70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Color lithograph of an Image d'Epinal of the "Entree de Napoleon a Madrid" after the original woodcut by Jean Charles Pellerin and Francois Georgin. Includes an explanatory text of the 1808 entrance in Madrid on the lower part. Sight size: 12"L x 8.75"H. Frame size: 15.75"L x 13"H x 0.55"W. Issued: c. 1880Country of Origin: FranceCondition: Age related wear.

Rough Surf is a close-up depiction of waves crashing dramatically on the rocky coastline. It is based on an original oil on canvas artwork by Naturalist and Nautical painter Charles Vickery. The lithograph is signed in the plate and Charles Vickery signed it in pencil on the lower right. Artist: Charles Vickery (American, 1913-1998)Issued: 1970-1980Dimensions: 20"W x 16"HCountry of Origin: United StatesCondition: Age related wear.

Original monochrome lithograph on paper entitled Righteousness Goes Before Him by Post-Minimalist Israeli painter and sculptor Moshe Gershuni. Signature, edition and date on lower right side: A.P. 1/4 Gershuni 88. Deaccessioned from the Jewish Museum, New York. Artist: Moshe Gershuni (Israeli 1936-2017)Issued: 1988Dimensions: 17"L x 21"HEdition Number: Artist Proof Country of Origin: IsraelCondition: Age related wear.

Duneland Sunset is a depiction of the sun setting warmly on a beach's coastline from the view of a sandy shore. It is based on an original oil on canvas artwork by Naturalist and Nautical painter Charles Vickery. The lithograph is signed in the plate and Charles Vickery signed it in pencil on the lower right. Artist: Charles Vickery (American, 1913-1998)Issued: 1970-1980Dimensions: 20"W x 16"HCountry of Origin: United StatesCondition: Age related wear.

Arnie in the Rain: Arnold Palmer Augusta National Golf Championship is an original color lithograph by Expressionist American artist Leroy Neiman. Signature, title and date in plate. Housed in a red frame with an ecru mat. Sight size: 22.75"L x 18"H. Frame size: 29"L x 24.50"H x 1"W. Artist: Leroy Neiman (American 1926-2012)Issued: 1973Country of Origin: United StatesCondition: Age related wear. Red border of frame is separating from the wood.

Beautiful original lithograph on ecru material enhanced with gold leaf dust by American artist Edna Hibel. It depicts bird catcher and fool Papageno as he dances in Mozart's Magic Flute. Written above the impression: Viennese June 1985, From Edna with Love, Papagano (sic) Plays his Magic Flute For our Fantastic Magic Group. Housed in a black frame. Signature in pencil on lower right: Hibel. On lower left: Special Viennese Edition. Sight size: 11.25"L x 23.50"H. Frame size: 14"L x 26"H x 1"W. Artist: Edna Hibel (American 1917-2014)Issued: 1985Country of Origin: United StatesCondition: Age related wear.

Original color lithograph on paper fixed to board after English Royal Academician Francis Wheatley's series Cries of London, entitled Do you want any matches? Marchande d'Allumettes, Achete mes Bonnes Allumettes. Housed in a gilded frame with an off-white mat. Sight size: 11"L x 15"H. Frame size: 12"L x 16"H x 0.50"W. Artist: Francis Wheatley (British 1747-1801)Issued: 19th centuryCountry of Origin: EnglandCondition: Age related wear. Lower part of gilding missing on frame.

Original color lithograph on paper entitled Le Coq au Croissant attributed to Marc Chagall who used regularly the symbol of the rooster as an allegorical symbol. This lithograph is pulled from the publication Chagall by French art historian and chief curator of the Musee d'Art Moderne de la Ville de Paris, Jacques Lassaigne, published by Maeght Editeur, Paris. Signature in graphite on lower right: Chagall. Housed in silver brushed frame with a black mat. Sight size: 7"W x 5.50"H. Frame size: 13.25"W x 11.50"H x 1.25"D. Artist: Marc Chagall (Russian/French 1887-1985)Issued: c. 1957Country of Origin: Russia/FranceCondition: Age related wear.

Lot of two large lithographs on paper by German Contemporary artist Hermann Sporel who has combined a surreal landscape and seascape where houses appear to drown or float on clouds/waves with a ship in the distance. Monochrome lithograph on white paper dimensions: 17.25"L x 25"H. Color lithograph on cream paper dimensions: 17.25"L x 24.50"H. Artist: Hermann Sporel (Germany 20th century)Issued: c. 1970Country of Origin: GermanyCondition: Age related wear.

Large original color lithograph entitled Eclipse de Lune by artist Dang Lebadang who has interwoven European and Far East imagery to depict a partial moon with blue and light yellow tones. Signed in pencil on lower right: Lebadang. On lower left: Epreuve d'Artiste. Artist: Dang Lebadang (Vietnamese/French 1922-2015)Dimensions: 30"L x 22"HEdition Number: Artist's Proof Country of Origin: Vietnam/FranceCondition: Age related wear.

Large offset color lithograph poster on paper by American artist Leroy Neiman after the original F.X. McRory's Whiskey Bar in Seattle painted on St Patrick's Day in 1979. Signature in plate: Leroy Neiman. Housed in a gilded frame with an off white mat. Sight size: 35"L x 17"H. Frame size: 41.50"L x 25.50"H x 1"W. Artist: Leroy Neiman (American 1926-2012)Issued: c. 1980Country of Origin: United StatesCondition: Age related wear.

