Illustrated Ape magazines feature Jamie Reid 2 x Jamie Reid Dirty Linen pieces with Jamie Reid facsimile signature and stamped with edition number, black 000026 and pink 000008 "PUNK" exhibition flyer designed by Jamie ReidSex Pistols music book with designs by Jamie Reid Poster 59 x 42 cm (23 x 16 in) Dirty Linen Pink 20 x 13 cm (8 x 5 in) Dirty Linen Black 19 x 14 cm (7 x 5 in) Jamie Reid is an English artist and anarchist with connections to the Situationists. His work, featuring letters cut from newspaper headlines in the style of a ransom note, came close to defining the image of punk rock, particularly in the UK, he created the ransom-note look used with the Sex Pistols graphics while he was designing Suburban Press, a radical political magazine he ran for five years. His best known works include the Sex Pistols album Never Mind the Bollocks, Here's the Sex Pistols and the singles "Anarchy in the UK", "God Save The Queen" "Pretty Vacant" and "Holidays in the Sun". Reid's design for the Sex Pistols' "Anarchy in the U.K." poste (a ripped and safety-pinned Union Flag) is regarded as the pivotal work in establishing a distinctive punk visual aesthetic. He was educated at John Ruskin Grammar School in Croydon. With Malcolm McLaren, he took part in a sit-in at Croydon Art School. His exhibitions include Peace is Tough at The Arches in Glasgow, and at the Microzine Gallery in Liverpool, where he now lives. . He now exhibits and publishes work at the L-13 Light Industrial Workshop in Clerkenwell, London. He is also represented by John Marchant Gallery who look after Reid's extensive archive. Reid has also been involved in direct action campaigns on issues including the poll tax, Clause 28 and the Criminal Justice Bill. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 78
Peter Max (American b.1937) Liberty Head II Collage, 1997Mixed media with acrylic painting on a lithograph printed background on boardSigned in acrylicFramed & glazedWith original paperwork from Park West Galleries present61 x 54 cm (24 x 21 in)Peter Max is a German-American artist known for using bright colours in his work. Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 79
James Cauty (British, b. 1956) Dead Dad 1, 2007 Lithograph poster, part of the Operation Magic Kingdom series Unsigned, open edition 70 x 48 cm (27 x 19 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 129
Alexander Calder (1898 Philadelphia - 1976 New York) (F)Komposition mit Mond und Stern, Farblithografie auf Bütten, 57,5 cm x 78 cm Blattmaß, signiert, 8/100 nummeriert, partiell minimal knickfaltig Alexander Calder (1898 Philadelphia - 1976 New York) (F)Composition with moon and star, colour lithograph on handmade paper, 57.5 cm x 78 cm sheet dimension, 8/100 numbered, signed, partially minimally kinked
Los 52
Marc Chagall (1887 Witebsk - 1985 Saint-Paul-de-Vence) (F)'Bucolique', Farblithografie auf Arches, 1971, 45 cm x 48 cm Blattmaß, 25,5 cm x 31,2 cm Plattenmaß, signiert, 32/50 nummeriert, nachgedunkelt, montiert, verso stockfleckig, Literatur: WVZ. Mourlot 627 Marc Chagall (1887 Vitebsk - 1985 Saint-Paul-de-Vence) (F)'Bucolique', colour lithograph on Velin d'Arches, 1971, 45 cm x 48 cm sheet dimension, 25.5 cm x 31.2 cm panel dimension, signed, 32/50 numbered, darkened, mounted, verso stain-spotted, literature: WVZ. Mourlot 627
Los 54
Georges Braque (1881 Argenteuil - 1963 Paris)'Le Bouquet', Lithografie auf Arches, 1962, 31 cm x 17 cm Plattenmaß, 33 cm x 35 cm Passepartoutinnenmaß, signiert, 26/125 nummeriert, Papier gebräunt, Literatur: WVZ. Vallier 188Georges Braque (1881 Argenteuil - 1963 Paris)'Le Bouquet', lithograph on Arches, 1962, 31 cm x 17 cm panel dimension, 33 cm x 35 cm inner passepartout dimension, signed, 26/125 numbered, browned paper, literature: WVZ. Vallier 188
Los 128
Alexander Calder (1898 Philadelphia - 1976 New York) (F)'Cheval Rouge', Farblithografie auf Bütten, 1974, 58,5 cm x 78 cm Blattmaß, signiert, 5/150 nummeriert, partiell leicht verschmutzt Alexander Calder (1898 Philadelphia - 1976 New York) (F)'Cheval Rouge', colour lithograph on handmade paper, 1974, 58.5 cm x 78 cm sheet dimension, signed, numbered 5/150, slightly soiled in the upper part of the picture
Los 53
