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An ajoured porcelain basket, carried by putti, with hand-painted flower decor and marked on the base, Dresden. Made in Germany. The second half of the 20th century. (25 x 13 cm)

A rare Helen Wolfsohn lifetime mug, decorated with panels of courting couples and flowers within gilded bands, her scarce Dresden mark to the base. 3 1/4'' tall.

A French 19th century porcelain and gilt metal trinket box with gilt interior and faux Meissen mark, 3" x 2 1/2", a Dresden miniature cup and saucer painted with panels of romantic scenes and a miniature flower encrusted vase with anchor mark and impressed date 1901.

692. DELAY INDICATOR BOARD | Attributed to Karl Bub, lithographed, has sign boards for "Dresden," Elberfeld, Leipzig, and Stuttgart. Provenance: Paul Cole Collection. | 7.5" h. | Paper signs replaced, (Pristine Condition) | $100 - $200

A small Dresden porcelain framed mirror, 18cm high; together with a pair of small Coalport candlesticks. 

A mixed lot of ceramics, to include a Doulton Lambeth jardiniere, 18.5cm high; and a Dresden inkwell.

Pair of Goebel Figural Book Ends, XIX Century copper lustre jug, Arundel Castle plaque, Dresden cup and saucer, etc:- One Tray

A Dresden Porcelain Oviform Vase together with a collection of other Dresden porcelain

A Collection of Dresden Porcelain, a 20th Century Chinese bowl and various ceramics

A Dresden Porcelain and Brass Five Branch Chandelier together with another similar three branch

A Dresden Pickle Dish in the form of a Leaf together with a collection of other ceramics to include a Shelley small jardinière, a Carlton Ware bottleneck vase and other items

Two Dresden figural groups by Carl Thieme and a pair of German two light candelabra with applied boy and girl figurines, tallest 16cm (h)

A quantity of World War 2 RAF ephemera, relating to Ernest Arthur Carter, later known as David Ernest Arthur, or Dai, who joined the RAF in 1944 having lied about his age, and became part of the 75th New Zealand Squadron.  The ephemera contains his RAF log book which details the raid on Dresden. He survived the war living until his 70's.  The ephemera also includes his flight book, some boxed Mark VIII goggles, First Aid Outfit for Air Crew, a small mask, a large quantity of various maps, photographs, service books and manuals, Pilot's and Flight Engineer's Notes for Lancasters, various personal letters, etc.

Pair of 20th century Dresden porcelain figures of lady and gentleman shepherds, each wearing 18th Century costume on scroll moulded bases with gilt detail, printed marks in blue, H22cm max (2)

Nafziger (George). Napoleon at Leipzig. The Battle of Nations 1813, Chicago: Emperor's Press, 1996, maps and illustrations, original boards, dust jacket, 8vo, together with Napoleon's Dresden Campaign. The Battles of August 1813, Emperor's Press, 1994, maps and illustrations, original boards, dust jacket, 8vo, plus Chandler (David G.) The Campaigns of Napoleon, London: Weidenfeld and Nicolson, 1966, folding map, illustrations, original cloth, price-clipped dust jacket, 8vo, with others related including In Napoleon's Shadow. Being the first English language edition of the Complete Memoirs of Louis-Joseph Marchand, valet and friend of the Emperor 1811-1821, Proctor Jones, 1998, The Anatomy of Glory, adapted from the French of Henry Lachouque by Anne S.K. Brown, Arms and Armour Press, 1978 and Scott Bowden's Napoleon's Grande Armee of 1813, Emperor's Press, 1990Qty: (45)