Handsome black & white lithograph on paper of a three-quarter view portrait of a young boy. Minaux used various methods of scratching and rubbing to spread the black ink onto visually different textures. Housed in a light wood frame with an ecru linen mat. Signature in pencil on lower right: Andre Minaux. Edition number on lower left: Epreuve d'Artiste 1/4. Sight size: 10.25"L x 11.50"H. Frame size: 20"L x 21.75"H x 1.50"W. Artist: Andre Minaux (French, 1923–1986)Issued: c. 1950Edition Number: 1 of 4 Country of Origin: FranceCondition: Age related wear.

Title: The Eastern Brook Trout. Highly detailed lithograph on paper print. Depicts a thrilling scene of a brook trout leaping out of a raging river to catch a mayfly. Text printed on top border reads, Privately printed for members of the Theodore Gordon Flyfishers, Inc. in a signed limited edition of 300 copies. Title printed to bottom border in center; artist signature found in pencil underneath lower right corner. Light green matte with wood frame. Sight size: 24"W x 19.25"H; 26"W x 21.5"H x 1"D. Artist: William J. SchaldachEdition Number: Edition of 300 Condition: Age related wear.

Beautiful original hand colored lithograph that represents six different species of exotic butterflies after the 1855 color etching by James Stewart engraved by James Bishop. Published in 1873 by Blackie & Son, London and Glasgow in Oliver Goldsmith's History of the Earth and Animated Nature, plate 69. Housed in a marbleized wood frame and brown mat. Sight size: 5.50"L x 9"H. Frame size: 12.75L x 16.25"H x 0.50"D. Artist: James S. Stewart (British 1791-1863)Issued: 1873Country of Origin: EnglandCondition: Age related wear.

Offset lithograph poster entitled Symphony in Black by Art Deco artist Erte. It depicts a woman dressed in a gorgeous black evening dress and a fan-shaped headwear that matches the fur shawl wraps that fall from her bare arm as she holds a black whippet. Signed in plate on center right: Erte. Housed in a black lacquered frame. Sight size: 19.75"L x 26.50"H. Frame size: 23.75"L x 30.50"H x 1"W. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: c. 1983Country of Origin: Russia/FranceCondition: Age related wear. Minor color loss on body.

Nathaniel Whittock (British 1791-1860): 'Bird's Eye View of the City of York', 1st or 2nd edition, 19th century lithograph by John Storey, in bird's eye maple frame 61cm x 95cm; together with accompanying book 'Nathaniel Whittock's Bird's-Eye View of the City of York in the 1850s - A Commentary by Hugh Murray', pub. Friends of York City Art Gallery 1989 (2)

Thomas Jefferys (British c1719–1771): 'A Plan of Leeds surveyed by Thomas Donald', 19th century engraved map originally pub. c.1771 with later framed example; Captain Robert Kearsley Dawson (1798-1861) 'Leeds', 19th century lithograph map with hand-colouring pub. c.1832 together with a selection of early 20th century and later reproduction maps of Leeds max 36cm x 50cm (9)

Nathaniel Whittock (British 1791-1860): 'Bird's Eye View of the City of York', 1st or 2nd edition, 19th century lithograph by John Storey, in bird's eye maple frame 61cm x 95cm

