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A group of Continental porcelain figures, some Dresden, to include a Dresden figure of a female playing mandolin 13cm high, a pair of girl and boy with dog figure groups 15cm high, a figure of a child playing flute (AF) 11cm high stamped Dresden, and three other figures unmarked, 19thC and later. (6)
ZIERVASEPotschappel, Dresden, Ende 19.Jh. Amphorenförmige Vase auf quadratischem Sockel. Mit reichem Blütenbelag und plastischen Widderköpfen als Handhaben. Polychrome Bemalung mit Watteauszene und Blumen. Manufakturmarke. H.18cm. Besch. A DECORATIVE VASE Potschappel, Dresden, end of the 19th century Amphora-shaped vase on asquare base. With flowers and three-dimensional rams' heads handles. Polychrome painting with Watteau scene and flowers. Maker's mark. 18 cm high. Damaged. Keywords: decorative art, miscellaneous pieces, furnishing, home accessories, Germany, Deutschland, German, floral, blossom, bloom, flowering, sculptural
PAAR PRUNKVOLLE KAMINVASENDresden um 1900 Amphorenform mit gekanteten Handhaben auf quadratischem Sockel. Aufwendige Malerei im Alt-Wiener Stil mit Gold auf weinrotem und grünem Fond und Kartuschen mit farbigen Watteauszenen. Blaue Bienenkorbmarke. H.42cm A PAIR OF MAGNIFICENT FIREPLACE VASES Dresden circa 1900 Amphora shape with edged handleson a square base. Elaborate painting in the old Viennese style with gold on a wine-red and green background and cartouches with coloured Watteau scenes. Blue beehive mark. 42 cm high. Keywords: decorative art, miscellaneous pieces, furnishing, home accessories, Germany, Deutschland, German
A pair of Continental porcelain floral encrusted bottle vases with stoppers, 33cm, and a table centrepiece, in three parts, the bowl encrusted with flowers to the exterior, the column with two cherubs playing instruments and further flowers, on shaped square stand, marked Dresden, 40cm, some damages.
Mid 10th-early 11th century AD. A German Ottonian long double-edged cutting sword of Oakeshott Type X with broad tapering blade, the edges bearing evidence of use on the battlefield; wide and shallow fullers to both sides of the blade, one side with an inlaid Greek cross flanked by numeral 'III', the other side with numeral 'IIIIIII' within two Greek crosses, both inlays showing traces of pattern welding; straight guard and broad grip, plain D-shaped walnut style (or Brazil nut) pommel with slightly curved lower edge. See Oakeshott, J.R.E., The Archaeology of the weapons, London, 1960; Thorbecke, J., Das Reich de Salier 1024-1125, Mainz, 1992, p.160; Nicolle, D., Arms and Armour of the Crusading Era, 1050-1350, vol. I, London, 1999; Peirce, I., Swords of the Viking Age, Suffolk, 2002; the sword has a good parallel with a specimen from Spain, published by Peirce (2002, p.124); with a sword of circa 1100 AD, from Germany, in the Donausländische Museum in Komárno (Thorbecke, 1992, p.105 no.20,3); with a sword in Dresden, with the name 'INGELRII' on one side and the phrase 'HOMO DEI' on the other, dated to circa 1100; finally, among other specimens (Oakeshott, 2000, cat.X.9 and X.13; Thorbecke, 1992, p.105 no.19,4), a sword once in the Oakeshott collection with the mark of Carrocium, dated to circa 11th century. 1 kg, 95cm (37 1/2"). Property of a European gentleman living in London; from his grandfather's collection by descent in 1989; formerly in the family collection since at least the 1970s; accompanied by an academic report by military specialist Dr Raffaele D'Amato; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10690-175184. The main characteristics of this typology were the wide Brazil nut-shaped pommel, a wide-spread cross, which was nearly always straight (Oakeshott style 1), and a broad blade of the same shape as the Ulfberhts and Ingelrii swords with a wide and shallow fuller. The added hilt would have given the hand considerably more protection without increasing the weight. 10th century Norsemen referred to this type of sword as gaddhjalt (or 'spike hilt'), referring to the strong taper of the tang rather than some visible characteristic of the pommel. The earlier swords of this typology were inlaid with iron letters, or patterns such as crosses and religious symbols. [No Reserve] Fine condition, cleaned and conserved.
