Böhmer, Gunter: (1911 Dresden - Lugano 1986). Ohne Titel. Versch. Köpfe u. ein Lanzenreiter. Aquarell. Tuschzeichnung. Blgr. Ca. 23 x 17,3 cm. Ob. re. sign. ╔Dabei: Ders.╗ 8 Bl. mit Tuschzeichnungen, darunter 3 Bl. Entwürfe (einer davon als Schutzumschlag) zu den Butzbacher Autoren Interviews, hrsg. von Hans-Joachim Müller. Blgr. zw. 29,5 x 21 u. 32 x 24 cm. 7 Bl. sign., 1 monogr., 2 bez. "Entwurf". - ╔Ders.╗ 3 Schriftproben "Butzbacher Autoren-Interviews" in schwarzer Tusche u. eine gedruckte Einladungs-Klappkarte zu einer Ausstellung in Alzey 1984. Zus. 13 Bl. in 2 Kart.-Mappen. D
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Dresden.: Erinnerung an Dresden. Souvenirblatt. Dresden von Neustadt aus (10 x x 15 cm), umgeben von 12 weiteren Ansichten. Lithographie mit Tonplatte v. Brendel n. Täubert bei A.Meyel, Dresden um 1850.24,2 x 34,4, Blgr. 32,5 x 45,5 cm. Mit dem Trockenst. "Kunstverlag Täubert in Dresden". - Etw. stockfl. u. unt. wasserrandig, tls. unterl. Randeinrisse. D
Lesehr, Michael: (1941 Stuttgart). Sammlung von 11 Zeichnungen, 1 Schriftblatt u. 2 Künstlermappen, aus dem Nachlass von Ulrike Gauss, ehmals Leiterin der Graphischen Sammlungen der Staatsgalerie Stuttgart. Verschied. Form. Tls. auf Karton, tls. unter Passep. mont. Vorhanden: Ansicht eines Fischerhafens. Bleistiftzeichnung. 20,9 x 29,6 cm. Versi mit eh. Widmung, dat. 24.11.77 u. sign. "Michael". - Hafenansicht. Ebenso, 1983. 24 x 32 cm. Sign., dat. u. mit Widm., verso zusätzl. Widmung mit Unterschr. v. 6. Aug. 1990. - Dresden, Frauenkirche, 21.4.94. Bleistiftzeichnung. 29,8 x 21,1 cm. Sign. u. mit Widm. - 4 Bl. mit beidhändig gezeichneten, gespiegelten Geburtstagsglückwünschen für Ulrike Gauss (2) u. Jacob Siegfried Cremer (2), Bleistiftzeichnungen (3) u. Sepiazeichn. 1990-92. 29.5 x 23,2 bis 46 x 35,2 cm. - "Zahlenmagischer Entwurf von Ulrica Gauß" u. "...von Jacob Siegfried Cremer". 2 Sepiazeichn. 1990. 20 x 14,5 cm. Auf Kart. mont. - 2 weitere, beidhändige Zeichnungen u. 1 Textbl. in Spiegelschrift sowie 2 Künstler-Mappen: Vier Gemälde und vier Zeichnungen, (I) u. II, Bieberach o.J. D
Wagner,R.: Sammlung von 9 Bl. Opernprogrammen. Einblattdrucke bei Meinhold, Drsdn. 1911-12. Fol. Lose. Vorstellungen im Königl. Opernhaus Dresden. Enthält: Tannhäuser, Der fliegende Holländer, Die Meistersinger von Nürnberg, Rienzi, Die Walküre, Siegfried (1911 u. 1912), Götterdämmerung, Das Rheingold. - Mittelfalz, etw. gebräunt u. randrissig mit kl. Randfehlst. (ohne Textverlust). - ╔Dabei╗ 4 weitere (ebda. 1912): Weber, Der Freischütz; Humperdinck, Königskinder; Bizet, Carmen; Mozart, Die Zauberflöte. - Zus. 13.
