70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

SALVADOR DALI (Spanish 1904-1989) A RARE PRINT, "Exposition Inaugurale, L'Art Dans le Bijoux, Au Profit des Petits Lits Blancs," PARIS, APRIL 23 - MAY 22, 1971, offset color lithograph, signed in plate, with image of the enamel, diamond and ruby Eye of Time brooch designed by Henryk Kaston (Polish 1910-2010), for Wally F. Findlay Galleries International, printed by Mourlot. 26 1/4" x 20" Condition: Some minor paper wear, signed in plate, edges creased and mild tears, expected wear for age, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

ROBERT RAUSCHENBERG (American 1925-2008) A PRINT, "Tropic Magazine, Miami Herald Cover," December 30, 1979, lithograph on newspaper cover, The Miami Herald, 39 pp. signed and numbered U/L "Rauschenberg 90/100." 12 1/2" x 10 3/4" Note: While pursuing his MFA at the University of Miami in 1976, artist Leo Rosenblatt created a printmaking process called Stat Art, "a technique incorporating drawing and mixed media on large sheets of commercial copy film in conjunction with light sensitive newspaper printing plates. "Stat Art allowed unusually large runs of original lithographic art to be printed on large commercial newspaper presses with no image deterioration." Rosenblatt began working as the art director for Tropic Magazine, published on Sundays by the Miami Herald, where he continued his experiments with Stat Art, culminating in what he calls "the world's largest edition of an original lithograph," by the well-known Florida resident and prolific printmaker, Robert Rauschenberg. People Magazine was on the story: "On Dec. 30, 1979 the Miami Herald printed 650,000 Rauschenbergs as the cover of its Sunday magazine, Tropic. In essence an original lithograph, it showed images of south Florida. The artist went to the Herald pressroom and signed 150 of them, thus enhancing their value and the jubilation of readers fortunate enough to find one on their doorstep." Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, some discoloration to inner newspaper pages commensurate with wear, cover lithograph in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

PETER PHILLIPS (British b. 1939) A PRINT, "Tiger and Engine," 1971, photo-lithograph and silkscreen on paper, signed, dated and numbered in margin in pencil L/R, "Peter Phillips 1971 190/200." 19 1/4" x 14 1/2" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020; Estate of David E. Brauer, Houston, Texas. Condition: Light ink fading, overall in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JOAN MIRO (Spanish 1893-1983) A PRINT, "Galerie Maeght: Miro Art, Sculptures & Graphique," EXHIBITION POSTER, CIRCA 1950, color lithograph on paper, signed in pencil L/R. 28" x 20" Provenance: Simpson's Antiques, lot 371, March 1997. Estate of David E. Brauer, Houston, Texas. Condition: Some surface wear and mild soil, but overall in fair to good condition, wear commensurate with age. Frame with some damage and glass with break and loss in lower right and some chips throughout, area has some soil on paper and chew marks from old pest exposure. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

LYNN CHADWICK (British 1914-2003) A PRINT, "Figure I," 1966, lithograph on paper, signed and dated in pencil L/R, numbered 14/50 L/L, full sheet: 32" x 23 1/2". Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Light foxing throughout, overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

after JOHN JAMES AUDUBON (American 1785-1851) AN AMSTERDAM EDITION PRINT, "Wilson's Plover (Chardius Wilsoniu)," DUTCH, 1972, multicolor offset lithograph on 100% unbleached cotton rag paper, "G. Shut & Zonen," watermarked, the margins printed, "Drawn from nature by J.J. Audubon F.R.S.F.L.S.," "Engraved, Printed and Colored by Robert Havell," No. 42, Plate CCIX. 26 1/2" x 39 1/2" Condition: Some handling creases, paper trimmed slightly, a modern reproduction produced overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

