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A set of six outside factory painted Meissen porcelain plates, late 19th century, with floral bouquets and gilt sprigs beneath gilt rims, cancelled crossed sword marks in underglaze blue, diameter 17.5cm, together with a similar teacup and saucer and a matched Dresden part service, including a teapot and cover and a jug with high scroll handle.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Wedgwood porcelain two-handled vase, late 19th century, painted with floral panels, green printed Portland vase mark and red painted No. '8611Z' to base, height 17.5cm, together with a Dresden porcelain two-handled vase and cover, painted with floral sprays against a teal ground, and another porcelain two-handled vase, similarly decorated against a cobalt blue ground.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Mid 20th century Dresden porcelain bowl; decorated with flowers; together with other decorative china 

A pair of 3-tier German porcelain candelabra, with applied floral and foliage decoration and a seated maiden/gentleman at the base. Mark to underside for Sitzendorf. One arm of the candelabra has been broken and re-glued, plus one has 3rd tier missing. Also, a pair of 20th century Dresden porcelain candlesticks. Good condition

Germany 1943 German official post Ostland marked envelope posted registered cancelled 6.1.1943 Minsk Ostland on SG 778 12pf definitive and 2 x SG11 15pf ostland overprinted definitives. Registered label Dresden 24 overprinted Minsk No 154. 2 Line German railway administration Minsk stamp back cancelled received 19.1.1943 Vienna

Germany 1945 Russian Zone East Saxony Env Dresden cancel 25.3.1946 on SG RE9, RE10 SG903-904;Michel P8a unused P8a used each item displayed & described with full details of all censor & transit cancels

East Germany 1953 70th death anniv Marx SG MSE111c imperf x 2; Env cancel Karl Marx Stadt on SG E102-E103 E104 x 2, E106-E107; 6th Int Cycle Race SG E113-E115 u/m set; Env Dresden slogan 3rd Festival Art on SG E114

Germany 1948 Russian Zone Provisional definitives Berlin 3 Dresden 14, 20 Halle 2 opts black Michel 166.1-174.1 m/m some duplication; Michel 175.1-186.1, A179, IIa1-Iid.1 m/m Michel Iia.1, Iib.1,Iid.1, Iib.1 m/m; Michel 166,II-167.II, 169II-178II, 180II-181II, 179aII m/m; Michel 166IV-176IV, 178IV, 179IV-191 IV m/m

A pair of late 19th century Dresden type pedestal two handled vases and covers, each encrusted and painted with flowers and leaves, 32cm high, c.1890

A Dresden ovoid vase and cover, painted panels of courting couples and flowers, gilt borders, 25cm high

A pair of Dresden ovoid vases and covers, painted panels of courting couples and flowers, gilt borders, 31cm high

* Hicks & Meigh. A pair of Hicks & Meigh regency meat plates, circa 1820, white ground with floral, bright green leafage and bamboo tree decoration, shaped gold lined edges stamped verso 'Britannicus Dresden China', one plate with old Victorian staple repair, 24 x 32 cm, together with another pair of Hicks & Meigh regency meat plates, circa 1820, white ground with floral, green leafage and bamboo tree decoration, shaped gold lined edges, verso 'Britannicus Dresden China', 24 x 32 cmQTY: (4)

A pair of Dresden porcelain double gourd vases, late 19th century, converted to lamps, the yellow ground decorated with hunting scenes reserved with gilt borders, the undersides with blue AR marks, each with pleated silk shade, 35cm high exc. fitment (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report

A mixed group of Continental porcelain, of academic interest, 18th century and later, comprising: a Meissen dish decorated to the centre with ducks and a cockerel in a landscape with gilt foliate design border to the rim, blue crossed swords mark to underside, staple repaired, 13cm diameter; a Meissen figure of a dog standing upright and in aristocratic dress, atop a gilt scrollwork base, blue crossed swords to underside, 13.5cm high; a Meissen rectangular box and cover, decorated to the cover with stylised flowers and with curving gilt adorned finial, blue crossed swords with dot between the blades to the underside, 6.5cm x 13.5cm x 8.5cm; a Meissen blue onion pattern inkwell with blue crossed swords to the underside, 4cm high; a Meissen baluster vase with green foliate banding to the body and blue crossed swords mark to the underside, 10.2cm high; a Nyon cache pot and cover decorated with flowers within geometric purple banding, the cover with gilt flower finial, blue fish mark to the underside, 9.5cm high; a Berlin wrythern moulded teacup with ozier border and decorated with green figures and flowers with pink rim, blue sceptre to underside, 7.5cm diameter; a Dreyfous gilt metal mounted cache pot lacking a cover, decorated with floral sprays within blue diamond banding, 7.5cm high, a French Sevres style teacup and saucer by J. Etienne of Paris, decorated with floral swags and gilt and blue bordering and panelling, the teacup 6.2cm diameter; a French style baluster vase decorated with floral swags and gilt four dot motifs, 10.2cm high; a Dresden style moulded twin handle vase decorated with floral sprays with gilt everted rim, 17cm high; a grisaille panelled milk jug with gilt highlighted cartouches containing grisaille floral sprays, 11cm high; a blue dot decorated cache pot with cover (AF), 8cm high; two covers decorated in Meissen style, and one cover decorated in Sevres style (16)Most pieces with condition issues: staple repair to the Meissen dish, the J. Etienne teacup and saucer with repaired cracks, the Berlin teacup with hairline crack and small loss to the rim, the Meissen dog with restored snout, the Meissen vase with a loss to the rim, the Meissen inkwell with losses to the inside rim, other pieces with wear to the gilding and light surface wear consistent with age.

