A Dresden style porcelain part tea service together with a Vista Alegre saucer, a pink and gilt inkwell, a ceramic tazza decorated with fruit and other wares (qty)A large amount of chipping and loss to the flatbacks and pastel burners. Fading to the gilt and decoration throughout. Staining to some of the cups and saucers commensurate with age and use. Some roughness to bases and minor chipping to rims and crazing to some pieces. Some damage and discolouration to the underside of the cake stand. The ceramic guitar has loss to the chain and damage to the hinges.
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A large 17th century German silver-gilt coin tankardJakob Haase, Danzig (Gdansk Poland) circa 1745 Tall cylindrical form, with hinged shallow-domed cover inset with a German 'Peace of Dresden' Silver Medal dated 25 December 1745, enclosed by embossed auricular style scrolls, a bifurcated thumbpiece and moulded handle, the body inset with various silver thalers dated 1566 to 1640 from Poland, Brunswick, Saxony, Pomerania, Saxe-Altenburg, Saxe-Weimar, Brandenburg, Metz, Transylvania, Saxe-Gotha, Gluckstadt and Elbing, surrounded by flat-chased foliage against a matted ground, atop a spreading domed foot decorated with repeating lobate scrolls, and inset centrally to the base a Rudolph II, House of Habsburg thaler from 1590, featuring three Emperors - Maximilian I, Karl V and Ferdinand I, height 23.5cm, diameter 16cm, weight 64.5oz.Footnotes:The commemorative silver medal inset to the cover celebrates two events; the Prussians victory over the Royal Saxon Army and the Imperial Army of the Holy Roman Emperor at the 'Battle of Kesselsdorf' fought on 15 December 1745, and the 'Peace of Dresden' (otherwise known as the 'Treaty of Dresden') enacted on 25 December 1745. This Peace Treaty was signed at the Saxon capital of Dresden between Austria, Saxony and Prussia, concluding the Second Silesian War. Under the terms of the 'Treaty of Dresden', Austria was forced to adhere to the terms of the earlier 'Treaty of Breslau', ceding Silesia to Prussia. Silesia's flourishing mining and textile industries had made it the richest of all the Habsburgs' Austrian provinces, and it was chiefly its wealth that tempted Frederick II (the Great) of Prussia to wrestle Silesia from the Habsburg heiress Maria Teresa, in the War of the Austrian Succession (1740–48). In total there were three Silesian Wars fought between Frederick the Great's Prussia and Maria Theresa's Austria, all three of which ended in Prussian control of Silesia. ProvenanceSold at Sotheby's auction 'European Silver', Geneva 12th November 1990, Lot 218From a private collectionLiteratureFeatured in the following publication:Anna Frackowska, 'Gdansk Silver Tankards of the 17th and 18th centuries', (Warsaw: ARGRAF 2013), p.407, no. XLVIII/3For further information on this lot please visit Bonhams.com
11 verschiedene Moccatassen, u.a. Meissen, Rosenthal, A. Lamm/Dresden, überwiegend 1. Hälfte 20. Jh.Weißporzellan mit verschiedenen Dekoren und teils mit Goldstaffage; in unterschiedlichen Formen; u.a. Meissen "Neuer Ausschnitt", 2 x weiß/Deputat, 1 x Deputat mit (Haus?)malerei "Wildrose" u. Goldstaffage; 1 x von Rosenthal mit polychromer Malerei von A. Lamm/Dresden, teils blau- und goldgrundig; 2 x von Rosenthal, Form "Sezession" mit verschiedenen Jugendstildekoren (1 x etwas berieben); weitere Manufakturen: Fürstenberg, Fraureuth/Dresden (mit einzelner zusätzlicher Unterschale), Ohme/Niedersalzbrunn (Schlesien), Pirkenhammer/Böhmen und Ullersricht-Weiden; jeweils mit entsprechenden Manufakturmarken, meist in Grün und Blau.Gesamtgewicht ca. 1400 g.