Henri de Toulouse-Lautrec (French, 1864-1901)Divan Japonais (Wittrock P11; Adriani 8) Lithograph in colours, 1893, on thin wove paper laid onto heavy wove sheet, printed by Edward Ancourt, published by Édouard Fournier, Paris, the full sheet, framedSheet 810 x 614mm (31 7/8 x 24 1/4in)Footnotes:ProvenanceLeicester Gallery, London.Fritz Gross collection, London.Thence by descent to the present owner.Lautrec began experimenting with lithography when he moved to Paris in 1882, employing bright colours, bold outlines and cropping techniques, inspired by the aesthetics of Japanese woodblock prints which were popular at the time. His studio was in Montmartre and he became well acquainted with the theatrical world, accepting commissions in the local cabarets.This lithograph was commissioned by Edouard Fournier, the owner of the 'Divan Japonais' cabaret in Paris, to celebrate the opening of the club after its decoration in the fashionable Japanese style.Jane Avril, celebrated dancer at the Folies Bergère and Moulin Rouge and the art critic Edouard Dujardin are the focus of the composition. Both were important figures in the cabaret world and good friends of the artist. With his characteristic use of strong blocks of colour and sinuous outlines, Lautrec makes Avril the centre of attention with her striking red hair and black dress. Her prominence underlines the fact that the audience could have as much star quality as the performers, an extra enticement to new clientele.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)Le Cantique des Cantiques (Sorlier CS 47) Lithograph in colours, 1975, on Arches wove paper, signed and numbered 53/200 in pencil, printed by Charles Sorlier, Paris, published by Editions des Amis du Message Biblique Marc Chagall, Nice, with full marginsImage 521 x 432mm (20 1/2 in x 17in)Sheet 708 x 535mm (27 7/8 in x 21 1/8in)Footnotes:This composition was used for a poster advertising the Musée National Message Biblique in Japan.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Andy Warhol (American, 1928-1987)Liz (Feldman & Schellmann II.7) Offset lithograph in colours, 1964, on wove paper, signed and dated '64' in ball-point pen, from the edition of approximately 300, printed by Total Color and published by Leo Castelli Gallery, New York, the full sheet, framedImage 560 x 557mm (22 x 22in)Sheet 586 x 588mm (23 1/8 x 23 1/8in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)The Tribe of Asher, from Twelve Maquettes of Stained Glass Windows for Jerusalem (Mourlot CS 20) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 108/150 in pencil (there were also 75 proofs), printed by Charles Sorlier, published by Mourlot, Paris, with the letter text verso, with wide margins, framedImage 613 x 460mm (24 x 18in)Sheet 740 x 520mm (29 1/8 x 20 1/2in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Cy Twombly (American, 1928-2011)No. I, from Natural History, Part I, Mushroom (Bastian 42) Lithograph in colours with collage and hand-colouring, 1974, on Rives wove paper, signed with the initials and numbered 24/98 in pencil (there were also 19 proofs), printed by Matthieu Studio, Zurich-Dielsdorf, published by Propyläen Verlag, Berlin, the full sheet, framedSheet 758 x 558mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Edvard Munch (Norwegian, 1863-1944)Portrait of a Woman (Woll 407; Schiefler 370) Lithograph, 1912, on wove paper, signed in pencil, printed by Nielsen, Oslo, the full sheet, framedImage 620 x 455mm (24 3/8 x 17 7/8in)Sheet 780 x 494mm (30 3/4 x 19 1/2in)Footnotes:The texture of the Ingres d'Arches MBM laid paper, on which the original drawing was executed, has been transferred to the lithograph. The model is believed to be Karen Borgen (1876-ca. 1960), the same model Munch featured in his painting 'Alma Mater' (circa 1910s), installed in the Festival Hall at the University of Oslo.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)Le Peintre à la palette (Mourlot 54) Lithograph in colours, 1952, on Arches wove paper, signed and inscribed 'HC' in pencil, an hors commerce impression aside from the numbered edition of 70, printed by Mourlot, published by Maeght, Paris, the full margins, framedImage 585 x 495mm (23 x 19 1/2in)Sheet 655 x 500mm (25 7/8 x 19 5/8in)Footnotes:ProvenanceGalerie Maeght, Paris.Acquired directly from the above by the present owner.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)L'Ange du jugement (Mourlot CS 45) Lithograph in colours, 1974, on Arches wove paper, signed and numbered 132/200 in pencil, published by Amis du Message Biblique Marc Chagall, Nice, with full margins, framedImage 518 x 430mm (20 3/8 x 16 7/8in)Sheet 724 x 545mm (28 1/2 x 21 1/2in)Footnotes:This composition was used for the poster of an exhibition of the artist's works held at Musée National Message Biblique, Nice. This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)The Tribe of Levi, from Twelve Maquettes of Stained Glass Windows for Jerusalem (Mourlot CS 14) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 38/200 in pencil (there were also 75 proofs), printed by Charles Sorlier, published by Mourlot, Paris, with the letter text verso, with margins, framedImage 615 x 458mm (24 1/8 x 18in)Sheet 690 x 530mm (27 1/8 x 20 7/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henri de Toulouse-Lautrec (French, 1864-1901)May Belfort (Wittrock P14.B.iv; Adriani 126) Lithograph in colours, 1895, on wove paper backed with linen laid onto board, the fourth state, with the artist's monogram in the stone, with the publisher's address 'Kleinmann, 8, rue de la Victoire', framedSheet 790 x 610mm (31 1/8 x 24in)Footnotes:ProvenanceFritz Gross collection, London.Thence by descent the present owner.Parisian cabaret culture in the 1890s saw a fashion for English-speaking singers. May Belfort was an Irish singer with a penchant for girlish attire and childish lyrics with double meanings, performing with a black cat in her arms. Lautrec saw her at the Cabaret des Decadents and she became a favourite subject, featuring in five lithographs. This lithograph was commissioned by the singer to publicize her appearance at the Petit Casino in 1895. The simple composition and bold colours serve to emphasize her star power.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)The Tribe of Ruben, from Twelve Maquettes of Stained Glass Windows for Jerusalem (Mourlot CS 12) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 118/150 in pencil (there were also 75 proofs), printed by Charles Sorlier, published by Mourlot, Paris, with the letter text verso, with wide margins, framedImage 613 x 458mm (24 1/8 x 18in)Sheet 718 x 525mm (28 1/4 x 20 5/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (British, born 1937)Slow Rise, from Some More New Prints (M.C.A. Tokyo 342) Lithograph and screenprint in colours, 1993, on Arches wove paper, signed, dated and inscribed 'A.P. X/XIV' in pencil, one of 14 artist's proof aside from the numbered edition of 68, printed by Stanley Baden, James Hirahara, James Reid and Stephanie Wagner, published by Gemini G.E.L., Los Angeles, 1994, with their blindstamps and their inkstamp verso, the full sheet, framedSheet 635 x 775mm (25 x 30 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Keith Haring (1958-1990)International Volunteer Day (Littmann p.93) Lithograph in colours, 1988, on wove paper, signed, dated and numbered 625/1000 in pencil, printed by Emiliano Sorini, published by the World Federation of United Nations Associations, New York, with their blindstamps, framedSheet 285 x 215mm (11 1/4 x 8 1/2in)For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Portrait de famille, homme aux bras croisé (Bloch 1029; Mourlot 383) Lithograph, 1962, on Arches wove paper, signed in red crayon and numbered 22/50 in pencil, printed by Mourlot, Paris, the full sheetSheet 560 x 760mm (22 x 29 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Faune aux branchages (Mourlot 113; Bloch 520) Lithograph, 1948, on Arches wove paper, signed and numbered 10?/50 in pencil, the full sheet, framedSheet 765 x 564mm (30 1/8 x 22 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Bruce Nauman (American, born 1941)Raw War (Cordes 7) Lithograph in colours, 1971, on Arches wove paper, signed, dated and numbered 29/100 in pencil (there were also ten artist's proofs), co-published by Castelli Graphics and Nicholas Wilder Gallery, New York and Los Angeles, the full sheet, framedSheet 565 x 720mm (22 1/4 x 28 1/4in)Footnotes:ProvenanceGalleria Lucio Amelio, Naples.Acquired directly from the above by the present owner (with the gallery label verso).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

