We found 31346 price guide item(s) matching your search

A collection of coins including a boxed set, 40th Anniversary of the Coronation of Queen Elizabeth II, a 2002 Executive Proof Collection, a 1994 silver proof one pound coin, a Dresden Bank silver ingot (1oz) etc. (a lot)

A pair of Dresden porcelain figural table lamps, mid 20th century, each encrusted with flowers, with figures below, on a gilt scrolled base58cm high

An early 20thC near set of Dresden Coffee Cans and Saucers, comprising eleven Coffee Cans and twelve Saucers, all decorated in gilt and floral pattern with scroll handles, with Dresden crown mark to base, some chipped/cracked, together with four Royal Nymphenburg plates, in similar floral and gilt pattern enclosed by a somewhat reticulated rim, 27 items overall (a lot)

A small quantity of Mixed Ceramics; comprising a Copeland and Garrat Imari pattern '2061' Tea Trio, c1830s, together with four Alfred Meakin 'VARS' plates, and a Dresden style cup and saucer, 9 pieces overall (a lot)

A large rare Staffordshire Loving Cup, the pink ground base with gilt decoration, with 'Forget Me Not' inscription and panel with painted flowers, flanked by two gilded handles, 10½in wide x 7in tall, together with a large Dresden lidded dish, decorated with gilt and flora, stamped to base with Dresden mark (2)

A pair of 19th century shaped porcelain cabinet plates and a pair of Dresden-style porcelain dishes: the plates with floral gilt-highlighted decoration against a puce border and central hand-decorated vignettes in enamel depicting fruits on a plinth (20cm diameter); the dishes decorated with floral sprays and gilt highlights (2 pairs)Condition Report: The two slightly larger circular plates with minor gilt rubbing to the edges, some minor 'scratches' to the plate surface, the pair of plates decorated with fruits in good original order and condition.

Three pieces of Dresden porcelain: a fine neo-classical-style hand gilded and decorated urn and cover with two ram's head-style handles (20cm high); a Dresden circular porcelain jar and cover, the cover finial modelled as a gilded flowerhead with open leaves and the main body decorated with vignettes of courting couples in 18th century dress within country surroundings in typical fashion; a Dresden eggshell porcelain cup and saucer, hand gilded and decorated with floral sprays, the cup also decorated internally and to the underside (3)

A late 19th century Dresden-style porcelain bottle vase (now drilled with a singular small hole to the outside of the base, as a lamp), typically hand decorated in enamels with floral sprays against puce preserves and scenes of courting couples in 18th century-style dress within countryside, co-joined 'AR' blue-painted mark to underside (29cm high)

A fine hand-gilded and decorated Dresden porcelain urn and cover; the reticulated domed top above a conforming oval body with two gilded ram's head mask-style handles and a central oval hand-decorated topographical vignette depicting a single building within countryside surroundings, on waisted oval stem leading to platform base with concave corners, impressed mark and blue painted Dresden mark to underside (24.5cm high)

A selection of ornamental and decorative ceramics: to include Crown Staffordshire Fine Bone China, a Royal Crown Derby two-handled trinket dish in the 'Royal Antoinette' pattern, a Davenport urn with hinged lid and two handles modelled as open-winged angel-style figures (18.5cm high, approx. 11cm at the widest point), a Royal Crown Derby goblet in the 'Olde Avesbury' pattern, a Dresden-style table bell with hand decoration of floral sprays and gilt highlights (large hairline), five cups and saucers, three mugs etc.Condition Report: The Davenport urn is a modern reproduction from the early 21st century, all appears to be in good condition. It is noted that there some 'original' glue noticeable where the hinged lid has been glued onto the main body and where the body meets the circular socle at the base. This appears as a manufacturing rather than restoration issue.

A good selection of mostly small late 19th/early 20th century decorative ornamental porcelain etc. to include two Austrian-style tygs, a 19th century Coalbrookdale-style porcelain chamberstick encrusted with flowers, a Hammersley cabinet cup and saucer in the 'Dresden Sprays' pattern, a pair of Continental late 19th century seated figures (male and female) together with other similar items etc. 

