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HIDEYUKI: AN ILAID IVORY NETSUKE OF URASHIMA TARO WITH TURTLE, MEIJIBy Hideyuki, signed Hideyuki Japan, Tokyo, Meiji period (1868-1912) Depicting Urashima Taro seated on a turtle, holding the bejeweled box (tamete bako) with his left hand, his robe is finely incised with foliate designs heightened with shell inlays and sumi, the box and the turtle deeply stained, all above a base of crashing waves. The underside with asymmetrical himotoshi, the back signed HIDEYUKI.HEIGHT 4 cm Condition: Very good condition with minor surface wear. Provenance: From the collection of Felix Tikotin, and thence by descent within the family. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his own first gallery in Berlin. The entire family survived the holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa. According to legend, Urashima Taro saved a little minogame (straw-raincoat turtle) from ill fate, the animal subsequently turning out to be the daughter of the dragon king. The next day a giant turtle appeared and brought Urashima to the underwater palace of the dragon king. Urashima stayed there for a few days and received a box and was told not to open it. When he returned, everyone he knew was gone and everything had changed, so in his bewilderment he opened the box and suddenly turned into an old man. He then heard a whisper from the sea telling him he was told not to open the box, as in it was his old age. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0264).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A RARE NUT NETSUKE OF FIVE FROGS ON A LOTUS LEAF, ATTRIBUTED TO SEIMINAttributed to Seimin, unsignedJapan, Iwashiro province, second half of 19th centuryWell carved from a nut, most likely corozo, in openwork with five frogs seated in a circle on the edges of a lotus leaf and holding up a further furled lotus leaf between them, the underside carved with fine veins in relief and a broad stalk forming the himotoshi.LENGTH 3.5 cmCondition: Excellent condition with minor natural flaws to the material and few traces of use.Provenance: From the collection of Felix Tikotin, and thence by descent within the family. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his own first gallery in Berlin. The entire family survived the holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa.

A mixed lot of good floral ceramics, to include a pair of Royal Crown Derby plates c.1820; a pair of Dresden pierced square dishes with floral decoration, 18.5cmW; Royal Worcester 'Roanoke' cup and saucer

Various small porcelain cups, coffee cans, alabaster vase, Dresden basket, 'Gayday' flower holder, etcTeacups - fading to the gilding throughout. One teacup with a repainted area and possibly restoration. The lidded bowls - fading to the gilt. One with fractures to the lid and body of the bowl. Another with repainting and restoration to one lid - see imagesFlower holder - re-painting to the top areaAlabaster vase - natural faults Flower bowl - a collection of dust throughout and roughness to the base

Football programmes, British aways in Europe, 9 programmes inc. Dynamo Dresden v Liverpool UEFA Cup 72/3, three Arsenal matches v Sturm Graz 1970/71 Fairs Cup, Beveren Waas 1970/71 Fairs Cup & v Lokomotive Leipzig 1978/9 UEFA Cup, Hamburg v Chelsea Fr 65/6, Hamrun Spartans v Everton 75th Anniversary match etc (gd) (9)

Pair of Dresden Ballerina Figures

A collection of Dresden girls Condition Report:Available upon request

IRISH DRESDEN - "Heart to Heart" Sunshine Collection, figure group, a seated lady and suitor, and a Naples figure, man with a flower in his hand, figure height ??? (2) The seated lady has damage to her dress, chips to the petals and chip to the edge of his coat, some gilding loss otherwise good condition, the standing figure also has some loss, glazing chips

MICHEL VICTOR ACIER1736 Versailles - 1799 DresdenGÄRTNERKIND, FLÖTE SPIELEND Deutsch, Meissen, 1850-1924 (Entwurf 1778) Porzellan, polychrome Malerei, Goldstaffage. H. 10 cm. Unterglasurblaue Knaufschwerter, Pressnummer, Modellnr. 'G 9'. Aus einer Serie von 24 Gärtnerkindern. 1. Wahl. Flöte und ein Finger best.