ALLEN JONES (British b. 1937) TWO PRINTS, "Album," AND "Untitled," 1971, comprising two prints, "Album," lithograph and color silkscreen on paper, signed and dated in margin in pencil L/R, "Allen Jones '71," numbered L/L 27/75. 25" x 18 1/2"; and "Untitled," color silkscreen on paper, signed and dated in pencil L/R, "Allen Jones '71," numbered L/L 29/75, 24" x 22". Provenance: Both works Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama, February 7 - November 29, 2020; Estate of David E. Brauer, Houston, Texas. Condition: Both in good condition wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JAMES ROSENQUIST (American 1933-2017) A PRINT, "See-Saw, Class Systems," 1968, lithograph in colors on Arches paper, signed and dated L/R in margin in pencil, titled and numbered 67/100 L/L. Published by Richard Feigen Graphics, New York. 24 1/8" x 34 7/16" Note: Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, slight tear U/L, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JAMES ROSENQUIST (American 1933-2017) A PRINT, "Brighter Than the Sun," 1972, eight-color lithograph, signed and dated L/R in margin in pencil "James Rosenquist," titled and numbered 6/21 H.C. L/L. Published and printed by Petersburg Press, Inc. 19" x 29 1/4" Note: Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, slight crease in margin U/R, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

ALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Primordial," 1964, lithograph on paper, signed and dated L/R, "Alexandre Hogue - Imp-1964," and titled and noted L/L in pencil, "Primordial Proof #1." 22" x 27 1/4" Note: An alternate colored version of this print is titled, "In the Beginning." The present work marked, "Proof #1," is a good example of the evolution of the printmaking process for Alexandre Hogue. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JACQUES VILLON [GASTON DUCHAMP-VILLON] (French 1875-1963) A PRINT, "Untitled (Abstraction)," CIRCA 1926, lithograph, printed in colors on wove paper signed L/R, gallery label verso. 18" x 12 1/2" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Overall good to excellent condition, backing paper worn, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

ALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Liberators," 1943, lithograph on paper, signed and dated in margin in pencil, "Alexandre Hogue - 1943," titled in pencil in margin L/L. 13" x 16 1/4" Condition: In very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JAMES ROSENQUIST (American 1933-2017) A PRINT, "Pushbutton," 1972, lithograph on paper, signed and dated in margin in pencil L/R, "Rosenquist 1972," titled and numbered 4/6, marked H.C. ("Hors Commerce"). 30 1/4" x 36" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

SALVADOR DALI (Spanish 1904-1989) A PRINT, "The Earth Goddess (The Chef)," 1980, lithograph, signed in margin in pencil L/R, numbered 190/350 L/L. 22 1/2" x 18" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Overall very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

PIERRE-AUGUSTE RENOIR (French 1841-1919) A PRINT, "Louis Valtat," PARIS, 1904-1919, lithograph on cream laid deckle edge paper, signed in plate, "Renoir." Sheet: 13 1/8" x 9 7/8" Note: Attributed as from an edition of 1000 of, "L'Album des Douze Lithographies Originales," drawn originally in 1904, and published by Ambroise Vollard and printed by August Clot in Paris circa 1919. Condition: Yellowed tone to paper throughout, some lighter and darker splotches apparent at back not to the front, matting and frame contributing to undesirable storage environment, tape residue, small tears near edges, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

A TEXAS REVOLUTION DOCUMENT, TEXIAN LOAN, SIGNED, STEPHEN F. AUSTIN, B.T. ARCHER AND WILLIAM H. WHARTON, PAID BY THOMAS D. CARNEAL, NEW ORLEANS, JANUARY 11, 1836, lithograph and manuscript on wove paper, for Thomas D. Carneal, published by the "Government of Texas," printed by Benjamin Levy, New Orleans, hand inscribed no. 365, with cancelation mark, signed by, "Commissioners on the part of Texas," "S.F. Austin," with flourish, "B.J. Archer," and "Wm. H. Wharton." 10 1/2" x 8 1/4" Provenance: Estate of Dr. Paul E. Shutts, Houston, Texas. Condition: Cancelation mark with expected loss and slashes do not compromise the piece, some foxing, creases, a crinkle at upper left corner, some ink bite, and minor loss in signatures for B.T. Archer and William H. Wharton, some ink bleed but overall in good to very good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JAMES ROSENQUIST (American 1933-2017) A PRINT, "1,2,3 Outside," 1972, a six color lithograph with embossing and debossing on Hodgkinson handmade paper, signed and dated in margin in pencil L/R, numbered 1/70 and titled L/L. 39 1/4" x 29 1/4" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Paint on lip of frame bottom and L/L, scratch to plexiglass glazing U/L, generally in good to very good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JOAN MIRó I FERRÀ (Spanish/Catalan 1893-1983) A PRINT, "Untitled," CIRCA 1970s, lithograph on paper, signed in margin in pencil L/R, "Miro" and numbered 40/75 L/L, published by Galerie Maeght. 27 1/2" x 20 1/2" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Minor scratches on frame, generally in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

