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19th and 20th century porcelain figurines to include Chelsea, Sitzendorf, Volkstedt, Dresden and others - ten in total. (10)

A group of ceramic animal figures to include a pair of 18th century Continental dalmatians, a Danish model of a cat, a pair of Dresden parrots and othersLocation:If there is no condition report shown, please request

MATTHEW DAY JACKSON (AMERICAN B. 1974) DRESDEN Burned wood and lead on panel Signed and dated 2010 (verso) 249 x 165cm (98 x 64¾ in.)Provenance: Grimm Fine Art, Amsterdam Private Collection, Fatima & Eskandar Maleki, London A versatile and prolific artist, Matthew Day Jackson is represented by Pace Gallery; he has exhibited at MFA Boston, Portland Museum of Fine Art, and the Whitney Museum. What unites many of his varied works is a focus on landscape and nationhood, particularly as regards American cultural identity. The present panel, whose material vocabulary speaks to Jackson's interest in mortality and destruction, is not alone in the artist's œuvre. Jackson's 2012 sculpture in the same media, August 6, 1945, presents an aerial view of San Franciso, counterfactually devastated by the atomic bomb that struck Hiroshima. His 2017 rendering by the same title turns to New York, continuing this imagined history. Only that of Dresden need not be imagined: in 1945, the city was ravaged by an Allied attack, the disproportionate intensity of which compromised the morality of its perpetrators. Jackson thus calls attention to modern crises of international justice and the questionable righteousness of its loudest proponents. Condition Report: In overall good condition. Some light surface dirt and dust. A small repair at the lower left hand edge with corresponding damage to the wooden support verso.Condition Report Disclaimer

Heinze Dresden German 800 grade silver tray or bowl with scrolling edge, marked to underside with German silver marks and maker's name, diameter 19cm, weight 170g

A turquoise glass lustre, an epergne, Dresden figures, assorted tea wares, crystal basket, Wedgwood jug etc Condition Report:No condition report available.

A collection of ceramics to include: a part Dresden tea set (4 cups and saucers); a pair of Royal Albert "Mountain Avens" cups and saucers and an Enchantment cup and saucer; further Aynsley china cups, a Noritake jewelled cup and saucer (chip to saucer); a Chinese plate and bowl etc ( 1 box )

Assorted ceramics to include: a Staffordshire recumbant Ram, 8cm long, a Royal Doulton Falstaff tazza, backstamp and numbered; seven various breakfast cups with matching saucers with floral decoration including an early 20th Century bone china breakfast cup retailed by Faberge, other factories include Paragon, Hammersley, Aynsley (C439), Royal Stafford together with Dresden figure of Dorothea; Beswick Beatrix Potter (Mrs Tiggy Winkle, Appley Dapply, Little Pig Robinson, Jemima Puddleduck) a Beswick Donkey and medium Hereford bull and various Wedgwood blue jasparware (vase, two small plates, large shaped box with cover) etc (1 box)

A box of late 19th and 20th century Continental porcelain, including a thirteen piece dessert service, eight pieces of Dresden style tea wares hand painted with Deutsche Blumen, six G. D. & Cie Limoges coffee cans and saucers, etc (1 box)

MICHEL VICTOR ACIER1736 Versailles - 1799 DresdenALLEGORIE - DER SOMMER Deutsch, Meissen, 1974 (Entwurf 1778) Porzellan, polychrome Malerei, Goldstaffage. H. 16 cm. Unterglasurblaue Schwertermarke, Press- und Malernummer, Jahreszeichen, Modellnr. '61284'. 1. Wahl. Rest., Blattwerk best. bzw. besch. Literatur: Vgl. Bergmann, Sabine und Thomas: Meissener Figuren, Bd. II, Erlangen, 2014, S. 125, Kat.-Nr. 246.