* EUGEN DEKKERT (GERMAN 1865 - 1956), ST MONANS HARBOUR oil on canvas, signed 56cm x 78cm Framed. Note: Eugen Dekkert was generally known in Scotland as "Eugene" as the pronunciation of his name (Oigun) was a little unusual for some Scots. Dekkert was born in 1865 in Stettin, Germany aka Szczecin (and now part of Poland under the Potsdam Agreement of 1945) and he came to live in Scotland as a young man. He first lived in Glasgow and then settled in the East Neuk of Fife in the early 20th century. He and his wife Emma were living in St Monans at both the 1901 and 1911 census. The fact that he lived there explains why he often painted the harbour at St Monans. It was written in 1906 that "the sea is never absent from his work" and that his style was "strongly individual". He had studied at the Academy in Munich as a student of Theodor Hummel. Presumably he returned to Germany at the time of the Great War. Later in life Dekkert participated in art exhibitions in Berlin, Dresden and Munich. Many of his works are in international as well as German museums, such as the Neue Pinakothek in Munich. Eugen Dekkert died in 1956. Dekkert is often referred to in the UK as Scottish and sometimes as Dutch. His dates are also frequently recorded incorrectly and even his time in Scotland is mis-reported probably because his work continued to be exhibited at the Royal Scottish Academy and at other venues until at least 1938. However, after 1913 his address was listed (in RSA exhibiting records) as "c/o Messrs James McClure & Son, 130 Wellington Street, Glasgow", so one can reasonably conclude that he was selling through McClure as an agent and was no longer resident in Scotland.

A pair of Chinese Dehua saddled horses, Kangxi, circa 1690, each facing inwards and standing with a single foreleg slightly bent on a rectangular base, covered in a white glaze, 8.3 cm high (2) Provenance: Formerly in a French collection, one with a Pierre Saque label, Paris. A similar horse in the Dresden Porzellansammlungen, formerly in the collection of Augustus The Strong, King of Saxony and Poland, listed in the Johannaeum inventory, no. N34 is illustrated by P. J. Donnelly in Blanc de Chine, pl. 111; another was included by Marchant in their exhibition of Blanc de Chine, 1994, no. 51, p. 47. 清康熙 德化白釉马一对拍品来源：法国巴黎私人珍藏 Condition Report: good condition other than natural firing cracks Condition Report Disclaimer

A good Chinese blue and white double-spouted teapot, Kangxi, the ovoid hexafoil body painted with flower-stems and foliage, repeated to the spouts and upright bracket handle and cover, the interior with a central partition, 15.5cm Provenance: The late J.B. da Silva (1918-2003) who inherited the teapot from his father-in-law in 1973.Exhibited: Oriental Ceramics Society, 1983, No. 28As tea drinking became increasingly popular in Europe in the 17th century, tea wares of Chinese porcelain found a ready market. This traditionally Chinese type was used to serve two different types of tea. Compare with a similar blue and white example in the collection of the Chitra Museum, London, No. 889. Similar Famille Verte examples are illustrated by, Regina Khahl, OCS Exhibition, 2016, China without Dragons, p. 310, no. 184. The author notes, 'A yixing teapot of this double form, and Western copy of it, were in the collection of Augustus the Strong of Saxony (r.1694-1733) and are preserved in the Zwinger Collection in Dresden.' Another illustrated by Dr C.J.A. Jorg, Chine de Commande from the Royal Museums of Art and History in Brussels, Exhibition at Flagstaff House Museum of Tea ware, Hong Kong, 30.11.1989 to 27.02.1990, and another similar Famille Verte example can be seen in the collection of the Metropolitan Museum , New York, Accession no. 79.2.1317a,b 清康熙 青花花卉图双流壶拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏，其于1973年从其岳父处继承展览信息：英国东方陶瓷协会，1983年，展品编号28号 Condition Report: in good condition other than some chips to unglazed foot rim and firing cracks and blemishes and small glaze frits Condition Report Disclaimer

A collection of Continental porcelain to include a Dresden tea set for one, a Danish pot and cover, set of six Apilco soup pots, Szeltler Deer, various cruet sets etcLocation: LWB

GERMAN VIOLIN, LOUIS LOWENDALL, DRESDEN DATED 1883 the two piece curly maple back stamped 'DRESDEN' and 'REGISTERED' and painted with a portrait of the violinist Ludwig Spohr, the button with a Registration stamp and number 390660, the back of the scroll branded 'LOWENDALL'S ARTIST VIOLIN'; the front of ash with interior label 'Louis Lowendall/ fecit Dresdæ. Anno 1883'; TOGETHER WITH a bow stamped GERMANY and branded initials ACHM in a cross, 740mm long; in a baize-lined wood case with extra keys, frets, strings, and tailpiece(back 358mm long, upper bout 170mm, lower bout 214mm)Footnote: Note: Ludwig Spohr, 1784 -1859, was a German composer, violinist, and conductor. Highly regarded during his lifetime, he toured extensively through Europe, and made six tours of England beginning in 1820. He composed more than one hundred and fifty works in the Romantic style, but fell into obscurity for most of the 20th century, but has experienced a rediscovery over the last few decades.

