70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Levant.- Belzoni (Giovanni Battista) General View of the Scite of Thebes, lithograph with hand-colouring, on Whatman wove paper dated '1821', sheet 478 x 713 mm (18 3/4 x 28 in), vertical crease, upper right margin with large section of loss restored, upper left corner with handling creases and surface dirt, minor marginal nicks and tears, unframed, 1822; together with Belzoni's 'Scite of the Ruins of Berenice Throglodytica, on the Red Sea, Visited by G. Belzoni, 1818', and a hand-coloured lithograph 'The Memnonium' by Dickinson & Son, various sizes, some repairs visible, unframed, 19th century (3)

Europe.- Satirical map.- Anonymous (Liège-based cartographer) Carte des états désunis d'Europe, satirical map of Europe with Poland depicted as a tombstone, Russia as a white bear, and Prussia as an octopus, lithograph printed in colours, 495 x 620 mm (19 1/2 x 24 1/2 in), mounted onto paper support, with numerous repaired nicks and splits, some small losses, minor handling creases, unframed, A Liège chez Desiré, [circa 1864]

Africa.- Ellis (Rev. William) History of Madagascar, 2 vol., colour lithograph frontispiece, 9 lithographs, one wood engraved plate, illustrations, 2 folding maps, scattered spotting and staining, contemporary half-calf, a little rubbed, slight bumping to corners and extremities, 8vo, c.1838.

JOHN PIPER (1903-1992). A folder containing a JOHN PIPER signed in pencil limited edition lithograph 31/100, 35 x 47 cm, together with nine other works on paper mainly by or attributed to Piper, some bearing signatures, smallest 16 x 20 cm, largest 25 x 35 cm

AFTER PABLO PICASSO (1881-1973). 'Seated Model of a King', unsigned, coloured lithograph on paper from an edition of 1500, dated 3-2-54, framed and glazed, see authentication certificate verso, 24 x 31 cm

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), HANDS UP offset lithograph on paperframed and under glassimage size 36cm x 27cm, overall size 51cm x 42cmNote: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. The Fine Art Society, Edinburgh staged "John Byrne: In The Studio" in December 2024.

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), SELF PORTRAIT IN GOLD TINTED GLASSES offset lithograph on paperframed and under glassimage size 36cm x 24cm, overall size 52cm x 39cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. The Fine Art Society, Edinburgh staged "John Byrne: In The Studio" in December 2024.

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), GULI WALL limited edition lithograph on paper, signed, dated '71 and numbered 51/200mounted, framed and under glassimage size 46cm x 61cm, overall size 62cm x 75cm Note: Davie was a Scottish painter, he as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), BIG SELFIE offset lithograph on paperframed and under glassimage size 35cm x 27cm, overall size 50cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. The Fine Art Society, Edinburgh staged "John Byrne: In The Studio" in December 2024.

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE EYEMOUTH DISASTER limited edition lithograph on paper, signed and inscribed 'archive'framed and under glassimage size 62cm x 42cm, overall size 78cm x 58cmNote 1: The Eyemouth disaster was caused by a storm off the south-eastern coast of Scotland in 1881 in which 189 fishermen, most of them from the fishing community of Eyemouth, were drowned after being driven onto the treacherous Hurkur rocks that lie outside Eyemouth harbour bay. This picture portrays a young mother with her child and an older woman waiting, almost certainly in vain, for her husband to return. Eyemouth was not only associated in Bellany’s mind with disaster; It was also the home of his much loved grandparents.Note 2: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficult to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer). Most recently, "The Players" lot 50 in our auction of 28th March 2024 sold for £30000 (hammer).

* DAME ELISABETH FRINK RA (BRITISH 1930 - 1993), THE GREY RIDER (WISEMAN 39) limited edition lithograph on paper, signed and numbered 130/500framed and under glassimage size 57cm x 77cm, overall size 63cm x 82cm Note: British sculptor and graphic artist. Some of her early work—influenced by Giacometti—was angular and menacing. During the 1960s her figures—typically horses and riders or male nudes—became smoother, but she retained a feeling of the bizarre in the polished goggles that feature particularly in her over-life-size heads. She worked mainly in bronze and had numerous public commissions, for example Horse and Rider (1975) in Piccadilly, London, made for Trafalgar House Investments Ltd. Later in her career she also did numerous portrait busts of distinguished sitters. In addition to sculpture she made prints and drawings.Condition is good overall, with no visible or known issues.

