Albert Irvin, Creekside, signed, dated, titled and numbered 17/55 in pencil, colour lithograph, 122cm x 167.5cm. Perspex is no longer present, some scuff marks around the edges, including near the signature, near the title and the edition number, small tear to the right edge only just visible under the frame.
70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
70553 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
70553 Los(e)/Seite
*Paul Hogarth RA (1917-2001) 'The Hermitage'; 'Villa by the Sea' lithograph in colours, both stamped 'Curwen Studio Proof' sheet 56.2 x 76cm, unframed (2) Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: 'Curwen Studio Proof' stamped in multiple places in the margins - see illustrations. Some half-moon handling creases. Overall, in good condition.
*Michael Carlo (b.1945) 'Down the River 2' stone lithograph in colours, signed 'Michael Carlo', dated '2000' and inscribed as titled in pencil, numbered 'A/P 1/4' sheet 50.3 x 65cm, unframed Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: Some raised areas in the margin between the edge of the image and edge of the plate, possibly due to process of stone lithography and so from time of execution. Two pin holes in the plate margins both about half-way down. Some slight transfer of ink to margins - minor. Some minor handling creases.
*Josef Herman RA (1911-2000) Scene on the Shore lithograph in colours, signed 'Josef Herman' and numbered 83/100 in pencil, on pale green wove paper 51 x 63.3cm, unframed Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: Some minor handling creases and slight creases to the bottom corners, overall in generally good condition.
*Josef Herman RA (1911-2000) Four fisherwomen, 1974/75 lithograph in colours, signed 'Josef Herman' l.r., and numbered 89/100 sheet 57 x 77.5cm, unframed Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: Some creases at the corners and crinkling of the paper along the top and bottom edges, slight burring of the paper where it has been rubbed bottom margin, however; it is generally in good condition.
*Bernard Dunstan RA (1920-2017) Nude reclining with view of Venice behind; Schubert Octet lithograph in colours, both signed 'Bernard Dunstan' in pencil l.r., and numbered 39/195 and 214/250 respectively sheet 55 x 57.3cm and 50 x 49.5cm, unframed (2) Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: Nude: one slight crease midway up right-edge, tiny speck of paint top-left, overall condition is good. Schubert Octet: In good condition.
*Derek Mynott (1926-1994) 'A View of the Thames from Lots Road' lithograph in colours, signed 'D Mynott' in pencil l.r., and numbered 56/250 sheet 64.7 x 54cm, unframed Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: In good and original condition.
*Philip Sutton RA (b.1928) 'Pacific', 1966-1969 lithograph in colours, signed 'P Sutton' in pencil l.r. and numbered 113/250 sheet 58 x 79cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A small scratch/mark measuring 0.5cm top left (please refer to images). Some light surface dirt, handling creases and rubbing to the paper at the margins.
*Paul Hogarth RA (1917-2001) 'The Harbour of Naousa, Greece', 1990 lithograph in colours, signed, inscribed and dated 'The Harbour of Naouiz [sic], Paul HOGARTH, 179/200' in pencil l.l., sheet 55 x 73cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some surface dirt top right and bottom right (see images), otherwise in good condition.
*Henry Moore OM CH (1898-1986) 'Sculptural Objects (Cramer 7)', 1949 lithograph in colours, signed and dated 'Moore 49' in plate, printed by W S Cowell Ltd., and published by School Prints Ltd., from an edition of 3000 49.5 x 76cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some timestaining, especially to the extremes, a small tear lower right beneath signature measing approx. 1cm and a few minor handling creases.
*Philip Sutton RA (b.1928) 'Cape Flowers'; 'Hibiscus' lithograph in colours, each signed and dated 'Philip Sutton/1976' in pencil l.r. inscribed as titled and numbered 9/150 and A/P (artist's proof) respectively each sheet 64 x 44cm, unframed (2) *Artist's Resale Right may apply to this lot.Condition report: Cape Flowers: some surface dirt/marking midway up right side and top-left, also red smudge (possibly from time of execution) lower left. Some handling creases. Please see illustrations for detail. Hibiscus: some surface dirt and handling marks at the extremes, a speck of foxing emerging lower left, two indents to the paper below the image, a tiny mark/speck above top of image. A few minor handling creases. Please see illustrations for more detail.