A good pair of late 19th century Dresden-style two-handled porcelain urns and covers (as potpourri); the reticulated circular covers surmounted with a gilded wreath-style finial above vignettes with floral sprays against a celeste-blue ground and further scenes of figures in countryside surroundings in 18th century-style dress, the urns with two high arched gilded handles and further scenes of courting couples in 18th century-style dress within country surroundings and further floral sprays against further celeste-blue backgrounds raised on spreading circular foot similarly decorated and terminating in a square plinth-style base with gilded edge depicting stylised swirls etc., each with painted co-joined 'AR' mark to underside (full height 29.5cm to tip of finial)Condition Report: This items have come from a private clearance and been in cabinets throughout. Sadly the circular wreath-shaped handle on one of the urns has been broken at one stage and re-affixed badly with glue showing, in the Auctioneers opinion this could be rectified fairly easy with a professional restorer. The rest of the cover that the handle is affixed to appears good. The main urn has a tiny bit of gilt rubbing but nothing of great concern. Upon close inspection one of the handles of this urn has been off and then on again with some glue showing where it affixes at the top and also at the bottom of the urn where it has been 're-gilded'.  The second urn again the circular wreath-shaped handle has been off and re-glued, there is a very small piece of the pink ribbon with the handle is missing while the rest of the cover appears OK. The rest of the piece in good order although it is a little dirty inside. There is no other major damage noted.

Two pieces of Dresden porcelain and one other Continental piece: a Dresden porcelain bowl with reticulated lip and decorated with garlands and swags of flowers, raised on four foliate-shaped gilded feet, blue printed mark to underside (19cm diameter); a Dresden porcelain inkwell decorated with flowers amidst green fish-scale-style panels; a 19th century Continental inkstand, quatrefoil-shaped, hand gilded and decorated, removeable circular sander and inkwell, the exterior of the main body decorated in enamels with various exotic birds, raised on four gilded and decorated scallop shell-style feet (18.5cm wide) (3)

Three pieces of fine Dresden porcelain: a vase modelled as a two-handled campana-style urn upon a plinth base, hand gilded and decorated with floral sprays (17.5cm high); a circular  porcelain bowl and cover with ornate gilded cover above a circular body decorated with a floral garland, raised on concave-sided base with four gilded animals on stile feet (13.25cm diameter) and a Dresden porcelain inkwell on stand similarly gilded and hand decorated in enamels with floral sprays(3)

FIVE DRESDEN PORCELAIN PLATES

PROGRAMME MISCELLANY Fourteen programmes mostly in European competitive matches including Rangers v Real Madrid (EC) 1963/64, Red Star (EC) 1964/65 , Borussia Dortmund (ECWC) 1966/67 , Dynamo Dresden (Fairs Cup) 1967/68. Also includes Youth Tournament in Amsterdam in 1980 featuring Ajax , Anderlecht , Arsenal , AZ 67 , Real Madrid Feijenoord , Den Haag and Hamburg plus Kaiserslautern v Aston Villa (Fr) 1982/83 and New York Cosmos v AC Milan (Fr)1982/83. Fair to generally good

Two large Dresden figure groups, modelled representing gardeners, Meissen crossed swords marks to bases, late 19th century.32cm highCondition report: One group has extensive damages and has been restuck with some losses, the other group has small chips and losses but no serious damages.

A DRESDEN STYLE PORCELAIN TABLE CANDELABRA modelled as a young lady dancing, surmounted by a twin branch candelabra, the cream ground decorated in pale blue and highlighted with gilding, 28cm

A quantity of mostly antique Hammersley porcelain including Dresden flowers style trios, one restored

A Meissen porcelain floral-encrusted comport, painted with Dresden floral sprays, 22.5cm diameter, to/w a Meissen floral encrusted desk-weight, surmounted by an owl, 20cm long (2)Losses to floral encrustations and owl's ears

Daniel Caffe1756 Küstrin - 1815 LeipzigBildnis einer KünstlerinL. u. signiert und 1791 datiert. Pastell auf Pergament. 87 x 61 cm. Besch. Rahmen min. besch. Zunächst war Caffe Kammerdiener und Schreiber und beschäftigte sich nur autodidaktisch mit Zeichnen und Malen. 1782 wurde er dann in Dresden Schüler von Johann Heinrich Schmidt und Giovanni Battista Casanova. 1795 siedelte er nach Leipzig über und wurde zu einem gefragten Porträtisten des sächsischen Adels und Bürgertums. Daniel Caffe1756 Küstrin - 1815 LeipzigPortrait of an artist Signed and dated 1791 lower right. Pastel on parchment. 87 x 61 cm. Damaged. Minor damage to frame.

