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A 19th century Dresden porcelain four-branch candelabrum heavily encrusted with flowers, the stem modelled as a putto holding aloft the candelabrum, painted mark to base, height 37cm, together with a matching single candlestick (af) and a Royal Sachsen bisque porcelain salt modelled as a child pushing a shell-shaped wheelbarrow, height 14cm.Qty: 3The candelabrum has been broken in several places and reglued. There are chips to the petals and the gilt is rubbed.The top of the single candlestick is obviously broken off and one hand has been glued. There are chips to the petals, gilt is rubbed and there are repairs to the wings, etc.The salt has rubbed edges but otherwise appears good.
Small collection of ornamental pieces: Wedgwood Kutani Crane trinket box, Dresden china florally decorated trinket box, small Moorcroft pin dish, small rose decorated Royal Worcester vase, small Royal Doulton Welsh Ware vase, miniature continental frog jug in turquoise and gold and a Welsh Pottery ashtray with glass base. (7) (B.P. 21% + VAT)
A pair of Dresden pot pourri urns and covers, c.1900, mark of Carl Thieme X and T, the pierced flower-encrusted covers above bodies with twin maiden-head handles, decorated with courting couples and blossoming flowers, tri-form base with wrythen snake, 34cm high; together with a pair of Dresden urns, S P Dresden marks, with flower-encrusted bodies and twin ram's head handles, 23cm high (4)Please refer to department for condition report
A pair of Dresden porcelain lidded urns with covers, late 19th century, blue marks to underside, of apple green ground with twin ram head lugs and cartouches containing floral sprays, on socle bases, 23cm high (2)One cover with a repaired crack through the middle, both finials restored to the cover, one base with a chipped foot.
A collection of Dresden porcelain and similar plates,late 19th century to early 20th century, all with hand-painted floral decoration, comprising:nine 24.5cm platesthree 24.5cm soup bowlsthree 19cm platesfour 16cm saucersCondition Report24.5cm plates: seven with repairs/hairlines24.5cm bowls: one repaired19cm plates: minor blemishes16cm saucers: one chip to rim
A collection of porcelain and china, comprising a Coalport part dessert service, green and white ground, sprays of flowers, gilt highlights, a Limoges pedestal bowl with green green exterior and gold interior, a Copenhagen blue and white dish, a three modern Dresden dishes, and three 19th century tea bowl. (20)
A Sitzendorf porcelain figure of 'Count Bruhl's Tailor', early/ mid 20th century, painted in colours on a flower-strewn rectangular base, 16 cm long, together with three Severes style oval portrait panels bearing the likeness of Madam de Pompadour, Marie Antoinette and one other, A Dresden porcelain chariot flower trough drawn by winged putti and other figures.
OTTO DIX (Untermhaus, near Gera, Germany, 1891-Singen (Hohentwiel), 1969)."Portrait of Ursus", 1927.Pencil and sanguine drawing on paper.Signed and dated in the lower margin.Size: 31 x 37 cm.A representative of the New Objectivity and German Expressionism, Otto Dix became popular for his paintings of war painted during the First World War, a war in which he enlisted as a volunteer. Notable works from this period include Artillery (1914, Kunstmuseum, Düsseldorf) and The War (1929-1930, Dresden Museum), The Trench (Schützengraben 1921-1923) and the series of 50 etchings entitled War (1924). His output includes 500 sketches and various portraits, as well as canvases and watercolours evoking the Renaissance period. Otto Dix trained at the School of Decorative Arts in Dresden, where he remained until 1914. After the war he returned to Dresden, where he studied at the Academy of Fine Arts and worked as an independent artist, forming part of the Dresdner Sezession Gruppe from 1919, while participating in group exhibitions throughout Germany. He subsequently became a leading figure in the New Objectivity movement, with works that evinced his revulsion at the social injustice of post-war Germany. The acid colours of his compositions attest to this. From 1927 to 1933 Dix taught at the Dresden Academy until 1937, when he was dismissed by the Nazis, who included him in their Entartete Kunst (Degenerate Art) exhibition. Some of his paintings were burnt. From 1930 onwards his works show a period in which he stylistically approached both Lucas Cranach the Elder, Albrecht Dürer and Matthias Grünewald and Expressionist forms. In 1939 he was arrested and falsely accused of being involved in a plot against Adolf Hitler, but was later released. Without leaving Germany, he retired to Hemmenhofen on Lake Constance, where he devoted himself to landscape painting and depicting religious themes in a style close to that of Albrecht Altdorfer. He is currently represented in the Museo Thyssen Bornemisza, the Fundación Juan March, the Kunstmuseum in Düsseldorf, the Dresden Museum, the Schützengraben and the Bern Art Museum, among many other institutions worldwide.
77 TEILE AUS EINEM SERVICE MIT ZWIEBELMUSTER. Meissen u.a. Technik: Porzellan mit farbigem Unterglasurdekor. Beschreibung: Insgesamt 77 Teile Meissen bestehend aus:12 Kaffeetassen + 12 UT1 Saliere1 Butterdose (ohne Deckel)13 Kuchentellern12 tiefen Tellern16 Speisetellern1 Brotteller1 rechteckigen Platte1 Sauciere1 Schale mit durchbrochenem Korbrand2 runden Platten (versch.) mit durchbrochenem Korbrand4 kleinen Teller mit durchbrochenem Korbrand21 Teile von anderen Manufakturen bestehend aus:5 Speisetellern6 tiefen Tellern2 kleinen Terrinen2 Saucieren2 Schalen4 ovalen Platten. Marke: Schwertermarke, teilw. mit 2 Schleifstrichen, Manufakturmarken Meissen Stadt, Kaiser Dresden u.a. Zustand A-C. Erläuterungen zum Katalog
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31346 item(s)/page