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Late Dresden mask head and floral decorated jug together with a 19th Century Continental porcelain figure of a girl carrying a basket (a/f)

Set of four 20th Century Dresden porcelain groups of children

19th Century floral decorated and gilt cream jug, floral decorated porcelain teapot (a/f), floral decorated Dresden bowl and a Dresden porcelain boot

A Dresden Bowl and a qty of continental figures

A Dresden tea set 'Onion pattern', comprising a teapot, milk, sugar, and three cups and saucers. (9)

A Meissen large cup and a saucer finely decorated with topographical views of ‘Dresden’ and panels of flowers with elaborate gilt cartouches on a cobalt blue and gilt ground. Circa 1880. Blue crossed swords to undersides Also a Vienna style plate with a topographical view of ‘Crystal Palace’ on a gold and cobalt blue ground. Circa 1900. Blue beehive mark to underside. Script titles to reserve of all three pieces. Diameter of saucer 19cm, plate 24.5cm and cup 11cm. (3)

Two pretty porcelain trinket boxes modelled as Piano's with under base marks for Limoges France, a quality Dresden cabinet cup hand painted with flowers and a crest with crossed swords marks to the base, two miniature Dresden cabinet pieces and a Samson porcelain armorial heart shaped trinket box. CONDITION REPORT: Each piece is in fine condition.

A ROSENTHAL CERAMIC WALL PANEL WITH NIGHT LIGHT HOLDER, designed by Bjorn Wiinblad, various factory marks verso, includes 'Die Maikonigin', 27.5cm high together with A PAIR OF HAND-PAINTED DRESDEN CERAMIC CANDLESTICKS, 12.5cm high

A Dresden Yardley's advertising figure group, 30.5cm high; together with a pair of Scottish electroplated shoe buckles; and others.

A Berlin porcelain cabaret service, the tray 29.5cm wide; together with a Dresden cabinet cup and saucer.

Victorian Dresden-style mirror decorated with cherubs

A gilt metal mounted porcelain tazza painted with flowers, a Dresden porcelain pierced dish painted with flowers, a pair of Capo de Monte candelabra (a.f.), a Bohemian glass vase, a gilt mounted tray and a similar (7) (on two trays)

A Carl Zeiss Jena Compound Microscope, with four objectives and stage, with other accessories in wooden case marked 'Georg Rosenmuller, Optiker u.Mechaniker, Dresden-N.6'

various Day badges including Pottery 1934 ... Silk flag ... Silk flag 1934 ... Tin 1939 Dresden ... Composite Flak Artillery flag ... Glass ... Silk 1935/36. 20 items. Some fixings absent.

Pair of Derby Musician figures, in the Meissen style.Circa 1785-1825, Mock Dresden mark, blue crossed swords, Size 11cms highCondition: Both with old previous restoration to extremities

A Dresden desk tidy/ink holder, with two Continental temple vases, etc

A 19th Century jug dated 1863; together with a pair of Staffordshire dogs, a Dresden figurine, a pair of Continental china candlesticks with girl and boy figurines and a pair of Faience style candlesticks (5)

assorted ceramics & tea wares, to include Dresden, Wedgwood and Masons etc

French porcelain crested box, Imari bowl, Belleek, Herend pin dish, Dresden pin dishes, enamelled boxes, ships decanter, large cut glass paperweight, glass and EPNS top hip flask, etc (two boxes)

A collection of Royal Crown Derby Posie pattern trinkets, Dresden cup and saucer, Mailing small bowl, decanters and glass bowls, Commemorative wear, etc (two boxes)

Meissen cup and saucer circa 1800, painted with puce flowers on a moulded body, Marcolini mark to bases, also a Dresden saucer painted with a coastal landscape, AR mark to base, (3) For condition report please see the catalogue at www.peterwilson.co.uk

Dresden oval plaque, painted with a portrait of a lady, impressed numeral '2' and pencil marks, mid 19th century, in heavy moulded frame, the plaque measures 18cm high For condition report please see the catalogue at www.peterwilson.co.uk