Adrian Zingg1734 St. Gallen - 1816 Leipzig"Schloss Gnandstein"Im Vordergrund Hirtenkinder mit Kühen und Ziegen. R. u. (im Stein) signiert, l. u. Sammlungsstempel W. G. Becker, Dresden (Lugt 324). Rücks. betitelt sowie weitere Bezeichnungen und Nummerierungen. Lavierte Tuschzeichnung auf Velin. 39,5 x 31 cm. Montierungsreste. Min. gebräunt. Rahmen. Adrian Zingg1734 St. Gallen - 1816 LeipzigGnandstein CastleSigned (in the stone) lower right, collection stamp W. G. Becker, Dresden (Lugt 324) lower left. Titled, further inscriptions and numberings verso. Ink and wash on vellum. 39.5 x 31 cm. Remnants of mounting. Slightly browned. Framed.

Adrian Zingg1734 St. Gallen - 1816 Leipzig"Schloss Sachsenburg im Erzgebirge"R. u. monogrammiert. Rücks. bezeichnet, nummeriert sowie Sammlungsstempel W. G. Becker, Dresden (Lugt 324). Tuschzeichnung, Sepia laviert, auf Velin. 39,2 x 30,7 cm. Fleckig. Montierungsreste. Rahmen min. besch. Adrian Zingg1734 St. Gallen - 1816 LeipzigSachsenburg Castle in the Ore MountainsMonogrammed lower right. Inscribed, numbered and collector's stamp W. G. Becker, Dresden (Lugt 324) verso. Ink drawing, sepia wash on vellum. 39.2 x 30.7 cm. Stained. Remnants of mounting. Minor damage to frame.

Anton Raphael Mengs1728 Aussig/Böhmen - 1779 Rom, nachHl. Maria Magdalena büßendRücks. auf dem Keilrahmen bezeichnet sowie Reste eines Katalogausschnitts. Öl auf Lwd. 51 x 64,2 cm. Rest. Craquelé. Rahmen min. besch. Kopie nach dem Gemälde von Anton Raphael Mengs in der Gemäldegalerie Alte Meister, Dresden, Inv.-Nr. 2162. Literatur: Roettgen, Steffi, Anton Raphael Mengs. 1728 - 1779. Band 1. Das malerische und zeichnerische Werk. München 1999, S. 138, WK 2: hinsichtlich der Maße und der rückseitigen Bezeichnungen sollte es sich bei vorliegendem Gemälde um diese Kopie handeln. Anton Raphael Mengs1728 Aussig/Bohemia - 1779 Rome(after) Saint Mary Magdalene penitentInscribed on the stretcher and remnants of a catalogue excerpt verso. Oil on canvas. 51 x 64.2 cm. Restored. Craquelure. Minor damage to frame. Literature: Roettgen, Steffi, Anton Raphael Mengs. 1728 - 1779. Volume 1. Das malerische und zeichnerische Werk. Munich 1999, page 138, WK 2.

Otto Gebler1838 Dresden - 1917 MünchenKuhR. u. signiert. Öl auf Holz. 12,8 x 13,4 cm. Min. Randbereibungen. Rahmen min. besch. Otto Gebler1838 Dresden - 1917 MunichCowSigned lower right. Oil on panel. 12.8 x 13.4 cm. Minor rubbing to edges. Minor damage to frame.

Richard Müller1874 Tschirnitz - 1954 Dresden-LoschwitzNach dem Sturm. (1910) Neckerei (1912). Auf Freiersfüßen (1914). Bogenschütze II (1918). Ruhm (1919)Alle Blätter links unten mit Bleistift nummeriert, in der Platte signiert bzw. monogrammiert und datiert. Fünf posthume Drucke (Vier Radierungen und eine Lithografie) auf Velin. Ein Blatt mit Trockenstempel PROF RICHARD MÜLLER DRESDEN. Bis ca. 40 x 29 cm. Blattgröße: Bis ca. 40 x 66 cm. Mit Tesa montiert. Alle gerahmt. Werkverzeichnis: Vgl. Günther 61, 66, 70, 88, 95 Provenienz: Privatbesitz Süddeutschland Richard Müller1874 Tschirnitz - 1954 Dresden-Loschwitz After the storm. (1910) Teasing (1912). On Free Feet (1914). Archer II (1918). Glory (1919)All sheets numbered, signed / monogrammed and dated in the plate, lower left, in pencil. Five posthumous prints (four etchings and one lithograph) on vellum. One sheet with blind stamp PROF RICHARD MÜLLER DRESDEN. Up to approx. 40 x 29 cm. Up to approx. 40 x 66 cm. Mounted with tape. All framed. Catalogue Raisonné: Cf. Günther 61, 66, 70, 88, 95 Provenance: private owner, South Germany