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), UNTITLED lithograph on paper, inscribed 'P.A.', signed and dated 1974mounted, framed and under glassimage size 46cm x 58cm, overall size 62cm x 72cm Note: Davie was a Scottish painter, he as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), CELTIC MAIDEN lithograph on papermounted, framed and under glassimage size 66cm x 50cm, overall size 83cm x 66cm Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficult to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer). Most recently, "The Players" lot 50 in our auction of 28th March 2024 sold for £30000 (hammer).

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937), OLYMPISCHE SPIELE MÜNCHEN offset lithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesunframedoverall size 98cm x 62cm

Complete Set of Back to the Future Lithograph Prints for the trilogy, released by Vice Press, artworks by Kevin Wilson, all hand numbered, all unfolded, all 24 x 36 inches Back to the Future hand numbered 4/200, Back to the Future Part II hand numbered 26/200, Back to the Future Part III hand numbered 43/200 (3 items) Condition Report: All excellent condition

Complete Foil Set of Back to the Future Lithograph Prints for the trilogy, released by Vice Press, artworks by Kevin Wilson, all hand numbered, all unfolded, all 24 x 36 inches Back to the Future hand numbered 4/150, Back to the Future Part II hand numbered 26/150, Back to the Future Part III hand numbered 43/150 (3 items) Condition Report: All excellent condition

Flash Gordon (1980), Lithograph Print, released by Vice Press, artwork by Paul Mann, hand numbered 144/300, unfolded, 24 x 36 inches Condition Report: Excellent condition

Flash Gordon (1980), Lithograph Print, Foil Variant, released by Vice Press, artwork by Paul Mann, hand numbered 144/200, unfolded, 24 x 36 inches Condition Report: Very good condition, very light edge wear

Flash Gordon (1980), Lithograph Print, Quad Style, released by Vice Press, artwork by Matt Ferguson, hand signed, also signed AP for artists proof, unfolded, 24 x 36 inches Condition Report: Excellent condition

A mixed group of unframed 19th-20th prints and drawings, to include Sir Francis Seymour Haden, Fishing Vessels, etching, 16.5 x 23.5cm; Alphonse Legros, etching of a seated man, 31 x 24cm; Paul Ritchie, Tioram Castle, 25/50, coloured etching, 25 x 18cm; Robert Farren, The Roman Baths at Thrope near Peterborough, etching, 24.5 x 36.5cm; after Birkett Foster, Sheep on a hillside, reproduction lithograph, 11.5 x 14cm; William Collingwood, Coastal Scene, watercolour, 4 x 9.5cm; Percy Ramsbottom, Farm Buildings, signed and dated 74 (lower right), pen and ink, 27 x 38cm; and George James Rowe, woodland landscape, charcoal heightened with white, 19 x 27.5cm (8)

Donald Hamilton Fraser (British, 1929-2009) Seated Femalesigned in pencil lower rightlithograph - numbered edition 148/200blindstamp lower right74 x 52cm

Bernard Green (British, 1931-1998) Aber-Eiddy, Pembrokeshiresigned in pencil and dated lower right 19(82)lithograph - numbered edition 1/2639 x 48cmwith a further signed in pencil lithograph, titled 'Evening, Ffynnon Faeddog, White Sands, Pembs', numbered edition 3/50, 36.5 x 47cmlithographFrame size: 51cm x 60cm

(ar) Keith Vaughan (1912 - 1977), lithograph Artist's Proof print on paper, Old Seaweed Hoist, 49cm by 38cm, signed and dated '53, in frame

Mariette Lydis (Austria, 1887–1970) - Portrait of a young girl in profile with flowers in her hair, lithograph, framed, 23cm x 19cm, frame size 34cm x 31cm. NB - This lot may be subject to Artist's Resale Right levy.