MAX FRIEDRICH RABES1868 Samter/Posen - 1944 WienST. MORITZ Öl auf Karton. 27 x 37 cm (R. 42 x 50 cm). Signiert unten rechts 'Max Rabes'. Verso: Bezeichnet. Auf dem Rahmen befindet sich das Etikett 'Kunstsalon Emil Richter Dresden' mit der Nummer 3375/20. Der Kunstsalon existierte von 1848 bis 1930 und spielte eine wesentliche Rolle im kulturellen Leben Dresdens. Nach der Jahrhundertwende präsentierte er verstärkt die neuesten Strömungen der internationalen Kunstszene. Angesichts der Art der Abreibungen der Malschicht durch den Rahmen ist es sehr wahrscheinlich, dass der Rahmen original und zum Gemälde gehörig ist. Rahmen (beschädigt, part. rest).

ANTON BÜSCHELBERGER1869 Eger - 1934 DresdenDREI BÄRENJUNGEN Bronze, dunkel patiniert. H. 43, B. 49, T. 17 cm, Gew. ca. 17,98 kg. Auf der Plinthe signiert 'Büschelberger'. Auf naturalistisch gearbeiteter Plinthe ein Baumstumpf mit drei Bärenjungen beim Klettern. Part. Verlust der Patina und ber., min. best..

VIOLINE 'CARL WALTHER JÜHLING' Dresden, 1900 Zweiteilige Fichtenholzdecke und Ahornboden, brauner Lack. 4/4 Geige, L. ca. 59 cm, Korpusl. 35,7 cm. Geigenzettel: 'Carl Walther Jüngling Geigenmacher Dresden 1900'. Part. best. und ber., rest. Provenienz: Nachlass Geigenbau Wunderlich.

ANTON BÜSCHELBERGER1869 Eger - 1934 DresdenFALKE AUF EINEM FELSVORSPRUNG Alabaster, Federkleid farbig gefasst, Glasaugen. Ges.-H. 47, B. 13, T. 12 cm, Gew. ca. 7,49 kg. Seitlich signiert 'Büschelberger', Verso Bodenmarke 'R&T M.' Plakette mit stehendem Putto. Min. ber..

ETHA RICHTER1883 Dresden - 1977 ebendaGROSSE GRUPPE 'LEOPARDENPAAR' Deutsch, Schwarzburger Werkstätte für Porzellankunst, 20. Jh. (Entwurf 1914) Porzellan, polychrom staffiert. H. 22 cm, L. 46 cm. Auf Unterseite eingepresster schnürender Fuchs und Prägestempel 'Schwarzburger Werkstätte für Porzellankunst', Modellnr. 'U1065, 'Hinten am Sockel bez. 'Etha Richter Dresden (19)14'.

LEOPOLD CARL MÜLLER (UMKREIS)1834 Dresden - 1892 WienORIENTALISCHE GENRESZENE Öl auf Leinwand, auf Holz. 30.5 x 25 cm (R. 44 x 39 cm). Rest. Rahmen.

MICHEL VICTOR ACIER1736 Versailles - 1799 DresdenALLEGORIE - DIE MUSIK Deutsch, Meissen, 1850-1924 (Entwurf 1773-1775) Porzellan, polychrome Malerei, Goldstaffage. H. 21,5 cm. Unterglasurblaue Knaufschwerter, Press- und Malernummer, Modellnummer '10' (eingeritzt). Aus einer Serie von 40 Gruppen, sog. 'Großen russischen Bestellung' für die Zarin Katharina II. von Russland. 1. Wahl. Geige, Querflöte und Stab besch., vier Finger fehlend. Literatur: Vgl. Bergmann, Sabine und Thomas: Meissener Figuren, Bd. III.2, Erlangen, 2017, S. 131, Kat.-Nr. 3379.