MICHEL VICTOR ACIER1736 Versailles - 1799 DresdenGÄRTNERGRUPPE AM BAUM ALS LAMPENFUSS Deutsch, Meissen, 1850-1924 (Entwurf 1772) Porzellan, polychrome Malerei, Goldstaffage, Metallmontierung, elektrifiziert (nicht geprüft). G.-H. 65,5 cm. Unterglasurblaue Knaufschwerter, Modellnr. 'D 96'. 1. Wahl. Rest., besch. Literatur: Bergmann, Sabine und Thomas: Meissener Figuren, Bd. II, Erlangen, 2014, S. 60.

PETER STRANG1936 DresdenDREI MINIATUR-HUNDEFIGUREN Deutsch, Meissen, 21. Jh. Porzellan, polychrome Malerei, Goldstaffage. H. 3,2 cm. Unterglasurblazue Schwertermarke, part. Press- und Malernummer, Jahreszeichen, Modellnr. Jeweils am Sockel Künstlersignet. 2 Hundemeuten (Modell '60693' und '60694'), 1 Terrier (Modell '83356'). 1. Wahl. Ein Ohr min. best. Literatur: Bergmann, Sabine und Thomas: Nachtrag, Meissener Künstler - Figuren, Erlangen, 2018, S. 398, 403. Provenienz: Alte nordrhein-westfälische Privatsammlung.

PETER STRANG1936 DresdenFIGUR 'ENGEL' I Deutsch, Meissen, 2000 Porzellan, polychrome Malerei, Goldstaffage. H. 54,3 cm. Unterglasurblaue Schwertermarke, Unikat-Nummer '302/2000'. Am Sockel eingepresstes Künstlersignet. 1. Wahl. Expertise: Zertifikat der Manufaktur vorhanden. Provenienz: Privatsammlung Dr. Müller, Westfalen.

ANDREAS EHRET1959 Weißenfelsmit MATTHIAS SCHOLZ (1967 Dresden)VASE 'DANZA FUEGO' Deutsch, Meissen, 2003 Porzellan, farbiger Aufglasurdekor. H. 45,5 cm. Unterglasurblaue Schwertermarke, Unikat-Nummer '125/2003', eingeritztes Künstlermonogramm 'AE' (in Ligatur). Auf Wandung bez. 'MScholz'. Bauchiger Korpus mit langgezogenem Hals und leicht ausgestelltem Lippenrand. 1. Wahl. Expertise: Zertifikat der Manufaktur vorhanden. Provenienz: Privatsammlung Dr. Müller, Westfalen.

ANDREAS EHRET1959 Weißenfelsmit WILHELM HÄNSCH (1944 Dresden - 2014)FIGUR 'HERR RABE' Deutsch, Meissen, 2006 Porzellan, polychrome Malerei, dezente Goldstaffage. H. 28 cm. Unterglasurblaue Schwertermarke, Unikat-Nummer '156/2006', ligierte Künstlermonogramme 'AE' (eingepresst), 'HÄ' (gepinselt). Figur eines stehenden Mannes im Anzug. 1. Wahl. Expertise: Zertifikat der Manufaktur vorhanden. Provenienz: Privatsammlung Dr. Müller, Westfalen.

ANDREAS EHRET1959 Weißenfelsmit WILHELM HÄNSCH (1944 Dresden - 2014)FIGUR 'GRISELDIS' Deutsch, Meissen, 2006 Porzellan, polychrome Malerei, Goldstaffage, auf Holzplatte montiert. H. 59 cm. Unterglasurblaue Schwertermarke, Unikat-Nummer '160/2006', Künstlermonogramme 'AH' und 'HÄ' (in Purpur). 1. Wahl. Expertise: Zertifikat der Manufaktur vorhanden. Provenienz: Privatsammlung Dr. Müller, Westfalen.