A Large K.P.M Rectangular Plaque Of The Penitent MagdaleneLate 19th Century, Impressed Monogram And Sceptre Mark, Incised 330 x 200, Impressed Sz, Signed By the Painter.Large and finely painted after 18th century artist Correggio Battoni, depicting the recumbent Mary Magdalene in blue studying the scriptures, resting on a scull, within a grotto, forest background. Measures around 13″x 8″(33x20cm), within an ornate gilt wood frame. Size with the frame is around 18″x 13″(46x33cm).Provenance:Same subject was sold 3 Oct 2002, Live Auction 1123 THE HOUSE SALE, Lot 293, Christie’s.Bildplatte, KPM Berlin, um 1900, Die büßende Maria Magdalena, Nach einem Gemälde von PompeoGirolamo Baton (1708-1797). Ehemals in der Gemäldegalerie Alte Meister in Dresden, feine Malerei, re. u. sign. W. Walther, Liegend und lose bedeckt mit einem blauen Mantel, die Hände zum Gebet gefaltet. Blindstempel Zeptermarke und K.P.M Nummer 330-200, Platte Größe 33cm x 20cm, Größe mit Rahmen 33cm x 46cm
A collection of twenty six continental porcelain figurines to include Rudolstadt Volkstedt figural group depicting a gentleman and a lady, 12cm wide x 20cm high together with a continental porcelain teacup, a miniature Dresden porcelain teacup and saucer, a Royal Doulton Guy Faulks figurine and a Royal Doulton ladyCondition report: The Rudolstadt figure with restoration to the hat, both figures with fingers missing; the large seated female figure missing an arm; other figures with small chips and marks and losses
A large Dresden porcelain Waterloo Centenary equestrian group of the Duke of Wellington, retailers mark of Thomas Goode & Co and a similar equestrian group, 'Timbalier des Grenadiers a Cheval', pseudo mark, and an another figure of a Napoleonic soldierof a 'Grand Armee' standard bearer (some faults and restoration)
An early 20th century Augustus Rex miniature teacup and saucer, having typical yellow panels with floral decoration, with opposing panels depicting courtship scenes, having entwined AR mark verso; together with five other miniature teacups and saucers, mainly being continental examples, to include Dresden (6)Condition report: Light staining and rubbing to gilding
A Collection of Five Pieces of Dresden Porcelain, to include a figural cherub candlestick with applied floral decoration, one other with a figure playing a lyre, Deutche bloom decoration, a figural centrepiece with applied flower buds and three cherubs, a cherub clock and shell bowl. All underglazed and impressed marks. As found, tallest 15".
A Meissen blue and white onion pattern plate, diameter 24.5cm, together with a Dresden Floral decorated ribbon plate, a Meissen cup, cover and stand and other German porcelain (box).Condition report: Lot 842The onion pattern plate is free of damage.The Meissen cup is cracked and rivetted with chips to the saucer.The ribbon plate and Dresden vase are free of damage.The remaining pieces are good, please note the cups and saucers are Limoges.
A quantity of ceramics for various factories to include a part Dresden 1017 pattern tea service, a small teapot, side plates, cups, sugar bowl and milk jug, teaware for Crown Works Burslem, a Susie Cooper for Wedgwood coffee can, an ashtray, a 'Spirals' 2361 pattern butter dish, and from the studio of Susie Cooper a rectangular decorative plate, 'Gypsy Caravan' pattern no.E327, and other matching and non-matching items. CONDITION REPORT The caravan rectangular tray has plenty of crackle to the front and back. There are some areas of paint loss and one notable area of glaze loss. The overpainted pattern is a bit dull. Otherwise ok condition.
Two late 19th century Dresden table centrepieces/bowls, to include a large lobed reticulated bowl encrusted with roses and trailing garlands of wild flowers, a central panel of hand painted Dresden sprays, raised on four scroll leaf feet, width 28cm, height 7cm and a Dresden fruit bowl of pierced design, depicting scrolling lily pads, leaves, buds and vines, in white, cobalt blue and gilt, length from handle to handle 36cm, height 7cm, both with blue crossed sword marks to the bases (2). CONDITION REPORT Some missing leaf tips to the flower encrusted bowl. Some chips to the other flowers and encrusted areas. Some wear to the gilt. Otherwise no obvious signs of damage or repair.The blue gilt and white pierced bowl has some small rim chips to the underside of the foot. Some small areas of gilt loss and a little bit of craquelure to the porcelain. Nothing noticeable, otherwise in good condition.
A pair of Dresden porcelain figural comportscirca 1880the reticulated baskets with painted floral interior decoration and applied flowers and fruit, the stem surrounded by three children collecting flowers, on raised scroll feet, underglaze blue factory mark and impressed numerals, 43.5cm high; together with a further smaller Continental porcelain comport, similarly decorated, 27cm high (some flowers a.f)(3)
Great War Felix von Luckner signed 6 x 4 inch b/w photo dated 1958, also with his book in German., 9 June 1881, Dresden - 13 April 1966, Malmö, sometimes called Count Luckner in English, was a German nobleman, naval officer, author, and sailor who earned the epithet Der Seeteufel, the Sea Devil, and his crew that of Die Piraten des Kaisers, the Emperors Pirates, for his exploits in command of the sailing commerce raider SMS Seeadler, Sea Eagle between 1916 and 1917. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
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31346 item(s)/page