MATISSE, Henri (nach / after)(1869 Le Cateau Cambrésis - 1954 Nizza) "Nu"Lithografie auf Bütten. In der Platte signiert. [1918]/1994. Galerie Maeght, Mourlot, Paris. Blatt: 40 x 26 cm, im Passepartout: 40 x 30 cm. Verso Copyright-Stempel "Henri Matisse - Nu, 1918 - Succession Henri Matisse 1994". Französischer Maler, Grafiker, Zeichner und Bildhauer; Wegbereiter des Fauvismus; zählt neben Pablo Picasso zu den bedeutendsten Künstlern des 20. Jh. "Wer eine Rose malen will, muß zuerst alle Rosen vergessen, die jemals gemalt geworden sind." (Zitat: HM, www.altertuemliches.at). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:26 Uhr (CET) MATISSE, Henri (nach / after)(1869 Le Cateau Cambrésis - 1954 Nice) "Nu"Lithograph on laid paper. Signed in the plate. [1918]/1994. gallery Maeght, Mourlot, Paris. Sheet: 40 x 26 cm, in passepartout: 40 x 30 cm. Copyright stamp on verso "Henri Matisse - Nu, 1918 - Succession Henri Matisse 1994". French painter, graphic artist, draughtsman and sculptor; pioneer of Fauvism; one of the most important artists of the 20th century alongside Pablo Picasso. "Whoever wants to paint a rose must first forget all the roses that have ever been painted." (Quote: HM, www.altertuemliches.at). Call time 15 | June 2024 | probably 11:26 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Konvolut Luxuspapiere Weihnachten und Ostern. 1 Album mit Oblaten. Selten gemarkt, z.B. Raphael Tuck & Sons. Um 1900. Zumeist Farblithografien geprägt, 2x Offsetdruck. Maximal 14 x 25 cm. Album 12 x 21 cm. Zumeist Ostern-Motive, teils englisch beschriftet. Rotes Album mit Goldprägung und integrierter Farblithografie; innen zahlreiche eingeklebte kleinere Oblaten: Zumeist Kinder, auch Tiere, Nikolaus und Weihnachten sowie Szenen aus dem Struwwelpeter. Selten minimale Alters-/Gebrauchsspuren. Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:33 Uhr (CET)Convolute luxury papers Christmas and Easter. 1 album with wafers. Rarely marked, e.g. Raphael Tuck & Sons. Around 1900. Mostly embossed color lithographs, 2x offset print. Maximum 14 x 25 cm. Album 12 x 21 cm. Mostly Easter motifs, partly labeled in English. Red album with gold embossing and integrated color lithograph; inside numerous glued-in smaller wafers: Mostly children, also animals, St. Nicholas and Christmas as well as scenes from Struwwelpeter. Rarely minimal signs of age/use. Call time 13 June 2024 | probably 13:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NÖFER, Werner (* 1937 Essen) "Horizont I"Farblithografie auf Bütten. Bleistiftsignatur. [20]00. Exemplar: 72/300. Blatt: 69,5 x 50 cm. Untere Rand minimal knickspurig. Deutscher Maler und Grafiker; er gestaltete 1968 das erste Pop-Art-Wandgemälde in Europa - am Grünspan Club auf St. Pauli in Hamburg. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:53 Uhr (CET) NÖFER, Werner (* 1937 Essen) "Horizont I"Color lithograph on laid paper. Pencil signature. [20]00. copy: 72/300. Sheet: 69.5 x 50 cm. Minimally creased lower margin. German painter and graphic artist; he designed the first pop art mural in Europe in 1968 - at the Grünspan Club in St. Pauli in Hamburg. Call time 15 | June 2024 | probably 11:53 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Kämpfer"Lithografie. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christiane Weber", roter Stempel "Clan-Presse". [14.2.(?)68]. Blatt: 51 x 38,3 cm. Illustration zur Geschichte "Die Solidarität". Kleiner Fleck am unteren Rand. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 1282. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:04 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Kämpfer"Lithograph. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christiane Weber", red stamp "Clan-Presse". [14.2.(?)68]. Sheet: 51 x 38.3 cm. Illustration for the story "Die Solidarität". Small stain at lower margin. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Publikum" in his honor as part of the series "Deutsche Malerei des 20. Jahrhunderts". "I follow an urge and see it as my task to visualize and create what moves me, depresses me, fills me with worry or amuses and amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 1282. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:04 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Blick hinauf"Lithografie. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". 1967/68. Blatt: 50 x 38,3 cm. Obere rechte Ecke mit Knick. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 364. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:05 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Blick hinauf"Lithograph. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". 1967/68. Sheet: 50 x 38.3 cm. Upper right corner with crease. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 364. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:05 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PICASSO, Pablo (nach / after)(1881 Málaga - 1973 Mougins) Blatt 53 aus "Suite Vollard"Lithografie nach Radierung. In der Platte signiert. [1933]/1992. Blanc Narcisse, Museum Mülheim, 1992, Prägestempel "Plitt". Blatt: 32 x 45,5 cm, im Passepartout: 40 x 50 cm. Ruhender Bildhauer und Model beim Ansehen eines Torsos, verso Copyright-Stempel "Pablo Picasso - Suite Vollard, Bloch Nr. 162, VG Bild-Kunst, Bonn 1990". Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:23 Uhr (CET) PICASSO, Pablo (nach / after)(1881 Málaga - 1973 Mougins) Sheet 53 from "Suite Vollard"Lithograph after etching. Signed in the plate. [1933]/1992. Blanc Narcisse, Museum Mülheim, 1992, embossed stamp "Plitt". Sheet: 32 x 45.5 cm, in passepartout: 40 x 50 cm. Resting sculptor and model looking at a torso, copyright stamp on verso "Pablo Picasso - Suite Vollard, Bloch Nr. 162, VG Bild-Kunst, Bonn 1990". Spanish painter, graphic artist and sculptor, one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Call time 15 | June 2024 | probably 11:23 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