A Dresden pot decorated with pink roses and turquoise latticing, a continental bon bon dish and cover, two oil lamps and other items Condition Report: Available upon request

Susie Cooper Dresden Spray teaware, comprising twelve cups, a milk jug and sugar bowl, c.1930

An early 20th century Dresden porcelain framed wall mirror, decorated roses, cherubs and merman, with two candle sconces, 29" x 17" overall

A large 19th century Dresden porcelain figural group of a mother and two children picking flowers, together with one other Dresden figural group of a romantic couple, a 'Thuringia' porcelain group of a couple and two other figurinesLocation: 6:1

Dresden Porcelain Figurines plus Nymphenburg (Marked)

A VIENNA STYLE COBALT GROUND CABARET SET, FRANZ JUNKERSDORF - DECORATED, DRESDEN, 20TH C, WITH MYTHOLOGICAL SCENES AND GILT, TRAY 48.5CM L, PRINTED MARK (9) Localised rubbing of gilding on tray

A  VIENNA STYLE THREE HANDLED CYLINDRICAL CUP ON  GILT LION PAW FEET, TRANSFER PRINTED IN THE MANNER OF ANGELICA KAUFMAN ON CLARET AND GREEN PANELS, 19CM H; A DRESDEN STYLE POTTERY BALUSTER VASE OF PANELLED FORM PAINTED WITH COURTING COUPLES AND FLORAL SPRAYS ON TURQUOISE PANELS WITHIN GILT BORDERS, THE DOMED COVER WITH BUD FINIAL, 33CM H, A QUANTITY OF OTHER DECORATIVE CERAMICS IN VIENNA STYLE, INCLUDING PLATES, DISHES, CARLSBAD TEA SERVICE COMPRISING TEAPOT, COVERED SUCRIER, CREAM JUG AND SIX CUPS AND SAUCERS, A VICTORIAN CASED CRANBERRY GLASS PEDESTAL WITH HEAD AND SHOULDER PORTRAIT TO ONE OVAL PANEL TO THE REVERSE WITH FLORAL SPRAY WITHIN LAPPET BORDERS ON A GILT FOLIATE GROUND, 20CM H, TOGETHER WITH A TERRACOTTA POTTERY EWER, THE PALE OLIVE GREEN GROUND PAINTED WITH PRUNUS BLOSSOM, THE WAISTED NECK WITH FOLIATE WRAPPED HANDLE Continental porcelain items with signs of wear to gilding, other wear consistent with age. Victorian cranberry cased pedestal cracked and re-glued. Other wear consistent with age

A pair of Dresden neo-classical urns and covers: each of spiral fluted form applied with putti and garlands, the cover finials formed by floral bouquets, on stepped octagonal bases, underglaze blue crossed swords marks, 43cm [some losses to applied flowers, minor chips].

A late 19th century Dresden porcelain 'Musical' group: in the form of a standing gallant playing the flute, three companion figures below, on pierced shell and scroll base, crossed swords and incised marks, 42cm [some damage].

Pair of large Dresden, hand painted vases depicting 18thC figures both front and back, circa 1900, height 35 cm

A group of ceramics, to include Continental porcelain cherubs, (AF), Dresden porcelain figures, a sherry bin label (AF), and a pair of Lalique frosted glass lovebirds (AF).

A pair of late 19thC Dresden double gourd bud vases, each with applied floral decoration and painted butterflies, with two blue sword stamp to underside, 12cm high.

A Dresden centre plate, with central floral motif and gilt and green border decoration, with two handles, with Dresden blue stamp numbered 1115, 56, 28cm wide.

A Dresden cup and saucer, the white porcelain decorated with figures, flowers, butterflies and oriental figures, with gilt decoration bearing the two sword mark to underside and numbered 87, the saucer 14cm diameter.

