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70555 Los(e)/Seite
Los 694
After George Cruikshank; hand coloured print "Princely Amusements of The Humors of the Family", 20 x 52cm, mounted, a coloured print "The Propagation of a Lie" after H Bunbury, 24.5 x 35.5cm, mounted, a pair of mezzotint engravings by F Petitjean, framed and glazed, lithograph "Old House, Hereford", also a print after Haslehust and a print of lion and lioness (7).
Los 428
James Francis Cauty b.1956- "The CNPD Working to Improve Arts in the North East 15P"; lithograph printed in colours, signed and inscribed `AP`, 60x89cm: Ann-Marie Lequesne, American b.1946- "Grand Central 16/12/00 2:30pm"; screenprint, signed, titled, and inscribed `A/P`, in pencil, 74.7x55cm., (2) (may be subject to Droit de Suite)
Los 431
Felix Labisse, French 1905-1982- Three female faces with walls a steps; lithograph in colours, signed, dedicated and numbered 59/145 in pencil, 52.5x64.5cm: together with one other colour lithograph by the same of a surrealist tree form, signed, dedicated and numbered 28/145 in pencil, 76x56cm., (2)
Los 435
After David Shepherd b.1931- "Elephants and Egrets"; offset lithograph printed in colours, signed in pencil and numbered 815/1300, 41.5x75cm: together with another after the same artist, "Arabian Oryx", signed in pencil and numbered 904/1500, 45.5x75cm: After Anthony Gibbs b.1951- "Quizzical Quadrupled"; offset lithograph printed in colours, signed in pencil and numbered 1054/1500, 41.5x75cm: together with another after the same artist, "The Great White Tiger"; signed in pencil and numbered 734/1500, in near matching frames, 50x75cm., ea., (4)
Los 454
* Hendrik Golzius 1558-1617- "L`Enfant et le Chien", 1599; copper engraving, trimmed, 35x26.4cm: Jacques Callot 1592-1638- "Battaglia del re Tessi e del re Tinta FestaRapresentata in Firenze el Fivme d`Arno il di XXV di Lvglio 1619"; engraving, 1619, 22.3x30.5cm: Caroline Naudet, French 1775-1839- Two classical figures; engraving, bears inscription on the reverse, 30x20cm: After Dante Gabriel Rossetti 1828-1882- Portrait of a lady; red crayon over lithograph, 24.5x18cm: After Rembrandt van Rijn 1606-1669- "Three Oriental Heads, First Head, Full Face",1635; etching, 18x14cm: After Rembrandt van Rijn 1606-1669- "The Raising of Lazarus"; etching, 32x16.5cm: After Albrecht Dürer 1471-1527- "Joachim and Anna at the Golden Gate, 1509; reproduction print, trimmed 29.7x20.6cm: After Albrecht Dürer 1471-1527- "The Adoration of the Shepherds", from The Life of The Virgin; reproduction print, trimmed, 30.1x20.7cm: Luigi Rossini 1790-1857- "Veduta dell`Arco di Tito", 1819; etching with aquatint, 33.5x24cm., (a lot)
Los 463
Thomas Shotter Boys 1803-1874- "The Horseguards from St James`s Park"; hand coloured lithograph, 24.5x45cm: together with three other hand coloured lithographs by the same hand titled, "The Club Houses Pall Mall" 31x44.5cm, "N. Front to St James`s Palace from Cleveland Row" 40.5x31cm, "London from Greenwich" 29x43cm, in matching frames: Anne Tanner, late 20th century- Portrait of a Rabbi; brush and black ink/acrylic on card, signed, 78.5x53.5cm: and a small quantity of other pictures by and after various hands, (a lot) (may be subject to Droit de Suite)
Los 479
John Brunsdon, British ARE b.1933- "Dunwich Heath"; aquatint printed in colours, signed in pencil and numbered 95/150, 22.5x30cm: Derek Mynott RBA NEAC 1926-1994- "Venice from the Udo"; lithograph printed in colours, signed in pencil and numbered 32/200, 32.5x52cm: Fernando Rangel, late 20th/early 21st century- "The 2nd at Quail West"; lithograph printed in colours, signed in pencil and numbered 14/125, 37.5x50.5cm: Charles Bartlett, British b.1921- "Stepping Stones"; etching and aquatint printed in colours, signed in pencil and numbered 21/50, 39.8x44.5cm, (4) (may be subject to Droit de Suite)
Los 527
Helen Hanson SBA, British mid-late 20th century- `Red Hot`; etching on handmade paper, signed, titled and numbered 3/100, 39.6x35cm: together with one other similar etching titled `Prima Donnaon, signed, titled and numbered 7/100, 35x39.6cm: After Antoni Tapies b.1923- Untitled Composition; lithograph in colours, 37.7x83.2cm: After Alexander Calder 1898-1976- `Olem Nozzi` (1976); lithograph in colours, 36.6x55cm; together with one other similar lithograph after the same hand titled `Nozzi` (1976), 37.1x55.2cm: After Alberto Giacometti, 1901-1966- `Atelier`; lithograph, 37x55cm: After Hans Hartung 1904-1989- Poster for the Musée National d`Art Moderne; lithograph in colours, 72x51cm., (7) (a lot) (may be subject to Droit de Suite)
Los 545