PETER STRANG1936 DresdenDOKTOR MÜLLER Deutsch, Meissen, 2007 Porzellan, polychrome Malerei, dezente Goldstaffage. H. 10,5 cm. Unterglasurblaue Schwertermarke, Press- und Malernummer, Jahreszeichen, Modellnr. '83491'. 1. Wahl. Literatur: Bergmann, Sabine und Thomas: Nachtrag, Meissener Künstler - Figuren, Erlangen, 2018, S. 481.

PETER STRANG1936 DresdenMINIATURFIGUR UND BÜSTE 'DR. MÜLLER' Deutsch, Meissen, 2007 und 2008 Porzellan, polychrome Malerei, dezente Goldstaffage. H. 9,8 und 10,5 cm. Unterglasurblaue Schwertermarke, Press- und Malernummer, Jahreszeichen, Modellnr. '83491' und '83208'. Am Sockel Künstlersignet. 1. Wahl.

DREI SCHALEN UND VASE U. a. Heilbronn, Bruckmann & Söhne; Hanau, J. D. Schleissner & Söhne; Dresden, Hermann Behrnd, Pforzheim, nach 1886 Silber. H. 6,8-19 cm, 1258 g. Punziert mit Halbmond, Krone, Herstellersignets, Feingehaltsangaben und Juweliermarken. Min. Oberflächenkratzer.

GEORG WRBA1872 München - 1939 DresdenPETSCHAFT 'CARITAS' Deutsch, 1. H. 20. Jh. Bronze, Metall, versilbert. H. 15 cm. Verso signiert 'Wrba'. Vollplastische Darstellung der Caritas. Auf der Stempelfläche graviertes, ligiertes Monogramm 'JS'. Leicht best.

LOUIS-XVI. KOMMODE Wohl Dresden, um 1780 Nussbaum, Kirschbaum, geschwärztes Birnbaumholz, Blindholz auf Tanne furniert, Intarsien, dreischübig, konische Füße. H. 83, B. 119, T. 64 cm. Ähnliches Stück im Kreisel, Band Nr. 3 Museum für Kunsthandwerk in Dresden. Rest., min. altrest., part. Furnierschäden. Provenienz: Privatsammlung Nordrhein-Westfalen.

BODENSTANDUHR Deutsch, F. G. Fischer, Dresden, Ende 18. Jh. Nussholz, u.a. Hölzer, furniert, intarsiert, Messing, Glas, Email. H. 226, B. 50, T. 25 cm. Auf einer Messingplakette bez. 'F. G. Fischer Dresden' sowie auf dem Ziffernblatt bez. 'Fischer'. Leicht konischer Korpus mit profilierten Gesimsen. Uhrenkopf mit flankierenden Säulen und vorkragendem Gesims. Emailliertes Ziffernblatt mit römischen Stunden- und arabischen Minutenzahlen. Florale Messingverzierungen. Part. best., Furnierschäden, Funktion ungeprüft.

FEINE DRESDNER KOMMODE Dresden, um 1870/1880 Nussbaum furniert, Bandintarsien, Bronze-Applikationen, feuervergoldete Bronze-Beschläge mit ovalen Porzellan-Platten mit galanten Szenen. H. 78, B. 62, T. 45 cm. Altersbedingte Gebrauchsspuren, part. min. besch..

FRIEDRICH OTTO GEBLER1838 Dresden - 1917 MünchenSchafhirte und seine Herde im Abendlicht Öl auf Holz. 10,5 x 23,5 cm (R. 26 x 40 cm). Signiert unten rechts 'Otto Gebler'. Part. Krakelee, part. ber. Rahmen.

CHRISTIAN DANIEL RAUCH1777 Arolsen - 1857 Dresden (Entwurf)LÖWENKÄMPFER AUF EINEM PFERD Ausführung Ende 19. Jh. Metallguss, dunkel patiniert, auf rechteckiger Plinthe (H. 3 cm). Ges.-H. 48,5, B. 38,5, T. 20, Gew. ca. 9 kg. Nach Albert Wollf (1815-1892). Über einem rechteckigen Sockel vollplastisch ausgeführte Aktdarstellung eines jungen Kriegers auf einem aufbäumenden Ross, mit einer Lanze den Todesstoß einem verwundeten Löwen versetzend. Part. best., ein Fuß besch., eine Hufe fehlt.