GROUP OF DRESDEN YELLOW GROUND PORCELAIN CIRCA 1900 including a twin handled vase with domed cover, painted to each side with a panel of courtship, with further floral and gilt decoration throughout, raised on a square section base, blue AR mark, 48cm high; two bottle vases with elongated necks, the cover of each with a flame finial handle, painted to one side with a scene of battle and to the reverse with a floral bouquet, AR marks, 36cm high; TOGETHER WITH a French rectangular box, the domed cover painted with flowers within gilt scrollwork(13.5cm wide, 6cm high, 9cm deep)Property of a Scottish Borders family

Dresden tea pot, underplate and strainer, painted Dresden blue underglaze, together with four cups and saucers painted in similar fashion and four side plates, bearing a simple underglaze crown. All the pieces are finely painted with floral spray and heightened with gilt, the plates are 13 cms diameter, each cup approx 7.5 cms h. 

A German Second War Luftwaffe Short Range Day Fighter Bar in Bronze. A nice G.H.Osang produced zinc manufactured Flight Bar in bronze. Nice convex shape with its original wide tapering pin, hook and hinge. G.H.Osang Dresden tablet impressed to the right hand side of the reverse of the award. All finish remaining with all of the patinated finish to the arrow pointing upwards also intact, good condition £200-£240

A selection of porcelain, comprising: a pair of poodles by Edme Samson imitating Chelsea, late 19th or early 20th century, each modelled standing with bocage baskets in their mouths, painted gold anchor to base, 9cm high, a Staffordshire model of a poodle with puppies, 6cm high, a Staffordshire figural group of a shepherdess and her sheep, 10cm high (at fault) and a pair of Dresden porcelain sheep, each 6cm high (6)

A Dresden style 'Kurs Dresden' Spanish dancer with ceramic pleated skirts; 3 similar smaller ballerinas; Kurs Dresden West German male flamenco dancer; Narutaki lidded pot; 3 pieces of Wedgewood Jasperware, 2 blue and 1 green; a set of miniature brass postal scales + other similar brass coloured items.

Four pierced fruit dishes in the Dresden style; a Royal Albert pink wall plaque; 2 cut decanters; drinking glasses; decorative china; silver plate

A selection of Dresden and other encrusted figures and groups

Pair of Dresden bottle vases, circa 1900, printed AR Dresden marks, painted with scenes of lovers in landscape after Watteau and bouquets of flowers within flower encrusted tendrils, within gilt lined rims, 31.5cm highCondition ReportSome general wear throughout.3 damaged flowers on each (lost/broken petals).One has signs of restoration to the top.

Dresden-style porcelain  tea service for eight persons, allover naturalistic floral decoration and borders and a porcelain cylindrical and brass-mounted table lamp, honeysuckle decorated, the base 27cm high  

A Dresden porcelain three handled cup, an Imari dish and one other dish

A pair of Dresden cache pots and a Danish porcelain coffee set, tallest 9.5cm

A selection of Dresden styled porcelain all later copies including posy bowl and pierced dish All other items in good order bar one petal and a leaf having slight chips to side of basket.

A Dresden gilt-highlighted enamel painted clam shell-form box, late 19th century, polychrome decorated with floral sprays, with gilt interior and underglaze blue mark; together with an enamel painted porcelain box, probably Limoges, of shaped oval form, polychrome painted with floral sprays, unmarked. 2.5cm by 7cm by 7cm and 4.5cm by 8.25cm by 5.5cm (2)Condition: scratch to gilding on interior of clam-shell box, otherwise each in generally good overall condition. 