Beswick Cutmill Cupie, Dresden cup and three saucers, Limoges double scent bottle, a set of 6 GDA France plates decorated with purple flowers, 4 Haviland Limoges plates etc

RICHARD FABRICIUSBerlin 1863 - 1923 Dresden Knabe mit zwei Enten unter den Armen. Patinierte Bronze auf schwarzem Serpentinsockel. Auf der Plinthe signiert und bez.: R.D. Fabricius Dresden. Ges. H.: 23cm RICHARD FABRICIUS Berlin 1863 - 1923 Dresden Boy with two ducks under the arms. Patinatedbronze on black serpentine base. Signed and inscribed on the plinth: R.D. Fabricius Dresden. Total height: 23 cm.

A DRESDEN MINIATURE PART TEA SET with moulded applied flowers painted in blue, (some chips to flowers, cover of jug missing)

A Wilhelm Rittirsch Dresden Art Germany porcelain figure group of a couple dancing, 18.5cm high, two other German figure groups, one of a young girl and boy (chip to hat) on a see-saw and a young boy and girl courting, (3).

A Dresden candelabra base, pearlware Toby jug, Shelley vase and other ceramics

A Susie Cooper part service in the 'Patricia Rose' design (cup and two saucers); and assorted in the 'Dresden Spray' design

An assorted collection of ceramics, including a pair of Dresden dishes and a pair of Dresden flower-encrusted vases and covers, 15 cm high

ALKA OF DRESDEN; a German porcelain figure group, three gentlemen and a lady playing instruments, on shaped base, painted and printed marks to the underside, presented on stand beneath glass dome, the group 15 x 26cm, and further porcelain animals and figures including Capodimonte, Renaissance England World Wildlife Fund, etc (some af).Additional InformationFigure group with some dirt and dust. Capodimonte bird with chip to the beak. Further scuffs and general wear. 

MEISSEN; three teacups and saucers of lobed outline with enamelled figural and floral decoration and further gilt heightening, second quality and outside decorated, a Dresden porcelain floor decorated leaf moulded bowl with handle and a smaller similar Herend example.Additional InformationSome rubbing and losses to the decoration, some manufacturing imperfections and further general wear.

A collection of miscellaneous ceramics to include Dresden porcelain cup with hand painted decoration (af), Wedgwood jasperware, Hammersley, etc.

DRESDEN; a Yardley's Old English Lavender advertising figure group, height 30cm, two Staffordshire flatback figures to include Willwatch and a later teapot (4).Additional InformationWear to the decoration, crazing is evident throughout the Staffordshire figures. The smaller flatback is af, with large sections missing, also cracks. The teapot has an over glazed chip to the cover and firing crack to the rim, also chips to the spout. The Yardley's figure is af and has been repaired.

Continental porcelain figure of a girl beside floral trunk, cross swords mark to base, 26cm high, Meissen porcelain model basket supported by three putti, undecorated (repaired), 20cm high and Carl Thieme, Dresden, comport decorated with deutsche Blumen, 21cm diameter

Dresden porcelain group of woodcutter and girl with brazier, 18cm high 

A pair of Dresden gilded white porcelain urn table lamps, height excluding fitting 13cm

A pair of Dresden yellow ground vases and covers, printed designs after Angelica Kaufman, divided by floral panels, 38cms high; together with a Japanese Imari dish; a Limoges dessert dish and a Dresden figural printed bowl.

Two Dresden powder bowls and cover printed with figural scenes after Angelica Kaufman; Limoges three piece dessert set; and a Royal Doulton part tea service in Larchmont pattern.

Berliner Stadtschloss. "Erinnerung an die Anwesenheit Sr. Maj. des Kaisers von Russland in Berlin". Lithographie. 40 x 48 cm. Unter Glas in vergoldeter Holzleiste gerahmt. Dresden, F. Hanfstaengl, um 1840.Mit beigefügter "Erklärung: Rechts im Wagen befindet sich Se. Maj. der Kaiser von Russland in Preuss. Kuerassier-Uniform, u. links Se. Maj. der Koenig von Preussen. Zur Seite des Wagens reitet Se. Koenigl. Hoheit der Kronprinz u. hinter demselben Ihre Koenigl. Hoheiten die Prinzen Wilhelm, Carl u. Albrecht v. Preussen. Die Scene ist der Schlossplatz in Berlin von der Stechbahn aus gesehen, links sieht man das Koenigl. Schloss." - Gering gebräunt, leicht angeschmutzt. Im oberen Rand und rechten Seitenrand mit Einriss (außerhalb der Darstellung). Nicht ausgerahmt, daher mit möglichen Randläsuren. Versand nur ohne Rahmen.