Marc Chagall (1887 Witebsk - 1985 Saint-Paul-de-Vence) (F)'Saint-Jean-Cap-Ferrat', Farblithografie auf Velin, 1952, 68 cm x 49,5 cm Plattenmaß, 74,5 cm x 53,5 cm Passepartoutinnenmaß, signiert, Epreuves d'artiste nummeriert, im Druck signiert, 1949 datiert, leicht gewellt, leicht gebräunt, Literatur: WVZ. Solier VI, CS 4.Bereits um 1910-1914 löste sich Marc Chagall während seines Parisaufenthaltes vom Impressionismus, den er an der St. Petersburger Akademie erlernte. Dabei integrierte er Stilmerkmale des gerade durch Pablo Picasso und Georges Braque aufkommende Kubismus und farbstarken Fauvismus in seiner Malerei. Nach Russland zurückgekehrt entwickelte Marc Chagall seinen eigenen Stil aus Elementen der russischen Volkskunst und der jüdisch-religiösen Erlebniswelt seiner Kindheit. Über Berlin emigrierte der Künstler nach Paris, wo er von 1920 an lebte und arbeitete. Das Werk Chagalls ist durch farbenprächtige Zusammenfügung symbolischer Bildmotive geprägt. Neben Gemälden fertigte er ein umfangreiches grafisches Oeuvre an und gestaltete Glasfensterentwürfe ebenso wie Keramik und Plastik. Ab 1950 lebte der Künstler in Vence, das über Nizza lediglich ca. 30 Kilometer von der Gemeinde Saint-Jean-Cap-Ferrat an der Côte d ́Azur entfernt liegt und diese Farblithografie betitelt. Marc Chagall (1887 Vitebsk - 1985 Saint-Paul-de-Vence) (F)'Saint-Jean-Cap-Ferrat', colour lithograph on Velin, 1952, 68 cm x 49.5 cm panel dimension, 74.5 cm x 53.5 cm inner passepartout dimension, signed, Epreuves d'artiste numbered, signed in print, dated 1949, slightly wavy, slightly browned paper, literature: WVZ. Solier VI, CS 4.As early as around 1910-1914, Marc Chagall broke away from Impressionism, which he had learned at the St. Petersburg Academy, during his stay in Paris. In the process, he integrated stylistic features of Cubism and colourful Fauvism, which were just emerging through Pablo Picasso and Georges Braque, into his painting. After returning to Russia, Marc Chagall developed his own style from elements of Russian folk art and the Jewish religious experience of his childhood. Via Berlin, the artist emigrated to Paris, where he lived and worked from 1920 onwards. Chagall's work is characterised by a colourful combination of symbolic pictorial motifs. In addition to paintings, he produced an extensive graphic oeuvre and designed stained glass windows as well as ceramics and sculpture. From 1950 onwards, the artist lived in Vence, which is only about 30 kilometres from the municipality of Saint-Jean-Cap-Ferrat on the Côte d ́Azur via Nice and is the title of this colour lithograph.
Los 109
Gottfried Helnwein (1948 Wien) (F)'Marlene Dietrich', Farblithografie auf BFK-Rives, 71 cm x 67 cm Blattmaß, signiert, Marlene Dietrich signiert, Paris 1990 ortsbezeichnet und datiert, E.A nummeriert, montiert Gottfried Helnwein (1948 Vienna) (F)'Marlene Dietrich', colour lithograph on BFK-Rives, 71 cm x 67 cm sheet size, signed, Marlene Dietrich signed, Paris 1990 locally identified and dated, E.A numbered, assembled
Los 291
W BYRNE After J Webber ' A View of Huaheine', engraving plate, 25.5cm x 48cm, mounted in a glazed birds-eye maple frame (Huaheine is one the North side of the 'French Polynesian Society Islands' in the South Pacific Ocean), Day & Haghe after A Picken, 'A View of Falmouth', 1843, commemorating Queen Victoria's visit there, lithograph, published Philip & Evans, Bristol & Ackermann & Co, London, 35cm x 49cm, mounted in a glazed gilt frame (2)
Los 331
Modern English Silverwork, An Essay by C.R. Ashbee, Together with a Series of Designs by the Author Drawn upon a Hundred Separate Lithograph Plates and Coloured by Hand, with a Descriptive Index, 1909, limited edition of 200, Kelmscott, Essex House, Broad Campden, published by B.T. Batsford, London, green cloth outer boards
Los 57
HENRY RYLAND (1856-1925), oil on canvas Judith (gleaning from the field of Boaz), partial signature lower left, titled lower right and with original Cholrodyne advert dated 1895 verso, Goldstein & Co. framers stamp to the back of the mount, Judith pictured here with a sheaf of wheat as she appears in Ryland's later lithograph dated 1903, 20.5 cm x 14.5 cm, framed & glazed
Los 222
Dighton (Richard, artist and youngest son of Robert Dighton, 1796-1880) Four original full-length portraits or character studies, watercolours over black chalk, 3 signed and indistinctly inscribed, one with identification verso that reads 'Hon. Lt. Gen Coyzel/ Thomas Edward Caper/ Son of The Earl of Sussex', and another inscribed verso '67 - Georges [?]Plan', each sheet approx. 255 x 200 mm (10 x 7 7/8 in), two mounted on support with heavy browning to edges, otherwise exposure lines and discolouration, spotting and surface dirt, unframed, [19th century]; together with a lithograph after Richard Dighton, [?] erroneously attributed in pencil verso to 'Lord Seymour', unframed, early to mid 19th century (5)
Los 303
Birds.- Ferguson (George) Ferguson's Illustrated Series of Rare and Prize Poultry, first edition, hand-coloured lithograph frontispiece and 19 plates only (of 21) by C.J. Culliford, wood-engraved illustrations, errata leaf at end, minor spotting, some plates with blue ink stain to verso, original cloth, recased, 8vo, 1854.⁂ Scarce; the last complete copy at auction appeared in 1981. This copy lacking the White and Lemon Shanghaes at pp.17 and 21 respectively (according to the list of plates).
