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Preisdatenbank abonnierenδ Graham Sutherland (1903-1980)Study Boards (Tassi 116)Lithograph printed in colours, 1971, signed and numbered from the edition of 200 in pencil, on wove paper, published by Cercle Graphique Européen, the full sheet, 565 x 770mm (22 1/4 x 30 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Andrew Stahl (b.1954)Night AngelLithograph, 1987, signed, dated and numbered from the edition of 48 in pencil verso, on wove paper, published by the Royal College of Art, London, the full sheet printed to the edges, 305 x 305mm (12 x 12in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Horst Antes (b. 1936)Ommagio a MichelangeloLithograph printed in colours, 1975, signed and numbered from the edition of 200 in pencil, on wove paper, printed by Matthieu, Zurich, published by Foundation Bruckmann Stiftung, Munich, the full sheet, 800 x 700mm (31 1/2 x 27 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Adrian Berg (1929-2011)W B YEATS 'LAPIS LAZULI' Lithograph printed in blues, 1987, signed, dated, titled and numbered from the edition of 48 in pencil, on wove paper, published by the Royal College of Art, London, the full sheet, 306 x 306mm (12 x 12in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Chris Plowman (1952-2009)Odds and EndsLithograph printed in colours, 1987, signed, dated, titled and numbered from the edition of 48 in pencil, on cream wove paper, published by the Royal College of Art, London, the full sheet, 306 x 306mm (12 x 12in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Freya Payne (b.1968)BruiseScreenprint, lithograph and etching printed in colours, 1996, signed, titled and numbered from the edition of 100 in pencil, on wove paper, published by the Royal College of Art, London, with full margins, sheet 758 x 575mm (29 3/4 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Ossip Zadkine (1888-1967)Le Merveilleux RadeauLithograph, 1974, numbered in roman numerals from the edition of XXV in pencil, on japan paper, as included in Europaeische Graphik IX portfolio, printed by Erker-Presse, St Gallen, published by Felix H. Man and Galerie Wolfgang Ketterer, Munich, the full sheet, 760 × 538mm (30 x 21 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Raoul Dufy (1877-1953) (after)AnémonesLithograph printed in colours, 1942/2004, numbered from the edition of 250 in pencil, on B.F.K. Rives paper, printed and published by A.D.A.G.P., Paris, 2004, with their blindstamp, with full margins, image 542 x 720mm (21 3/8 x 28 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Bibliography and Bibliophily - Book History, volumes 1-4 only, edited by Ezra Greenspan and Jonathan Rose, The Pennsylvania State University Press, 1998-2001, contemporary blue cloth, 8vo, (4); Gaskell (Philip), A New Introduction to Bibliography, Clarendon Press, Oxford 1972, h/b, d/j, 8vo; Esdaile's Manual of Bibliography, Fifth revised edition by Roy Stokes, The Scarecrow Press, 1981, blue cloth, 8vo; McKerrow (Ronald B.), An Introduction to Bibliography for Literary Students, second impression, Clarendon Press, Oxford 1928, red leather spine and buckram boards, neat ex-lib copy, 8vo; Hirsch (Rudolf), The Printed Word: Its Impact and Diffusion, (Primarily in the 15th-16th Centuries), Variorum Reprints, London 1978, blue cloth, 8vo; Review Copy, Luborsky (Ruth Samson) [...], A Guide to English Illustrated Books 1536-1603, two-volume set, 1998, paper covers, 8vo, (2); other works on earlier printing; Private Libraries Association: Faxon (Frederick W.), Literary Annuals and Gift Books: A Bibliography, 1823-1903 [...], 1973, red cloth, 8vo; Harrop (Dorothy A.), A History of the Gregynog Press, 1980, blue cloth gilt and blind, 4to; Twyman (Michael), Early Lithograph Books [...] with a Catalogue, 1990, drab cloth gilt, 4to; Rota (Anthony): Apart from the Text, 1998 & Books in the Blood: memoirs of a fourth generation bookseller, 2002, h/b, d/j, 8vo, (2); Alderson (Brian), Edward Ardizzone: A Bibliographic Commentary, 2003, red cloth gilt, 8vo; A Modest Collection: Private Libraries Association 1956-2006, Pinner 2007, green cloth gilt, 8vo; The Fanfrolico Press: Satyrs, Fauns & Fine Books, 2009, blue cloth gilt, 4to; Cooke (Simon), Illustrated Periodicals of the 1860s: Contexts & Colloborations, 2010, h/b, d/j, 4to, (7); Printing Places: Locations of Book Production & Distribution Since 1500, edited by John Hinks [...], The British Library, 2005, h/b, d/h; further reference, academic and non-academic; (collection)
‡ENOCH FAIRHURST. (1874-1948)The Cordwainer, lithograph,pencil signed, inscribed and numbered 37/50 in the lower marginPl. 13 1/4 x 11 in; and a signed etching by C. Batoul depicting an engraver at work; two (2) The artist lived in Bolton for most of his life. He was elected a member of Manchester Academy and of the RMS in 1932
THOMAS GOLDSWORTHY DUTTON (1819-1891)'Arrow', 117 Tons winning the Cutter Race at the Royal Cinque Ports Yacht Club Regatta, at Dover, June 24th 1876, (after Josiah Taylor, 1878), with printed dedication under title 'to Tankerville Chamberlayne Esq, of Clanbury Park, Hampshire'lithograph in colours, published by B. Day & Son, 7 Sisters Road, London, on wove paperPl.16 x 24 in (40.6 x 60.9cm)Provenance: with The Parker Gallery, London The cutters 'Cuckoo' and 'Florida' are also depicted in this view of the Race.