DEUTSCHER BILDPLASTIKERTätig im 19./20. Jh.GROSSES AUGSBURGER WAPPENSCHILD Bronze, gegossen und geätzt, braun patiniert, herzförmig. H. 62, B. 44, 5, T. 5 cm, Gew. ca. 10,65 kg. Nach dem Original in der zweiten Hälfte des 16. Jh. im Zwingermuseum in Dresden. In der Mitte des Schildes ist ein Reiterkampf dargestellt, während am oberen Rand, zwischen zwei Genien, ein markantes Maskaron zu sehen ist. Die untere Spitze ziert eine Tiermaske, die von zwei männlichen Figuren umgeben ist. Der umlaufende Rand ist reich mit Früchten und Waffentrophäen dekoriert. Die gesamte Verzierung wurde nach Vorlagen von Étienne Delaune gefertigt. Part. Verlust der Patina und ber.. Provenienz: Privatsammlung Nordrhein-Westfalen.

HEINRICH FERDINAND HOFMANN (KOPIE NACH)1824 Darmstadt - 1911 DresdenDER JESUSKNABE IM TEMPEL, 1913 Öl auf Leinwand. 90 x 120 cm (R. 99 x 130 cm). Unten rechts bezeichnet, monogrammiert und datiert 'H.Hofmann HB 1913'. Verso: auf der Leinwand beschr. 'Kopie nach N 2266 der Königl. Gemäldegalerie zu Dresden 1913', auf dem Keilrahmen handschr. 'Kopie mit Genehmigung der Kunsthandlung Max Sinz gefertigt 1913 von H. Beyer'. Leicht verschmutzt. Rahmen.

WAHRSCHEINLICH JOHANN ALEXANDER THIELE26. März 1685 Erfurt - 22. Mai 1752 DresdenDIANA UND AKTAION Öl auf Leinwand (doubl.). 102 x 127 cm (R. 108 x 134 cm). Verso: Auf dem Keilrahmen altes Papierlabel von Helmer Ericson Restoration, Santa Barbara, Californien. Part. leicht altrest., Altretuschen. Rahmen. Der griechische Mythos der hier dargestellten Komposition erzählt die Geschichte des Jägers Aktaion. Dieser wird, nachdem er die nackte Artemis während des Badens am Bachufer überrascht und betrachtet hatte, von Diana zur Strafe in einen Hirsch verwandelt, der danach von seinen eigenen Hunden zerrissen wurde. Provenienz: Rheinische Privatsammlung.

ANTON BÜSCHELBERGER1869 Eger - 1934 DresdenTUKAN PAAR AUF EINEM AST Bronze, dunkel patiniert, auf einem quadratischem Marmorsockel (H. 4 cm). Ges.-H. 65, B. 29, T. 49 cm, Gew. ca. 23,8kg. Verso auf der Plinthe signiert 'Büschelberger'. Min. ber.

ANTON GRAFF (UMKREIS)1736 Winterthur - 1813 DresdenBILDNIS EINES SCHRIFTGELEHTRTEN Öl auf Leinwand auf Platte. 80,5 x 66 cm (R. 96 x 81 cm). Part. leicht altrest., min. Altretuschen. Rahmen. Provenienz: Norddeutsche Privatsammlung.

GROSSES TABLETT UND OVALE SCHALE Deutsch, u.a. Heilbronn, Bruckmann & Söhne, zw. 1888-1973 800er Silber, teils vergoldet. L. 30,5-51,4 cm, 1650 g. Jew. punziert mit Halbmond und Krone sowie Feingehaltsangabe, teils punziert mit Herstellermarke bzw. Vertriebsstempel 'Dresden A. Tschientschy'. Gebrauchsspuren.

CHRISTIAN WILHELM ERNST DIETRICH, GEN. DIETRICY (ATTR.)1712 Weimar - 1774 DresdenPAAR HERRENBILDNISSE Jeweils: Öl auf Holztafel. Beide: 26 x 19 cm (R. 28,5 x 21,5 cm). Teilweise min. altrest. Rahmen. Provenienz: Hessische Privatsammlung.