HILDA FEARON (BRITISH, 1878-1917) THE BALLET MASTER Signed and dated 1912, oil on canvas 129.5cm x 105cm (51in x 43in) Note: Hilda Fearon was born in Banstead, Surrey in 1878, the middle child in a family of five. From an early age she showed a talent for art and began drawing while still at school, making studies from the classical sculptures at the British Museum. She entered the Slade School of Art and went on to study in Dresden under Robert Sterl. But it was her time under Algernon Talmage at St Ives from 1900 that had the most profound impact upon her art. Talmage had discovered the Cornish town in 1888 and began to paint there with Julius Olsson and several other notable painters. Nearby Newlyn had become home to a celebrated school of British impressionist painters. Walter Langley and Stanhope Forbes had led the way in 1884, followed by others including Lamorna Birch and Henry Scott Tuke. By 1900, when Fearon arrived, Talmage and Olsson had established their own Cornish School of Landscape, Figure and Sea Painting. Talmage in particular exalted in the light of the Cornish peninsula and his influence can be seen in Fearon's style. It would seem that Fearon and Talmage, seven years her senior, might have had a romantic liaison, for in 1907, just as more painters including Harold and Laura Knight, were moving to Cornwall, the two of them moved back to London together. Over the next ten years Fearon's paintings were shown at the all principle London venues and also attracted attention in Glasgow, Dublin, Paris, Venice and Pittsburgh. She exhibited some 18 paintings at the Royal Academy, including at the renowned 1910 Summer Exhibition, which has been described as the highpoint of British Impressionism. In her subject matter Fearon specialized in images such as that shown, mainly of women at play and in middle-class domestic settings. The current painting was illustrated in the Studio in 1912 and two years later Charles Marriott, writing in the same journal, in an article illustrated with Green and Silver, described the cool detachment of Fearon's undoubtedly accomplished style as 'a little frosty'. That is perhaps a little unfair as her work, as typified here, seems to sum up the taste for understated domestic genre prevalent in popular British painting in the years immediately preceding the First World War, later christened the 'golden age'. In tone it is contemplative, even wistful and with hindsight presents a poignant interlude, frozen in time, before the coming cataclysm. Tragically Fearon herself died prematurely at the age of only thirty-nine in 1917 and Talmage later presented her painting, The Tea Party, painted in the year before her death to the Tate Gallery.

A Dresden porcelain cabinet cup, cover and saucer, of triangular shape decorated with a castle by a lake within a quatrefoil vignette, overglaze Dresden mark to the base

Two Dresden porcelain figurines of court jesters and a pastoral group of shepherd and shepherdess with lamb at feet. Blue printed marks to base. Pair of figurines appear to be in good condition, no obvious signs of damage or restoration. Pastoral group has usual minor losses to flowers etc

Three pieces of Dresden Meissen porcelain to include ribbon plate with puce and gilt decoration, small ribbon plate and an ink stand. All painted with floral sprays. Puce plate in very good condition, small chip to ink well, small chip to smallest plate

A DRESDEN SITZENDORF MARKED CANDLE HOLDER DECORATED WITH A BOY AND FLOWER BASKET TOGETHER WITH A CONTINENTAL THREE LIGHT CANDELABRA BASE, MISSING SCONCES AND FITTINGS, WITH TYPICAL FLOWER AND FIGURE DECORATION

A PAIR OF DRESDEN STYLE STANDS DECORATED WITH A MAN AND WOMEN IN TYPICAL FLORAL DRESS

A Dresden figure of a couple at a piano, 18cm high and seven other figures

Three Dresden style figures, mid 20th Century, including farmer group and courting couple with flowers 12.5cm high, (3)

