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70553 Los(e)/Seite
Los 473
Athens 1896 Olympic Games: The First Official Olympic Games Report,VERY SCARCE, by Lambros (S. P.) and Polites (N.G.) in Greek and French languages, the French title “Les Jeux Olympiques 776 av. J.-C. -1896”, with a prologue by Timoleon Philemon (Secretary General of the Olympic Games), 102 pages, pictorial colour lithograph paper wrappers by K. Grundman, Athens, reports translated to French published by H. Le Soudier, Paris, 1896, very good condition, preserved in marbled blue board bindings with titling to spine
Los 559
London 1948 Olympic Games official poster,designed by Walter Herz (1909-1965), the largest version, double-crown, 30 by 20in., featuring Big Ben and Parliament, Discobolus and the Olympic Rings, colour lithograph published by McCorquodale & Co Ltd, professionally restored, mounted, framed & glazed, 90 by 65cm.Traditionally the Olympic poster is selected by a design competition. But as the 1948 Olympic Games had to be organised with such haste, there was no time. The choice of poster was decided by the Executive Committee after a handful of designs had been submitted. The official report for the 1948 Games informs us that the poster was printed in three sizes, double crown 20 by 30in. (50,000), crown 15 by 20in. (25,000) and double royal 25 by 40in. (25,000).
Los 74
*Sarah Jane Szikora (Brazilian, b.1971)'GASP!'Photo lithograph printed in colours, 2000, signed, inscribed with title and numbered 190/495 in pencil, printed at Washington Green, with their blind stamp, on Consular Feltmark wove paperimage 25 x 30cm*Artist's Resale Right may apply to this lot.
Los 84
*John Piper CH (1903-1992)ST MATHIAS, STOKE NEWINGTON, LONDON: BY WILLIAM BUTTERFIELD (Levinson 143)Lithograph printed in colours, 1964, from 'A Retrospect of Churches', signed and numbered 48/70 in pencil, printed by Marlborough Fine Art, Londonimage 68.6 x 52cm*Artist's Resale Right may apply to this lot.
Los 460
CHARLES JOHNSON PAYNE (SNAFFLES) (1884-1967)The Sappers, The Faughs, The Royal DubsA set of three gouache, 35 x 26cmEach signed and inscribed; together with another similar work by R. Simkin; and a lithograph of a Piper of the Royal Irish Fusiliers. (5)Provenance: Captain HCP Hamilton, Moyne, Durrow, Co. Laois; thence by descent.
Los 19
HIGNETTS TOBACCO LITHOGRAPH. 21.5 x 17.5ins, high quality, multicoloured advert for HIGNETTS/ RELIABLE/ TOBACCOS. Colourful pictorial image of 2 circus clowns, one with pipe in hand sat atop barrow carrying product. Area of damage bottom L - image shows photocopied area of how it would have looked- still a stunning image.
Los 426
The British Grand Prix at Silverstone in 1991 gave us one of the most memorable moments in Formula One. On his victory lap following an epic drive from the front, Nigel Mansell in the Williams-Renault, gives title rival Ayrton Senna a lift back to the pits after his McLaren-Honda ran out of fuel. 50 x 35cm lithograph, hand signed by Nigel Mansel, framed and glazed with a COA.
Los 109
At the sixth round of the season of 1992 at Monaco, Nigel Mansell set fastest lap in practice and lead from pole until just a few laps from the end when he was forced to pit and gift the lead to the slower Ayrton Senna. 50 x 35cm lithograph, hand signed by Nigel Mansel, framed and glazed with a COA.