CHRISTIAN WILHELM ERNST DIETRICH, GEN. DIETRICY (ATTR.)1712 Weimar - 1774 DresdenEIN PAAR HERRENPORTRAITS Öl auf Leinwand (doubl.). Beide: 28 x 23,5 cm (R. 38 x 33 cm). Eins unten rechts unleserlich signiert. Verso: Auf dem Keilrahmen alte Londoner Auktionsnummer des Auktionshauses Christie's: '6 I 3NG'. Beide: part. min. altrest., part. Altretuschen. Rahmen. Provenienz: Privatsammlung Baden Württemberg.

DRESDNER ZUCKERDOSE Deutsch, Dresden, um 1840 Silber, 13-lötig, vergoldet. H. 7,8 L. 12 cm, 156 g. Unterseitig punziert mit (nachträglich zerschlagenem) Beschauzeichen mit Lötigkeitsangabe '13' sowie Jahresbuchstabe 'r' und Tremolierstrich. Schauseitig mit bekrönter Monogramm-Gravur 'MS'. Vergoldung ber.

JOHANN FRIEDRICH EBERLEIN1696 Dresden - 1749 MeißenMERKUR AUF POSTAMENT Deutsch, Meissen, um 1740/1750 (Entwurf 1740) Porzellan, polychrome Malerei, Goldstaffage. H. 30,5 cm. Auf unglasiertem Boden schwache blaue Schwertermarke. Auf rechteckigem hohem Postament mit Reliefdekor Figur eines stehenden Merkurs mit Cadeceus und Geldbeutel, sich mit linkem Arm auf einen Baumstumpf anlehnend. Rest., best. Literatur: Vgl. Bergmann, Sabine und Thomas: Meissener Figuren, Bd. III.1, Erlangen, 2017, S. 566, Kat.-Nr. 2255.

ANTON BÜSCHELBERGER1869 Eger - 1934 DresdenBÄRENJUNGE AUF EINEM BAUMSTAMM Bronze, dunkel patiniert. H. 27, B. 33, T. 8 cm, Gew. ca. 4,35kg. Auf der Plinthe signiert 'A. Büschelberger' und Gießereimarke 'Bildgiesserei Kraas Berlin44'. Min. ber. und Verlust der Patina.

KLEINE KOMMODE Dresden, um 1880 Nussbaum, furniert, Bandintarsien, Messingapplikationen. H. 80, B. 60, T. 42 cm. Über vier geschwungenen Beinen zweischübiger Korpus mit passig bewegter Front und leicht überstehender Deckplatte. Part. besch. und min. rest.

CHRISTIAN WILHELM ERNST DIETRICH, GEN. DIETRICY (ATTR.)1712 Weimar - 1774 DresdenPORTRAIT EINES BÄRTIGEN MANNES MIT GOLDKETTE UND FELLMÜTZE Öl auf Leinwand (doubl.). 58,5 x 49 cm (R. 74 x 64,5 cm). Verso: Alte Inventarsnummer H.A. 76 auf der Rückseite des Keilrahmens. Part, min. rest., part. min. Altretuschen. Rahmen. Provenienz: Hessische Privatsammlung.

JOHANN FRIEDRICH EBERLEIN (ZUGESCHRIEBEN)1696 Dresden - 1749 MeißenFLORA AUF POSTAMENT Deutsch, Meissen, um 1750 Porzellan, polychrome Malerei, Goldstaffage. H. 30 cm. Auf unglasiertem Boden schwache blaue Schwertermarke, Pressnummer '39'. Auf hohem quadratischem Postament mit Reliefdekor Figur einer stehenden Flora mit Blumenkorb, an eine Blume riechend. Part. rest., part. best.

ANTON BÜSCHELBERGER1869 Eger - 1934 DresdenPINGUINEN-FIGURENGRUPPE Deutsch, Volkstedt, Porzellanfabrik Karl Ens, 20. Jh. Porzellan, polychrom staffiert. H. 21 cm. Unterglasurgrüner Manufakturstempel, eingeritzte Nummer. Verso am Sockel bez. 'A. (B)?üschelberger'. Sehr min. Glasurfehler.