*Philip Sutton RA (b.1928) 'Flowers' lithograph in colours, signed and dated 'Philip Sutton/1976' in pencil l.r., and inscribed as titled with A/P (artist's proof) l.l. sheet 64 x 44cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some handling marks and dirt to the extreme edges, a pale yellowish patch upper left. Please see images for more detail.
*Philip Sutton RA (b.1928) 'Cape Point'; 'Kalk Bay'; 'Muizenberg' (South Africa) lithograph in colours, each signed and dated 'Philip Sutton/1976' in pencil l.r., inscribed as titled and numbered 107/150, 143/150 and 52/150 respectively each sheet 44 x 64cm, unframed (3) *Artist's Resale Right may apply to this lot.Condition report: Cape Point: a few minor handling creases, tiny orange speck top extreme edge, overall in generally good condition. Kalk Bay: a few slight handling creases/marks, corners slightly creased, overall in generally good condition. Muizenberg: foxing emerging throughout especially at centre of image, dirt to the corners, splash of tea/water lower right. Please refer to images for additional detail.
*Gerald Scarfe (b.1936) 'The Ghost of Christmas Past' offset lithograph in colours, signed 'Gerald Scarfe' in pen l.l. and numbered 629/1000 l.r. 49.3 x 34.6cm, unframed Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: Minor handling creases, otherwise in good condition.
*Jean Jansem (French, 1920-2013) Undressing lithograph in colours, signed 'Jansem' in pencil l.r. and numbered XIII/XX 72 x 52cm *Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, appears to have got slightly damp top left as darker in colour, two waves through the paper. Printed onto paper with brown through it? Scratched at the top of image.
*Walter Hoyle (1922-2000) 'Norfolk Double Church' lithograph in colours, signed, inscribed as titled and numbered 2/15 in pencil 57 x 79cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Glass is dirty, but there also appear to be some small stains to paper. Paper a little cockled.
After David Tindle RA 'Table Still Life', poster for Fischer Fine Art offset lithograph in colours, signed 'David Tindle' in pencil l.r., printed by The Art Group Ltd. sheet 68.5 x 76cm, unframedCondition report: Surface dirt on all white margins and marks caused by spots of damp along the bottom margin, some creases to the corners. Some handling creases.
Harry Bilson (Icelandic, b.1948) People meeting in the park offset lithograph in colours on canvas, signed and dated 'Bilson/ 12' in plate, signed 'Bilson' and numbered 1/50 in pencil verso 87.5 x 111.4cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some slight creases to the canvas on the right-hand side, more obvious from the back - please see images. Slight dirt, crinkles to the corners.
After Joan Miro (contemporary) Untitled lithograph in colours, on wove paper, after Lithograph VII (1972) 33.7 x 50cm Provenance: With Andipa Gallery, London.Condition report: Not examined out of glazed frame, there is crease down the centre where the paper has been folded in half, otherwise well-presented and ready to hang.
*Oliffe Richmond (Australian-British, 1919-1977) 'Standing Group', 1966 lithograph, signed and dated 'Oliffe Richmond/'66' in pencil l.r. and numbered 219/250 l.l. sheet 64.8 x 51cm, unframed An edition from this series is part of the Tate Collection. Oliffe Richmond worked as Henry Moore's assistant in the late 1940s and intermittently in the early 1950s, alongside the sculptor Anthony Caro. He also taught at the Chelsea School of Art. Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: Some surface dirt to the top margin caused by handling, slight creases at the corners and minor handling creases, otherwise overall condition is good.
After Georges Braque 'The Bird' lithograph in colours, signed in plate 'G.B.', published by School Prints Ltd., and printed in Great Britain by W S Cowell Ltd. 48.5 x 71cmCondition report: There is some historic creasing to the paper across the centre, which has been flattened out to be framed. Some other light creases, rippling to the paper along the edges of the mount. However, overall the work is well-presented and appears to be newly mounted in a smart pale wood frame. Unexamined out of glazed frame, please refer to images for more detail.