JULIUS HEINRICH HÄHNEL1823 Bad Schmiedeberg - 1909 DresdenGRASENDE ZIEGE Bronze, dunkel patiniert, Ziege mit Halsglocke stehend auf rechteckiger Plinthe (H. 2 cm). Ges.-H. 15, L. 21, B. 9,5 cm, Gew. ca. 2,03 kg. auf der Plinthe sig. 'Jul. Hähnel'. min. ber..

ANTON BÜSCHELBERGER1869 Eger - 1934 DresdenBÄRENJUNGE AUF EINEM BAUMSTAMM Bronze, dunkel patiniert, auf einem rechteckigen Marmorsockel (H. 3,5 cm). Ges.-H. 29, B. 33, T. 10, Gew. ca. 5,39 kg. Auf der Plinthe sig. 'A. Büschelberger', Giessereistempel 'Berlin S41'. part. ber. und Verlust der Patina.

PETER PAUL (AUCH PIETER PAUWEL) RUBENS (NACHFOLGER DES 19./20. JH.) 28. Juni 1577 Siegen - 30. Mai 1640 AntwerpenMONUMENTALES BILDWERK: DER HEILIGE HIERONYMUS Öl auf Leinwand. 237 x 162 cm (R. 241 x 166 cm). Verso: Bezeichnet: 'Petrus Paulus Rubens. geb. 28. Juni 1577 - gest. 30. Mai 1640. 'Der heilige Hieronymus' Copie nach No 955 36/1929 der Gemälde Galerie zu Dresden. Von Rob. Paul Geißler - Dresden.. Min. farverluste, Leinwandriss. Rahmen. Provenienz: Hessische Privatsammlung.

CHRISTIAN WILHELM ERNST DIETRICH, GEN. DIETRICY (ATTR.)1712 Weimar - 1774 DresdenDIANA NACH DEM BADE MIT GEFOLGE Öl auf Leinwand. 44,5 x 36,5 cm (R. 63,5 x 52,5 cm). Part. min. altrest., min. Altretuschen. Rahmen. Provenienz: Süddeutsche Privatsammlung.

CHRISTIAN WILHELM ERNST DIETRICH, GEN. DIETRICY (ATTR.)1712 Weimar - 1774 DresdenCHRISTUIS HEILT DEN BLINDEN Öl auf Kupfertafel. 25,5 x 20,5 cm (R. 34,5 x 29,5 cm). Verso: Auf der Tafel alte Londoner Auktionsnummer des Auktionshauses Christie's '323 FJ'. Min. berieben (unbedeutend). Rahmen. Provenienz: Süddeutsche Privatsammlung.

CHRISTIAN WILHELM ERNST DIETRICH, GEN. DIETRICY (ATTR.)1712 Weimar - 1774 DresdenBRUSTBILDNIS EINE BÄRTIGEN MANNES Öl auf Holztafel. 23,5 cm x 18,5 cm (R. 50 x 44 cm). Part. min. altrest, leicht fleckig. Rahmen. Provenienz: Rheinische Privatsammlung.

KÄTHE KOLLWITZ1867 Königsberg - 1945 Moritzburg'ARTHUR BONUS: DAS KÄTHE-KOLLWITZ-WERK' Deutsch, Dresden, Carl Reissner, 1925 Halbledereinband mit Rückenvergoldung und Kopfgoldschnitt. Nummeriertes Exemplar der Vorzugsausgabe mit einer handsignierten Original-Lithografie 'Kinderkopf/Lotte'. 25,5 x 20 cm, BM 25 x 19 cm. Einband part. leicht besch., Seiten leicht gebräunt. Vollständiger Titel: 'Das Käthe-Kollwitz-Werk - Mit einführendem Text von Arthur Bonus sowie 153 Bildtafeln'. 1 von 100 nummerierten Exemplaren mit der handsignierten Lithografie, die vermutlich die Tochter des Künstlers Otto Nagel, Lotte Nagel, zeigt. Literatur: Knesebeck 218a; Klipstein 213a.