DRESDNER IMPRESSIONISTtätig Anfang 20. JhWINTERLICHE STRASSENANSICHT IN DRESDEN Öl auf Leinwand. 32 x 47 cm (R. 50 x 66 cm). Unten links schwer leserliche Signatur 'H. Schen..'. Verso: Eigentümerangaben in Sütterlinschrift. Verschm., Riss 2 cm. Rahmen.

CHRISTIAN WILHELM ERNST DIETRICH('Dietricy')1712 Weimar - 1774 DresdenDER BERGWEG Öl auf Leinwand auf Holztafel. 33,5 x 43,5 cm (R. 43 x 52 cm). Part. leicht altrest., min. Altretuschen. Rahmen. Identisch mit dem in den Staatlichen Kunstsammlungen Dresden befindlichen Gemälde 'Der Bergweg', welches seit 1945 als vermisst galt und 1974 in die Dresdener Galerie zurückkehren konnte. Literatur: Anke Fröhlich-Schauseil: Christian Wilhelm Ernst Dietrichs Gemälde "Der Bergweg" in der Gemäldegalerie Alte Meister, in: Staatliche Kunstsammlungen Dresden, Birgit Dalbajewa, Andreas Dehmer, Konstanze Krüger, Uta Neidhardt und Christoph Schölzel (Hg.): Die Macht der Malkunst. Beiträge aus Werkstatt und Wissenschaft zu Ehren von Marlies Giebe, Dresden 2020, S. 52-53. Provenienz: Norddeutsche Privatsammlung.

Four late 19th century bristle dancing toys with musical box platform, wooden with composition heads, two men, one playing guitar and two women, articulated heads and bristle supports —2 ¼in. (6cm.) high; the square manivelle musical box with grained paper sides, red top trimmed with Dresden paper and green textured centre which vibrates when handle is cranked —7 ¾in. (19.5cm.) square

An early 19th century papier-mâché Napoleonic English Infantryman, with busby, blue painted eyes, brown painted moustache, open mouth, red jacket with gold epaulettes and blue front, white trousers, missing backpack, metal sword, wooden rifle and wooden base gilt Dresden paper trim —10 ¾in. (27cm.) high (slight damage and some crazing)

A mid 19th century German mercury Chinese acrobat tumbling toy, papier-mâché headed with black painted hair, card and wood bodies with large feet, silk skirts and gilt Dresden paper trim, joined together by two long poles, enabling them to somersault down the paper-covered wooden steps which is converted from their storage box —11in. (28cm.) long (some wear to box)

An early 20th century Bishop candy or sweet container, with composition head with grey painted hair and moustache and hands, cardboard tube body, original green and cream vestments and mitre, gilt Dresden paper trim, staff and bible —10in. (25.5cm.) high

An early 20th century Erzgebirge miner smoker, turned, carved and painted wooden man in ceremonial uniform smoking pipe, opens at waist to place incense pyramid, circular base and paper label to underside ‘Gustav Kretzschmar - Drogen, Parfumerien, Chemicalien - Dresden - A. Bismmackplatz’ —6 ½in. (16cm.) high

A mid19th century German mercury Chinese acrobat tumbling toy, papier-mâché headed with black painted hair and long moustaches, card and wood bodies with large feet, silk skirts and gilt Dresden paper trim, joined together by two long poles, enabling them to somersault down the paper-covered wooden steps which is converted from their storage box —10 ¾in. (27cm.) long (mechanism needs a little adjusting)

A late 19th century German composition monkey riding a poodle candy container, the monkey in moulded red and white uniform holding a bicorne hat in hand, riding a black composition poodle covered in wool plush, wooden legs, Dresden paper collar and removable head —4 ¼in. (11cm.) high (some wear)

A late 19th century Thüringen cow and calf squeak toy, composition lying cow and calf with rocky backdrop, applied foliage, Dresden paper trim on wooden base, the underside stamped Made in Germany —5in. (12.5cm.) wide