After Henri Matisse 'La Perruche et La Sirène' lithograph in colours, 1954, from 'The Last Works', printed by Mourlot after Matisse's cutouts 35.6 x 78cm, unframedCondition report: Originally folded in three places, these have creased over time - see illustrations. A triangular crease at the bottom, between the middle and right section. Some time staining to the paper, it appears a creamy colour rather than bright white, but may have always been off-white. Pencil writing top right of front page, above title, from previous owner. Despite this, image remains bright and bold.
*Fernand Léger (French, 1881-1955) 'La Rue de Dantzig ou les abattoirs de Vaugirard' lithograph in colours, 1959, from the portfolio 'La Ville', numbered VIII/XX and inscribed 'HC' in pencil, aside from the numbered edition of 180, printed by Mourlot, Paris, published by Teriade, Paris, on Arches wove paper, with margins image 42.5 x 31cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in good condition.
*Prunella Clough (1919-1999) 'Game' lithograph in colours, signed 'Clough' in pencil l.r., and inscribed 'Curwen/Chilford Archive' l.l., on Somerset paper with Curwen Chilford blind stamp sheet 70.3 x 55cm, unframed Provenance: Acquired by the present owner directly from the Curwen Studio. *Artist's Resale Right may apply to this lot.
*Prunella Clough (1919-1999) 'Black Peony' lithograph, signed 'Clough' in pencil l.r., and inscribed 'Curwen Chilford Archive' l.l., on Somerset paper with Curwen Chilford blind stamp sheet 66 x 53cm, unframed Provenance: Acquired by the present owner directly from the Curwen Studio. *Artist's Resale Right may apply to this lot.Condition report: In good, original condition.
Keith Critchlow (1933-2020) 'Nasr (Victory)', 1976 offset lithograph in colours, stamped 'Curwen Studio Proof' verso sheet 63.5 x 50.7cm, unframed, Paul Marchant (b.1948) 'Vhinpalashi (Afternoon Rag)', 1976; 'Bhupali (Midnight Rag)', 1976 offset lithograph in colours, each stamped 'Curwen Studio Proof' verso each sheet 63.5 x 50.7cm, unframed (3) Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk An edition of each of these prints is held by the Tate Collection.Condition report: Critchlow: one corner is creased - see images, other handling creases. Marchant: each with some handling creases and scuffs to the corners, generally good condition.
Karl Brandstätter (Austrian, b.1946) Cubist figure etching and aquatint in colours, signed 'Brandstatter' in pencil l.r., and numbered 12/60 l.l. sheet 50.2 x 65.5cm, unframed; Jean René Bazaine (French, 1904-2001) Untitled, 1953 lithograph in colours, signed and dated 'Bazaine 53' in pencil l.r., and numbered 162/300 sheet 75.5 x 54.2cm, unframed; Adrian Heath (1920-1992) Untitled, 1973 lithograph in colours, signed and dated 'Heath 73' in pencil sheet 79 x 58cm, unframed (3)Condition report: Brandstatter: time staining/discolouration to the sheet, soft creases along the centre - however, this is mostly visible from the reverse rather than from the front, some handling marks at the margins. Bazaine: discolouration of the entire sheet but particularly browning to the edges, specks of foxing emerging, light creasing at the corners, accidental pencil line top left, with pencil marks from previous owner reverse. Heath: one small smugde centre-left, minor handling creases, overall, condition is good. Please refer to illustrations for more detail on condition.
*Anthony Benjamin (1931-2002) 'Aphelion I'; 'Aphelion II', 1986 lithograph in colours, both signed 'Benjamin' in pencil l.l., dated '86' l.r., and inscribed 'H.C.' and 'H de C' l.l., also inscribed as titled in capitals verso both 76.5 x 56.7cm, unframed (2) *Artist's Resale Right may apply to this lot.Condition report: On both, creasing to the corners, and half-moon handling creases. Aphelion I has small specks of imperfections in the printing to the blue column. Aphelion II has a crease upper-right and small dot from paint midway up left-hand edge but this is minor. Overall, both remain striking images with bold colours. Please refer to illustrations for more detail.
