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70555 Los(e)/Seite
Los 1068
*Ivon Hitchens (1893 - 1979), limited edition lithograph in mount - Flower Painting 1931, signed and numbered 48 / 50, in pencil, 49cm x 59cm CONDITION REPORT Indentation on the lower left hand bottom corner, not scratched but is reasonably obvious. Discolouration to mount. Outer mount water damaged. Mark across the signature. See images
Los 361
Robert Havell Jr. British 1793-1878- "View of Taplow, From Maidenhead Bridge", after William Havell, publ. 1818 from `A Series of Picturesque Views of The River Thames", Thomas McLean; hand coloured aquatint, 38x51.5cm: Robert C Carrick, British act. 1850-1895- "The Doune", after John Dobbin, publ. 1st April 1850, E Gambart & Co. 25 Berners St; hand coloured lithograph, 31.5x42.5cm: Francois Vivares, French 1709-1780- "A Prospect of Matlock Bath from the Lover`s Walk", after Thomas Smith, publ. Aug 25th 1743; hand coloured engraving, 39.4x54.5cm: After Michael Angelo Rooker, British 1746-1801- "North West View of Friar Bacon`s Study"; hand coloured engraving, 32x47cm, (4)
Los 373
William Tillyer, British b.1938- Untitled from the Courthorpe Collection, 1977; etching with aquatint printed in colours, signed and numbered 4/60 in pencil, 49x38cm: Philip Braham, British b.1959- "Forest Path, Pinkle" and "Study for an Apparition"; drypoint etchings, a pair, both signed, titled, dated `87 and numbered 7/10 in pencil, in a shared mount and frame, ea. 22.5x29.5cm: David Austen, British b.1960- "Untitled"; lithograph printed in colours, 81x71cm, (3), (may be subject to Droit de Suite)
Los 382
After John Clark, British late 18th/early 19th century- "The Town of Inverness", publ. Smith & Elder, 1823; hand coloured aquatint, 43.5x57cm: Francis Jukes, British 1747-1812- "View between Llandrillo and Corwen on the River-Dee" and "View on the River Dee near Bala", after T Walmsley, publ. 1793 by F Jukes; hand coloured aquatints, two, ea. 34.7x44.5cm: After William Leighton Leitch, Scottish 1804-1883- "Edinburgh from the Mound", from Scotland Delineated; hand coloured lithograph, signed within the plate, 32x43cm: James Duffield Harding, British 1798-1863- "The Port of London", from Sketches at Home and Abroad; hand coloured lithograph, 30x41cm, (5)
Los 396
James Roberts I, British 1725-1799- "A Prospect of the Upper Part of Dove Dale", after Thomas Smith of Derby, publ. John Boydell, 1743; hand coloured engraving, 38x51.5cm: After Michael Angelo Rooker, British 1746-1801- "North West View of Friar Bacon`s Study"; hand coloured engraving, 32.5x47cm: Paul Sandby, British 1725-1809- "Bridge North SW", after Rev Luttrell Wynne; hand coloured aquatint, 36.5x54cm: Publ. J Deeley, early 19th century- "Chepstow Castle, Monmouthshire"; hand coloured aquatint, 36x50.5cm: Johannes Kip, Dutch 1653-1722- "Southam, the Seat of Kinard de la Berce" from Britannia Illustrata 1707-1770; hand coloured engraving, 34.7x43.4cm: John Cooke Bourne, British 1814-1896- "Wolverton Viaduct" from History of London and Birmingham Railway, publ. J. C. Bourne & Ackermann & Co, 1836-1838; hand coloured lithograph, 26.5x39cm: together with a large reproduction print of a building by a river, (7)
Los 502
Mihail Chemiakin, Russian b.1937- The Butcher; lithograph printed in colours, signed with initials within the plate, signed and numbered 4/25 in pencil, 75x53.5cm: Bak, Russian, late 20th century- "Paola Belli", ballet costume design; watercolour, signed, inscribed and dated 1981, 43x30cm: Andrei Yankilevsky, Russian late 20th century- River landscape; watercolour, signed to the reverse, 36x46.5cm, (3), (unframed)
Los 575
Horst Antes, German b.1936- Untitled; lithograph, signed and numbered 20/30 in pencil, 89x62cm: Eduard Bargheer, German 1901-1979- Mediterranean landscape; lithograph printed in colours, signed and dated 72 within the plate, signed, inscribed and dated 72 in pencil, 41x32cm., (2) (part unframed) (may be subject to Droit de Suite)
Los 582
After Marc Chagall, French 1887-1985- "The Tribe of Benjamin", from The Twelve Maquettes of Stained Glass Windows for Jerusalem; lithograph printed in colours, signed within the plate, 62x46cm Provenance: with The Redfern Gallery, London, according to label attached to the reverse of the frame
Los 620
Xavier Degans, French b.1949- Vase of lilies; mezzotint printed in colours, signed, titled, numbered 166/175 and dedicated in pencil, 63x47cm: Sarah Dunton, British b.1952- "The Dove"; etching with aquatint printed in colours, signed, titled and numbered 7/40, 14x12cm: together with a further etching printed in colours by the same hand entitled "Neoclassical Spring": Christopher Penny, British b.1947- "Ruined Croft"; etching with aquatint printed in colours, signed, titled, numbered 34/200,40x30cm: Arthur Byrne, British b.1947- "Garden 4", lithograph printed in colours, signed, titled and numbered 55/200, 29x21.5cm: together with seven further contemporary prints and watercolours depicting various scenes by different artists including examples by Annie West and C Penny and two mezzotints printed in colours depicting still life subjects with apples, various sizes, (17) (may be subject to Droit de Suite), (unframed)