SCHÜSSEL UND 18 SCHALEN Deutsch, Karbitz/Dresden, Anton Witt & Walter Nitschke, 1920/1930er Farbloses Kristallglas, Gravurdekor. D. bis 21 cm. Einmal monogr. 'AWN'. 1 Schale 'Geburt Christi', 1 Schale 'Weihnachten 1927', 16 Schalen 'Obsternte' (verschieden Motive), 1 Schüssel 'Bauern und Tiere'. Part. min. best. bzw. best. Provenienz: Bedeutende Sammlung des Chemnitzer Unternehmers und Fabrikanten Fritz Niescher (1889-1974). Über Erbe Privatsammlung Dr. Müller, Westfalen. Ursula Niescher war die einzige Tochter von Fritz Niescher. Ursula Niescher heiratete Dr. Wolfgang H. E. Müller (den Schwiegersohn von Fritz Niescher). Nach ihrem frühen Tod blieb die Sammlung dann im Besitz von Dr. Wolfgang H. E. Müller.

FUSSSCHALE 'FISCHFANG' Deutsch, Karbitz/Dresden, Anton Witt & Walter Nitschke, 1932 Dickwandiges farbloses Glas, matt geschliffen und geschnitten. H. 13 cm, D. 12,8 cm. Auf Wandung bez. 'AWN' mit Jahreszahl in Diamantriss. Auf wulstigem Fuß mit Nodus bauchiger Korpus mit ausgestelltem Lippenrand. Auf Wandung Darstellung von Fischern und Fischerinnen beim Fischfang. Provenienz: Bedeutende Sammlung des Chemnitzer Unternehmers und Fabrikanten Fritz Niescher (1889-1974). Über Erbe Privatsammlung Dr. Müller, Westfalen. Ursula Niescher war die einzige Tochter von Fritz Niescher. Ursula Niescher heiratete Dr. Wolfgang H. E. Müller (den Schwiegersohn von Fritz Niescher). Nach ihrem frühen Tod blieb die Sammlung dann im Besitz von Dr. Wolfgang H. E. Müller.

A 20thC Dresden porcelain chocolate tete-a-tete, comprising pot, lidded milk jug, lidded sugar bowl, and two cups and saucers with lids, pot 14cm high, each piece decorated with flowers against a white ground with gilt highlights.

WILLIAM GRIEVE (BRITISH, 1800-1844)View of Dresden signed with initials 'W G' on the rock (lower left) watercolour 15.5 x 26cm Provenance Michael Appleby of St. James's

Mid 10th-mid 12th century A.D.. With a broad tapering blade, the wide and shallow fullers with inlaid decoration to both sides comprising a Greek cross within a circle, a cross potent and a wheel; long, straight guard and a short grip with a plain Brazil nut pommel. Cf. Oakeshott, J.R.E., The Archaeology of the weapons, London, 1960; Peirce, I., Swords of the Viking Age, Suffolk, 2002; Nicolle, D., Arms and Armour of the Crusading Era, 1050-1350, vol I, London, 1999; the sword finds a good parallel with a specimen from Spain, published by Peirce (2002, p.124); with a sword dated to circa 1200, from Germany, preserved in the Wallace collection, London, England (Nicolle, 1999, fig.424); with a sword from Dresden, with the name INGELRII on one side and the phrase HOMO DEI on the other, dated to about 1100; also with a sword once in the Oakeshott collection with the mark of Carrocium, dated to circa 11th century. 1.31 kg, 101 cm (39 3/4 in.). Ing Peter Till collection, Austria 1990s.UK collection, 2000s.Property of an East Sussex, UK, teacher.Accompanied by an academic report by Dr Raffaele D'Amato. The sword is of Oakeshott Type Xa or XI and Petersen Type X. According to Oakeshott (1960, p.204) the swords of type X were a development of Viking sword type VIII with slight modifications. Oakeshott describes such swords as common in the late Viking age (late 10th century) and remaining in use until the first quarter of the 13th century. [No Reserve]

Samuel Prout OWS (1783-1852)View of the Zwinger, DresdenPencil on blue paper36.5 x 28cm; 14¼ x 11inUnframedProvenance:Property of a former museum keeper, collected between the 1930s and 1970s

After Caspar NetscherA woman at a virginal accompanied by a man singingOil on canvas61.1 x 50.9cm; 24 x 20inThis work derives from the original in Staatliche Kunstsammlungen, Dresden (no.1349).

