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70555 Los(e)/Seite
* Christo (1935-). Wrapped Walkways: (Project for St. Stephen`s Green Park in Dublin), 1983, colour lithograph and white cloth collage, on Arches paper, signed, dated, and numbered 54/100 in pencil to top right, 71 x 112cm (28 x 44ins), framed and glazed. Artist`s Resale Rights apply to this lot. (1)
* Matisse (Henri, 1869-1954). La Danse (Verve, Number 4, Autumn 1938) & Chromatic Symphony (Cover Design for Verve, No. 8, Summer 1940), together two double-page colour lithographs, mounted, together with a double-page colour lithograph by Joan Miro (from Derriere le Miroir), and five other colour lithographs by Miro, Calder and Ellsworth Kelly from Derriere le Miroir (8)
* Sikker-Hansen (Aage, 1897-1955). Cat and two kittens, colour lithograph, 52 x 70cm (20.5 x 27.5ins), framed and glazed, together with Halperin (Renee, 20th century), Interior with chair and writing desk, colour lithograph, signed and numbered 124/200 in pencil, sheet size 66 x 49cm (26 x 19.25ins), framed and glazed (2)
* Lydis (Mariette, 1894-1970). Profil se detachant sur une ville, pencil on paper, signed and titled lower right, 35 x 26cm (13.75 x 10.25ins), together with a signed lithograph for Flaubert`s Madame Bovary, additionally signed, dated April 1955, and inscribed `To Johnny my future pupil with much love`, 32.5 x 25cm (12.75 x 9.75ins) (2)
* Oliver & Company, Walt Disney Feature Animation, 1988, original hand-painted production cell used in the making of the animation film depicting the kitten Oliver, gouache on celluloid, colour lithograph background of a dustbin in an alley from the original production painting, Walt Disney logo lower right, 9.25 x 11.75 in (23.5 x 30 cm), framed and glazed with a Walt Disney printed certificate to verso (1)
*Jose Ramon Alejandro (Italian b. 1943) Abstract construction Signed numbered 45/50 and dedicated Pour Rudolf Nureyev avec mon amitie Etching unframed 63 x 45cm; 24¾ x 17¾in (sheet size) With a lithograph titled Du Cabinet de M. Le Brun after Bouchardon unframed (2) 1. Some light staining and creasing around the margins ink stain top right 2. quite a bit of marginal damage especially on the right hand margin partially trimmed and grubby.
* Gould (John). Cyclopsitta Maccoyi, [1870 or later], lithograph with later hand col., some spotting and rust marks, 540 x 380 mm, together with Seba (Albertus),Large engraving from "Locupletissimi Rerum Naturalium Thesauri`, Amsterdam, [1734-65],eng. with later hand col., 420 x 550 mm, with Redoute (Pierre Joseph),Botanical engravings, c.1830,seventeen engs., eleven with orig. col., some spotting and soiling, each approx. 400 x 280 mm, and three engs. after George Edwards and Edward Smith, together with Knorr (George Wolffgang),Les Delices des Yeux et de L"Esprit ou Collection Generale des Differentes Especes de Coquillages que la Mer Renferme, Nuremberg, vol.1 only, Nuremberg, 1764,seven copper eng. plts. with orig. hand col. (only), many plts. and leaves excised, contemp calf with gilt dec. spine, boards faded, hinges and joints weak, 4to. Sold as a collection of plates not subject to return. (29)
John Theodore Harrison 1914-2002- Fishermen mending their nets; lithograph, signed with initials and dated 50 within the plate, 20.5x25cm: together with a small quantity of lithographs by the same hand, and a further quantity of correspondence and ephemera, including a photograph of the artist as he appeared as Lord Grey in Richard III, Oxford University Dramatic Society, June 1934 b y Cyril Arapoff (18989-1976), and further photographs, letters, etc., mostly relating to the artist and his work, (a lot), (unframed)
Bela Kadar, Hungarian 1877-1956- Caricature of a gentleman; black crayon, signed, 49x38cm: Eric Rutherford b.1923- Man walking in a landscape; black and coloured chalk and pastel, signed, dedicated to John Harrison and dated 1947, 38x28cm: Henri Deschamps, French 1898-1990- Seated figure; lithograph printed in colours, signed, inscribed and dedicated extensively to John Harrison, numbered 12/15 and dated 30 Oct 1950 in pencil, 57x38cm: French School, circa 1940- Portrait of a North African man seated three quarter length; black chalk, signed, inscribed `Paris`, dedicated to John Harrison and dated 46: together with a small and mixed quantity of works on paper by different hands, all mid 20th century, (a lot), (unframed). Provenance: The studio of John Theordore Harrison 1914-2002
Patrick Prockor RA 1936-2003- Orchids; lithograph in colours, signed and numbered 8/150 in pencil, 77x57cm: Richard Beer b.1928- "West Pier at Brighton"; lithograph in colours, signed, titled and numbered 2/150 in pencil: Terrence Millington b.1942- Fireplace; etching with aquatint, signed, numbered 20/60 and dated 74 in pencil: Alan MacKenzie-Robinson, late 20th century- Two waistcoats and a suit; lithograph in colours, signed and numbered 77/150 in pencil: de Sanctis, European late 20th century- Standing surreal figure; etching in colours, signed, numbered 1/15 and dated 75 in pencil: Lawrence Mynott b.1954- Flowers in a vase; lithograph in colours, signed and numbered 28/150 in pencil: Richard Walker b.1954- Portrait; coloured crayon and collage, signed and dated 77 in pencil: together with a other artists prints, reproductions and watercolours by and after different hands, all late 20th century, (a lot), (unframed)