Sir Terry Frost (1915-2003) - 'Red, Blue, Orange on Yellow', lithograph, signed in pencil and dated '69, numbered 48/75, framed, 63cm x 53cm, frame size 87cm x 76cm. NB - This lot may be subject to Artist's Resale Right levy.

J. S. Hawley (20th Century) - 'Tree Image With Crimson', lithograph, signed and titled in pencil, numbered 12/12, framed, 41cm x 52cm, frame size 54cm x 65cm.

Ole Vincent Larsen (1983-2003) - A group of figures, lithograph, inscribed in pencil, framed, 42cm x 51cm, frame size 66cm x 85cm. NB - This lot may be subject to Artist's Resale Right levy.

Edward Bawden, R.A. (1903-1989) - 'Life Guards', lithograph, signed in pencil, artist's proof, published 1953, from the Coronation Suite, bears Bebb Fine Art, Ludlow label verso, framed, 44cm x 30.5cm, frame size 75cm x 59cm. NB - This lot may be subject to Artist's Resale Right levy.

Simon Palmer (Born 1956) - 'In the Footsteps of the Poets', photo lithograph, signed and titled in pencil, numbered 82/150, framed, 64cm x 45cm, frame size 89cm x 69cm. NB - This lot may be subject to Artist's Resale Right levy.

John Piper (1903-1992) - 'Dryslwyn Castle', lithograph, signed in pencil, artist's proof, framed, 39cm x 53.5cm, frame size 61cm x 74.5cm. NB - This lot may be subject to Artist's Resale Right levy.

Jeremy King (1933-2020) - Tower of London from The Thames, lithograph, signed in pencil and numbered 110/250, blind stamped, framed, 41cm x 61cm, frame size 64cm x 82cm, also two further framed lithographs by the same hand. (3)

Hoi Lebadang (Vietnamese/ French 1921-2015): A framed lithograph titled 'Deux Petites Barques', signed in pencil, limited edition of 275 retailed by Harrods.

David Shrigley (British, 1968-), three lithograph prints from the Animal Series 2019, to include 'Some of My Best Friends are Pigs', 'I Will Not Fight', and 'He Will Only Eat Squid Ink Pasta', unframed, overall size approx 80cm x 60cm. (3)

David Shrigley (British, 1968-), two lithograph prints, to include 'Life is Good', and 'People Expect so Much from Me', published by ShrigShop, unframed, overall size approx 80cm x 60cm. (2)

TWO STONES Lithograph, 1971, on BFK Rives paper, signed, dated and numbered 43/50 in pencil, printed by Robert Rodgers and with his blindstamp, published by the artist, with full margins, unframed.Image 13 7/8 x 19 7/8 inches; 352 x 505 mm.Sheet 29 1/2 x 29 1/2 inches; 749 x 749 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

HOMMAGE A PICASSO: WINDOW ENGBERG/BANACH 141)Lithograph printed in black, 1973, on Arches Cover mould-made paper, signed and inscribed AP in pencil, one of 30 artist's proofs aside from the edition of 90, printed by Gemini G.E.L. and with their blindstamp, published by Propyläen Verlag, Berlin and Pantheon Press, Rome, with full margins, framed.Sheet 29 7/8 x 22 1/4 inches; 759 x 565 mm.Frame 36 3/8 x 28 3/8 inches; 924 x 721 mm.Lightstain, some handling creases and two diagonal creases at bottom right corner (one extending into the image bottom right) most discernible raking light, some discoloration at bottom left sheet corner, hinged at a few places along sheet edges verso to back mat (some associated pale offsetting showing through to recto), framed with glass.Lightstain, some handling creases and two diagonal creases at bottom right corner (one extending into the image bottom right) most discernible raking light, some discoloration at bottom left sheet corner, hinged at a few places along sheet edges verso to back mat (some associated pale offsetting showing through to recto), framed with glass.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