Königl. Sächsischer Albrechts-Orden, 2. Modell 1876-1918, Goldener Bruststern zum Großkreuz der Sonderstufe mit Schwertern. Stern Silber vergoldet, das Medaillon emailliert, die typischen sächsischen Schwerter in Silber, fein geprägt und mit dem Medaillonring verlötet. Rückseitig das große Herstellermedaillon der Firma Scharffenberg Dresden, die Nadel punziert mit "S" für Silber. Das Großkreuz der Sonderstufe mit Schwertern des Albrechts-Orden wurde in nur 68 Exemplaren verliehen. - Zustand I-II

Verdienter Aktivist, 1. Modell 1950. Bronze emailliert, rückseitig Verleihungsnummer "217", an Schraube mit Hersteller "MEWA-STANZILA DRESDEN", im Originaletui mit goldgeprägtem Aufdruck. B. 54a Die Auszeichnung aus dem Nachlaß Prof. Robert Thren (1909-1995), Arzneimittelforscher und Nationalpreisträger der DDR. - Zustand I-II

Partisane der Schweizer Garde, kursächsisch-polnisch, um 1732, sächsische Hundert-Schweizergarde, Mannschaft. Blattförmige Spitze mit Mittelgrat, flächiger Ansatz in Form eines doppelköpfigen gekrönten Adlers. Die Adlerdarstellung ist sowohl in Eisen geschnitten als auch geätzt. Das von einem Kreis umschlossene Zentrum des Ansatzes wird mehrfach von einem symmetrisch angelegten Muster durchbrochen. Konische Rundtülle mit drei breiten Ringwulsten, zwei Schaftfedern. Länge 61cm. Die Paradewaffe wurde nach 1725 für August II. den Starken (1670-1733), König von Polen und Kurfürst von Sachsen, für die Schweizergarde eingeführt. Vgl. K. Hilbert, Blankwaffen aus drei Jahrhunderten, Berlin 1998, S.129/130. H. Nickel, Unter den gekreuzten Schwertern, Bemerkungen zu den Blankwaffen der kursächsischen Schweizergarde zu Dresden 1656-1814, In: Blankwaffen, 1982, S.169/190. - Zustand II

Helena Wolfsohn porcelain cabinet cup and saucer together with a Dresden cup and saucer, (4)

Helena Wolfsohn porcelain cup and saucer together with a Dresden cup and saucer, (4)

Dresden porcelain cups and saucers, (5)

Collection of 19th century Staffordshire blue and white transfer printed pottery to include a Florentine plate, a pair of Opaque Dresden dishes, Royal Persian dessert dish, Coalport Pastoral plate, Arcadian Chariots plate, Mule Family plate and a Ridgways Rural Scenery soup plate, soup tureen bases etc (12)

Pair of Dresden Jasper style wall plaques with classical figures and fairies, framed, size overall 43 x 23cm (2)

Dresden porcelain bowl and cover - H: 15cm

Dresden porcelain jar and cover blue printed mark to base - H: 10.5cm

A pair of late 19th Century Dresden figures of a Gallant and his Lady, small chip to tricorn hat of gentleman, 25cm

Aktstudie - Schneider, Sascha 1925 Graphitzeichnung partiell weiß gehöht, links unten monogrammiert sowie datiert, rechts unten mit Widmung *In Verehrung Prof. F. Hueppe* sowie signiert Sascha Schneider (* 21. September 1870 in Sankt Petersburg, † 18. August 1927 in Swinemünde, eigentlich Rudolph Karl Alexander Schneider) war ein deutscher Professor, Bildhauer und Maler, seine Kindheit und Jugend verbrachte Sascha Schneider, Sohn eines Redakteurs und Druckereibesitzers, in St. Petersburg, 1881 siedelte die Familie zunächst nach Zürich über, nach dem Tod des Vaters zog die Familie nach Dresden weiter, wo er das Kreuzgymnasium besuchte, nach dem Abitur begann er 1889 ein Kunststudium an der Dresdner Kunstakademie, 1893 bezog er mit einem Kollegen ein Atelier und bestritt ab 1894 Ausstellungen, sein eigenes Atelier eröffnete er 1900 in Meißen u.a., Quelle Internet, hier hochformatige Aktstudie eines jungen Mannes, der Blick leicht seitlich gesenkt, teils wasserfleckig sowie rechts unten und mittig kleine Löcher, Blatt ca. 42 x 56 cm, hinter Glas in schlichter Leiste, ca. 44,5 x 58,5 cm, Ferdinand Hueppe (* 24. August 1852 in Heddesdorf bei Neuwied, Rheinprovinz, † 15. September 1938 in Dresden) war ein deutscher Arzt, Bakteriologe, Hygieniker, Hochschullehrer und Sportfunktionär, er gilt als Begründer der Konstitutionshygiene, von 1900 bis 1904 war er der erste Präsident des Deutschen Fußball-Bundes