3- tlg. Kaffee-Garnitur "Dresdener Barock", Alfred Roesner u. Heinrich Mau, Dresden, 1. Hälfte 20. Jh.800/- u. 925/- Silber, Gesamtgewicht ca. 1449 g; gebauchte Formgebung mit vertikal geschweiften Godronierungen; bestehend aus: 1 Kaffeekanne auf 4 Rocaillefüßen mit scharniertem Deckel sowie Henkel u. Deckelknauf mit jeweils beinfarbigen Isolierringen, Höhe 24 cm; 1 (Zucker-)Deckeldose auf 4 Rocaillefüßen mit scharniertem Deckel, innen restvergoldet (auf dem Deckel kleine lineare Druckstelle), Höhe 10 cm, beide Teile mit 800/- Silberstempel + Krone/Halbmond u. Herstellermarke von Hofjuwelier A. Roesner/Dresden; Sahnegießer in entsprechender Formgebung auf 4 Rocaillefüßen; Höhe 13,5 cm, 925/-Silberstempel + Krone/Halbmond u. Herstellermarke von Heinrich Mau/Dresden; alle Teile mit üblichen leichten Gebrauchsspuren.
Barockes Wachsstockhalter-Gefäß, Dresden, 1. Hälfte 18. Jh.Silber (12-löthig), ca. 234 g; zylindrisches Deckel-Gefäß mit oberhalb umlaufender Akanthusblattranken-Reliefbordüre und seitlichem Ringhenkelgriff mit Blattauflage; abnehmbarer Deckel mit Wachsschnur-Öffnung und genietetem Dochtabschneider; am Boden leichte altersübliche Gebrauchsspuren; Höhe 12 cm; unterseitiger Tremolierstrich mit Dresdner Silber-Beschaumarke des frühen 18. Jh. und etwas undeutlicher Meistermonogrammierung "ATD"(?).
Schale und Paar kleine Becher "Dresdener Barock", Wilkens/Bremen und Alfred Roesner/Dresden, 1. Hälfte 20. Jh.800/- und 925/- Silber, Gesamtgewicht ca. 188 g; Rundschale mit 4-fach vertikal geschweifter Wandungsgodronierung und profiliertem Mündungsrand; etwas beriebene Oberflächen, Höhe 5 cm, Durchmesser 11,7 cm, 800/- Silberstempel mit Krone u. Halbmond u. Herstellermarke v. Wilkens, Form-Nr. 5525; Paar kleine Becher in konvex gewölbter Fassform, vertikal geschweift godroniertes Wandungsrelief, profilierte Mündungsränder; innen restvergoldet u. Gebrauchsspuren, 1 x mit Druckstelle; Höhe 5 cm, 925/-Silberstempelung mit Hersteller-Schriftzug des Hofjuweliers Alfred Roesner/Dresden.
Oehme, Ernst Erwin (Dresden 1831 - 1907)Der geheime Lauscher. Öl auf Leinwand, wohl 1891. Signiert und datiert unten rechts. In großem Schmuckrahmen. 99 x 126 cm (Ra). Kleinere Farbausbrüche unten rechts, weißliche Verfärbung in Mitte. Leicht theatralische Szene in angedeutet ruinöser Architektur. Evtl. Probensituation zu Falstaff oder nach einer literarischen Vorlage - die Protagonisten in Kostümierungen aus verschiedenen Epochen, das Szenario belauscht von einem ebenfalls kostümierten Jungen hinter dem Vorhang rechts. The secret listener. Oil on canvas, pres. 1891. Signed and dated bottom right. In large ornamental frame. Smaller losses of paint bottom right. White stains in center. Theatrical scene, pres. rehearsal for Falstaff or other play. All figures in costumes, also the small boy who secretly listens behind the curtains right.
Unger, Hans, zugeschrieben, 1872 Bautzen - 1936 DresdenWeiblicher Akt mit Hund. Öl auf Leinwand, verso auf Keilrahmen bezeichnet "Hans Unger". Stehender weiblicher Akt, begleitet von einem Wolfshund, linksseitig eine zarte Quelle aus der Efeu und einer Trauerweide sprießen. Ungerahmt, 163 x 128 cm. Min. Krakeleebildung. Unger, Hans, attributed. Female nude with dog, oil on canvas, verso designated "Hans Unger", unframed, min. craquelure.