Los 306
Birds.- Hewitson (William C.) British Oology; being Illustrations of the Eggs of British Birds, 2 vol., first edition, 155 fine hand-coloured lithograph plates, occasional spotting, modern dark blue crushed morocco, gilt, by Sangorski & Sutcliffe, g.e., fine copies, 8vo, Newcastle upon Tyne, [1831-38].⁂ A very handsome set. Without the supplement (1842), which has a further 14 plates. The list of subscribers at end of vol.2 includes J.J. Audubon, John Gould (10 copies), Sir William Jardine, Prideaux John Selby and William Yarrell.
Los 315
Botany.- Mee (Margaret) Flowers of the Brazilian Forests, number 38 of 100 specially bound copies with an original watercolour by the author, signed by the author on colophon, original watercolour of a Tibouchina (c.330 x 240mm.), signed and numbered by Mee, tipped-in before title with tissue guard, 32 colour lithograph plates by the author (including frontispiece) with tissue guards, pictorial endpapers, original full vellum, gilt, spine a little sunned, t.e.g., original cloth slip case, slightly scuffed, folio, The Tyron Gallery, 1968.⁂ Mee was an English botanical artist and conservationist who spent more than thirty years exploring the Amazon, collecting, preserving and illustrating the flora which she encountered. In his Introduction to this work, Roberto Burle Marx - internationally renowned landscape architect and one of the first ecologists to call for the conservation of the Brazilian rainforests - recalls how Mee, on expeditions into the forest, possessed such keen instinct and observation that she would surprise the party by consistently finding the rarest species. Indeed, she discovered and recorded several species new to science, some of which are presented here for the first time. Foreword by Sir George Taylor, Director of the Royal Botanical Gardens, Kew from 1956-1971. Produced under the patronage of HRH. The Duke of Edinburgh.
Los 319
Entomology.- Evans (W.F.) British Libellulinae: or, Dragon-Flies, first edition, 21 lithograph plates, all but 2 hand-coloured, some with pencil annotations, a few light spots, original cloth, paper spine label slightly chipped, housed in a fleece-lined cloth drop-back box, Printed for Private Circulation, 1845 § Martin (W.C.L.) A General History of Humming-Birds...with especial reference to the Collection of J. Gould, 15 stunning hand-coloured engraved plates, heightened with gold, minor spotting, original cloth, spine very slightly faded, 1852, 8vo (2)⁂ Two rare and beautifully-illustrated works in lovely condition.
Los 333
Angling.- Tolfrey (Frederic) Jones's Guide to Norway, and Salmon-Fisher's Pocket Companion, first edition, additional tinted lithograph title, frontispiece, 8 fine hand-coloured plates of flies, copious pencil annotations, original cloth, recased, 1848 § [Fitzgibbon (Edward)] "Ephemera". The Book of the Salmon, 9 engraved plates, all but one hand-coloured, bookplate of David MacBrayne, contemporary morocco, slightly marked, 1850 § Ronalds (Alfred) The Fly Fisher's Entomology, third edition, 20 hand-coloured engraved plates, bookplate of Thomas Picton Rose Richards, later green half morocco, gilt, 1844 § Walton (Izaak) and Charles Cotton. The Complete Angler, 2 parts in 1, first Hawkins edition, engraved plates and illustrations, index at end foxed (as usual), later green morocco, gilt, g.e., 1760; and 4 others, angling, v.s. (8)⁂ The first mentioned, issued at the instigation of J. Jones (a tackle dealer of Jermyn Street), is the first and most acclaimed of British books about angling in Norway.
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70555 Los(e)/Seite