A Dresden trinket box with pierced an d polychrome encrusted decoration, diameter 12.5 cm; a similar covered bowl, diameter 16 cm (lid cracked in places); a similar pair of encrusted scent bottles. Both scent bottles have damage to the bocage. 1st trinket box in good condition with bocage ok; 2nd trinket box has minor chips as catalogued and the base is also cracked.
A Meissen yellow-ground bullet shaped teapot and cover, mid 18th century, decorated with panels of deutsche-Blumen, blue crossed swords mark, 11cm high, and a similar, later, Dresden example, 9.5cm high (2) Condition Report: The spout of the Meissen teapot is yellowed indicating old restoration, also old rim-chips about the teapot,The Dresden example appears in better condition Condition Report Disclaimer
FRUIT DECORATED & OTHER CABINET & TABLE POTTERY & PORCELAIN - 7 items to include a Dresden globular pot and cover with bird decoration in puce to the top, 9cms H, 11.5cms diameter, Albany fine china Charles and Diana vase on a bronzed dragon base, 18.5cms H, Wedgwood Creamware bread basket, 26cms diameter, the fruit decorated ware include two covered containers by Coalport, one signed M Harnett (A/F), the other signed R Blyth, 18.5 and 14.5cm overall heights respectively, along with two Caverswall fruit decorated items, 15cms diameter bowl signed M Bates and an 11cms across dish signed A Etherington
Two Meissen deep dishes, circa 1775, polychrome painted with floral sprays and swags, with gilt painted scalloped rims, crossed swords marks, 22.5cm diameter, together with a Dresden inkwell (3)Condition report: The cover of the inkwell has been repaired, and the base has a few fleabites. The dishes have a few small footrim chips and some minor gilt wear.
Günther-Naumburg, Prof. Otto (1856 Naumburg/S.-1941 Berlin) "Am Dorfteich", Öl/Lw., signiert u.l., rücks. Aufkleber der Grossen Berliner Kunst-Ausstellung 1899 mit Künstleradresse und Titel, Lw. mit Riß und 1 kl. Hinterlegung, 65x100 cm, Rahmen (Schüler an der KA Berlin unter A.Hertel und Chr.Wilberg, wurde Prof. und Lehrer für Aquarellmalerei an der TH Berlin, beschickte die großen Kunstausstellungen wie z.B. Berlin, Dresden, München u. Wien, Lit.: Thieme/Becker)
Meissen-Schlangenhenkelvase, 1. Wahl, beidseitig polychrome Blumenbukettmalerei, reiche Goldstaffage, z.T. königsblau glasiert, H. 47,5 cm (Entwurf Ernst August Leuteritz, 1818 Meissen-1893 ebda, Bildhauer studierte an der Kunstakademie in Dresden, 1849-1886 Gestaltungsvorsteher in der Manufaktur, 1882 Professor, die von italienischen Vasen der Spätrenaissance bekannten Schlangenhenkel zierten bereits Meissner Empiretassen, Leuteritz verband sie mit einer klassisch strengen Vasenform und ahnte nicht, daß diese imposante Schöpfung in verschiedenen Variationen eine der größten Verkaufserfolge werden sollte, Lit. :Jedding, Meissner Porzellan d. 19./20. Jh.)
A Dresden turquoise ground cup, cover and a Meissen (outside decorated) saucer, late 19th century, cancelled blue crossed sword mark to saucer, painted with figures in landscape within gilt scroll cartouches, (A/F) Condition Report: Very small hairline to cup. Wear to gilding, missing finial to lid.