Aldin (Cecil). The South Berkshire Hunt, published Alfred Bell & Co. Ltd, 1925, lithograph, signed by artist to lower left in pencil, 350 x 605 mm, mounted, framed and glazed, together with The Garth, published Alfred Bell & Co. Ltd, 1925, lithograph, signed by artist to lower left in pencil, one short scratch to image, 370 x 610 mm, mounted, framed and glazed (Qty: 2)
Poullain (Antoine). Collection de cent-vingt estampes, grave?e d'apre?s les tableaux & dessins qui composoient le cabinet de m. Poullain..., pre?ce?de?e d'un abre?ge? historique de la vie des auteurs qui la composent... Cette suite a e?te? exe?cute?e sous la direction du sieur Fr. Basan... par de jeunes artistes des deux sexes, dont les talens se font connoi?tre & accroissent de jour en jour. Le sr. Moitte... en avoit fait les dessins, d'apre?s les tableaux, Paris: Se vend chez Basan et Poignant, 1781, 120 plates on 116 leaves, letterpress title and text bound at verso, occasional scattered spotting, ownership book label of Alfred Strang to upper pastedown, 19th century half sheep, lacking spine, upper board detached and lower board loose, worn, 4to, together with Cham , A la Guerre Comme a la Guerre variantes lithographiques, sur le theme bien connu: Ah! quel plaisir d'etre Soldat, Paris: Aubert & Cie, circa 1840s, hand-coloured lithograph title and 28 plates (of 30), few plates with surface skinning & consequent image loss, original printed boards detached and lacking spine, worn, oblong folio (Qty: 2)
Simpson (William). The Seat of War in the East, First [-2nd Series], 2 parts in one, 1855-56, tinted lithograph titles, engraved dedication, 79 tinted lithograph plates, plates 5 of First Series with marginal reinforcement to verso, some spotting and mainly marginal water stains, bookplate of William Frederic Lawrence (1844-1935, politician), all edges gilt, publisher's red half morocco gilt, joints and edges rubbed, some damp stains to covers, folio (Qty: 1)Abbey Travel 237: 'These plates are indeed an impressive piece of work, not only artistically and technically, but also as pictorial reporting.'
M'Clure (Robert). The Discovery of the North-West Passage by H.M.S. " Investigator," Capt. R. M'Clure, 1850, 1851, 1853, 1854. Edited by Commander Sherard Osborn, from the Logs and Journals of Capt. Robert Le M. M'Clure, 1856, frontispiece lacking, folding engraved map (hand-coloured & with route of travel in ink), three tinted lithograph plates, publisher's adverts at rear, front free endpaper with pencil signature of C. D. Melvill, original blue cloth (strengthening to spine), some light damp mottling and cloth slightly lifting, 8vo, together with a defective copies of Narrative of the Arctic Land Expedition to the Mouth of the Great Fish River, and along the Shores of the Arctic Ocean, in the Years 1833, 1834, and 1835, by George Back, 1836; Memoirs of Rear Admiral Sir W. Edward Parry..., by his son the Rev. Edward Parry, 1857, plus two other Arctic exploration related (Qty: 5)The signature to the first volume is that of Cosmo Dobrie Melvill. With a later manuscript note pasted to front free endpaper "This book belonged to my uncle Cosmo Dobrie Melvill, my mother's eldest brother, my Godfather and quite a noted explorer of the Canadian arctic prior to the 1st World War. He died (of Spanish flu?) at Edmonton, Alberta in 1919 & is buried there..."
