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Good Dresden violin labelled Louis Lowendall, fecit Dresdae Anno 1873; also stamped Lowendall's Artist Violin to the back of the peg box and stamped Dresden below the button, the back also painted with the profile head and shoulders portrait of Antonius Stradivari to the upper bouts, 14 1/16", 35.70cm
19th century viola labelled by Louis Lowendthal, Dresden, 1884, copy Joseph Guarnerius Del Gesu; also stamped on the button, the two piece back of faint curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 15 3/8", 39.10cm, bow, case
Kepler (Johannes) and Jacob Bartsch. Tabulae Manuales Logarithmicae Ad Calculum Astronomicum, title within ruled border, woodcut initials and head-pieces, tables, ink stamp to title verso, bookplate removed from front pastedown, contemporary vellum, [Tomash & Williams K28; VD17 12:196196Z ], 8vo, Strasbourg, Johannes Pastorius for Theodor Lerse, 1700.⁂ The second and first obtainable edition of the tables used in calculating Kepler's Rudolpine Tables of 1627. Kepler's son in law, Jacob Bartsch published the first edition after Kepler's death but the run was extremely limited due to financial issues with only one (defective) copy recorded. Provenance: Bibliothek TU (Technische Universität) Dresden (cancelled ink stamp).
Ozanam (Jacques) L'Usage du compas de proportion: explique & demontre d'une maniere courte & facile, engraved folding plate with 2 images, contemporary vellum, preserved in custom drop-back box, The Hague, Henri van Bulderen, 1691; [Another edition], 2 engraved plates, title a little soiled with erased name to recto and ink stamp of Dresden library to verso, light marginal soiling, 20th century marbled boards with old calf spine, spine ends repaired, Paris, Jean Jombert, 1700, titles with woodcut decorations, woodcut initials, head- and tail-pieces and diagrams, [Tomash & Williams O70 & O71], 8vo (2)
Franz Till, Dresden - Late 19th Century oval porcelain portrait miniature plaque, decorated with a bust-length figure of a lady, signed lower right, 12cm x 9.5cm, in later frame Condition: Not inspected out of frame but displays no faults or post-production damage to visible areas. **General condition consistent with age
A pair of Dresden twin handled lidded vases, hand painted with classical figures within gilt cartouches on blue grounds, late 19th century, crowned D marks in blue to base, 26.5cm high CONDITION REPORT: Marks to the inner rim from blue tac used to hold the covers down. Restoration to the stem of one vase, the other is free from restoration. Minor gilt wear but nothing defacing.
A Napoleonic battle scene pencil on paper, framed, 33 x 44cm; together with a folio of pencil drawings and watercolours relating to the battle, on twelve sheets, double-sided, some inscribed and annotated in pencil in English and a few in Russian (13)Footnote: Provenance: Sotheby's, Sussex, 20 May 1991, lot 324 Alexander Ivanovich Sauerweid was born in the Dutchy of Courland in the Baltic region - the present-day Latvia. When Courtland was annexed by the Russian Empire in 1795, his family fled to Germany. He trained at the Dresden Academy of Fine Arts between 1806 and 1812. One of his early commissions was a series of horse portraits for Napoleon. Following his travels to Paris and London, he finally settled in St Petersburg in 1814, where he was invited by Czar Alexander I to paint portraits of Russian soldiers and their uniforms. He specialised in battle painting and taught at the Imperial Academy, of which he was made an honorary member in 1827. His paintings were praised for their sense of documentary accuracy and were displayed in Imperial Palaces.
A GROUP OF CERAMICS, ENAMEL BOXES, etc, to include Dresden cabinet cup and saucer, two Halcyon Days limited edition enamel boxes 'The Tate Gallery Box' No11/150 and 'Royal Academy of Arts 1981' No138/250, Staffordshire paperweight Bowthorpe Emp. Ltd 'William The Conqueror 1066', boxed Old Tupton Ware 'Teddy Bear', Royal Worcester 'Belle of the Ball', Royal Doulton 'Paula' HN2906 etc
A selection of late 19th/20th century ceramics including a pair of Derby scent bottles and stoppers; Royal Crown Derby dolphin paperweight (with box); Dresden ceramic rack/holder; Minton vase; pair of Mintons twin-handled vases; Halcyon days enamel box; Crummles box; a pair of Masons vases etc
A pair of Dresden, Meissen style cups and saucers and another teacup, in the 18th century manner, quatrelobed, painted with alternating panels of courting couples and yellow ground floral sprays within gilt foliate scroll borders, the single cup with blue fishscale panels, underglaze blue AR marks,
A pair of Dresden, Meissen style cups and saucers, bowed triangular section, painted in the Rococo Chinoiserie manner, with quatrelobed vignettes of Lorrain type romantic watery landscapes, within gilt foliate scroll and fishscale cartouches, each flanked by Oriental figures, underglaze blue AR marks (2)
A mixed group of ceramic china items dating from the 19th Century to include an early Wedgwood plate and matching meat platter decorated with birds and butterflies, a decorative Mintons dish with hand painted floral patterns and gilt detailing together with matching bowl, a Britannic Dresden floral shell dish, Masons Ironstone examples, decorative tureen etc.
A Dresden porcelain centrepiece, the basket with pierced sides and applied with flowers, 25cm high, a Victorian copper lustre two handled loving cup, 12.5cm high, two Limoges porcelain cased scent bottles, two other decorative porcelain boxes and a large collection of cut glass including Stuart and other vases, fruit bowl, decanter, dressing table jars and other items (qty).
Lehmann-Dumont (Karl). Humoristische Karte von Europa im Jahre 1914, published Dresden, 1914, lithographic allegorical German propaganda map of Europe, three columns of descriptive text in German below image, old folds, 340 x 485 mm, together with: Holland (Frank). The Bulldog Line, 1916, uncoloured caricature originally published in 'John Bull Magazine' showing a British Bulldog biting down on the tail of a German Dachshund, slight creasing, 190 x 280 mm, German Propoganda Booklet. Plutokratie. England die geschichte eines raubstaates, circa 1940, eight transparent overlays on a world map, colour printed paper covers, overall size 145 x 210 mm (Qty: 3)NOTESThe first described item is an allegorical poster showing a German perspective of alliances and territories within Europe; both pictorially and in descriptive text. Germany stretches into France and seizes its shoulder. Russia - with its huge open mouth - clutches a vodka bottle and the whip of revolution and looks ready to devour its neighbours. Italy remains tucked well down in its 'boot'. Great Britain stands on bags on money whilst the British Bulldog appears to be being strangled by the snake of India as Ireland attempts to cut the chain which links it to the mainland. An inset map of Japan which Great Britain appears to have 'caught' implies that we have dragged Japan into the war. Turkey looks the other way and is shown drowsily smoking a pipe. The map is crammed with numerous subtle references to national stereotypes and historical events.
German Third Reich Fire Brigade Decoration 2nd Class by Glaser & Sohn, Dresden.A good die-cast example. the arms in white enamel with red enamel flames. Black edged white enamel applied centre with black swastika. Minor surface verdigris, generally VGC. Instituted 22nd December 1936 designed by Herbert Knötel of Berlin.
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31346 item(s)/page