Kaufhold, August. 1884-1955 DötlingenNiedersächsische Landschaft mit reetgedeckten Fachwerkhäusern. Öl auf Leinwand, re. u. sign., gerahmt. Ra. 99 x 138 cm. Min. Rahmenschäden. Kaufhold begann seine akademische Ausbildung in Malerei an der Kunstakademie Dresden 1902 und setzte sie ab 1904 in München fort, wo er Meisterschüler beim Tiermaler Heinrich von Zügel war. Ab 1908 wurde er in der Künstlerkolonie im niedersächsischen Dötlingen sesshaft. August Kaufhold: old cottages in Lower Saxony, oil/ canvas, signed lower right, frame. 99 x 138 cm
Ball-Saal "Westend" in DresdenFotografie (wohl Silbergelatineabzug), Vintage 1920er Jahre. Auf Untersatz mit Eindruck "Ball-Lokal "Westend", Dresden-A., Chemnitzer Str. 107 / Balltage: Mittwoch und Sonntag". Unten rechts im Blatt in Blei bezeichnet "Felix Jaenisch, Dresden A. 19, fernr. 39515". Hinter Glas gerahmt. 54 x 64 cm (Ra). Leicht gewellt, an den Rändern leicht verfärbt und mit dezentem Silberausfall. Untersatz fleckig. Blick in den von geometrischen Art-Déco-Leuchtern bekrönten Ballsaal während eines Tanzabends. Im Vordergrund das an Tischen sitzende Ballpublikum, die Tanzfläche reichlich beschwingt gefüllt, die zehn Mann starke Combo im Spiel. Seltenes Zeitdokument. Ball room "Westend" in Dresden. Vintag photograph, 1920ies. On supporting paper, here with printed address and photographer's signature in pencil bottom right. Framed behind glass. A bit wavy, tanned at the margins and some slight silvering. Supporting paper with foxing.
Dorsch, Ferdinand (1875 Pécs (Ungarn) - 1938 Dresden)Zugeschrieben. Sommerliches Interieur. Öl auf Malpappe, wohl 1920er Jahre. Unsigniert. Gerahmt. 84 x 72 cm (Ra). Malschicht berieben und mit kleinen Fehlstellen. Rahmen bestoßen. Werktypische Innenraumszene in detailhaftem Ausschnitt. Szenischer Durchblick in den sommerlich grünen Garten hinterm Haus, der durch das geöffnete Fenster hinein wehende Wind bewegt sanft die einem Theatervorhang gleichenden Voiles im vorderen Raum. Die Biedermeierausstattung und die gemusterten Tapeten könnten auf historische Räume in einem musealen Kontext hinweisen. Attributed. Summerly interior. Oil on cardboard, pres. 1920ies. Unsigned. Framed. Paint a bit rubbed and with small losses. Frame with bruises. Deatiled description of historic furnished rooms, maybe in a museum or sight. Wandering point-de-vue from one room in another and out of the window into the greens of the adjacent garden.
A group of six Continental and other egg cups: including a Sevres-style cup painted with pendant floral sprays below a gilded bleu celeste border; a pair of Dresden cups with integral saucers painted with with floral sprays, script marks; another painted in blue with a lake landscape within a ribbon-tied cartouche; a Sevres-style octagonal cup painted with alternating floral and blue ground panels, pseudo crossed Ls mark; and a Chinese Canton famille rose cup (5)
A mixed lot of late 19th/early 20th century Dresden and other Continental porcelain: comprising a Dresden six-division egg stand painted with floral sprays, 21cm; a similar coffee pot and cover and matching sucrier and cover; a covered cup with entwined stalk finial; a small shell moulded bowl, a peach-shaped cup with AR mark; and a Vienna-style two-handled cup [7].