[Campbell, W.F.]. Life in Normandy. Sketches of French Fishing, Farming, Cooking..., 2 volumes, 1st edition, 1863, 20 tinted lithograph plates (plate facing p.81 possibly from anothor copy), front free endpapers with the signature of Lady Anne Evelyn Warrender (1791-1871), contemporary red half morocco, rebacked preserving original spines, 8vo, together with Gilly (William Stephen) A Memoir of Felix Neff, Paster of the High Alps; and of his labours among the French Protestants of Dauphine, 1832, folding engraved map frontispiece (offset to title), signature at head of title, author's own copy with signature to verso of front free endpaper and Gilly bookplate to upper pastedown, contemporary straight grain morocco gilt, extremities slightly rubbed, 8vo, with Maclean (Charles) , An Excursion in France, and other Parts of the Continent of Europe..., 1804, signature to upper blank margin of title, some toning and spotting, contemporary half sheep, joints split, worn, 8vo, with Talfourd (T.N.) , Vacation Rambles and Thoughts; comprising the Recollections of Three Continental Tours in the Vacations of 1841, 1842, and 1843, 2 volumes, 1845, contemporary half calf, contrasting morocco labels, slightly rubbed, 8vo, plus other 18th & 19th century continental travel related, including few odd & defective volumes (Qty: 15)
London. Lee (Kerry), London. The Bastion of Liberty, published by The Travel Association of The United Kingdom..., circa 1950, large colour lithograph pictorial map of London, old folds, folds with some wear and cracking, skilfully repaired on verso, backed with archival tissue, 990 x 1230 mm (Qty: 1)A charming portrait of the artist Kerry Lee (1902 - 1988) can be seen in the lower right corner, his name signed on an easel with his faithful dog Jim sitting by his side. Kerry Lee produced two colour pictorial maps for British Railways in the 1930s which were revised up until the 1950s. These railway posters are very much in the style of Macdonald Gill.
Jubinal (Achille). La Armeria Real, ou collection des principales pieces de la Galerie d'armes anciennes de Madrid, dessins de M. Gasparde Sensi, 2 volumes, Paris, [1839], lithograph title to each, 81 lithograph plates, some light spotting, contemporary half calf, joints cracking, spines and edges rubbed, folio (Qty: 1)
Wright (M, W and F. von). Svenska Faglar efter naturen och sten ritade, 3 volumes, Stockholm, 1927-29, 364 fine colour lithograph plates, illustrations, with Swedish Birds, by Einar Lonnberg, 1929 bound in at front of volume 1 (with a presentation inscription from the author & typescript index), top edge gilt, contemporary blue half morocco gilt, one or two joints and edges a little rubbed, volume 3 upper cover faded at top extremity, 4to (Qty: 3)Nissen IVB 1026; Wood p. 637
Ridpath (George). The Border-History of England and Scotland, Deduced from the Earliest Times, 1776, toning and scattered spotting, Carlton Club bookplate to upper pastedown, late 19th/early 20th century half morocco, Carlton Club device in gilt at foot of spine, lower joint split and light wear to extremities, 4to, together with Cullen (Edward) , Isthmus of Darien Ship Canal; with a full History of the Scotch Colony of Darien, Several Maps, Views of the Country, and Original Documents, 2nd edition, much enlarged, 1853, half-title with upper quarter excised, folding lithograph frontispiece, three maps (2 folding), upper blank margin of title inscribed by the author 'The Honorable Robert King with the author's compliments 20 March 1857', adverts at rear, original red cloth, spine torn with loss, 8vo, with Stirton (John) , Crathie and Braemar, A History of the United Parish, Aberdeen: Milne & Hutchison, 1925, black & white frontispiece and mounted plates (mostly portraits), bookplate of Viscountess Annie Cowdray (1860-1932) to upper pastedown, original cloth, large 4to, with Barron (Douglas Gordon) , The Castle of Dunnottar and its History, 1925, numerous black & white plates and illustrations, top edge gilt, original cloth in torn dust-jacket, 4to, and Browne (G.F.) , On Some Antiquties in the Neighbourhood of Dunecht House Aberdeenshire, Cambridge University Press, 1921, numerous black & white plates, top edge gilt, original cloth in very torn dust-jacket, 4to, plus 15 other Scottish history related including 14 Scottish History Society volumes (Qty: 20)
DAVID WILD (1931 - 2014)ORIGINAL LITHOGRAPH IN FOUR COLOURSAn examination submission, 'Based on R L Stevenson's Poem', in the original submission mount9" x 12" (23 x 30.5cm) andSAME ARTISTARTIST PROOF COLOURED LITHOGRAPH'Burnley From Sprinfield'Signed and titled in pencil 13" x 18" (33 x 46cm) unframed (2)(Provenance from the David Wild Studio of Works, Burnley)
William Russell Flint (British 1880-1969)/The Trio/signed print, 45cm x 60cm and/Market Hall, Cordes/signed in pencil/lithograph, 42cm x 58cm/and two other prints by the same artist CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
E Goodall after Clarkson Stanfield/The Castle of Ischia/engraving, 42cm x 63c/in a birdseye maple frame/T Picken after OW Brierley/The Final Destruction of Bombarsund/lithograph, 34cm x 57.5cm and/L Schiavonetti after PI de Loutherbourg/The Landing at Aboukir Bay/published 1803, 63cm x 82cm/Provenance: The Estate of the late Sir John and Lady Smith
A group of locomotive-related coloured engravings to include The Maidenhead Bridge/colour lithograph, 29cm x 40.5cm/Francis Jukes/The Aqueduct at Marple in Cheshire/aquatint, 38cm x 46.5cm/two plates from Bury's Coloured Views on the Liverpool & Manchester/and View of the Railway across Chatmoss/John Emslie, Locomotive Engine, engraving/Thrashing Machine/and Crampton's Railway Locomotive (7)/Provenance: The Estate of the late Sir John and Lady Smith
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