2 Potschappel Leuchter Porzellan mit unterglasurblauer Manufakturmarke Potschappel Dresden, 2 einflammige Leuchter auf Rundfuß, dieser partiell reliefiert und goldkonturiert, Leuchter reich mit aufgelegtem Blüten und Blattwerk sowie polychromer Handmalerei verziert, H ca. 9 cm, 2 Blütenblätter dezent, kaum sichtbar beschädigt, eine verschraubte Ausführung

Silber Vase in Barockform punziert, Silber 925 dt. mit Halbmond & Krone sowie Herman Behrnd Dresden, Gewicht ca. 83 Gramm, ovoider leicht taillierter Korpus in gedrehter Barockform mit ausschwingendem Rand auf Rundfuß ausgeführt, H ca. 11 cm, patiniert

Wiesenblumen - Schicktanz, Karl Aquarell links unten signiert Schicktanz, rechts untend atiert 1930, der deutsche Maler, Grafiker und Illustrator Karl Schicktanz lebte in Dresden, 19./20. Jhd., üppiger Wiesenblumenstrauß in Glasbecher arragniert, auf einem Buch stehend, ca. 14,5 x 18 cm, hinter Glas in schmaler Goldleiste

2 Herren Taschenuhren partiell vergoldete sowie reich gravierte Gehäuse in Silber 800 dt. punziert mit Halbmond & Krone, sowie Aaron Nordmann Schweiz und Dürrstein & Co Dresden, verschieden ausgeführt, beide Handaufzugswerke laufen nicht an, teils inkomplett, Ø ca. 48 mm, Tragesp.

A selection of oriental figures, some ceramic, some plastic plus a Dresden dish, Delft figurines and a German mother and child

COLLECTION OF DRESDEN PORCELAIN, all painted with bright summer flowers and gilt, comprising ovoid vase and cover 33cm high, shaped inkstandish 23.5cm wide, and a hexagonal bowl 27cm diam. (3) Condition: bowl with hairline

A pair of Dresden porcelain figural table lamps, mid 20th century, each encrusted with flowers, with figures below, on a gilt scrolled base58cm high

A selection of Dresden cups and saucers some a/f and a Doulton Watteau blue and white plate (13)

A collection of porcelain miniature cabinet cups and saucers including Dresden

Kleine Gliederpuppe Biskuitporzellan-Kurbelkopf mit durchstochenen Ohren, geöffnetem Mund, blauen fest eingesetzten Augen und brauner Perücke auf einfachem Gliederkörper mit geraden Beinen aus Masse. Bekleidet. Im Nacken gem. HH. Bespielt. H. 46 cm.A German porcelain head doll probably by Hermann Heyde.Dresden. Hermann Heyde. Um 1910.