After Charles Méryon, French 1821-1868- "The Abside of Notre Dame Paris"; etching, signed with monogram within the plate, 15x26cm: Benjamin Thomas Pouncy, British b. circa 1750- d.1799- "Rydal Mere", "The Lower Water Fall at Rydall" and "View of Ambleside", after Thomas Farrington RA, publ 1st Jan1789 by W Byrne No 79 Titchfield St; hand-coloured engravings, three, 24.5x35.8cm., ea: After Henry Alken 1785-1851- "You can have no IDEA what a magnificent day I have had, at least a dozen falls and twice in the brook Oh it was a most magnificent day: be kind enough to LEND ME A HAT" from "Ideas Getting Home after getting into every thing but Hot Water", publ by Thomas McLean 26 Haymarket May 1st 1830; hand-coloured lithograph, in a maple veneered frame, 18.5x24.5cm: After Spy (Leslie Matthew Ward) 1851-1922- Untitled portrait of a gentleman standing full-length; chromolithograph, 33x18cm: Antoine Monay (Yvon), French, early-mid 20th century- Notre Dame, La Madelaine, View of the Seine, and The Arc de Triomphe, Paris; etchings, four, each signed, 13.5x19cm., largest: together with a further quantity of prints of Paris, pictures and reproductions by and after different hands, (a lot)
Los 552
Circle of Paul Sandby Munn 1773-1845- View of an Abbey ruin; watercolour, David Waterson 1870-1934- A figure on horseback under a stormy sky; mezzotint printed in brown, with extensive rocker and roulette work, presumably a unique impression, bears indistinct title verso, 40x52cm: William Strange, Scottish 1859-1921- Italianette courtyard; dry-point etching, signed in pencil, initialed and dated 1913: M C Robinson, 19/20th century- Extensive highland landscape; aquatint: Vincent Brooks, Day & Son Lith 1888- "Pembroke"; Rev Ernest John Smith 1888 (Rowing) publ by Vanity Fair, Jan 28th 1888, lithograph printed in colours, after Hay, 31x19cm: John Marshall, publ c.1821- "A Representation of Twenty One Beasts Commonly Seen in England; engraving publ 1821: Carlo Maratta 1625-1713- St John the Baptist; etching, 20.6x14.2cm: After Peter Candid 1548-1628- Teresa of Avuili`s Vision of the dove; engraving, trimmed: Dirck Stoop c.1610-c.1681- Ponies grazing; etching, signed within the plate, on laid paper, (A/F) (unframed) (a lot)
Los 653
Michael Chaplin, British b.1943- `St. Martin, Picardy`, `Viaduct`, `Water Trough`; etching and aquatint, all numbered or artist proof, titled, signed and dated 80 or 81, 43.5x56.5cm (max) (3): Susan Jameson, British b. 1944- "Moonlight"; mezzotint in colours, numbered 1/200, titled, and signed, 30x40cm: Peter Matthews b.1942 - `Evening Sea`; etching and aquatint, numbered 20/50, titled, signed and dated `83, 38.5x48cm: Norman Marcus, 20th/21st Century- "Lower Wessex Lane, Pummer; serigraph in colours, numbered 33/60, signed and dated `76, 44.5x50.5cm: Kenneth Leech, 20/21st Century- "Meadow Covert"; lithograph in colours, numbered 12/150, signed, 40x48.2cm: Brad Fain, 20/21st Century- `Ashes of Autumn`, `Springtime Promise; serigraph in colours, both numbered, titled and signed, 84x60cm (max) (2): together with four other prints by the same or various hands, 20/21st Century; serigraph in colours, all numbered or artist`s proof and signed, 54.5x74.2cm (max)., (unframed) (13) (a lot) (may be subject to Droit de Suite)
Los 662
Lewis Christopher Edward Baumer RI 1870-1963- "Vicars daughter (meeting one of her class)"; pen and ink, signed, bears conversation in pencil beneath, 33.5x24.5cm, Note: Baumer was a caricaturist who worked for over fifty years for the British magazine `Punch`. He studied at the Royal Academy and Royal College of Arts, in 1921 he was elected a member of the Royal Institution: Wilfred Fairclough, RE 1907-1996- Two women walking on a cobbled street; etching, signed and dated 1988, 19.7x13cm: Richard Bertram Ogle fl. 1920-1929- "Bacchanalia, with Nymphs and Satyrs", oil pastel, 29x22cm: William Nicholson 1872-1949- "W.E Gladstone"; lithograph, 25.2x23.1cm: with another of Cecil Rhodes by the same artist, 24.2x23.1cm, (5)
Los 697
* Ludwig Richter 1803-1884- Couple preparing a picnic in a summer landscape; pen and brown ink and watercolour wash, 12x9.5cm, mounted: C H Sherman, fl.1905- Women and putti; lithograph in green, on olive paper, signed and dated within the plate, signed in pencil, with margins, lacking corner bottom left, with handling marks, creasing and losses, 46x85cm, (af) (unframed) (2)
![Large folio of over 90 HB [ John Doyle ] political caricature cartoon lithograph sketches](http://lot-images.atgmedia.com/SR/35212/2810845/111-2011127133932_468x382.jpg)
Los 545
AFTER THOMAS NORTH "A New Jersey fox hunt-a smoking run", coloured lithograph, AFTER LIONEL EDWARDS "Huntsmen and hounds beside a brick wall in a landscape", a coloured print, a Vanity Fair print "Otho", three various maps of the meets of the Oakley Hounds, two similar for the Heythrop Hunt, an EARLY 19th CENTURY coloured engraved fishing print published by Pyne and Nattes and a quantity of other pictures and prints
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70555 Los(e)/Seite