*Karel Appel (Dutch, 1921-2006) 'L'hibou rouge' lithograph in colours, 1969, signed 'Appel', dated, and numbered 63/75 in pencil sheet 76 x 56cm *Artist's Resale Right may apply to this lot.Condition report: The paper has browned slightly and there is a crease visible in both top and lower margin. A very light wave to the paper. A smudge of dirt in the yellow section centre left. Not seen outside of glazed frame.
*Bill Jacklin (b.1943) 'First Light' lithograph in colours, signed in pencil 'Bill Jacklin' l.r., from an edition of 65 sheet 75.8 x 56.4cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some handling creases and soft creases to the top-right and lower-right of the paper, discolouration and yellowing to the sheet.
*Paul Horton (b.1958) 'My Beautiful Balloon'; 'Smuggler's Cove' lithograph in colours, each signed 'Paul Horton' in pencil l.r., inscribed as titled and numbered 36/195 and 103/195 respectively 50.5 x 50.5cm and 60 x 53cm (2) With certificates of authenticity. *Artist's Resale Right may apply to this lot.Condition report: My Beautiful Balloon: not examined out of glazed frame but appears to be in good and original condition, smartly framed and ready to hang. Smuggler's: not examined out of glazed frame, some possible light foxing emerging in the sky (but difficult to tell without unframing). Some damage to the mount caused by tiny ants?, would probably need remounting. Otherwise, smartly framed.
*Richard Smith (1931-2016) 'Sun Curtain' layered lithograph printed in colours, signed and dated '71 in the stone, on wove paper sheet 61 x 91.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: The paper has discoloured a little at extreme edges. Some light half-moon handling creases in places. A couple of small flecks of dirt. Overall good condition.
*Nicholas Hely Hutchinson (b.1955) View from a window of sailing boats lithograph in colours, signed 'Nicholas Hely Hutchinson' in pencil l.r., and inscribed 'Curwen Archive' l.l. sheet 73.2 x 55cm, unframed Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: Very small crease to lower right corner and midway up right edge, some minor handling creases and one small speck of foxing emerging top-right. Overall, condition is good.
*Alan Tinley (b.1946) 'Still Life with Landscape II' lithograph in colours, signed 'Alan Tinley' in pencil l.r., inscribed as titled and A/P (artist's proof) l.l. 52 x 40cm, unframed *Artist's Resale Right may apply to this lot.Condition report: One small crease with tiny bit of green (possibly from plate) to the right of the vase, otherwise in generally good and original condition.
Yoshitomo Nara (Japanese, b.1959) Cosmic girl (eyes open) offset lithograph printed in colours, 2008, from the edition of 500, published by BALTIC Centre of Contemporary Art, Gateshead, for the artist's exhibition, on smooth wove paper, the full sheet sheet 71.9 x 51.7cm, unframedCondition report: Half-moon handling creases and rolling creases throughout. Some hard horizontal creases on the right side and one top left. Some light surface dirt. Worn throughout.
*Anthony Green RA (b.1939) 'Kiss at the Ritz'; 'The Artist and Rosie' lithograph in colours, each signed and dated 'anthony green 88' l.r., the first numbered 62/75, the second artist's proof from an edition of 75 62 x 88cm; 61 x 64cm, both unframed; 'The Tent - Diptych' lithograph in colours, on two sheets, signed and dated 'anthony green 89' in pencil and numbered 43/75, signed and dated verso overall 88 x 119cm, unframed (3) *Artist's Resale Right may apply to this lot.Condition report: Kiss at the Ritz: minor handling creases and slight crease lower left corner. The Artist and Rosie: Some surface dirt and handling marks to the edges of the paper, some burring to the margins of the paper, one small soft crease lower left corner. The Tent: minor scuffs to the paper on the edges, one small mark at top edge above woman's head.
*James Cauty (b.1956) 'Bomber Bunny 3' from the Patriot Series offset lithograph printed in colours, signed indistinctly l.r. with CNPD DOA 'Final Solution Print' stamp 70 x 54cm *Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, overall in apparently original condition.