INTO '84......SHAFRAZI GALLERY POSTERColor offset lithograph, 1984, on wove paper, with full margins, unframed.Image 33 3/4 x 22 1/4 inches; 857 x 565 mm.Sheet 34 7/8 x 23 inches; 889 x 584 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

SHAFRAZI GALLERY POSTERColor offset lithograph, 1988, signed, dated and dedicated For Gil in black ink, the full sheet, unframed.Sheet 25 x 34 1/4 inches; 635 x 870 mm.Frame 25 3/8 x 34 3/8 inches; 645 x 873 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

[TWO VASES]Color lithograph, on wove paper, signed and numbered 4/100 in pencil, the full sheet, framed.Sheet 29 5/8 x 21 7/8 inches; 752 x 556 mm.Frame 33 5/8 x 25 3/4 inches; 854 x 654 mm.Uneven lightstain, otherwise in apparently good condition, unexamined out of the frame.Uneven lightstain, otherwise in apparently good condition, unexamined out of the frame.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

STAR LEG (GLENN 79)Color lithograph, debossing and collage (string and stone), 1974, on Copperplate Deluxe paper, signed, dated, titled and numbered 12/80 in pencil, printed by Styria Studio, Inc., New York and with their blindstamp, co-published by Multiples, Inc., New York and Castelli Graphics, New York, with full margins, framed.Sheet 35 7/8 x 25 3/8 inches; 911 x 645 mm.Frame 37 3/8 x 26 7/8 inches; 949 x 683 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

FUN GALLERY EXHIBITION POSTERColor offset lithograph, 1983, published by Fun Gallery, New York, the full sheet, unframed.Sheet 29 3/16 x 23 inches; 741 x 584 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) ⊕ THE SWIMMERcoloured lithograph31 x 44cm; 12 1/4 x 17 1/4in (plate)37 x 52cm; 14 1/2 x 20 1/2in (sheet)unframedExecuted in the 1930s.

HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) ⊕ DANCING COUPLEcoloured lithograph39 x 26cm; 15 1/4 x 10 1/4in (plate)57.5 x 44.5cm; 22 1/2 x 17 1/2in (sheet)unframed

HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) ⊕ A MEDIEVAL HUNT, DUDLEY TOWN HALLsigned and dated Hans Feibusch 1948 lower right; dedicated For Hilda lower leftcoloured lithograph 48 x 71.5cm; 19 x 28in63 x 85.5cm; 24 3/4 x 33 3/4in (framed)Executed as a study for Feibusch's mural at Dudley Town Hall depicting the medieval baron Roger de Somery stag hunting in Kinver Forest.

HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) ⊕ MOTHER AND DROWNING CHILD coloured lithograph30.5 x 48cm; 12 x 18 3/4in (plate)45 x 58cm; 17 1/2 x 22 1/2in (sheet)unframed

HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) ⊕ THE FISHERMANsigned with initals lower rightcoloured lithograph45 x 26.5cm; 17 3/4 x 10 1/2in62 x 43cm; 24 1/2 x 17in (framed)

Unique Art MFG. Co. USA Tinplate GI Joe and K-9 Pups, lithograph tinplate clockwork figure, circa 1950’s, worging clockwork mechanism with fixed key, in excellent original condition H.23cms (9 inches) and Marx Toys New York USA George The Drummer Boy, lithograph tinplate clockwork figure, in excellent original working condition H.23cms (9 inches) (2 items)

Helen Layfield Bradley, (1900-1979) Big Bertha comes to Leessigned in pencil lower right margin, blind stamp lower left, lithograph, 48cm x 62cm, (70cm x 84cm overall frame size).

Harry Elliott (pseudonym for Charles Edmond Hermet 1882-1959, French) after, set of four, Hunting Scenes, Outside The White Heart Inn, Into the Fields, Giving Chase and Crashing Fruit, lithograph prints. 26.5cm x 71cm, matching oak frames (4)

A lithograph entitled "Coombe Creek" by Richard Tuff, limited edition 88, framed 92 x 76cm.

