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Laurence Stephen Lowry (English, 1887-1976), INDUSTRIAL SCENE, offset colour lithograph, signed in pencil, 119 from the edition of 850, published in 1974 by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blind stamp, 37 x 26 cm, framed and glazed. Condition: paper, mount and frame in good condition
Siegfried Sassoon (1886-1967), Letter (21 February 1953) to Lionel Dakers discussing Lingual Exercises for Advanced Vocabularians, a privately-printed collected of poems published by Sassoon in 1925. “P.S.” = Picture Show, Sassoon first post-war collection, privately published in 1919. Together with a Max Beerbohm (1872-1956) lithograph portrait of Siegfried Sassoon, as published in the Spectator. Condition - good
Kraus, GustavPassau 1804 - 1852 München, deutscher Maler und Lithograph. "Prinzregent Luitpold von Bayern (1821-1912), ganzfigurige Darstellung zu Pferd als Oberst und Inhaber des 1. Artillerie-Regiments in Paradeuniform, in der Platte unten rechts sign. und dat. 1840, kol. Lithographie, HxB: 51/42 cm (Sichtmaß). Altersspuren. Mit Passepartout hinter Glas gerahmt. Zur Katalogisierung nicht ausgerahmt.
English School, Early 20th Century, Rural dirt track with a gate, cockerel, hens, and trees, indistinctly signed lower right (obscured by mount), watercolour, 33.5 x 48cm; Glynn Thomas (b.1946), "Lavenham", signed, titled and numbered "10/150" in pencil in the margin, lithograph, 32 x 22.5cm; Anthony John, 2 squirrels, signed in pencil, etching, 17 x 24cm, and 2 doormice. (4)
Hans Tisdall (1910-1997), "Fisherman's Hut", with birds in bird boxes by the coast, lithograph in colours, 42 x 68cm; Nkosilathi Mangena (African School, Contemporary), Four heads in tribal costume, signed and dated "2000" lower right, acrylic on paper, 54 x 35cm, and R. Baker, "Summer Cloudburst 1", signed and titled in pencil in the margin, (mostly obscured by mount), lithograph, 59.5 x 86cm. (3)
Frederick (Fred) Lawson (1888-1968) "Lee Gap" Signed and dated 1927, mixed media, together with a further black ink sketch of "Braithwaite Hall" by the same hand, 18.5cm by 27cm and 22.5cm by 29.5cm respectively (2)"Lee Gap" sketch is a prototype for a lithograph produced after the artistProvenance: Private Collection, Redmire, North Yorkshire a) Lee GapSlight undulation running from the top edge, two inches from the right corner, to the bottom edge diagonally (see images taken in raking light). Small area of denting middle right, and further slight undulations only seen in raking light. A light crease/indent 1.5inches long running vertically from the bottom edge to the right of the signature, a very slight crease bottom left corner, and a slight curved crease centre left edge. Colour good. No apparent oxidisation/timestaining.b) Braithwaite HallPaper flat and even. Feint greyish marks mid top right on top edge, one below right of fire surround, one bottom left corner, and one above date. No timestaining/oxidisation apparent.
The New Game of the Ascent of Mont Blanc, 3rd Edition, circa 1860, published by AN Myers & Co, comprising a linen-backed folding hand-coloured lithograph sectionalised board with fifty views arranged in a spiral and with four vignettes to the corner, lacquer small counter dish, and two cards with the Rules for Polish BeziqueThis board game, first published in 1856, commemorates Albert Richard Smith's ascent of Mont Blanc on 12 August 1851. On his return, Smith opened a stage show at the Egyptian Hall, Piccadilly, based on his experiences. The show was a sensational success, running for six years, leading to associated merchandise including games such as this. Outer box in fair condition. No splits to the hinge/join. Some slight corner wear. Label lifting slightly. Clasp functioning. The board is in 8 sections, may have been 1 now seperated and backed. Overall good condition, fairly bright with some wear to edges. Counter dish free from splits. Game booklet complete. With expected wear and discolouration. Counters box with loss to the front edge, appears to have all cards present. Bone teetotum free from damage. Five stained bone playing figures in good condition.
Werbeplakat für die Polydor-Schellackplatte "Octavie" von Fernandel, 1932Original-Plakat-Lithographie von Jean-José, Druck von J. Bière, Bordeaux, Format: 75 x 102 cm, minimale Risse am oberen Rand, gerahmt und verglast. - Fernandel war ein berühmter französischer Komiker (Don Camillo und Peppone). - Bitte beachten: Versand nur ohne Rahmen und Glas. Start Price: EUR 280 Zustand: (3+/-)Advertising Poster for the Polydor Shellac Disc "Octavie" by Fernandel, 1932Original poster lithograph by Jean-José, printed by J. Bière, Bordeaux, size: 29 ½ x 40 in., minor tears to upper edge, framed and glazed. - Please note: Shipping only without frame and glass. Start Price: EUR 280 Condition: (3+/-)
After Tony Smith, (20th century), Victory, British Grand Prix, Silverstone, 12th July 1992, limited edition lithograph no. 2881/2000, signed in pencil to the margin by the artist and driver Nigel Mansell, visible sheet dimension 49 x 66cm, with Washington Green certificate of authenticity verso.
After Archibald Thorburn FZS (1860-1935)Snipe drummingSigned in pencil, a black and white reproduction, together with a further monochromatic lithograph depicting a loaded cart and horses, R. Houston after T. Spencer, a coloured engraving portrait of George Henry Lord Scott, five prints after Robert Hills depicting stags and deer in landscape (contained in three frames), Fillocul after Paterre, "Les plaisirs de la jeunesse", coloured prints after Jan van Eyck, and miscellaneous further prints, etc, 29cm by 18cm and various other sizes (a collection)
EVA TANGUAYPersonality One Sheet (28" x 41.75"); Stone LithoVery Fine- on Linen Morgan Litho, c.1912This is the sole known copy of an exciting one-sheet for the former star. It is reported that the poster was discovered in a trunk containing Tanguay's possessions, which were sold many years ago.This exquisite stone lithograph poster features the stunning and lively Canadian singer and entertainer, known as "the girl who made vaudeville famous." Produced by J. Morgan & Co. of Cleveland, the poster exhibited border wear, including small chips and creases. It has undergone linen-backing and professional restoration to correct general fold and cross-fold wear, with the borders skillfully airbrushed. The poster serves as a magnificent tribute to the celebrated beauty who captivated the entertainment industry.Audiences had never seen anyone quite like Eva Tanguay before. She was known as the "I Don't Care Girl." Her performances were described as bold, exuberant, outrageous, and flamboyant, capturing the attention of newspapers all over the world. At one point, she was even arrested on stage for breaking the "Sunday Law" by "dancing indecently." Eva's carefree attitude made her stand out from other touring performers of her time, and her striking appearance, wild red curly hair, and elaborate costumes matched her larger-than-life personality. She was the one who wrote the song "I Don't Care," which could arguably be called her best hit. Later, she transitioned into vaudeville and headlined at F. Ziegfeld, Jr.'s Revue on the Follies of 1909 at the famous Palace in New York.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

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