Äußerst umfangreiches Tafelservice und ergänzendes Zubehör mit Zwiebelmusterdekor332-tlg.; 3 Kaffee-, 2 Tee-, 3 Milch-, Kakao- und Weinkanne, 9 Sahnegießer, 8 Zuckerdosen, 9 Kaffee-, 3 Milchkaffee-, 17 Mokka-, 6 Kakao-, 12 Tee-, 6 Suppentassen mit Untertassen, Frühstücks- und Mundspültasse, 6 Trinkbecher, 6 Kuchen-, 6 Salat-, 12 Brotteller, 6 Suppennäpfe mit Untertassen, 2 kleine Suppenterrinen, 2 Suppenterrinen, 2 Presentoirs, 5 Saucieren, 4 Gemüsenäpfe, Bowlegefäß, Fisch- und 4 ovale Anbiet-, 2 Königskuchen-, 3 Tortenplatten, figürliche Gewürzschale, 16 Beilagen-, 3 Gräten-, 16 Gebäck-, 12 Konfektschalen, Obstkorb, 5 Bonbonieren, Keks- sowie Curry- und Zimtgewürzdose, 3 Teedosen, 3 Butterpfännchen, Essig- und Ölkännchen, Etagère, 10 Tabletts, 3 Butterdosen, 6 Eierbecher, 6 Creme-, 2 Senftöpfchen, 21 Salzgefäße, 4 Cabarets , Kompottiere, Stövchen mit Lämpchen, Zuckerstreu- und Vorlegelöffel, 2 Schöpflöffel für Senfgefäße, 2 Untersetzer, 12 Serviettenringe, 3 Besteckauflagen, Fleischklopfer, Schöpfkelle, Trichter, 6 Tischkärtchenhalter, 7 Kerzenhalter, Tischglocke, 3 Aschenbecher, Cachepot, 2 Schreibzeuge, Federschale mit Brieföffner, Löschwiege, 17 Vasen, Flakon, Osterei, Fingerhut. Unterschiedliche Formen und Größen. Zwiebelmusterdekor in unterglasurblauer Malerei. Beigabe: 8-tlg. Likörset und Wandteller mit Meissener Marken-Dekor, Wandteller mit Albrechtsburg, kleine Büste von Björn Wiinblad, 6 Biskuitporzellan-Medaillen des Arzneimittelwerks Dresden mit Burgen und Schlösser aus Sachsen sowie eine Boettger-Jubiläumsplakette im Originaletui mit Zertifikat. Wenige Teile minim. best./rep.; Schwertermarke. Etagèren-H. 53 cm. Plattenmaße 26,5 cm - 53 cm.An extensive 332-piece porcelain table set and supplemented accessories with "Onion pattern". In addition an 8-piece liqueur set, 2 wall plates, a small Wiinblad figure, 6 medals and a Boettger anniversary placque with certificate and original box. Minor chipped/repaired to some pieces. Crossed swords mark.Meissen. 2. Hälfte 20. Jh.

Große Schauplatte mit Papageiendekor Runde Form. Im vertieften Spiegel farbenprächtiger Dekor aus drei, auf Ästen sitzenden Papageien umgeben von Schmetterlingen und Insekten in polychromer Malerei. Golddekorrand. Manufakturmarke. D. 41 cm.A large dish with polychrome painted parrot decor. Manufacturer's mark.Dresden/Potschappel. Carl Thieme. Anfang 20. Jh.

Prächtige Deckelvase mit Vergissmeinnicht-Dekor auf Sockel. Balusterförmiger Korpus mit aufgewölbtem Deckel. Flächendeckender Fond aus kleinen, aufgelegten Vergissmeinnichtblüten mit stark plastischen Ästen, fein modellierten Blüten, Früchten und Vögeln. Polychrome Malerei mit Goldrand. Minim. best.; Manufakturmarke. H. 39 cm.A splendid lidded vase with "forget-me-not" decor on base. Minor chipped. Manufacturer's mark.Potschappel. Sächsische Porzellanmanufaktur Dresden. 20. Jh.

Guido Hammer (1821 Dresden - 1898 ebenda)ZiegenReizvolles Blatt des Dresdner Biedermeier. Hammer studierte an der Dresdner Kunstakademie und widmete sich später ganz dem Tier- und Jagdgenre. Selbst Jäger, beruhen seine äußerst fein durchgezeichneten und zart ankolorierten Zeichnungen auf exakter Naturbeobachtung. Bleistift, teilw. koloriert/Papier. R. u. sign. und dat.: "Dresden Guido Hammer 1851". 18 cm x 22 cm. Rahmen.Pencil and watercolour on paper. Signed and dated 1851.

Helge Leiberg (Geb. 1954 Dresden. Seit 1984 ansässig in Berlin)Figurative KompositionMit furiosem Duktus gemalte, expressive Arbeit des Malers, Musikers und multimedialen Grenzgängers zwischen Kunst, Tanz und Performance. Leiberg studierte 1973-1978 an der Hochschule für Bildende Künste Dresden bei Gerhard Kettner und gehörte rasch zur oppositionellen Kunstszene in der DDR. Seit 1984 hatte Leiberg zahlreiche Einzel- und Gruppenausstellungen in Galerien und Museen, mit dem befreundeten A. R. Penck realisierte er Musikprojekte. Mischtechnik/Karton. 100 cm x 70,5 cm. Rahmen.Mixed media on cardboard.