Théodore Géricault,  French 1791-1824- 3 Lithographs: Three Horses Led by a Groom to be Skinned; Cheval de la plaine de Caen; and Dead horse; lithographs, 13.7 x 22.1 cm., 24.6 x 30.4 cm., and 19.4 x 23.8 cm.: together with Honoré-Victorin Daumier, French 1808-1879- Pauvre France!...Le Tronc Est Foudroyé, Mais Les Racines Tiennent Bon!; lithograph, signed with initials 'hD' (within the plate, lower left) and numbered '5' (within the plate, lower right), 26.7 x 22.1 cm., four (4). Provenance:  Private Collection, UK. 

Sir William Nicholson, British 1872-1949- Christ Church Library, Oxford; lithograph, signed and numbered 'Nicholson No 65' (in pen, lower left), bears Stafford Gallery blindstamp which reads 'PUBLISHED Nov. 1905 AT / THE STAFFORD GALLERY / 34 OLD BOND ST. W.' (lower right), 27.7 x 35.8 cm.: together with a lithograph depicting Christ Church Hall, Oxford, from Charles Knight's (1791-1873) 'Old England: A Pictorial Museum of Regal, Ecclesiastical, Municipal, Baronial, and Popular Antiquities', 27 x 19.6 cm., two (2). Provenance: (the first) with The Maclean Gallery, London, 1981. (both) Private Collection, UK. Exhibited: (the first). London, The Maclean Gallery, 'William Nicholson. Woodcuts and Lithographs', 29 April - 22 May 1981, no.90 (where purchased by the present owner). Note: Nicholson moved to the town of Woodstock in Oxfordshire in 1898, which undoubtedly inspired him to execute a number of watercolours depicting the historic architecture of nearby Oxford. These were in turn printed as a series of lithographs by the Stafford Gallery in 1905. 

Charles Edward Conder,  British / Australian 1868-1909- Female nudes beside a pool; charcoal on paper, bears inscription 'Charles Condor [sic.] / 1868-1909' verso, 41.8 x 35 cm.: together with an invitation to a 'Private view of an exhibition of pictures by Charles Conder' at the Leicester Galleries, London, on 7 December 1905; lithograph, inscribed 'Pickford A Waller Esq.' in pen, lower edge, 14.6 x 18 cm., two (2), (unframed / part mounted). Provenance:  [Presumably] Pickford A. Waller Esq. (according to the Exhibition Card).  Private Collection, UK. Exhibited:  London, Leicester Galleries, 'Private view of an exhibition of pictures by Charles Conder', December 1905.Note:  British-born Conder travelled to Sydney, Australia, in 1884, at the age of 16, taking a job in 1886 as an artist at the 'Illustrated Sydney News'. Alongside friends such as Tom Roberts (1856-1931) and Arthur Streeton (1867-1943), Conder went on to become one of the key figures of the Heidelberg School, which was itself one of the most influential movements in the development of the Western artistic tradition in Australia. 

* Caron (André-Charles, active 1920-1949). Josephine au Bal Nègre, 1927, colour lithograph poster, published by M. Ducelier, Paris, an excellent impression, a few horizontal creases to lower portion of sheet, image size 80 x 64 cm (31 1/2 x 25 1/4 ins), mount aperture 86.5 x 65 cm (34 x 25 1/2 ins), framed and glazed (107 x 84 cm)QTY: (1)NOTE:Le Bal Nègre was a Parisian dancing, cabaret, and jazz club. Officially known as either 'Le Bal Blomet' (after the name of the street it was situated on) or 'Le Bal Colonial' this popular night spot was more commonly referred to as Le Bal Nègre.Joséphine Baker (1906-75) was an American-born French dancer, singer, and actress, was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in its 1927 revue Un vent de folie caused a sensation in the city. Her costume, consisting only of a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties.