Los 637
After Bernard Lachevre, French 1885-1950- "Le `Rouen` à la sortie de Dieppe, Ligne Dieppe Newhaven, Paquebots Modernes, Service de Jour et de Nuit 1e 2e 3e classes entre Paris (St Lazare) et Londres (Victoria), pub Novia 112 Rue Réaumur, Paris; poster/lithograph printed in colours, 100x62cm: together with seven photographs and postcards relating to Dieppe, all early-mid 20th century, (8) (one rolled) (unframed)
Los 77
* Hill (John, 1770-1850). Hot Wells, after J.C. Nattes, 1804, a pair of tinted aquatints, published by William Miller, each 20 x 28cm (8 x 11in), together with Hullmandel (Charles Joseph, 1789-1850), St. Vincent rock, near Bristol, hand coloured lithograph, 24.5 x 31cm (9.5 x 12in), and Bedford (T., pub.), Rownham Ferry, Hotwells, Bristol, hand coloured lithograph, 21 x 27cm (8.25 x 10.5in), plus Green (Nathaniel Everett), Rownham Ferry, Bristol, lithograph view, 24 x 38cm (9.5 x 15in), plus three related aquatints by John Hassell, all framed & glazed (8)
Los 78
* Holmes (S.C., 19th century). The Avon & Severn from Pen Pole Point, c.1850s, tinted lithograph published by George Davey, 23 x 29cm (9 x 11.5in), together with Hawkins (G.). The Avon from the Observatory, Clifton, tinted litho after S.C. Jones, published by George Davey, 25 x 31cm (10 x 12in), both framed & glazed (2)
Los 79
* Jackson (Samuel, 1794-1869). View of St. Vincent’s Rocks and the Old Hotwell House, pub. Rowney & Forster, 1823, hand coloured lithograph, printed title in aperture mount, image size 23 x 32.5cm (9 x 12.75in), framed & glazed. Very scarce. Published in a financially unsuccessful folio of three prints titled ‘Three Views Illustrative of the Scenery of Bristol and its Vicinity’, the other two prints being by Francis Danby and James Johnson. (1)
Los 122
* Pudlat (Pudlo, 1916-1992). Journey of the Loon, 1983, lithograph and coloured stencil, showing a great northern diver with sailing boat in the background, lower margin captioned and signed in pencil ‘Journey of the Loon, stonecut and stencil’ limitation 46/50, dated ‘Dorset 1983’, sheet size 62 x 85.5cm (24.5 x 33.5ins), framed and glazed, together with Loons Protecting Young, 1984, lithograph and coloured stencil, design showing red throated divers, lower margin captioned and signed in pencil ‘Loons Protecting Young, stonecut & stencil’, limitation 13/50, dated ‘Dorset 1984’, sheet size 61 x 80.5cm (24 x 31.75ins), framed and glazed (2)
Los 244
* Beaver (Tessa, b.1932). Massachusetts Farm, etching with aquatint in colours, signed and titled in pencil, limited edition numbered 24/75, plate dimensions 50.5 x 40cm (20 x 15.75ins), together with a lithograph by the same artist titled “Dogwood” and measuring 40 x 46cm, signed and numbered 6/50, both framed & glazed. Beaver attended the Slade and studied etching under Joan Buckland-Wright. She worked for many years as art editor of Children’s books at Oxford University Press before resuming painting and printmaking in 1962. She has since held exhibitions at the Royal Academy, Society of Wood Engravers, Royal Society of Painter Etchers and Engravers. (2)
Los 246
* Bone (Sir David Muirhead, 1876-1953). Lifting an oil tank into a train ferry from On the Clyde, published by P. & D. Colnaghi & Obach, 1917-18, b&w lithograph, signed in pencil, image size 46.5 x 35.5cm (18.25 x 14ins), framed and glazed, together with Building a liner at Greenock, Scotland, & Building a cross-Channel train ferry: underneath the bows, together two b&w lithographs from the portfolio On the Clyde published by P. D. Colnaghi & Obach, 1917-18, each signed in pencil, image size 52 x 36.5cm (20.5 x 14.25ins) and 36.5 x 47cm (14.25 x 18.5ins) respectively, both framed and glazed (3)
Los 254
* Fantin-latour (Henri-Theodore, 1836-1904). Baigneuses (Troisieme planche), 1896, b&w lithograph, the second state, printed by Lemercier, signed in pencil to lower margin, some light spotting and minor marks to margins, image size 29 x 43.5cm (11.4 x 17ins), sheet size 38.3 x 52cm (15 x 20.5ins) Hediard 128, II. (1)
![* Sickert (Walter, 1860-1942). Little Sally Waters (The American Sailor’s Hat), [1907], lithograph on smooth cream wove](http://lot-images.atgmedia.com/SR/10729/2868860/301-2013126101733_468x382.jpg)
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70555 Los(e)/Seite