DEREK BOSHIER (English b. 1937) A SIGNED EXHIBITION POSTER, "Photography at Muzeum Sztuki," ŁóDŹ, CIRCA 1981, color lithograph on paper, dedicated, signed and dated in lower margin in marker, "To Honey (Beeman), with love, Derek, Sept 1981.," verso a partial gallery label. 32" x 23" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Label partial with damages, buckling throughout, and some surface wear, but overall in fair to good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

R.B. KITAJ (American 1932-2007) A GROUP OF FIVE PRINTS, FROM "First Series: Some Poets," 1966-1970, comprising five works on paper from "First Series: Some Poets," a portfolio published by Kelpra Studios. "Ed Dorn," screenprint on paper, signed in image in pencil L/R, "Kitaj," numbered L/L 39/70, stamped verso, 25 5/8" x 20 1/2"; "Star Betelgeuse, Robert Duncan," screenprint and collage on paper, numbered 40/70, 33" x 17 7/8"; "Portrait of W.H. Auden," screenprint and lithograph on paper, numbered 33/70, 18 1/2" x 24 1/2"; "Revolt on the Clyde (Hugh Mac Diarmid)," screenprint and photo-screenprint on blue card, signed and numbered in pencil L/L "Kitaj 52/70," 25 1/2" x 20 1/4"; "Fifties Grad Swank: Morton Feldman," signed and numbered in pencil L/L, "Kitaj 63/70," 31 1/2" x 14 3/4". Provenance: Estate of David E. Brauer, Houston, Texas. Condition: "Ed Dorn" has light marks from creasing along right edge, and is hinged to black matboard. Generally in good to very good condition; "Revolt on the Clyde (Hugh Mac Diarmid)" has slight residue along lower edge, along with some scratching to the frame; "Fifties Grad Swank: Morton Feldman" has slight crease in U/R corner, slight discoloration in L/L corner, along with a small crease in L/R corner, otherwise all in generally good to very good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

MAN RAY (American 1890-1976) A PRINT, "The Imaginary Portrait of Marquis de Sade," 1970, color lithograph on paper, signed L/R, and numbered Artist's Proof, "Eprime d'Artiste," L/L in pencil. 24 3/8" x 19 5/8" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Moderate foxing and spotting throughout, overall fair to good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

after HENRY THOMAS ALKEN (English 1785-1851) AN EQUESTRIAN PRINT, "The Winning Post," offset color lithograph on paper, numbered in pencil 61/300 L/L, with blind stamp L/R, "LAE Edition, London." 18" x 28" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Minor surface wear, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JOHN THOMAS BIGGERS (American/Texas 1924-2001) A PRINT, "Dau Fuskie (The First Race Between the Turtle and the Hare)," 1998, lithograph on paper, signed and dated in pencil L/R margin, "John Biggers 1998," special edition number 184/200. 11 1/2" x 14 3/4" Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

ZAO WOU-KI (Chinese/French b. 1921) A PRINT/BOOK, "Today," 1967, book with lithograph cover, signed and numbered 566/700 L/L in pencil, 2 pp. 12 1/8" x 9" Note: Inside page of booklet a rough translation from French: "This booklet which includes, on the cover, an original lithograph, drawn from the presses of Desjobert, was printed by the Imprimerie du Compagnonnage, Paris, and edited by the Galerie de France on the occasion of the exhibition from April 5 to May 21, 1967, featuring recent works by the artist at the Galerie de France. It was printed in seven hundred copies, all numbered and signed. Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good to excellent condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JAMES ROSENQUIST (American 1933-2017) A PRINT, "Flower Garden," 1973, lithograph on paper, signed and dated in margin in pencil L/R, titled and numbered L/L 23/75. 25" x 31" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

ALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "March Fantasy," 1927, color lithograph on paper, signed and dated in pencil L/R, "Alexandre Hogue 1927," titled and numbered L/L in pencil, #23/40. 10 3/4" x 14 1/2" Condition: Some handling creases and mild expected surface wear, and overall in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

HENRI ÉMILE BENOÎT MATISSE (French 1869-1954) A PRINT "Portrait de Rouveyre, No.11," 1947, lithograph on paper, ed. 10/35 (from total edition of 370). 10" x 6 1/2" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Certificate of authenticity attached. Minor spots L/C and L/R, light apparent foxing, frame chipped, generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

NORMAN ROCKWELL (American 1894-1978) A SATURDAY EVENING POST COVER PRINT, "Before the Shot," color lithograph on watermarked Arches paper, signed in pencil in L/R margin "Norman Rockwell," with Circle Gallery blind stamp and numbered in pencil in L/L margin, 86/200, sheet: 24 3/4" x 21 7/8", plate: 20 1/4" x 18 3/4". Note: A version of the original painting by Norman Rockwell appeared on the cover of The Saturday Evening Post on March 15, 1958. Condition: Mild expected tone to paper, some mild smudges at lower corners, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

JAMES ROSENQUIST (American 1933-2017) A PRINT, "Toy Prism," 1972, lithograph on paper, signed and dated in pencil L/R, "Rosenquist 1972," titled and numbered L/L 148/150, watermark LL. 22" x 30" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

A REPUBLIC OF TEXAS MAP, "Méxique," THUNOT DUVOTENAY, PARIS, CIRCA 1843, hand-colored lithograph on paper, Thunot Duvotenay, French cartographer, Charles Smith, English plate engraver, a page fragment from a larger atlas by Maison Basset, publisher, with inset map of Guatemala (showing Honduras, Nicaragua, Costa Rica, and Belize), within a neoclassical border with Tudor roses, plate 31, and dated in margin, sheet: 13 1/4" x 10 1/8". Condition: Some stains and spots throughout, toning and yellowing, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

Peter Paul, framed lithograph of Palais Venice, no. 7/125, signed and dated 1976, 41cms x 57cms together with Photographic Print of Canary Wharf above the clouds, 32cms x 48cms

After Wilfrid Rene Wood (British, 1888-1976): map of Stamford, a six colour lithograph, signed and dated 1950 in the plate lower left, published by the Stamford Town Development Committee, 44 by 56cm, mounted, glazed and framed, 60 by 71cm.

A Victorian coloured lithograph, after Glinks, hunting scene, framed. 40 cm x 61 cm. CONDITION REPORT: Some cracking, discolouration and losses.

A Victorian coloured lithograph of a boy and chickens, gilt framed. 32 cm x 24.5 cm. CONDITION REPORT: Some slight deterioration but generally good. The frame is later painted in gilt.

Live From The Met' by Al Hirschfeld, caricatures of famous opera singers and operas including Verdi's Otello, Puccini's La Boheme and Smetana's The Bartered Bride, lithograph, glazed and framed, 49x68cm

After Edmond Xavier Kapp (1890-1978) lithograph of Frederick Delius, pencil signed to margin 84/100, 43 x 34 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A Mounted Print of Napoleon, Bill Sykes Print and Coloured Lithograph, Medieval Procession After Walter Crane Published by Franz Hanfstingl 1908, Latter 65x48cm

Cavendish and Concord Morton, Medina Valley, Isle of Wight, signed in pencil by both artists, colour lithograph, 39 x 51cm, framed and glazed.

A pair of Victorian chromo lithograph pictures depicting wild flowers, signed HCC together with three Lepidopterology (Butterfly) themed framed book plates; Victorian engraving of a woman seated at a window; after Montaque Dawson, Neck & Neck, colour plate (7)

A 20th century Singaporean school, Doors and windows, signed and titled, lithograph on wove paper, framed and glazed, (48x46 cm).

*Banksy (b.1974) 'Time Out, London' offset lithograph image 66 x 49cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No obvious condition issues.