Los 795
*Montaut (Marguerite M.). Les dirigables Perceval et Gross en Monouvre a Cologne, an original lithograph pochoir print, 1910, showing airships Perceval and Gross over Cologne with a figure wearing traditional Prussian pickelhaube to the left, hand-coloured by stencil with printed artists signature, 42.5 x 86.5cm, together with Montaut (Ernest, 1879-1909), La traversee de Paris, original pochoir print, 1909, 42 x 88cm another similar, 1910, plus Calmont. L'atterrissage au couvent, colour print, showing monks pulling in an airship, 42.5 x 82.5cm, all in period oak frames, glazed, some fading and spotting (4)
Los 802
*Posters. Harry Tate in Flying Carries the Audience Away, circa 1915, colour lithograph poster by Harry King-Lloyd on two sheets, printed by David Allen & Sons, Ltd., 17 Leicester Street, London, creased where previously folded, closed tear to top margin (touching the first R of 'Harry'), very small hole just above the word 'flying' to lower section, overall size 224 x 102 cm (88 x 40 ins), together with another similar colour lithograph poster of Harry Tate in 'Flying', circa 1915, printed by David Allen & Sons, Ltd., creased where previously folded, 76 x 51 cm (30 x 20 ins) (2)
Los 112
Chylinski (Dobrogost). The Beekeeper's Manual: Founded on the Experience, during many Centuries, of the Apiarians in Poland. Dedicated to the Agriculturists of Great Britain, 1st edition, 1845, four lithograph plates including frontispiece, half-title with ink inscription 'To Dr Bachoffer with the authors sincere regards', 4pp. publisher's advertisements at rear, occasional light dampstaining at foot, scattered spotting, front pastedown with decorative bookplate of David Smith, all edges gilt, original blind-stamped cloth gilt, rebacked (preserving original spine), small 8vo, together with [Richardson, Mrs.], The Story of a Bee and Her Friends, told by Herself, 1867,half-title (with early ink inscription), hand-coloured lithographed frontispiece and six plates, additional title with hand-coloured vignette (listed as plate), rear hinge split before endpaper, all edges gilt, original green pictorial cloth gilt, small 8vo, plus [Brown, Mrs. Eliza], Children as They Are; or, Tales and Dialogues, for Young Readers..., 1st edition, 1830, engraved frontispiece with early neat colouring, five engraved plates (two with touches of early neat colouring), scattered spotting, occasional dampstaining to lower blank margins, modern cloth with spine label in red morocco gilt, 12mo, plus six others similar First two items: British Bee Books 251 & 301 respectively. Third item: Darton G139. (9)
Los 279
*Lowry (Laurence Stephen, 1887-1976). Station Approach, offset lithograph in colour, from the edition of 850 published by Adam Collection Ltd., 1972, signed in pencil lower right, Fine Art Trade Guild blindstamp lower left, image size 40.5 x 51 cm (16 x 20 ins), with margins, in very good condition, framed and glazed (unexamined out of frame) The present work reproduces Lowry's painting of The London and North Western Railway Exchange Station in Manchester (since demolished), executed in 1960. (1)
Los 284
*Nolpe (Pieter, circa 1613-circa 1652). Floraes Gecks-Kap of Afbeeldinge vant wonderlijcke Iaer van 1637 doen deene Geck dander uytbroeyde,/ de Luy Rijck sonder goet, en Wijs sonder verstant waeren. [Flors Jesters Hood or a Picture of the strange year of 1637, when a Fool would out-do another, the Rich would be without goods, and the Wise without brain], published Amsterdam, circa 1720, uncoloured engraving, old folds, very slight overall toning. 415 x 525 mm, together with Doyle (John), Auction Extraordinary, published T. McLean, 1838, uncoloured lithograph, trimmed to neatline, some adhesion and abrasion to one margin, 370 x 275 mm The first described item is a rare satirical print on Tulipmania, which was one of the biggest financial bubbles of the 17th century. Tulip bulbs were bought and sold for more than the annual income of some workers, and financial ruin became a reality for many traders and investors. In a tent in the shape of a fools cap, some traders are weighing up gold while in the background, people are standing in line to buy the bulbs whilst Flora departs on a donkey. On the left side of the print, a winged devil with an hour glass, is holding a rod with an attached fools cap over the heads of some investors who watch on as a grower/seller is throwing away tulip bulbs. Some peasants are carrying away soil and bulbs. On the right side, three peasants with a basket full of bulbs have just arrived to offer their goods. A full description in Dutch is at the bottom of the print. (2)
Los 312