VOSS, Jan (* 1936 Hamburg) "Eine lange Strecke"Farblithografie. Bleistiftsignatur. [19]70. Blatt: 50 x 65. Deutscher Maler und Grafiker, 1987 bis 1992 Professor an der École nationale supérieure des beaux-arts de Paris. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:32 Uhr (CET) VOSS, Jan (* 1936 Hamburg) "Eine lange Strecke"Color lithograph. Pencil signature. [Sheet: 50 x 65. German painter and graphic artist, 1987 to 1992 professor at the École nationale supérieure des beaux-arts de Paris. Call time 15 | June 2024 | probably 11:32 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kleine Spieluhr mit 18 Platten. Polyphon. Gemarkt, Werk-Nr. "14389". Um 1900. Weichholz mit rotbraunem Lack und Aufdruck, Grundplatte goldbronziertes Gusseisen. 11,5 x 19,5 x 18,5 cm, Platten Ø 16,5 cm, Kamm 7 cm. Quadratischer Kasten; auf dem Scharnierdeckel Aufdruck "Polyphon" (kaum lesbar) mit Blumen. In der Front Zughebel, seitlich Ratschenaufzug und Stellhebel. Im Deckel Farblithographie "Polyphon" mit dirigierendem Zwerg und Vögeln. Werk-Grundplatte gemarkt mit Nr. sowie Zungenkamm am Anreißrad; Zentralantrieb. Gleich gemarkte Platten, z.B. Weihnachtslied, O du fröhlichen, Stille Nacht, Gebet nach dem Zapfenstreich, Die schöne Polin, Des Sommers letzte Rose. Werk läuft. Gehäuse mit Alters-/Gebrauchsspuren, kleine Ausbesserungen an den Scharnieren. Rostspuren an Werk, Kamm und Platten, etliche Platten nicht lesbar, 1 Platte mit Knickspuren. Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:16 Uhr (CET)Small music box with 18 plates. Polyphon. Gemarkt, movement no. "14389". Circa 1900. Softwood with red-brown lacquer and imprint, gold-bronzed cast iron base plate. 11.5 x 19.5 x 18.5 cm, plates Ø 16.5 cm, comb 7 cm. Square box; "Polyphon" imprint (barely legible) with flowers on the hinged lid. Pull lever in the front, ratchet winding mechanism and setting lever on the side. Color lithograph "Polyphon" with conducting dwarf and birds on the lid. Movement base plate marked with no. and reed comb on the ratchet wheel; central drive. Identically marked plates, e.g. Weihnachtslied, O du fröhlichen, Stille Nacht, Gebet nach dem Zapfenstreich, Die schöne Polin, Des Sommers letzte Rose. Movement running. Case with signs of age/use, small repairs to the hinges. Traces of rust on movement, comb and plates, some plates not legible, 1 plate with crease marks. Call time 13 | June 2024 | probably 13:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Das Ende (II)"Lithografie. Bleistiftsignatur. [1950]. Blatt: 41,3 x 54,5 cm. Nach einer kolorierten Zeichnung aus der Reihe "Leviathan"; mehrere Zeichnungen dieses Motives entstanden bereits ab 1940. Randbereich knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 584. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:01 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "The End (II)"Lithograph. Pencil signature. [1950]. Sheet: 41.3 x 54.5 cm. After a colored drawing from the series "Leviathan"; several drawings of this motif were already created from 1940. Marginal area creased. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 584. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:01 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BÜRCK, Paul (1878 Straßburg - 1947 München) Jugendstil-Originalplakat der Künstlerkolonie DarmstadtLithografie auf Karton. Im Druck signiert. 1901. 43 x 21,7 cm. Original-Jugendstilplakat zur Ausstellungseröffnung der Künstlerkolonie Darmstadt auf der Mathildenhöhe 1901. Blatt stockfleckig, Rand beschnitten. Deutscher Maler, Grafiker und Textildesigner; Mitglied der Darmstädter Künstlerkolonie auf der Mathildenhöhe. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:02 Uhr (CET) BÜRCK, Paul (1878 Strasbourg - 1947 Munich) Original Art Nouveau poster by the Darmstadt artists' colonyLithograph on cardboard. Signed in the print. 1901. 43 x 21.7 cm. Original Art Nouveau poster for the opening of the Darmstadt artists' colony exhibition at the Mathildenhöhe in 1901. Sheet foxed, margins trimmed. German painter, graphic artist and textile designer; member of the Darmstadt artists' colony on the Mathildenhöhe. Call time 15 | June 2024 | presumably 11:02 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Ansichten von Rudolstadt und JenaGerahmt & hinter Glas : Je 15,5 x 21 cm. "Aussicht von der Dittersdorfer Höhe in das Rudolstädter Thal", Kupferstich, Druckplatte: 10 x 16,2 cm, gestochen von Ludwig Friedrich Prinz von Schwarzburg-Rudolstadt (1767 - 1807, = Ludwig Friedrich II. von Schwarzburg-Rudolstadt), 1786, Blatt stockfleckig und leicht beschädigt | Ansicht von Jena, Lithografie, Druckplatte: 7,8 x 13,5 cm, mit Tuschgruß "Wer das kann, was er will, ist ein glücklicher Mann, doch weis und groß ist der, der das will, was er kann. Hiermit empfiehlt sich Ihre Freundin H. Rittershausen, Marburg im April 1809". Aufrufzeit 15. | Juni 2024 | voraussichtlich 10:54 Uhr (CET) 2 views of Rudolstadt and JenaFramed & behind glass : Each 15.5 x 21 cm. "View from the Dittersdorfer Höhe into the Rudolstadt Valley", copper engraving, printing plate: 10 x 16.2 cm, engraved by Ludwig Friedrich Prince of Schwarzburg-Rudolstadt (1767 - 1807, = Ludwig Friedrich II. von Schwarzburg-Rudolstadt), 1786, sheet foxed and slightly damaged | View of Jena, lithograph, printing plate: 7.8 x 13.5 cm, with ink greeting "He who can do what he wants is a happy man, but he who wants what he can is wise and great. Your friend H. Rittershausen, Marburg in April 1809" . Call time 15 | June 2024 | probably 10:54 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KAMPMANN, Gustav(1859 Boppard - 1917 Bad Godesberg) Gehöft im MorgenlichtÖl/Leinwand/Karton. Links unten monogrammiert, verso bezeichnet mit Zusatz Grötzingen. 1895. 25 x 39,5 cm. Gerahmt : 34 x 49 cm (Goldrahmen). Hügel mit Bauernhof unter grauem Himmel. Maler und Lithograph in Grötzingen, studierte in Karlsruhe bei Schönleber. Tätig auch in München, Lübeck und Ostpreußen. Literatur : Thieme/Becker. Aufrufzeit 15. | Juni 2024 | voraussichtlich 17:34 Uhr (CET) KAMPMANN, Gustav(1859 Boppard - 1917 Bad Godesberg) Gehöft im MorgenlichtOil/canvas/cardboard. Monogrammed lower left, inscribed Grötzingen on verso. 1895.25 x 39.5 cm. Framed : 34 x 49 cm (gold frame). Hill with farm under a gray sky. Painter and lithographer in Grötzingen, studied in Karlsruhe under Schönleber. Also active in Munich, Lübeck and East Prussia. Literature : Thieme/Becker. Aufrufzeit 15. | June 2024 | probably 17:34 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Löwe und Fuchs beim Schach I"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber". [1975]. Blatt: 54 x 65,3 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 1568. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:03 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Löwe und Fuchs beim Schach I"Lithograph on laid paper. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber". [1975]. Sheet: 54 x 65.3 cm. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 1568. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:03 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BÖTTGER, Klaus (1942 Dresden - 1992 Wiesbaden) "3 Schwestern"Lithografie. Bleistiftsignatur. Künstlerexemplar "e.a.". Passepartoutausschnitt: 25,5 x 45,5 cm. Gerahmt & hinter Glas : 47 x 65,5 cm. Deutscher Grafiker; zählt zu den begabtesten Radierern des 20. Jahrhunderts in Deutschland. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:42 Uhr (CET) BÖTTGER, Klaus (1942 Dresden - 1992 Wiesbaden) "3 Schwestern"Lithograph. Pencil signature. Artist's copy "e.a.". Passepartout cut-out: 25.5 x 45.5 cm. Framed & behind glass : 47 x 65.5 cm. German graphic artist; one of the most talented etchers of the 20th century in Germany. Call time 15 | June 2024 | probably 11:42 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BERGE, F "Conchylienbuch""oder allgemeine und besondere Naturgeschichte der Muscheln und Schnecken nebst der Anweisung sie zu sammeln, zuzubereiten und aufzubewahren". Verlag von Krais & Hoffmann. Stuttgart. 1855. 26 x 20,5 cm. 263 Textseiten und 726 Abbildungen auf 46 teils kolorierten Lithografietafeln. Neue Ausgabe. Pappeinband. Einband und Textseiten leicht stockfleckig, Rücken etwas eingerissen, sonst guter Zustand. Provenienz : "Karl von Gumppenberg 1862" und jüngeres Exlibris. Aufrufzeit 15. | Juni 2024 | voraussichtlich 10:21 Uhr (CET) BERGE, F "Conchylienbuch""oder allgemeine und besondere Naturgeschichte der Muscheln und Schnecken nebst der Anweisung sie zu sammeln, zubereiten und aufzubewahren". Published by Krais & Hoffmann. Stuttgart. 1855. 26 x 20.5 cm. 263 text pages and 726 illustrations on 46 partly colored lithograph plates. New edition. Paperback. Binding and text pages slightly foxed, spine somewhat torn, otherwise in good condition. Provenance : "Karl von Gumppenberg 1862" and younger bookplate. Call time 15 | June 2024 | probably 10:21 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Frühes Nürnberger Würfel- und Kartenspiel "Das gute Männchen lebt noch". Um 1850. Kreidelithographie, handkoloriert. Kästchen: 3,5 x 14,5 x 10,5 cm. 23 originale Pappkärtchen, 7 ergänzte Karten, 1 Spielfigur und 1 Würfel. Beschreibung als Kopie des Originals anbei. Altersspuren, Marken fehlen. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:24 Uhr (CET)Early Nuremberg dice and card game "Das gute Männchen lebt noch". Around 1850. Chalk lithograph, hand-colored. Small box: 3.5 x 14.5 x 10.5 cm. 23 original cardboard cards, 7 supplemented cards, 1 playing piece and 1 dice. Description enclosed as a copy of the original. Signs of age, stamps missing. Call time 13 June 2024 | probably 11:24 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PICASSO, Pablo (nach / after)(1881 Málaga - 1973 Mougins) Maler und ModelFarblithografie. Im Druck signiert. Im Druck datiert: "4.2.69". Verso Stempel "Mourlot Paris". Passepartoutausschnitt: 50 x 35 cm. Gerahmt & hinter Glas : 74,5 x 59 cm. Blatt lichtgebräunt. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:23 Uhr (CET) PICASSO, Pablo (nach / after)(1881 Málaga - 1973 Mougins) Painter and modelColor lithograph. Signed in the print. Dated in the print: "4.2.69". Stamp "Mourlot Paris" on verso. Passepartout cut-out: 50 x 35 cm. Framed & behind glass : 74.5 x 59 cm. Sheet light browned. Spanish painter, graphic artist and sculptor, one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Call time 15 | June 2024 | probably 11:23 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Maulwürfe schalten sich gleich"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [3.11.62]. Blatt: 65,8 x 63,5 cm. Nach einer Zeichnung von 1933, die in der Zeitschrift Widerstand abgedruckt wurde. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html)v. Literatur : WVZ Dorsch 1615. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:59 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Maulwürfe schalten sich gleich"Lithograph. Pencil signature, red stamp "Clan-Presse". [3.11.62]. Sheet: 65.8 x 63.5 cm. After a drawing from 1933, which was printed in the magazine Widerstand. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html)v. Literature : WVZ Dorsch 1615. Call time 15 | June 2024 | probably 11:59 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Konvolut 18x Luxuspapier und 1 Fächer. Zumeist 19. Jh. Farblithografien häufig geprägt, hellblauer Samt mit Gold- und Silberprägung, 1 Offsetdruck. Fächer mit Beinstäben und kolorierter Lithografie auf dem Papierblatt. Maximal 18 x 9 cm. L Fächer 27 cm. Zahlreiche Tischkarten, vereinzelt mit Namen beschriftet. 1 Klappkarte "Verlängerte Tanzstunde der Geschl. Tanzstundengesellschaft" von 1893, innen mit Programm und handschriftlich eingetragenen Tänzern. Samtenes Ballbüchlein mit unbeschriftetem Programm innen. 1 Offsetdruck in Fächerform. / Fächer mit à-jour gearbeiteten Stäben sowie beidseitig handkolorierten Lithografien in Goldrahmungen. Buchstaben der Menü-Karte teils geklebt, teils abgerissen. Stift Ballbuch fehlt. / 1 Fächerstab teils ergänzt, Blatt teils eingerissen und geklebt. Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:28 Uhr (CET)Convolute 18x luxury paper and 1 fan. Mostly 19th century Color lithographs often embossed, light blue velvet with gold and silver embossing, 1 offset print. Fan with leg bars and colored lithograph on the paper sheet. Maximum 18 x 9 cm. L fan 27 cm. Numerous place cards, some inscribed with names. 1 folding card "Verlängerte Tanzstunde der Geschl. Tanzstundengesellschaft" from 1893, inside with program and handwritten dancers. Velvet ball booklet with unmarked program inside. 1 offset print in fan form / fan with à-jour worked bars and hand-colored lithographs in gold frames on both sides. Letters of the menu card partly glued, partly torn off. Pen ball book missing. / 1 fan stick partly replaced, sheet partly torn and glued. Call time 13 | June 2024 | probably 13:28 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DOLL, Anton(1826 München - 1887 München) EisvergnügenÖl auf Holz. Signiert. 22 x 38 cm. Gerahmt : 47,5 x 63,5 cm. Breiter vergoldeter Stuckrahmen. Doll, Architektur-, Landschafts- und Genremaler, Aquarellist, Lithograph, studierte zunächst Jura, wandte sich anschließend der Malerei zu. Seit 1852 Mitglied der Münchner Kunstvereins. 1854-1886 auf Ausstellungen in Dresden, Wien und München vertreten, Werke in diversen deutschen Museen * Partnerauktion Bergmann. Literatur : Saur (2001), Ludwig (1981), Thieme-Becker (1907-1950), Boetticher (1891-1901). Aufrufzeit 15. | Juni 2024 | voraussichtlich 18:52 Uhr (CET) DOLL, Anton(1826 Munich - 1887 Munich) EisvergnügenOil on wood. Signed. 22 x 38 cm. Framed : 47.5 x 63.5 cm. Broad gilded stucco frame. Doll, architecture, landscape and genre painter, watercolorist, lithographer, initially studied law, then turned to painting. Member of the Munich Art Association from 1852. 1854-1886 represented at exhibitions in Dresden, Vienna and Munich, works in various German museums * Partner auction Bergmann. Literature : Saur (2001), Ludwig (1981), Thieme-Becker (1907-1950), Boetticher (1891-1901). Call time 15 | June 2024 | probably 18:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) "Kompliment"Farblithografie. Bleistiftmonogramm. Gerahmt & hinter Glas : 69,5 x 55 cm. Blatt etwas lichtgebräunt. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:37 Uhr (CET) JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) "Compliment"Color lithograph. Pencil monogram. Framed & behind glass : 69.5 x 55 cm. Sheet somewhat light browned. German draughtsman, graphic artist, illustrator and photographer; one of the most outstanding German artists of the 20th century, the "Horst-Janssen-Museum" dedicated to him was opened in Oldenburg in 2000. "I am after the fleeting apparitions of this world in their changing disguises so that I could say at my funeral: 'I've seen it! And if I scream until then and in between, then: Leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). Call time 15 | June 2024 | probably 11:37 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