An early 19th century papier-mâché Napoleonic French Infantryman, with busby, blue painted eyes, open mouth, blue jacket with red epaulettes, white trousers, backpack, metal sword and wooden base gilt Dresden paper trim —11in. (28cm.) high (old repairs and some crazing)

Pair of Dresden style porcelain lidded vases with transfer printed decoration and blue printed cross hatch mark to base & pair of Kiralpo Ware vases

Dresden porcelain pin dish, Masons Chartreuse jug & vase, Royal Albert Old Country Rose jug, pot & cup and saucer, selection of Wedgwood jasperware & Coalport figurine "Jacqueline"

Dresden porcelain military figure of Bernadotte, in the uniform of a Field Marshall, Dresden mark, 28cm.

Pair of German Art Nouveau porcelain figural candlesticks, modelled as female bathers stood aside a classic column, Dresden-style marks, 30cm.Qty: 2Condition report:One candlestick has a broken leaf and cream coloured base. The other candlestick has a broken leaf, is missing part of the vine at the back, and has a white base. They would both benefit from a clean. Please see additional uploaded images.

Dresden porcelain figure, after Carl Thieme, Grenadier Guards, Officer Guard Order, painted marks, 27.5cm.Condition report:Plume is restored. The sword is present and intact (remains straight). No other evident restoration. Small losses to the gilt on the outline of the hat. Some dark surface residues to the base, but no damage.

Various Dresden & Meissen decorative teacups & saucers; a Dresden porcelain square dish with a romantic scene to centre, 19.5cm wide; a Noritake two-handled vase (lacking cover); & a miniature floral encrusted two-handled ovoid vase, 7cm high.

A Meissen porcelain cloche (Wärmeglocke) from a service reputedly made for King Frederick the Great, c.1750-65, painted with two landscape vignettes, one with a dog, the other with a monkey, each partially enclosed by ribbon-tied garlands of deutsche Blumen below and at the sides, a lemon finial above, within a waved brown line rim, 32.5cm wideProvenance: King Frederick the Great, Berlin (by repute). Part of the service presented by the German National Socialist Government to William Randolph Hearst, sold as part of the dispersal of the Hearst Collection by Gimbels, New York, 1941. Paula de Koenigsberg Collection, Buenos Aires. Anonymous sale, Christie’s, London, 28 November 1977, lot 96. Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).Exhibited: Possibly part of the service pieces exhibited in Buenos Aires, Museo Nacional de Bellas Artes, (lent by de Koenigsberg), 1945. Possibly part of the service pieces exhibited in Buenos Aires, Museo Municipal de Arte Hispano Americano, (lent by de Koenigsberg), 1947.Note: When the service was dispersed at Christie’s in 1977 the introductory text for the service in the sale catalogue stated that it was made for Frederick the Great. The true origin of the service, and whether it was made for the Prussian king is still unclear. In November 1762, Frederick the Great is known to have ordered another service with animals from Meissen during his occupation of Dresden (see Rainer Rückert, Meissner Porzellan, Munich, 1966, no. 472, pl. 117), but this 'Japanese Service' is very different. The present lot was one of fifty-eight pieces sold by Christie’s on 28th November 1977, lots 88-119. A pair of plates from the same service, which were not a part of the 1977 sale group, were sold at Christie’s on 5th July 2004, lot 69, and a large dish, also not part of the 1977 group, was sold at Christie’s on 13th November 2018, lot 321. A service with closely related decoration was given by King Augustus III to Sir Charles Hanbury Williams, the British Envoy to the Saxon Court, in 1747. Many pieces from the service, along with a variety of engraved sources, are illustrated by T.H. Clarke in two articles, 'Das Northumberland-service aus Meissener Porzellan', in Keramos, October 1975, no. 70, pp. 9-91, and 'Sir Charles Hanbury Williams and the Chelsea Factory' in English Ceramic Circle Transactions, 1988, Vol. 13, part 2, pp. 110-120, where Clarke mounted a convincing argument that what has come to be known as the ‘Northumberland Service’, now in the possession of the Dukes of Northumberland at Alnwick Castle, is in fact the majority of the service given to Sir Charles Hanbury Williams by Augustus III. The ‘Northumberland Service’ included 20 cloches, or Wärmeglocke, round and oval (T.H. Clarke, ibid., 1975, p. 78 and p. 82.), which were designed to keep food warm on dishes under them, and these dishes may have been pewter, rather than porcelain (T.H. Clarke, ibid., 1975, p. 81.). On the ‘Northumberland Service’ the finials are formed as birds, whereas the two cloches from this service in the 1977 sale group both have fruit finials. The specimen birds decorating the ‘Northumberland Service’ were taken from engraved illustrations in the first volume of Eleazar Albin's Natural History of Birds, published in three volumes from 1731 to 1738 (and acquired by Meissen in 1745), whereas the graphic source for the birds on the 1977 sale group is currently unknown. In the 1977 sale catalogue, components of the service were dated variously between 1745 and 1765, and some pieces bore the crossed swords and dot marks, suggesting a date after 1763. The flower decoration is of a slightly later type than the ‘Northumberland Service’. Stylistically, it seems probable that the service dates to the 1750s, and if this was the case, the pieces with crossed swords and dot marks were later supplements. Alternatively, the entire service may have been decorated in about 1765, using some earlier pieces which hadn’t yet been decorated.Condition Report: Broken through and re-stuck. 