*Windsor. Interior view of St George's Church and Chapel, Windsor, late 19th century, watercolour on paper, signed MEW lower right, showing a detailed interior view with figures, 51 x 34cm (20 x 13.25ins) mount aperture, framed and glazed, together with a 19th century coloured chalk drawing titled The Long Walk, Windsor Park, showing Queen Victoria and Prince Albert in a carriage, 25.5 x 36cm (10 x 14ins), title inscribed in pencil to mount, framed and glazed, plus the corresponding published colour lithograph print of the same subject issued by J. Ryman, High Street, Oxford, circa 1850, 25.5 x 36.5cm (10 x 14.25ins), framed and glazed(3)
Los 323
*Lewin (Frederic George, 1861-1933). A collection of original Charles Dickens artwork and ephemera, all illustrations for Pickwick Papers, produced for the textile manufacturer and supplier Sam Weller of Pickwick Works, Bradford, circa 1914 - 1962, containing 25 original pen and ink cartoon designs for advertising calendars, mostly signed, many with printer's annotations and corrections, and titled with quotations from Pickwick Papers, many card-mounted, each 40 x 28 cm (15.75 x 11ins) or similar, together with approximately 170 calendars (covering the years 1914-1961 with only three gaps), the majority hand-coloured, some corrected proofs, along with the printer's copy of an Everyman's Library edition of Pickwick Papers (with the calendar quotes listed and marked for each year at the front of the volume), also 11 hand-coloured cut-out lithographed figures from Pickwick Papers, each double-glazed, 26 x 13cm or similar, plus further related and duplicated items, including 13 framed colour lithograph prints of Lewi's illustrations to Pickwick Papers The humorous illustrator Frederick George Lewin worked for the Bristol Magpie and Bristol Evening Post and contributed to Punch magazine (1902-08). One of his main publishers was E.W. Savory Ltd. of Bristol, who produced these advertising calendars for the Yorkshire textile company Sam Weller, appropriately using characters from Pickwick Papers. Lewin was a member of the Royal West of England Academy and the Bristol Savage Club, and he wrote and illustrated Rhymes of Ye Olde Sign Boards (1911) and others. In 1912 Lewin provided the illustrations for Characters from Dickens. His light-hearted drawings of Dickensian characters also featured on cigarette cards and postcards. (3 cartons)
Los 342
Banks (T.C.). The Dormant and Extinct Baronage of England, or, An Historical and Genealogical Account of the Lives, Public Employments, and Most Memorable Actions, of the English Nobility who have Flourished from the Norman Conquest to the Year 1806..., 4 volumes (including Supplement), 1807-1826, numerous folding pedigrees, additional folding manuscript pedigrees, first three volumes heavily annotated, occasional spotting, later endpapers preserving armorial bookplate of Rev. Thomas Leman, Chancellor of Cloyne (to upper pastedowns of vols. 1-3), uniform contemporary half calf, joints cracked, upper board of volume 2 detached, some wear, 4to, together with Ayloffe (Joseph), Calendars of the Ancient Charters, and of the Welch and Scotish Rolls, now remaining in the Tower of London..., to which are added Memoranda concerning the Affairs of Ireland, Extracted from the Tower Records..., 1774, four engraved plates and two illustrations, two closed tears (one repaired), scattered spotting, contemporary calf, rebacked preserving red morocco title label, 4to, plus other 19th & mostly early 20th century genealogy related publications (some pamphlets) including, Order of Precedence, with Authorities and Remarks, 1851, title inscribed Sir Thomas Phillips Bart. Middle Hill, original cloth-backed boards, slim 8vo, and A Roll of Arms of the Reign of Richard the Second, edited by Thomas Willement, 1834, hand coloured lithograph frontispiece, contemporary quarter morocco, rubbed, slim 4to (approx. 30)
Los 457
Aldin (Cecil). A Gay Dog, The Story of a Foolish Year, 1st edition, 1905, 24 colour lithograph plates, original cloth-backed pictorial boards, some slight soiling and browning, torn at head and foot of spine, 4to, together with The Bobtail Puppy Book, 1st edition, [1912], 12 colour lithograph plates, a little spotting and a few minor marks, hinges broken and textblock loose in original cloth-backed pictorial boards, slightly rubbed and soiled, both 4to, plus Clarke (Harry, illustrator), Tales of Mystery and Imagination, by Edgar Allan Poe, reprint, 1928, 24 black & white plates and 8 colour plates tipped in, original cloth gilt with pictorial label to upper cover, slightly rubbed, 4to, plus Nelson (publishers), La Famille Chocolat, 1st edition, 1930, colour frontispiece and black & white illustrations, original cloth-backed pictorial boards, slightly rubbed and marked, spine dampstained, 4to, plus other miscellaneous literature and illustrated books (approx. 30)
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70553 Los(e)/Seite