A small collection of German porcelain items, comprising a Volkstadt figurine of a cherub with a basket of flowers, on a shaped based, printed mark to the underside, 18.5cm high, two figurines of nude ladies, 19cm & 14cm high, a smaller unmarked figurine of a child 15cm high, a Dresden cup and saucer with a floral design (5)The animal to the nude figures side cracked and damaged, additional images of the bases uploaded.

A small collection of Continental porcelain, comprising two Herend trumpet vases, both with repaired cracks, 10cm high, two twin handled jars and covers, 10.5cm high, and two Dresden cups and saucers, all the items with floral decoration and heightened gilt work (6)

Meissen onion pattern ribbon plate and Dresden ribbon plate with hand painted central scene 22cm dia.

6 Dresden angel figurines, all playing musical instruments - marked to base with 3 point crown and 330 A through to E

Large pair of Dresden porcelain vases and covers, in the manner of Helena Wolfsohn, painted with alternating panels of figures in gardens and floral panels against yellow grounds, scrolled gilt borders, 41.5cm high.

A TROIKA MUG, BLUE WITH BAND OF CIRCLES (chipped, crazed interior), a Royal Crown Derby Imari cup, saucer and plate, a pair of Dresden pots, and other small ceramics

A PAIR OF ONYX AND BRASS TABLE LAMPS and a Dresden style figural lamp (3)

A JAPANESE EGGSHELL 'GEISHA' PART TEA SET (some damage) and a Dresden style floral transfer and gilt tea set

Miscellaneous collection including three Dresden cups and saucers with wrythen fluted panels, floral detail, two miniature Worcester pots and covers - one showing a robin the other a bullfinch, a collection of blue and white printed plates, further plates, jugs, etc

A collection of 18th century and later porcelain to include a fluted slop bowl, various cups and saucers, a Welsh Costumes nursery plate, three Derby porcelain shaped dishes decorated with flowers etcQty: quantity The Derby dishes in good condition with some minor wear to the gilding, various plates with some cracks and chips, chip to the rim of the fluted sugar bowl, Worcester tea bowls and saucers in good condition with some minor wear to the gilding, Dresden cup and saucer with some minor wear otherwise in good condition

A late 19th century Dresden tea service comprising ten cups, together with two further similar cups; eighteen saucers; nine smaller cups; four coffee cups and saucers; six associated plated; and one serving plateTwo of the saucers with crack running from the rim, several with further chipping. Rubbing to the gilt throughout. One coffee sup with a crack running from the rim. Chips to the serving plate and to the plates. Surface dirt throughout.

A Dresden porcelain framed oval mirror on an adjustable tripod stand, the frame topped with musical instruments and a torch, further decorated with applied floral motifs and a pair of cherubsSome chipping to the glaze and minor damages and losses to the applied decoration.

A collection of ceramics to include Moorcroft Anemone pattern candlestick, Dresden lacework dancer figures, etc. All pieces have been damaged/repaired with crazing to glaze.