After Banksy 'The Cans Festival, Stencil Art Street Battle, 3rd 4th 5th May 2008, London' offset lithograph in colours, on wove paper sheet 70 x 49.5cm, unframed Banksy organised 'The Cans Festival' in London, it was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it did not cover anyone else’s.
*Julian Trevelyan RA (1910-1988) 'Corpus College' lithograph in colours, signed 'Julian Trevelyan' and inscribed as titled in pencil, artist's proof image 38.2 x 58.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: There is a crease to the top left corner and smaller creases at the other corners, some minor handling creases elsewhere. Some surface dirt and a few very small spots of foxing emerging.
After Edward Bawden RA 'Billingsgate Market' offset lithograph sheet 56 x 76cm, unframed Provenance: Acquired by the present owner directly from the Curwen Studio.Condition report: Thin black line on the right-side of the sheet, some smudges elsewhere to the sheet and lower-right corner slightly creased. Image itself is in good and original condition.
*Laurence Stephen Lowry RA (1887-1976) 'Three Men and a Cat' offset lithograph in colours, with the impression of a signature, with Fine Art Trade Guild blindstamp 24.8 x 16.7cm *Artist's Resale Right may apply to this lot.Condition report: The signature has faded completely and so is not visible except for the faint indented impression. The paper inside the mount window has discoloured a little and there are some very tiny and light speckles of foxing. There are lots of tiny speckles of foxing on the reverse. Large spots of foxing in the margins, although when within the frame these are hidden under the mount. There is a smudge of black ink on the printed title near the lower edge of the page, again this is hidden under the mount. The colours of the printed area are a little faded. Attached to mount by a strip of brown tape along top edge of the sheet. Sheet size 36.4 x 25.9cm
*Laurence Stephen Lowry RA (1887-1976) 'Britain at Play' offset lithograph in colours, signed 'L S Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp image 44.5 x 59.6cm *Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, appears to be in very good and original condition.
*Laurence Stephen Lowry RA (1887-1976) 'The Pond' offset lithograph in colours, signed 'L S Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp image 43 x 57cm *Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, in apparently very good and original condition.
*Dame Elisabeth Frink RA (1930-1993) 'Corrida II', 1973 lithograph in colours, signed 'Frink' in pencil l.r., archive proof with Curwen Chilford blind stamp, from an edition of 72 (and 10 artist's proofs) sheet 56.5 x 77cm, unframed Provenance: Acquired by the present owner directly from the Curwen Studio. An edition of this print is part of the Tate Collection. *Artist's Resale Right may apply to this lot.Condition report: One small crease to the lower left corner, otherwise in original condition.
*Dame Elisabeth Frink RA (1930-1993) 'Rejoneadora II', 1973 lithograph in colours, signed 'Frink' in pencil l.r., archive proof with Curwen Chilford blind stamp sheet 57 x 77.5cm, unframed Provenance: Acquired by the present owner directly from the Curwen Studio. An edition of this print is part of the Tate Collection. *Artist's Resale Right may apply to this lot.Condition report: In good and original condition with a few minor handling creases to the edges.
*John Piper CH (1903-1992) 'Oxburgh Hall, Norfolk' lithograph in colours, with Curwen Chilford blind stamp, from an edition of 120 (and 12 artist's proofs) sheet 60.8 x 48cm, unframed Provenance: Acquired by the present owner directly from the Curwen Studio. *Artist's Resale Right may apply to this lot.Condition report: Some minor handling creases, light surface dirt to the margins, foxing emerging evident on the reverse of the sheet, but not impacting the image. Overall, in generally good and original condition.
Mihail Chemiakin (New York, Russia born 1943) "Untitled VIII" Color Lithograph. Numbered (37/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 20 x 17.25 in. Sheet Size: 30 x 21 in. Unframed.
Mihail Chemiakin (New York, Russia born 1943) "Untitled VII" Color Lithograph. Numbered (39/225) lower left. Pencil Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 19 x 16.5 in. Sheet Size: 30 x 21 in. Unframed.

-
70553 Los(e)/Seite