An extensive Royal Copenhagen blue and white dinner service Condition Report: Lot 345:Owing to the size of this lot we have not mentioned every ting scratch. Many of the pieces have light wear, stacking wear or scratches in line with age and usage but here I have concentrated on chips, cracks and restoration.12 plates, 15cm diameter - 1 has a few nibbles to rim, I has small chip issuing small hairline, 1 badly cracked.9 soup bowls, 25cm diameter(two of slightly different pattern) one has bad crack issuing from a chip, one has firing crack under, the 2 of different pattern both have several rim chips.14 saucers, 13cm diameter - 1 has small rim chip.7 bowls (4 of one pattern, three of a slightly different pattern) - 2 badly cracked and chipped, 1 has several hips, 1 has single rim chip.Small tazza, 27cm diameter - Small chip under rim.7 side plates, 21cm diameter - 1 has long hair crack, 3 have a small rim chip each.5 similar side plates, 22cm diameter - 1 has small flat rim chip.Large tazza, 28.5cm diameter x 23.5cm high - small chip to foot, tiny flake to glaze at rim.Large circular plate, 32.5cm diameter - Chip to foot.Elongated dish, 38cm x 16cm - No cracks or chips.Sauce boat with integral stand, 23cm long - No cracks or chips13 small tea cups, 8.5cm diameter - No cracks or chips Shell shaped dish, 19cm wide - No cracks or chips8 small plates, 15.5cm diameter - 1 cracked through and glued together.10 saucers, 16.5cm diameter - 1 has bad scratches to top, 3 with chipped rims.9 tiny plates, 7.5cm diameter - No cracks or chips8 saucers, 14.5cm diameter - 2 with minor rim chipping, 2 chipped, 1 with faint star crack to underside.Shaped bowl , 16.5cm wide - No cracks or chips Comport, 17.5cm diameter - No cracks or chips Oval basket, 20cm x 20.5cm - No cracks or chips Tureen and cover, 27.5cm wide - No cracks or chips Meat plate, 41cm x 32.5cm - Bad crack with two rivets.Meat plate, 34cm x 26cm - Chip to foot.Meat plate or tureen stand, 25.5cm x 20cm - Hair crack from rim down to foot.Tureen and cover, 23cm wide - No cracks or chips Hot water jug and cover, 22.5cm high - No cracks or chips Coffee pot and cover, 24cm high - No cracks or chips Sauce boat, 20cm long - No cracks or chips Jug, 12cm high - No cracks or chips Bowl with pierced rim, 11cm wide - 2 chips to foot, signs of old restoration to one of the chips.4 teacups, 8cm diameter (3 pictured) - No cracks or chips3 egg cups - One cracked and glued, poor.Tray - Villeroy & Boch, Dresden, ceramic part 38cm x 24cm - Some scratches to ceramic part. Metal part damaged to one corner, one ball foot has come off (with lot) Jug with stopper, 13.5cm high - Chip with hair crack to spout Jug with pierced rim, 10.5cm high - No cracks or chips Jug, 12cm high - No cracks or chips Small jar and two covers, 6.5cm high - both covers chipped, one with restored finial.Knife - Ceramic element good, blade tarnished, marked RAADVAD7 large teacups, 9cm diameter - 1 has small hairline through top of handle, 1 has two bad hair cracks top to bottom which join.

Collection of late 19th century Dresden porcelain tea and coffee and related ware decorated with painted floral sprays (qty) CONDITION REPORT Teapot spout has been restored

Late 19th century Dresden porcelain figure group of a romantic couple with a bird in cage and recumbent dog, on oval naturalistic base, 22.5cm high

A 19th Century Dresden Porcelain Study of a Recumbent Pug Dog on Cobalt Blue and Gilt Plinth Decorated with Flowers. (One Paw AF) 19cm Long

A collection of 20th Century Continental ceramics comprising Capodimonte figure 'The Swing', further Continental model, two figures by a wall, modern Dresden type figure of a classically dressed couple and a large vase of ceramic flowers. (4)

A Capodimonte group of a boy and a girl feeding a kitten, signed Benacchio together with certificate, 29cm long approx, together with a Lladro type model of a seated ballerina, a Nao group of two puppies, a 19th century Dresden two handled pot with painted floral sprays, a Swarovski model of a begging dog, a Murano model of a begging dog, three glass beakers commemorating the 1951 Festival Of Britain, a glass shade with printed oriental style decoration, etc

A collection of Susie Cooper tea wares in the Dresden pattern with printed floral sprays comprising five cups, five saucers, seven tea plates and a sugar bowl

A B. W. & Co blue and white oval meat platter in the 'Dresden' pattern, stamped with kite mark (chip to rim), 51 x 37cm.

A collection of late 18th century Caughley ceramics, each in the Dresden Flowers pattern, comprising: two reeded tea bowls & saucers, a coffee cup & saucer, a sucrier and cover, 12cm tall and a sauce tureen and cover, 14cm long, 'S' mark to some pieces. Condition Report: Chip to rim of the square tureen, gilt loss and rubbing evident elsewhere.No other apparent damage or restoration.

A Caughley reeded teapot, late 18th century, together with four assorted Caughley tea and coffee cups, each in the Dresden Flowers pattern, the cylindrical teapot standing 14cm, 'S' mark to the base on some items.

A collection of late 18th century Caughley items, each in the Dresden Flowers pattern, comprising: two scalloped edge plates, 20.8cm diameter, an oval dish, 27cm long, a reeded saucer, 13.5cm diameter, a tea cup & saucer, a chocolate cup saucer, 15.5cm diameter), a teapot stand, 15cm diameter and two saucer dishes, some items marked to base.