Gleich, Johann Andreas. Erklärung der Epistel Pauli an die Galater, in Acht und zwantzig Predigten, seiner anvertrauten Gemeinde Anno 1696. vom 4. Decembr. biß 1697. den 8. Octobr. vorgetragen. Andere Auflage. 9 Bl., 636 S., 16 Bl. (Register). Titel in Rot und Schwarz. 21 x 16,5 cm. Pergament d. Z. mit hs. RTitel. Dresden, Johann Christoph Zimmermann, 1715.      Vgl. VD17 23:240987D (EA 1699) und VD18 1150272X (dritte Auflage 1723). - Zweite Auflage der gesammelten Predigten, die Johann Andreas Gleich (1666-1734) zu Beginn seiner Amtszeit als Hofprediger am kurfürstlichen Hof in Dresden hielt. - Titel mit unauffälligem Besitzeintrag. Es fehlt wahrscheinlich das Frontispiz. Schönes und wohlerhaltenes Exemplar. - Beigebunden: Derselbe. Erklärung der Epistel Pauli an die Philipper, in Fünff und Dreyßig Predigten, seiner anvertrauten Gemeinde Anno 1698. vom 2. Decembr. biß 1699. den 3. Nov. fürgetragen. 7 Bl., 932 S., 16 Bl. (Register). Titel in Rot und Schwarz. Mit gestochenem Porträt-Frontispiz. Ebenda 1715. - VD18 11502762. - Erste Ausgabe. - Schönes und wohlerhaltenes Exemplar.

Maior, Georg. Enarratio epistolae Pauli scriptae ad Ephesos. 384 nn. Bl. 15 x 9,5 cm. Blindgeprägter Schweinslederband d. Z. (etwas fleckig und berieben) mit 1 (statt 2) Messingschließen. Wittenberg, Veit Kreutzer, 1552.VD16 M 2023. - Erste Ausgabe von Majors (1502-1574) Kommentar zum Epheserbrief. - Etwas fleckig, Titel mit hs. Ergänzung des Beibands sowie vier Besitzeinträgen (davon einer in Kugelschreiber). Erste Lagen mit kleiner Stauchspur im Seitenrand. Mit Schnitttitel. - Beigebunden: Alexander Alesius. Epistolae ad Titum expositio, in qua pleraque tractantur per quaestiones, ut à pueris facilius percipi, & retineri possint. Nulla est autem sententia in tota epistola praetermissa, quae non sit explicata. 71 nn. Bl. Leipzig, Georg Hantzsch, 1552. - VD16 A 1732. - Erste Ausgabe der Interpretation zum Brief des Paulus an Titus, verfasst von dem schottisch-deutschen Melanchthonschüler Alexander Alesius (1500-1565): "Er war eng mit Melanchthon verbunden und nahm, gleich diesem, eine vermittelnde Stellung zwischen Lutheranern und Calvinisten ein. Wie er Melanchthon’s kryptocalvinistische und adiaphoristische Ansichten theilte, so stand er später im synergistischen Streit auf Georg Major’s Seite, weshalb er denn auch von den Flacianern aufs heftigste angegriffen ward. Angesehen durch theologische Gelehrsamkeit, wie durch dialektische Gewandtheit, hat er an den Religionsgesprächen zu Worms (1540), Naumburg (1554), Nürnberg und Dresden (1555) u. a. theilgenommen. Seine Schriften (vgl. Jöcher u. Adelung) sind exegetischen, dogmatischen und polemischen Inhaltes" (ADB I, 336). - Etwas braunfleckig, Blatt E8 mit kleinem Eckabriss.

Richter, Georg Karl A. von. Gedichte. Herausgegeben und mit biographischen Notizen begleitet von Karl Th. Winkler. 5 Bl., XXXII, 116 S. Mit gestochenem Portrait. 18,5 x 12 cm. Halbleder d. Z. (etwas berieben) mit goldgeprägtem RTitel. Dresden, Arnold, (1807).Goedeke VII, 308, 114, 2. - Erste Ausgabe dieser posthum erschienenen, dem Landesherrn Carl August zugeeigneten Ausgabe der Gedichte des Verfassers der Sachsenhymne (1760-1806). Mit einem Subskribentenverzeichnis (darunter ein "Holzverwalter Schubert"). - Vereinzelt etwas stockfleckig, insgesamt gutes Exemplar.