* Nicholls (Bertram, 1883-1974). Italian Landscape with Travellers, 1932, watercolour, signed and dated to lower right, 28 x 34.2 cm (11 x 13 1/2 ins) mount aperture, framed and glazed (45.5 x 52 cm), together with Ospovat (Henry, 1877-1909). Dutch Scene, black chalk, signed to lower right, 31.5 x 24 cm (12 3/8 x 9 1/2 ins) mount aperture, framed and glazed (48 x 41 cm), plus other 20th century prints by various artist's including: Wyndam Payne, Bonfire Night, woodcut; John Craxton, Poet in Hilly Landscape, lithograph; printed ticket bearing F. Walker's name for The Moray Minstrels concert, 1871; etc., all framed and glazed, largest (41.5 x 46.5 cm)QTY: (7)

* Guyatt (Richard, 1914-2007). Radcliffe Camera, 1962, lithograph in colours on paper, signed in the plate, from the second series of posters created to promote the Guinness World Records, gallery labels to frame recto and verso, image size 38 x 50 cm (15 x 19 3/4 ins), framed and glazed (57 x 69.5 cm), together with Bawden (Edward, 1903-1989). Aid to Russia: The Rail-head at Khanagin, Iraq, 1944, offset lithograph in colours on paper, signed and dated in the plate, numbered 63/145 in pencil, posthumously printed by The Curwen Studio, 2008, the full sheet, image size 38.8 x 51 cm (15 3/4 x 20 ins), sheet size 54 x 64 cm (21 1/4 x 25 ins), unframed, plus Shaikh Haji Farhud al-Fandi, Hatcham Tribe, Preparing to Entertain, 1944, offset lithograph in colours on paper, signed and dated in the plate, numbered 2/145 in pencil, posthumously printed by The Curwen Studio, 2008, the full sheet, image size 24.5 x 32.7 cm (9 3/4 x 12 3/4 ins), sheet size 36 x 42 cm (14 1/4 x 16 1/2 ins), unframed, and Roussel (Ker-Xavier, 1867-1944). Personnages au bord de la mer, 1898, lithograph printed in colour on paper, signed in pencil, image size 23.2 x 41 cm (9 1/8 x 16 1/8 ins), framed and glazed (51.5 x 64.5 cm)QTY: (4)NOTE:Literature: British Printmakers 1855-1955, Garton and Co., 1992, Radcliffe Camera is listed in Appendix XIV.

* Utrillo (Maurice, 1883-1955). Le petit chateau, 1925, pochoir on Velin d'Arches wove paper, signed in the plate, from an edition of 150, produced in Paris by Daniel Jacomet, image size 23 x 29.5 cm (9 x 11 3/4 ins), framed and glazed (42 x 49 cm), and Chemeche (George, 1934-). Untitled, 1979, colour lithograph on wove paper, signed and numbered 112/260 in pencil, the full sheet, sheet size 55.5 x 74 cm (21 3/4 x 29 ins), plus another similar work by the same artist, signed and numbered 240/260 in pencil, the full sheet, together with prints by or after Francesco Clemente, Antje Hassinger, Allan Kaprow, and Sol Lewitt, framed and unframedQTY: (7)

AR * Bawden (Edward, 1903-1989). Lloyds Building, London, circa 1970, colour lithograph, artist's proof, showing the interior of the old Lloyd's building, numbered AP and signed in pencil by artist to lower margin, plate size 41 x 45 cm (16 1/8 x 17 3/4 ins), framed and glazed (67.5 x 70.5 cm)QTY: (1)

* Baskin (Leonard, 1922-2000). Self Portrait, 1977, lithograph on heavy wove paper, an artist's proof, aside from the edition of 200 numbered impressions, signed, and marked A. P., additionally inscribed 'for Adrian & Lucretia from Lisa & Leonard, 1978', small blind stamp to lower left corner, some light spotting mainly to margins, sheet size 51 x 60.5 cm (20 x 24 ins)QTY: (1)

AR * Spender (Humphrey, 1910-2005). Cornish Tin Mines, 1969, lithograph in colours on J Barcham Green wove paper, signed and numbered 51/65 in pencil to lower margin, printed by the Curwen Studio, the full sheet, image size 42 x 66.5 cm (16 1/2 x 26 1/4 ins), sheet size 58 x 79 cm (22 3/4 x 31 ins), unframedQTY: (1)