ROLAND PICHE, screenprint, "Holland Park, London" signed in pencil marked A/P for artists proof, 68cm x 100cm, Philip Hicks, "Sunset Glide, Cumbria" - abstract colour lithograph in red, black and white on grey ground, pencil signed and dated for 1988, numbered 29/95, 92cm x 53cm and companion print "Sunset Bird, Cumbria"; Dan Kellogg Cowan, "Terrain V" and "Terrain VI", 60cm x 90cm. All unframed. (5). *
Edinburgh Panorama. Edinburgh and the surrounding country as seen from the Calton Hill (356 feet above sea level). Edinburgh, [c. 1840], 28.5 by 230cm, 6 sheet hand coloured lithograph, mounted on linen, edged in green silk, rolled in original morocco canister, extensive creasing to ends of panorama, patches of foxing
Packe, Edmund. An historical record of the Royal Regiment of Horse Guards or Oxford Blues. London, 1834. 8vo, portrait frontispiece, lithograph title, 7 plates [6 coloured], later half morocco gilt, "Dillington Park" stamp on upper board, typed list of Colonels pasted to last two leaves, bookplate; Hort, Sir John Josiah The Horse Guards by the two mounted sentries. London, 1850. Second edition, 8vo, colour frontispiece [should be opposite page 16 according to instructions], additional title, 10 colour plates, original cloth gilt, faded, "Dillington Park" label on upper board, contemporary ink inscription on title, some light spotting (2). Provenance: From the library of the botanical artist Elizabeth Cameron, nee Vaughan-Lee.
Limited Editions Club - Longus. The pastoral loves of Daphnis and Chloe. New York, 1934. 4to, number 322 of 1500 copies, numerous plates; Hudson, W.H. Green mansions. New York, 1935. 4to, number 176 of 1500 copies, inscribed by Audrey Hepburn ("To George | with warmest wishes | Audrey Hepburn | July `92") on half-title, slipcase chipped; Dumas, Alexandre. Camille. London: for the Members of The Limited Editions Club at the Curwen Press, 1937. 4to, number 970 of 1500 copies, 12 plates by Marie Laurencin, some spotting; Trollope, Anthony. Barchester Towers. New York, 1958. 4to, number 267 of 1500 copies; Austen, Jane. Northanger Abbey. Baltimore: for the Members of The Limited Editions Club at the Garamond Press, 1971. 4to, number 767 of 1500 copies, 12 plates; Anderson, Sherwood. Winesberg, Ohio. New York, 1978. 4to, number 204 of 1600 , 13 plates; Villon, Francois. The lyrical poems... New York, 1979. 4to, number 509 of 2000 copies; Cowley, Malcolm. Exile`s return. New York, 1981. 4to, number 895 of 200 copies, 12 plates; Sassoon, Siegfried. Memoirs of an infantry officer. New York, 1981. 4to, number 1120 of 2000 copies, 8 plates; Finney, Charles G. The circus of Dr. Lao. New York, 1982. 4to, number 1120 of 2000 copies; Brecht, Bertolt. The threepenny opera. London, 1982. 4to, number 1120 of 2000 copies, original lithograph by Jack Levine and 11 other plates; original bindings, slipcases, occasional spotting and browning, occasional wear to slipcases (11)
Maugham, W. Somerset. Cakes and ale. London, [1954]. 8vo, number 24 of 1000 copies, signed by the author and the artist, original lithograph and decorations by Graham Sutherland, portrait frontispiece, original morocco gilt, rubbed, lacking dustwrapper; [Idem] A writer`s notebook. London, 1949. 8vo, number 317 of 1000 copies, signed by the author, original quarter vellum gilt, t.e.g., slipcase; Priestley, J.B. Delight. London, 1949. 8vo, number 90 of 250 copies, signed by the author, original quarter vellum gilt, t.e.g., slipcase; Young, Francis Brett Jim Redlake. London, 1930. 8vo, number 185 of 275 copies, signed by the author, original blue cloth gilt, t.e.g., slipcase [tape repairs]; [Idem] Black roses. London, 1929. 8vo, number 336 of 525 copies, signed by the author, full vellum gilt, some fading to backstrip; Conrad, Joseph The secret agent. London, 1923. 8vo, number 703 of 1000 copies, signed by the author, portrait frontispiece, original quarter vellum gilt, dustwrapper, some light foxing to page edges; Drinkwater, John The collected poems of... London, 1923. 8vo, 2 volumes, number 182 of 230 copies, signed by the author, original white cloth gilt, slipcases [torn at hinges]; and 4 others (12). Note: All volumes inscibed in ink by David Fyfe Anderson on front endpaper.
Alphonse Legros (1837-1911) portrait head, etching. P Depadi, Villa Medica, watercolour. Affleck, archway, etching. Charles Grignion, The Cure of the Soul, etching. Johann Sadeler, Descent into Hell. After Morland, Kiev Cathedral, lithograph. After Philips two lithographs (foxed). After isaac Oliver, portrait. Robert White, Thirlestone, Glamis, Lauder, etchings. Group of engravings of Abbeys

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70555 Los(e)/Seite