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A parcel lot of ceramics and glass to include a Victorian dump weight, Goebal stoneware vase in the form of a girl, four pieces of Crown Devon Fieldings lustre, a bowl Birch pattern and two vases, unmarked and another vase A/F, two pieces of Royal Doulton orange lustre, Poole Pottery flower trough, two Dresden lace figures A/F, Cested china Scottie dog, boat by Shelley and urn, Karl Ens Volkstedt rose, Adams jasper vase, glass cranberry glass bowl and dimpled vase and yellow lustre vase (19).
A parcel lot of ceramic figures to include three by Royal Doulton, Jack point HN 610 by C Noke A/F, Autumn breezes HN 1934 by L Harradine, Buttercup HN 2309 by P Davies, Kathlyn by Paragon, Miss Lavinia by Adderley, Macgregor by Radnor, Dresden lace figure, Staffordshire figure of two girls with wreaths in Highland dress and two others (10).
A parcel lot of ceramics and glass to include seven Coalport pastille burners, the villa, the summer house, Park folly, the country cottage, Hunting lodge, Keepers cottage and the old curiousity shop A/F, Cranberry glass footed goblet, jug, vase and flower vase A/F, Dresden dish and plate A/F. animal figures to include Goebel finch, Country artists fox group, chaffinch, hedgehogs, Border fine arts baby squirrel and bluetit, etc (23)
**A COMPOSITE GERMAN CUIRASSIER`S ARMOUR, IN PART PROBABLY BY MARTIN SCHNEIDER THE YOUNGER, NUREMBERG, CIRCA 1620 comprising Zischägge with a two-piece hemispherical skull joined along the crest of a low file-roped medial comb fitted at its rear with a modern plume-tube of brass, the skull projecting forward to a short, obtusely-pointed integral peak pierced at its centre with a rectangular slot to receive a sliding nasal-bar (restored) expanding at its lower end to a large rounded triangular finial and secured at the brow by a modern staple and screw, fitted at the nape with an associated neck-guard of three lames, the last of which is formed at its lower edge with a prominent central cusp, and at each side with a modern forward-sloping hinged cheek-piece of two lames, the upper one embossed with a flower-head, collar of two lames front and rear (the lower rear one restored), one-piece backplate of late `peascod` fashion, struck internally, just below the neck, with the large letter `T`, and formed at it lower edge with a flange later fitted at each side with a projecting screw and wing-nut to attach a pair of composite cuisses each formed of a single boxed upper lame from which are suspended, by means of a pair of modern straps and buckles, a further eleven lames of which the last is fitted at its lower edge with a poleyn of four lames, one-piece breastplate struck at the neck with the quality-control mark of the city of Nuremberg and a maker`s mark consisting of a pair of scissors within a shield, and formed at it lower edge with a short flange, large asymmetrical pauldrons (not a pair), the left of seven lames and the right of six, two vambraces (not a pair) of fully articulated tubular form, each of late 16th century Italian make and fitted at its upper edge with a turner of one lame and at its elbow with a bracelet couter of three lames, and two gauntlets (not a pair) each formed of a flared and pointed cuff with a separate inner plate, several metacarpal-plates (four in the case of the left and five in the case of the right), a knuckle-plate decorated with a file-roped transverse rib, and a shaped finger-plate (composed and in part reworked from old plates), the main edges of the armour formed with inward turns, mostly roped and in many cases accompanied by lining-rivets retaining the remains of crimson velvet piccadils edged with gold bullion, and a few of the main edge, along with most of the subsidiary ones and three divergent bands of the breastplate and backplate respectively decorated with double or treble incised lines (in part later additions) gilt against a blued ground (some minor damage and patching throughout) Provenance Sumner Healey, New York, 6 June 1932 Exhibited `The Art of Collecting, J. W. Higgins Museum, Worcester, Massachusetts, October, 1984 Travelling exhibition visiting several locations in the south of the U.S.A. February 2004- September 2008 JWHA Inv. No. 1737 The mark of the scissors struck on the backplate is probably identifiable as that of the Nuremberg armourer Martin Schneider the Younger (his surname translates into English as `Tailor` ). The same or similar mark can be found on other Nuremberg pieces such as a steel target in the Historisches Museum, Dresden (Ehrenthal 1898, p. 34), as well as another in the J. W. Higgins Armory Museum, Worcester, Massachusetts, JWHA Inv. No. 2647 (`The Age of Armor`, 13 February 2003 - 31 August 2003). It is also to be found on an armour in the Musée d`Art et d`Histoire, Geneva, and a breastplate in the Hallwyll House Museum, Stockholm, Cat. No. E.2.
**A PAIR OF PAULDRONS BY LUDWIG KLEIN OF DRESDEN IN THE SOUTH GERMAN STYLE OF THE LATE 16TH CENTURY, THIRD QUARTER OF THE 19TH CENTURY of large symmetrical form, each constructed of six lames overlapping outwards from the third which projects downwards at both the front and rear and overlaps, in the form of a flange in each case, the outer ends of the lowest three lames which extend inwards only to the armpit, and the main edges of the pauldrons formed with file-roped inward turns accompanied by recessed borders (the rear rivet connecting the lowest two lames of the left pauldron replaced by a split-pin) Provenance Dr Bashford Dean, Riverdale, New York, purchased from his estate, sale 3 [WHAT DATE?] JWHA Inv. No. 1689 The Dresden armourer Ludwig Klein lived 1825-82
Three Caughley tea canisters and covers, c.1785-90, one decorated with a hoop and chain design in gilt and cobalt blue, with a floral finial, S mark, another with Dresden flower sprays in a similar palette, the last printed with the Fisherman or Pleasure Boat pattern, 12cm. (6) Exhibited: the hoop and chain example at the Caughley Bicentenary Exhibition, Ironbridge, 1999, no. 586.
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31346 item(s)/page