Napoléon I (Emperor of France, 1769-1821) Letter signed to the Marshal of the Empire Nicolas Oudinot, Duke of Reggio, in French, 4pp., sm. 4to, Dresden, 26th September 1813, informing him that a regiment of Lancers, Poles, Chasseurs and Guards has been sent to join him, with General Lauriston passing on the left bank [of the river Elbe], giving orders for the movement of troops and transports across the river, with details of generals and divisions expected shortly and other measures to be taken in connection with the battle for Dresden, "d'est necessaire que Dresde soit couvert à 2 ou 3 heures du Camp retranchée", si toutefoisla position le permet", margin stub, folds, slightly browned.⁂ Napoleon and the Grande Armée in the year after the retreat from Moscow. The Russian army had pursued the retreating French Grande Armée across Europe but Napoleon was still a formidable general in charge of a powerful force. At the time this letter was written Napoleon had won the Battle of Dresden at the end of August, but the tide was turning against him and soon the combined forces of his enemies would overwhelm him. In March 1813 the Sixth Coalition of Austria, Prussia, Russia, the United Kingdom, Portugal, Sweden, Spain and a number of German States finally defeated Napoleon and led to the invasion of France in 1814 and drove Napoleon into exile.Nicolas Charles Oudinot, first Count Oudinot, first Duke of Reggio (1767-1847), was a Marshal of the Empire.
Leonardo DE MANGO (1843-1930)A Boat Trip on the BosphorusOil on panelSigned and dated 18979x15.5cmProvenance: From the estate of Alan Bennett, an enormously respected, Cornwall-based antiques dealer.Alan Bennett (1930-2021) started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden China and pierced silver Bon-Bon baskets but also brightly coloured Stafford figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: This work is sealed in and we have not examined the back but we believe it to be on a wood panel or possibly a board. The paint is cracked around the periphery, particularly the bottom edge.
Charles Walter SIMPSON (1885-1971)The Silvery PoolOil on canvasSignedLabel verso50 x 60cmProvenance: From the estate of Alan Bennett (1930-2021) an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden China and pierced silver Bon-Bon baskets but also brightly coloured Stafford figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.
William Banks FORTESCUE (c.1855-1924)Bee Hives in the OrchardOil on canvas laid down48x38cm OvalProvenance: From the estate of Alan Bennett, an enormously respected, Cornwall-based antiques dealer.Alan Bennett (1930-2021) started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden China and pierced silver Bon-Bon baskets but also brightly coloured Stafford figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: Excellent condition
John MILLER (1931-2002)VeniceOil on canvasSigned and inscribed to verso25x35cmAlan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden China and pierced silver Bon-Bon baskets but also brightly coloured Stafford figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple. Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: Very original condition without damage or repair
George A. BOYLE (1842-1930)CattleOil on boardSigned25x35cmProvenance: From the estate of Alan Bennett, an enormously respected, Cornwall-based antiques dealer.Alan Bennett (1930-2021) started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden China and pierced silver Bon-Bon baskets but also brightly coloured Stafford figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: This has been cleaned and looks in very presentable condition, there is no evidence of re-touching. The back is sealed
John MILLER (1931-2002)Glebe TreesOil on canvasThe Orion Gallery label to verso82x102cmProvenance: From the estate of Alan Bennett, an enormously respected, Cornwall-based antiques dealer.Alan Bennett (1930-2021) started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden China and pierced silver Bon-Bon baskets but also brightly coloured Stafford figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales. Condition report: This is in excellent original condition apart from a 7cm cracking between the trees, there are no paint losses and it doesn't seem unstable, see imageThis work although unsigned is unmistakenly by John Miller, it was framed by his partner John Truscott and has his label, it also has the Orion gallery label
A 19th Century German Dresden porcelain vase of ovoid shape with tapered neck and circular base having a deep red ground and heavily gilded decoration. The vase featuring a portrait of a woman and signed Wagner. Appears in good condition overall. Measures 14cm tall. Good condition commensurate with age.
A collection of 20th century porcelain cherub / putti figurines / table salts to include Dresden Meissen & Sitzendorf along with others. To include twin salt with floral decoration, single putti salt af, floral encrusted basket, Meissen dish with floral encrustments and other items. Tallest measures 13cm.
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31346 item(s)/page