Three 20thC continental porcelain baskets, comprising a Herend of Hungary orange flower detailed pierced basket, with blue stamp to underside, 8cm diameter, a circular basket with pierced design, hand painted floral motif to centre and gilt borders, marked Dresden, 9cm diameter, and a further Dresden pierced basket, with applied flowers and raised relief, oval, 8cm diameter. (3)
Miscellaneous books a large quantity including: Jones, Owen, chromolithographer. The Book of Common Prayer. London: J. Murray, 1855. 8vo, (185 x 255mm), title and 6 chromolithographed plates, text within coloured and/or decorative borders throughout, red initial letters, contemporary vellum gilt, spine gilt, mounted brass crucifix to upper cover, mounted brass Christogram to lower board, g.e., neatly rebacked retaining original spine; A. & C. Black, publishers. The Old Venetian Palaces, 1907; The Canary Islands.1911; Amid the High Hills, 1923; Bruges & West Flanders, 1906; The Italian Lakes, 1912; The Stones of Italy, 1907, dustwrapper; Southern Spain, 1908; Germany, 1902; Northern Spain. 1906; all plates, original pictorial cloth; Lear, Edward. Journal of a Landscape Painter in Corsica. London, 1870. 8vo, map and 40 plates, original brown cloth, rubbed; Bartlett, W.H. Pictures from Sicily. London, 1853, 8vo, engraved title, frontispiece, folding map and 30 plates, original green cloth gilt, slightly spotted, spine faded; Black and Armstrong, publishers. The Continental Tourist and Pictorial Companion. London, [c.1836] 8vo, engraved title and 61 engraved plates, original cloth gilt, slightly rubbed; Conybeare, W.D. and William Phillips. Outlines of the Geology of England and Wales. London, 1822, 8vo, part 1 (all published), folding hand-coloured map, 2 folding plates (1 coloured and laid down on linen), modern quarter calf, spine gilt; Payne, A.H., publisher. The Cities of Europe. Dresden and Leipzig, [c.1840]. 8vo, engraved title & plates, folding maps, original cloth, lacks front free endpaper, binding slightly soiled; Holbein, John. The Dances of Death, etched by D. Deuchar, 1803, small 4to, etched frontispiece and 46 plates, contemporary half morocco, rebacked retaining original spine; Barnum, P.T. The Life of P.T. Barnum. London, Willoughby & Co., [n.d.], 8vo, plates, original cloth, rubbed; Voltaire, F.M.A. de. The General History and State of Europe. 1754. 8vo, contemporary calf, rubbed; Janin, M. Jules. The American in Paris. London, 1843, 8vo, engraved plates, contemporary half calf, slightly rubbed; Wade, John. The Black Book, or Corruption Unmasked. London, 1820. 8vo, contemporary calf, worn; Queen Victoria. Album of photographs, 42 photographs of Queen Victoria, Edward VII, Queen Alexandra, George V, Queen Mary, and other children of Queen Victoria, red morocco album, g.e., lower hinge slightly split; Beaton, Cecil. The Face of the World. [1954], 4to, dustwrapper lacking most of spine; Persona Grata. 1954. 8vo, dustwrapper slightly frayed and with slight loss at head of spine; Indian Album. 1945-46. 8vo, dustwrapper frayed with slight loss; Chinese Album. 1945-46, 8vo, dustwrapper frayed with loss; Air of Glory. 1941. 4to, dustwrapper torn with loss; Barker, Cicely Mary. The Book of the Flower Fairies. [n.d.], 8vo, 72 coloured plates, original pictorial green cloth; and a quantity of miscellaneous books (quantity)
Sale Item: 2 BOXES ASSORTED CHINA- MINTON DRESDEN QUIMPER ETC (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: DRESDEN PORCELAIN CANDLEABRA(AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: DRESDEN PORCELAIN POT POURRI VASE (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
‘I was able to examine well the doubtful point’DARWIN CHARLES: (1809-1882) English naturalist, famous for his theory of evolution published in On the Origin of Species (1859). A fine A.L.S., Ch. Darwin, one page, 8vo, Down, Beckenham, Kent, 24th October (1876), to a gentleman. Darwin asks his correspondent to thank Professor Reichenbach for his great kindness and apologises for the trouble he put him and his correspondent to, explaining 'a plant at Kew was afterwards discovered in flower & was sent to me, so that I was able to examine well the doubtful point'. A letter of good content dating from the time when Darwin was preparing a revised edition of his work on orchids. Some very light, extremely minor creasing, VG Ludwig Reichenbach (1793-1879) German botanist & ornithologist, an orchid specialist and the founder of the Dresden botanical gardens and joint founder of Dresden Zoo. During 1861 botany became a preoccupation for Darwin, and his projects became serious scientific pursuits. He continued his study of orchids throughout the summer, writing to anyone who might be able to supply specimens he had not yet examined. Darwin published Fertilisation of Orchids in May 1862, and the book represented his first detailed demonstration of the power of natural selection. A second, revised edition was published in 1877.
