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After George Morland (British, 1763-1804): a study of two hounds, lithograph, signed to the plate, 17 by 24cm, together with Boston Stump, a photogravure print, 28 by 19 cm, and three portrait prints including 'The Countess of Harrington', 'Lady Owen', and 'Sophia Weston'. (5) Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family.
*Hunt (Charles, 1803-1877). Two caricatures from Lewis's Black Jokes, no. 13 'Blackberrying' and no. 6 'The Route', published T. C. Lewis, circa 1830, two aquatints after W. Summers, contemporary hand colouring, each approximately 225 x 300 mm, together with two aquatints from the 'Life in Philadelphia' series, with Duval (P. S., publisher), Conquering Prejudice or Fulfilling a Constitutional duty with alacrity, published Philadelphia, circa 1860, uncoloured lithograph, occasional marginal closed tears, 290 x 330 mm, plus Ingrey (C., publisher), Revd. Mr. Sambo's Sarmont, circa 1850, hand coloured etched broadside, repaired tears, 430 x 260 mm, with another eight caricatures relating to black people, slavery and abolition, various sizes and condition (14)
*Wunderlich (Paul, 1927-2010). Lady with Flower and Dog (Femme, fleur et chien), 1988, colour lithograph on Zerkall heavy handmade paper, signed in pencil towards lower left, and numbered 11/90, sheet size 97 x 70 cm (38.5 x 27.5 ins), framed and glazed, with Redfern Gallery label to verso, dated February 11th 1989 (1)
*@Sutherland (Graham, 1903-1980). Three Figures in a Garden, 1953, colour lithograph on wove paper, printed by Mourlot, and published by William Heinemann Ltd., signed and numbered 86/125 in pencil lower left, sheet size 298 x 215 mm (11.75 x 8.5 ins), framed and glazed, with Redfern Gallery Ltd. label to verso, dated August 29th 1968, and titled Three Standing Forms in a Garden Tassi 55. (1)
*Searle (Ronald, 1920-2011). Those magnificent cats in their flying machines, 1981, colour lithograph, printed Michel Cass‚, Paris, published Edition R S, Paris, titled, signed and dated in pencil, publisher's and printer's blindstamp, small area of staining to upper left corner, 48.5 x 64 cm (19 x 25 inches), mounted, framed and glazed Limited edition 13/99. (1)
*Filonov (Pavel Nikolaevitch, 1883-1941). Carnival Week (Fastnachtswoche), colour lithograph on heavy wove paper, published by Mourlot, Paris, in an edition of 2000, with publisher's circular blindstamp lower left, numbered in pencil 886/2000 lower left, image size 70 x 88 cm (27.75 x 34.5 ins), with margins, in very good condition, framed and glazed (1)
*@Soulages (Pierre, 1919-). Lithographie no. 1, 1957, colour lithograph on Arches, signed in pencil, and numbered 39/60, published by Berggruen, Paris, with full margins, light mount stain to extreme outer edges of the sheet, image size 565 x 432 mm (22.25 x 17 ins), sheet size 667 x 508 mm (26.25 x 20 ins), framed and glazed, with Gimpel Fils Gallery label to verso, dated January 1958 Riviere 1. (1)
*Boilly (Louis-Leopold, 1761-1845). Steel Balsam, Spectacles [and] The Mask, published D.Alexander, circa 1825, three English lithographs after Boilly, contemporary hand colouring, each approximately 270 x 210 mm, mounted, together with Reading the Will, published E. & C. McLean, circa 1825, English lithograph after Boilly, contemporary hand colouring, 295 x 230 mm, mounted, with Consultation de M‚decins, 1823, lithograph with contemporary hand colouring, laid on card, 290 x 220 mm, mounted (5)
Nevinson (Christopher Richard Wynne, 1889-1946). Column on the March, 1917, offset colour lithograph on thin wove, signed in pencil lower right, sheet size 287 x 220 mm (11.3 x 8.7 ins), as issued in Modern War Paintings by C.R.W. Nevinson, with an introductory essay by P. G. Konody, 1st edition, Grant Richards Ltd., 1917, monochrome plates, untrimmed, original green cloth-backed boards with printed paper title labels to upper cover and spine, minor stain to lower edge of upper cover, otherwise in very good condition, 4to (1)
*Tregear (Gabriel Shear publisher). Fly away pretty Moth, True generosity..., (2 copies), The most Important Question of the day. Have you _ ?, Pure Loyalty. Here's a health to the King God Bless him, Come old fellow don't be stingy _ give us a light?, A Fine growing Shower, circa 1840, together seven lithographs with contemporary hand colouring, some dust soiling and occasional marginal closed tears, each approximately 310 x 240 mm, together with Dean & Co., (publishers), Gentle rustic one smile will enchant me! circa 1840, lithograph with contemporary hand colouring, an animated caricature where the girls bonnet lifts up to reveal the face of a pipe smoking old crone, 220 x 200 mm Gabriel Shear Tregear (1802 - 21 February 1841), also known as Gabriel Shire Tregear, was an English publisher of caricatures and prints. Active from the late 1820s until his death, he operated his "Humorous and Sporting Print Shop" from quarters near today's 123 Cheapside, London. Artists and caricaturists published by Tregear included Isaac Robert Cruikshank. (8)
*@Lowry (Laurence Stephen, 1887-1976). Station Approach, offset lithograph in colour, from the edition of 850 published by Adam Collection Ltd., 1972, signed in pencil lower right, Fine Art Trade Guild blindstamp lower left, image size 40.5 x 51 cm (16 x 20 ins), with margins, in very good condition, framed and glazed (unexamined out of frame) The present work reproduces Lowry's painting of The London and North Western Railway Exchange Station in Manchester (since demolished), executed in 1960. (1)