EBERT, Albert (1906 Halle/Saale - 1976 Halle/Saale) "Weihnachtslegende"Lithografie. Bleistiftsignatur. 1972. Exemplar: 30/30. Abbildung: 15 x 17,5 cm. Hinter Glas : 35 x 28 cm. Deutscher Maler und Grafiker der Naiven Kunst. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:43 Uhr (CET) EBERT, Albert (1906 Halle/Saale - 1976 Halle/Saale) "Christmas legend"Lithograph. Pencil signature. 1972. copy: 30/30. Image: 15 x 17.5 cm. Behind glass : 35 x 28 cm. German painter and graphic artist of naive art. Call time 15 | June 2024 | probably 11:43 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FEININGER, Lyonel (1871 New York City - 1956 New York City) "Die Überlokomotive"Lithografie. Von fremder Hand bezeichnet "Lyonel Feininger". [1911]. Von fremder Hand bezeichnet "Probedruck". Blatt: 16,3 x 22,5 cm, vollständig auf Karton geklebt. Gerahmt & hinter Glas : 31,5 x 41,5 cm. Wohl Probedruck für die literarisch-künstlerische Zeitschrift "Licht und Schatten", die von 1910 bis 1916 in München und Berlin als Konkurrenzblatt zum Simplicissimus erschien und von namhaften Künstlern wie Ernst Liebermann, Lyonel Feininger, Alfred Kubin, Käthe Kollwitz oder Emil Orlik illustriert wurde. Deutsch-amerikanischer Maler, Illustrator und Grafiker. Er zählt zu den bedeutendsten Künstlern der 1. Hälfte des 20. Jahrhunderts in Deutschland und wurde 1919 als erster Meister von Walter Gropius an das neu gegründete Bauhaus in Weimar berufen. Bis heute gilt er als einer seiner wichtigsten Vertreter. Literatur : https://www.museum-feininger.de/. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:07 Uhr (CET) FEININGER, Lyonel (1871 New York City - 1956 New York City) "Die Überlokomotive"Lithograph. Inscribed by another hand "Lyonel Feininger". [1911]. Inscribed "Probedruck" by another hand. Sheet: 16.3 x 22.5 cm, fully glued to card. Framed & behind glass : 31.5 x 41.5 cm. Probably a proof for the literary-artistic magazine "Licht und Schatten", which was published in Munich and Berlin from 1910 to 1916 as a competitor to Simplicissimus and was illustrated by renowned artists such as Ernst Liebermann, Lyonel Feininger, Alfred Kubin, Käthe Kollwitz and Emil Orlik. German-American painter, illustrator and graphic artist. He is one of the most important artists of the first half of the 20th century in Germany and was the first master to be appointed by Walter Gropius to the newly founded Bauhaus in Weimar in 1919. He is still considered one of its most important representatives today. Literature : https://www.museum-feininger.de/. Call time 15 | June 2024 | probably 11:07 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