A Dresden cup and saucer together with a Spode Colonel coffee can and saucer etc

A Meissen cup and saucer together with a Dresden dish and Sunderland lustre cups and saucers etc

Noritake tea ware together with two small Dresden figurines and a quantity of Wedgwood Campion wares

An early 20th century Dresden porcelain framed wall mirror, encrusted throughout with flowers, with a candle sconce below,

Four various porcelain lady figures including 2 Dresden, woman going to market, & couple dancing, both marked to bases; together with 2 Sitzendorf figures, including young man with basket of flowers, & woman in range dress, both marked to bases. Height 1

Ambrosius Lamm Dresden Porcelain Tete-a-Tete Tea Set, c. 1887-1915, blue lamb marks, polychrome with gilt bead decoration, incl. covered teapot, covered sugar, creamer, two cups with saucers, and tray, decorated with mythological scenes, teapot h. 5 1/2 in., tray 17 1/4 in. x 12 1/2 in. (8 pcs.)

Pair of Dresden-Style Porcelain Figural Three-Light Candelabra, late 19th/early 20th c., entwined CN marks, h. 11 3/4 in., w. 8 1/2 in

KPM Porcelain Plaque of "Das Schokoladenmadchen" or "La Belle Chocolatiere", late 19th/early 20th c., impressed scepter mark over "KPM", "H" and ".I.", with oval stamp, possibly reading "Franz Till / Dresden", after the pastel by Jean-Etienne Liotard (Swiss, 1702-1789), 9 1/4 in. x 6 1/2 in., framed 10 3/4 in. x 8 in.

Three items of Dresden type porcelain, gilded and richly decorated with encrustations of applied flowers. Faults, losses

A pair of Dresden type figures of putti, gilded and richly decorated in colours with encrustations of applied flowers, on scrolled rococo bases. 6½'' high. Faults, losses

A Dresden type figure group, gilded and decorated in coloured enamels with painted and applied flowers. 13'' high. Faults, losses

A 19th century Meissen or Dresden tureen and cover finely painted in coloured enamels with vignettes of tavern interiors and flower sprays, the cover with finial of young lovers. 12'' diameter. Extensive restoration

Pair of late 19th/early 20th Century Dresden porcelain circular dishes, each having central painted foliate decoration within a pierced lattice border, 24.5cm diameter Condition: Minor rubbing to the gilding and minimal wear to the painted decoration - **General condition consistent with age

ENGLISH FINE CHINA (16) & DRESDEN ( 4 )

A Pair Of Dresden Carved Ivory Figures Representing Spring and Autumn from the Collection of H.R.H. The Princess Margaret, The Earl and Countess of Rosebery's Wedding Present:18th century, each on integrally carved rectangular plinth and a contemporary square-based amber veneered moulded pedestal; a repair to Spring's left hand and minor loss to Autumn's left hand; each figure embellished with later multi-coloured glass pastes, some of which are now lacking; minor losses to the bases; general minor repairs. 4 in. (10.2 cm.) high; 6¾ in. (17.1 cm.) high, overall (2). Note: The two ivory figures were recorded in the Amber Room at Mentmore, Buckinghamshire in 1934 and listed in Mentmore, Volume II, page 84, number 30 and 32, attributed to Dinglinger. Number 31 was sold at Mentmore, Sotheby's house sale, 18th - 23rd May 1977, lot 1892. The statuettes of flower-wreathed Flora and a vine-wreathed bacchante personifying the Seasons of Spring and Autumn, which are richly jewelled in Eastern fashion, formed part of the famed objets d'art collection displayed in the 'Amber' room created by Baron Mayer Amschel de Rothschild (d.1870) at Mentmore, Buckinghamshire. Together with the companion Summer figure of Ceres, they were prized as the work of Augustus the Strong's Dresden-based goldsmith Johann Melchior Dinglinger (d.1731) (Mentmore Catalogue, 1934, Vol. II, p.84, nos. 30-32). Related Seasons by the Dieppe sculptor Jean-Antoine Belleteste (d.1811) are illustrated F. St. Aubyn (ed), vory, London, 1987 (p.117). Provenance: Silver, Furniture and Works of Art from the Collection of H.R.H. The Princess Margaret, Countess of Snowdon, Christie's, London, 14th June 2006, Lot 820, where acquired by the present vendor. Lot includes original leather cased Kensington Palace Certificate of Provenance bearing wax seal.

SECTION 33. A 1930s Hummel porcelain female mask together with a Meissen porcelain trumpet flower vase, a Dresden porcelain chicken dish and cover, Caithness glass etc

A Dresden porcelain jar and cover, painted with scenes with coastal towers, etc., on a gilt scale ground, hand written mark to underside, 23cm high. (AF)

A PENTAX ME SUPER CAMERA, fitted with a Pentax-M zoom lens and an Ihagee of Dresden flash, flash with original box (situated in Jewellery Room)

A DRESDEN DINNER SERVICE of traditional design, with central floral sprays within a gilt border and matching teaware (complete for eight)