Alken (Henry, illust.). Alken's New Sketch-Book, London: S. & J. Fuller, [1823], forty soft ground etched plates of equestrian and hunting views & subjects, scattered spotting, sewing partly broken and some leaves detached, original prined boards, detached , soiled & marks, oblong folio, together with Rodwell (& Martin, publishers), Rodwell & MArtin's Drawing Book for 1823, seventy-nine lithograph plates (including title), some toning and light dust-soiling, contemporary half sheep, boards detached and one leather corner lacking, oblong 4to Sold as a collection of plates. (2)
Collinson (Richard). Journal of H.M.S. Enterprise, on the Expedition in Search of Sir John Franklin's Ships by Behring Strait. 1850-55. Edited by his brother Major-General T.B. Collinson (Royal Engineers), 1st edition, 1889, colour lithograph frontispiece, six folding maps (one fore margin a little frayed), photogravure portrait, a little light spotting, ink stamp of Collinson to front endpaper, original blue cloth gilt, joints and edges a little rubbed, 8vo Account of Collinson's two-ship expedition to find Sir John Franklin's lost party, via the Bering Strait. Collinson commanded The Enterprise and Commander Robert McClure The Investigator, both ships leaving Plymouth in 1850. They became separated after rounding Cape Horn and McClure got to the Being Strait first and after being frozen in on Banks Island, he was rescued and returned to England, becoming the first man to cross the North West Passage. Collinson, realising McClure was ahead of him turned back and overwintered in Hong Kong before returning to the Bering Strait the following year and was frozen in for three years before eventually reaching Point Barrow in 1854. Of all the search expeditions, Collinson had come closest to discovering the fate of Franklin, later learning from Rae's report that he had turned back just east of where Franklin's expedition had ended. (1)
Jack (Major E. M.). On the Congo Frontier. Exploration and Sport, 1st edition, 1914, folding map, half-tone illustrations, a little light marginal toning, blue ink stamp to title verso, endpapers renewed, top edge gilt, original blue cloth gilt, light clear tape residue mark across foot of spine and covers, 8vo (Czech p. 138), together with Neumann (Arthur H.), Elephant-Hunting in East Equatorial Africa. Being an Account of Three Years' Ivory-Hunting under Mount Kenia and among the Ndorobo Savages of the Lorogi Mountains, Including a Trip to the North End of Lake Rudolph, 1st edition, Rowland Ward, 1898, folding map contained in rear pocket (with Intelligence Division ink stamp), chromolithographed plate of butterflies, illustrations, modern half calf, small water stains at foot of lower cover, 8vo (Czech p. 207), plus Baldwin (William Charles), African Hunting and Adventure. From Natal to the Zambesi including Lake Ngami, the Kalahari Desert from 1852 to 1860, 3rd edition, 1894, portrait frontispiece, folding map, four colour lithograph plates, wood-engravings, scattered light spotting, upper area of half title excised and repaired, original cloth gilt, rebacked with original spine relaid, a little rubbed, 8vo (Czech p. 17), with three others related: Abel Chapman's Retrospect. Reminiscences and Impressions of a Hunter-Naturalist in Three Continents 1851-1928, 1928, Frank Puxley's In African Game Tracks, 1929 and A.J. Siggins' Shooting with Rifle and Camera, 1931 (6)
[Grant, Colesworthy]. Rural Life in Bengal; Illustrative of Anglo-Indian Suburban Life; more particularly in connection with the planter and peasantry, the varied produce of the soil and seasons, with copious details of the culture and manufacture of indigo. Letters from an artist to his sisters in England, 1st edition, 1860, colour lithograph map, wood-engraved illustrations, publisher's catalogue at end, slight offsetting to title, lacking front endpaper (front pastedown replaced?), bookplate, original green cloth gilt, spine ends a little rubbed, 8vo (1)
*Prisons. Bedford (F.). City Prison, Holloway, 1852, lithograph with contemporary hand colouring, trimmed to image on three margins, closed tears affecting image, slight dust soiling, 410 x 580 mm, mounted, framed and glazed, together with Hawkins (G.), To the Magistrates of the County of Berks., This View of the New County Prison at Reading from the Great Western Railway, is respectfully dedicated by their very obedient servant, J.L. Griffiths, Architectural Draftsman, Day & Haghe, circa 1860, uncoloured lithograph, slight creasing, spotting and staining, occasional marginal closed tears, torn with slight loss, 450 x 600 mm, mounted, framed and glazed, plus Smith (John Raphael). Sir Richard Arkwright, 1801, uncoloured mezzotint after Joseph Wright, slight marginal staining, 660 x 460 mm, mounted, framed and glazed Sir Richard Arkwright (23rd December 1732 -3rd August 1792) was an inventor and entrepreneur during the early Industrial Revolution. He is credited with inventing the spinning frame, which, following the transition to water power, was renamed the water frame. He also patented a rotary carding engine that transformed raw cotton into cotton lap. Arkwright's achievement was to combine power, machinery, semi-skilled labour and the new raw material (cotton) to create mass-produced yarn. His skills of organisation made him, more than anyone else, the creator of the modern factory system, especially in his mill at Cromford, Derbyshire. Later in his life Arkwright was known as 'the Father of the Industrial Revolution'. (3)

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