A Meissen style porcelain teacup and saucer together with a Dresden saucer and teacup and saucer

19th century and later Continental china including a Dresden cup and saucer and chocolate cup, a Crown Derby plate etc, tallest 17cm high

A SANDIZELL PORCELAIN FIGURAL GROUP, mid-century lace detail figure of a young couple playing dice, blue Dresden backstamp to base (1) (Condition Report: ladies right finger appears to be reglued, a few small nibbles to lace)

Konkrete Kunst Christian Roeckenschuss (1929 Dresden - 2011 Berlin)6 Arbeiten. In: Roeckenschuss, Christian. Strukturen, Reliefs, Engramme 1965-1972. Je Farbsiebdrucke auf Karton (hiervon eine Arbeit doppelt und eine dreifach gefaltet) bzw. eine Farbserigraphie auf Plexiglas. 22 x 22 cm. Ein Siebdruck verso signiert und nummeriert. Je lose in Originalkarton-Mappe, mit Text. - Die Mappe etwas angestaubt und punktuell berieben. Insgesamt in sehr gutem Zustand. Prachtvolle, samtige Drucke in äußerst leuchtenden Farben, teils mit Rand. Eines von 165 Exemplaren. - Hrsg. Galerie Der Spiegel, Köln 1973. 6 works. In: Roeckenschuss, Christian. Strukturen, Reliefs, Engramme 1965-1972. Each colour silkscreen on cardboard (of which one work double and one triple folded) and one colour serigraph on plexiglass. One silkscreen signed and numbered on the verso. Each loose in original card portfolio, with text. - Portfolio slightly dusted and isolated rubbed. Altogether in a very good condition. Splendid, velvety prints in very bright colours, with margin.

ALVA & STURM CIGARETTE CARD ALBUMS (GERMAN) MILITARY UNIFORMS ALBUMS BOTH COMPLETE Duo of cigarette card albums, Alva Bilder, Album 2 Card nos 193-398, complete - showing military uniforms. Some wear to dust jacket cards generally clean. Second album 'sturm' Cigarettes of Dresden with series 1-40 (6 cards in each series) all complete, with most pages having interleaves. Cards in very good condition.

Antique German Volkstedt Pottery Figural Mantel Clock - Meissen or Dresden Interest

A. LANGE & SÖHNE große, schwere Goldsavonette Taschenuhr mit Außenscharnier. Gold 18K, inkl. Staubdeckel, Gehäusenummer 41568, Goldgewicht ca. 55g. Vergoldetes Handaufzug-Werk mit 3/4 Platine, Goldanker und -ankerrad, bimetallischer Kompensationsunruh, Breguet-Spirale, Schwanenhals-Feinregulierung, gebläute Schrauben, Aufzugsräder mit doppeltem Sonnenschliff, gravierter Unruhkloben, Werknummer 41568, funktionsfähig. 2-teiliges weißes Emaille-Zifferblatt mit arabischen ziffern, sign. "A. Lange & Söhne, Glashütte b/Dresden", Gold-Zeiger Louis XV. Sehr guter Zustand, leichte Gebrauchsspuren am Gehäuse. Durchmesser ca. 55mm ohne Krone.ERGÄNZUNG 28.08.2023: Bilder zur Uhr wurden neu zugeordnet. | A. LANGE & SÖHNE large, heavy gold hunter case pocket watch with outer hinge. Gold 18K, incl. dust lid, case number 41568, gold weight approx. 55g. Gold-plated manual-wound movement with 3/4 plate, gold lever and escapement wheel, bimetallic compensation balance, Breguet-hairspring, swan-neck fine-adjustment, blued screws, double-sunray finish on winding wheels, engraved balance-cock, movement number 41568, working. Two-piece white enamel dial with arabic numerals, sign. "A. Lange & Söhne, Glashütte b/Dresden", gold-hands Louis XV. Very good condition, light signs of wear on the case. Diameter approx. 55mm without crown.SUPPLEMENT 08/28/2023: Pictures to the watch were reassigned.

Two Dresden Deutsches Hygiene Museum full-sized anatomical medical posters to include the Nervous system (no. 2037 / II); and Heart and blood vessels, with arteries and veins labelled with 'A' and 'V' prefixes (no. 2004). Posters measure approx 185cm H x 84cm W and 198cm H x 83.5cm W respectively

19th Century Dresden porcelain plate having a gilt decorated fanned rim with a hand painted geranium floral spray. Signed geranium to verso with makers mark. Measures 30 x 24.5cm.