Torso der Aphrodite. Römische Kaiserzeit, 1. Jh. n. Chr. H 85cm. Weißgrauer, feinkristalliner Marmor. Nackter Frauentorso erhalten vom Halsansatz bis unterhalb der Knie. Die Figur entspricht weitgehend dem Typus Venus Medici. Von den eng gestellten Beinen ist das rechte leicht vorgesetzt. Der linke Arm, der abgesehen von der Hand und der unteren Hälfte des Unterarms erhalten ist, war gesenkt und die Hand verdeckte die Scham, wovon noch Ansatzspuren zeugen. Die Haltung des rechten Arms ist nicht so sicher festzulegen. Die rechte Schulter und die Brust sind stärker erhoben als bei der Replik der Venus in den Uffizien. Möglicherweise bedeckte die Rechte, nicht wie dort die Brust, sondern griff ins Haar, um eine Locke zu wringen. Der Kopf war jedenfalls ebenso nach links gedreht. Auf der linken Schulter hat sich der Rest einer Strähne erhalten. Gestützt wurde die Skulptur wahrscheinlich, wie in den Uffizien, von einer kleinen, auf einem Delfin reitenden Erosfigur, wie die Ansatzspuren am linken Oberschenkel zeigen. Brandspuren, Kopf, Beine ab unterhalb der Knie und beide Arme gebrochen. Provenienz: Ex Sammlung F.U., Bayern, seit vor 1980. Besonders verwandt und vielleicht vom gleichen Typus, der eventuell von der Venus Medici abweicht, ein Torso in Dresden: K. Knoll - C. Voerster - M. Woelk, Katalog der antiken Bildwerke II. - Skulpturensammlung Staatliche Kunstsammlungen Dresden (2011) S. 241 ff. Kat. 30 (D. Boschung).
TEN ASSORTED CERAMIC LADY FIGURES, including three Francesca Art China ladies, 'Lavinia', 'Cecilia' (crack through fabric at the back of the brim of her hat), 'Clara' (cracked through the base and into front of skirt), a Coalport 'Royal Caledonian Ball' figure, MZ Irish Dresden 'Susannah' and 'Diana' and a 'Susannah' table lamp with fabric shade (10 + shade) (Condition report: the three MZ Irish Dresden figures all have damage to the skirts, other damage mentioned within the description)
Three boxes of 19th century and later ceramics, to include a Regency period part tea and coffee serviceMeissen bird plate is a second but in tact, Dresden plate is in tact. One creamware dish in in tact, the other is cracked. The Limoges dishes are chipped. Two Czech hexagonal dishes are in tact. Floral relief Victorian dessert service is in tact, aside from one cake stand. Blue lace pattern dish in in tact. Orange service: one cup cracked, sugar finial handle lost, five dishes cracked.
A collection of 19th century and later ceramics, to include a Royal Crown Derby 1128 pattern imari plate and a continental floral decorated porcelain basket1128 plate - in good order.Kings/Old Japan plate - gilt lightly rubbed but in good order.RHS plate - in good order.Dresden bowl- minor losses to the flowers.Sitzendorf bowl - minor losses to the flowers.PMP dish - in tactSevres style bowl/basket - in tact.
Wanduhr, Jugendstil, Nussbaum, Herstelleretikett: Faust & Meyer, Dresden. Ziffernblatt mit Messingumrahmung und jugendstiltypischem Messingmedaillon in der Mitte; arabische Zahlen, verzierte Metallzeiger, Messingpendel mit sich wiederholendem Jugendstilmedaillon. Ca. 70 x 33 cm. Unrestaurierter Fundzustand, ungeprüft.
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