A study group of two Böttger porcelain Hausmalerei saucers, two Meissen Hausmalerei saucers, a Chinese blanc de chine porcelain cold-painted Hausmalerei beaker, a Vienna porcelain saucer and a Continental cup, the first Böttger saucer c.1715-20, the reverse with gilt W monogram, decorated at Augsburg by Elizabeth Wald in the Auffenwerth workshop, c.1731, with three chinoiserie figures around a circular table, an elaborate scrollwork support below surmounted by gilt seated pagoda figures, 11.9cm diameter; the second Böttger saucer c.1715-20, the reverse moulded with flutes, the obverse decorated at Augsburg in the Seuter workshop, c.1725, gilt with chinoiserie figures by a tree on a terrace, a diaper-panel support below, the broad scalloped band border with husks and scrolls, 12.7cm diameter; the Vienna saucer c.1750-60, blue shield mark, impressed and incised marks, gilded in the manner of the Augsburg Seuter workshop with chinoiserie figures on a tasselled support within a similar border, 12.7cm diameter; the third Meissen saucer c.1728, blue crossed swords mark, the decoration probably c.1735-40, the reverse moulded with radiating gilt flutes, the centre of the obverse with figures on horseback, within a border of gilt scrollwork, 12cm diameter; the fourth Meissen saucer c.1735-39, blue crossed mark, the decoration probably Bayreuth, probably Johann Friedrich Metzsch workshop, c.1740-50, the reverse moulded with radiating gilt and puce stiff leaves, the obverse with a seascape within an elaborate cartouche with fruit, flowers and scrollwork, 13.3cm diameter; the Chinese Blanc de Chine beaker moulded with prunus, c.1690-1700, the European decoration first quarter of the 18th century, perhaps Holland or Germany, decorated in cold colours and gilding with a figure of a woman, a bird, a church and flowers, 7.5cm high; the Continental cup probably second half of the 19th century, blue sabre crossing two crossed swords mark, painted with finely dressed figures in a park landscape, 6.5cm high (7) Provenance: Property of the late Hugo Morley-Fletcher MA FSA (1940-2022). Note: The first Böttger saucer was decorated by Elizabeth Wald (née Auffenwerth) for the Hosennestal Service, a service which was produced for her sister Sabina’s wedding in 1731. Two beakers from this service are illustrated by E. & H. Manners, Decorators of Ceramics and Glass, June 2004 Treasure House exhibition catalogue, London, 2004, p. 111. The decoration of the third Meissen saucer bears similarities with a teapot illustrated by Hugo Morley-Fletcher, Meissen Porcelain in Colour, London, 1979 (second edition), p. 111, which he attributed to ‘probably Dresden, circa 1730’.