*Banksy (b.1974) Tesco Tomato Soup offset lithograph sheet 59.5 x 42cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A mark from a fold to lower right corner

*Harland Miller (b.1964) 'York, So Good They Named it Once', 2020 offset lithograph in colours, for Harland Miller exhibition at York Art Gallery, 14 February-31 May 2020 sheet 84 x 55.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Good condition

*Banksy (b.1974) 'Save or Delete', 2002 offset lithograph printed in colours, commissioned by Greenpeace, accompanied by six stickers 42 x 59cm, unframed *Artist's Resale Right may apply to this lot.

*Ronald Searle (1920-2011) 'Everybody loves him - the children ADORE him' lithograph printed in colours, 'H.C.', signed and titled in pencil image 45.5 x 62cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Mount is acidic and this has caused staining to edges.

*Mary Fedden RA (1915-2012) 'Cat on a Cornish Beach' offset lithograph printed in colours, 2000, signed and numbered 280/500 in pencil, after the 1991 painting, published by Bow Art, with their blindstamp, on wove paper, with margins sheet 35 x 49.3cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Creases to lower corners. Mark to upper right corner.

*Mary Fedden RA (1915-2012) ‘The Tabac Jar’ offset lithograph printed in colours, 1996, signed and numbered 505/550 in pencil, published by Bow Art, with their blindstamp, with margins sheet 32 x 40.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Light crease to lower right corner.

*Mary Fedden RA (1915-2012) 'Fourteen' lithograph printed in colours, printers proof for Curwen Press, signed and dated '08 in pencil l.r. 25.5 x 30.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Appears to be in good condition

*John Piper CH (1903-1992) 'Fotheringhay, Northamptonshire: medieval stone': Levinson 135 lithograph printed in colours, signed and numbered 59/70 in pencil image 57 x 80cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Foxing.

*Dame Elisabeth Frink RA (1930-1993) 'Small horse and rider', 1970 (Wiseman: 40) lithograph sheet size 25.8 x 32.3cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A 1cm light brown mark on right side of lower margin

*Graham Clarke (b.1941) 'By Appointment' lithograph printed in colours image 14 x 17.5cm; and eight further lithographs by the same hand (9) *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frames, no obvious condition issues.

*Mary Fedden RA (1915-2012) 'Red Sunset' lithograph printed in colours, with Bow Art blindstamp, signed and numbered 214/500 in pencil sheet 35.5 x 49.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: light handling mark to left margin

*Michael Rothenstein (1908-1993) Abstract lithograph, signed in pencil l.r. sheet 54.5 x 37.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: generally good order.

*Michael Rothenstein (1908-1993) Wood pattern lithograph, signed in pencil sheet 54.5 x 37.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: There is some staining to the edges around the image, some time staining to the paper but the image itself looks to be in good order.

*Bill Jacklin (b.1943) 'Table Top with Lemons' lithograph printed in colours, signed, titled, dated '82 and numbered 7/60 in pencil image 65 x 79cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No obvious condition issues.

*Serge Shart (Lebanese-French, 1927-2011) Clowns lithograph printed in colours, signed and numbered 63/100 in pencil, with Mourlot blindstamp image 53 x 66cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. thunderbugs under glass, no obvious condition issues to print.

*After Marc Chagall 'The Three Candles' lithograph printed in colours, with blindstamp, numbered 296/450 image 62 x 44cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, no obvious condition issues.

Mark Tobey (American, 1890-1976) Untitled lithograph printed in colours, signed and dated 1970 and numbered 38/200 in pencil sheet 64 x 85cm, unframedCondition report: Margin light brown in colour.

*Victor Vasarely (French, 1906-1997) 'Ingui-niel' lithograph printed in colours, signed in pencil l.r sheet 61 x 76cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Creases and fold marks visible to edges of prints and in margin. Some stains visible in margin.

*Zoran Antonio Music (Italian, 1909-2005) 'Motif Dalmate' lithograph, signed and numbered 123/300 in pencil 25.5 x 33.5cm, unframed Printed on sheet with Galerie de France exhibition details. *Artist's Resale Right may apply to this lot.Condition report: Folded paper with text on other side. Light brown staining and a crease