TÀPIES, Antoni (1923 Barcelona - 2012 Barcelona) "Lettre A"Original-Farblithografie auf Büttenpapier. Im Druck signiert. 1976. Edition Galerie Maeght, Paris. Blatt: 55,5 x 75,5 cm. Spanischer Maler, Grafiker und Bildhauer; gilt als bedeutendster Künstler des spanischen Informel. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:14 Uhr (CET) TÀPIES, Antoni (1923 Barcelona - 2012 Barcelona) "Lettre A"Original color lithograph on laid paper. Signed in the print. 1976 Edition Galerie Maeght, Paris. Sheet: 55.5 x 75.5 cm. Spanish painter, graphic artist and sculptor; considered the most important artist of Spanish Art Informel. Call time 15 | June 2024 | presumably 11:14 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die kurze Leiter"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse", Bleistiftzeichen. [30.12.63]. Blatt: 65,3 x 53,5 cm. Verso verschmutzt. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 1471. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:04 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "The short ladder"Lithograph. Pencil signature, red stamp "Clan-Presse", pencil mark. [30.12.63]. Sheet: 65.3 x 53.5 cm. Soiled on the verso. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 1471. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:04 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MOHN, Ludwig (1797 Halle - 1857 Wien) Biedermeier-Landschaft mit StaffageAquarell über Lithografie. Rechts unten signiert. 22,5 x 31 cm. Gerahmt & hinter Glas : 33,5 x 41,5 cm (Goldleiste). Personengruppen auf einer Straße in bergiger Landschaft mit Ruinen auf den Gipfeln. Minimale Knicke. Landschaftsmaler und Radierer. Literatur : Thieme/Becker. Aufrufzeit 15. | Juni 2024 | voraussichtlich 10:53 Uhr (CET) MOHN, Ludwig (1797 Halle - 1857 Vienna) Biedermeier landscape with staffageWatercolor over lithograph. Signed lower right. 22.5 x 31 cm. Framed & behind glass : 33.5 x 41.5 cm (gold border). Groups of people on a road in a mountainous landscape with ruins on the peaks. Minimal creases. Landscape painter and etcher. Literature : Thieme/Becker. Call time 15 | June 2024 | probably 10:53 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.