A GROUP OF HAND-PAINTED DRESDEN TEA WARE, hand painted with various floral designs and gilt pattern on a white background, comprising a twin handle cake plate 1115, 68 on the base (chip on the edge underneath), a milk jug (repaired with staples on the handle and a chip on the base), slop bowl (visible repair), nine side plates (some damage but not obvious), seven cups, eight saucers, small sweet dish (repaired with staples), (28) also included decorative floral plates with lace effect borders, a sectioned dish (not hand painted), and three small side plates floral marked on the back with makers mark SAXE and pattern number 3076, etc. (qty), (Condition Report: would benefit from a clean, see main description for individual damage)

A COLLECTION OF CERAMICS, to include a pair of hand painted Vienna porcelain figure groups (male figure has been broken around the neck and glued, both figure groups have sd), two Dresden oval reticulated bowls painted with flowers (one has been repaired), a nineteenth century loving cup with gilt lettering 'William Downs, A Present from his Nephew, Joseph Dolphin 1865', painted with flowers verso (hairline crack, gilding loss/wear), five Cauldon handle-less coffee cans and saucers (light crazing), a Minton Marlow sandwich plate (chipped, small hairline), over-sized teacups and saucers including Royal Worcester V.I.P., etc (1) (Condition Report: sd and as stated in the description, some pieces appear ok)

Four porcelain cabinet cups and saucers, including two Dresden, Rosenthal, and J B & Son, tallest 8cm (4)

Set of 6 Dresden Floral decorated fluted coffee cans and saucers

A Dresden flower encrusted basket with flowers detail to the centre

ERNST JULIUS HÄHNEL (1811-1891) Bronzefigur "Bacchantin" (um 1877)stehende Darstellung, ein Knie auf einer Säule rastend und sich dabei die Haare bindend, eckige Plinthe, darauf Gießerstempel (Christoph) LENZ, dunkel patiniert, auf der Plinthe schauseitig Widmungsgravur "Zum 40 jährigen Jubiläum... 1942", identische Figur befindet sich in der Staatlichen Kunstsammlung Dresden (Inv. 4231), H 52cm, 8550g, leicht fleckig

FRIEDRICH PRELLER DER JÜNGERE (1838 Weimar - 1901 Blasewitz bei Dresden)Öl auf Malkarton, "Motiv auf dem Gotthard" (1890er Jahre), verso in Sütterlin bezeichnet, ca. 36,5x62,5cm, gerahmt (45,5x71cm), Firnis, diverse kleinere Retuschen, teilweise leichter Farbabrieb

CONRAD FELIXMÜLLER (1897 Dresden - 1977 Berlin-Zehlendorf)Holzschnitt auf Chinapapier, "Der Sohn" (1918), unten rechts in Bleistift signiert "Felixmüller" und datiert, außerdem handschriftlich bezeichnet "Holzschnitt" und betitelt, unten links im Druck monogrammiert, verso handschriftlich von fremder Hand bezeichnet, Motivmaß ca. 29,5x23,5cm, ungerahmt, Papier teilweise fleckig (Montierungsspuren) und mit leichten Knicken

MAX UHLIG (1937 Dresden)Radierung auf Hahnemühle-Bütten, "Mecklenburger Landschaft" (1979/80), unten rechts in Bleistift signiert "Uhlig" und datiert, mittig betitelt, Ex. 3/18, Blattmaß ca. 43x78,5cm, ungerahmt, minimaler Schmutzaufrieb

Various Halcyon Days and other enamel commemorative boxes - mostly boxed - to/w a boxed Belleek 'Acorn Treasure Chest', a floral-printed Dresden dish, various Evesham ware etc; lot also includes a Parker ink pen and pencil (box)