A group of German porcelain, 20th century, comprising: a Meissen dish in the shape of a flowerhead, decorated to the centre with deutsche blumen, blue underglaze crossed swords and incised no. 67 to underside, 28.5cm diameter; a Meissen oval scalloped dish decorated with floral sprigs, blue underglaze crossed swords and incised no. 2101 to underside, 25cm long; a Nymphenburg oval twin handled dish decorated with pink highlighted handles and floral motifs, green printed factory mark to underside, 37cm long; a pair of Dresden twin handled urns with covers, of cobalt blue ground with gilt highlights and cartouches decorated with scenes after Watteau, the tallest 27cm high; and a further group of Dresden porcelain including a twin handled jardinière decorated with floral motifs, the handles modelled naturalistically as intertwined branches, 17.8cm high; a tazza with applied floral encrustations and crenelated rim, 9cm high; two small pierced and floral encrusted baskets; and an ashtray; together with a Limoges porcelain cream ashtray with gilt border and panther to the interior, 13cm long (11) The two urns are each missing one handle, the cover of one urn is missing its finial, but all the pieces are present with the lot. The body of one urn is heavily restored. All other pieces are in good overall condition with light wear to gilding and minor losses to floral encrustations.

A pair of Dresden wall brackets, early 20th century, of pierced trellis design with encrusted flowers terminating in putti, 22cm high, 29.5cm wide, 16cm deep Please refer to department for condition report

{Prachtvolles Schreibzeug mit sächsischen Ansichten.} Große Schale mit polychromer Ansicht von Dresden und Blütenbouquets in Reserven. Feine Goldspitzenkanten auf kobaltblauem Fond. Tintenfass und Streusandbüchse im gleichen Duktus, mit Ansichten von Dresden bzw. Tharandt und Blütenreserven. Blaue Schwertermarke Meissen, Ende 19. Jh. Schale 29 x 19,5 cm

{Max Uhlig. Geb. 1937 in Dresden.} Handsign. und (19)78 dat. Ohne Titel. Radierung. Pl. 8 x 22,5 cm. Gl.u.R

{Fritz Meijer. 1900 Zürich - 1969 Gandria. Studierte in Zürich, Weimar und Dresden.} Sign. Blick auf Gandria mit San Vigilio. Öl/Ktn. 28 x 38 cm. R

Meissen pattern book [Dresden: Rommler & Jonas, 1890], illustrated with 94 plates depicting hundreds of pieces of porcelain, protective tissue-guards, oblong folio, gilt green cloth, boards detached; The Art Journal Illustrated Catalogue of the Industry of All Nations, London: George Virtue, Bradbury & Evans, 1851, small folio, gilt blue cloth, rebacked; The Green Frog Service, limited edition numbered 565/1000, foreword by Sir Martin Wedgwood, London: Cacklegoose Press, 1995, quarto, green cloth. Condition varied, sold with all faults (3)

A 19th century Dresden mirror with 2 cherubs above, with floral encrusted decoration, height 33cm (some damage and restoration)

A Dresden style candelabrum with 3 scrolling arms, 4 candle cups, decorated with female figure and cherubs encrusted with floers etc, height 48cm (restoration)

A Coalport preserve pot hand painted with fruit, signed 'L Dale', height 11cm; a Dresden dish and figure; a 19th century Staffordshire group:  man with child and a spade; 2 Royal Doulton ladies:  Lynne & Cherie; 2 others (a.f.)

TOBIAS STRANOVER (1684-1756)A Jay Sitting on the Handle of a Basket of Strawberries, with a Blue-Tit in the ForegroundOil on canvas, 65 x 49.5cm (25½ x 19½")Contained in a superb early Georgian carved and giltwood frame Tobias Stranover was born at Nagyszeben (Sibiu) in the northern foothills of the Transylvanian Alps in what is now Romania. He was the son-in-law of Jacob Bogdani, by whom he was taught as a painter of animals and still-lives. He was itinerant throughout Europe, visiting Hamburg and Dresden before settling in England, where he stayed for the rest of his career. Bogdani had been the first to arrive in London in the 1690s, where he was soon taken up by the court, painting a distinguished series of paintings for the Royal Family. He was joined here by his son-in-law (Stranover married Elizabeth Bogdani) and for the first decades of the eighteenth century the family provided the finest exotic bird and animal paintings in London. Stranover’s work has freshness and exoticism which is absent from the work of the few other animal painters working in Britain at this date – artists such as Francis Barlow and the elder John Griffier – and his widespread commercial success is readily understandable.

A group of English and Continental pottery and porcelain teawares. Predominately 19th and 20th century, including: Derby imari, Shelley, Paris porcelain, Dresden and other items Condition Report: Derby porcelain tea cup has a repair to its handle. Matching saucer has previously been broken and repaired. Numerous pieces have small chips or cracks. Gilt wear visible in places.

Pair of 19th century Meissen knife rests with bird and floral decoration plus other Meissen and Dresden tea ware with floral decoration and gilt rims (7 pieces)One knife rest has a very tiny firing crack. One saucer has very small scratch on flower decoration. (see additional images)

Group of Continental porcelain figures including a Dresden monkey drummer and pair of Staffordshire figures

Tortoiseshell inlaid arched rectangular mirror, 19th century, with ebonised easel back, 36.2cm high, t a painted plaster bust of a head (with Musee De Louvre replica label to reverse) and a reproduction Jan Van Eyck's Dresden triptych (3) 

Collection of English and Continental porcelain comprising an early 19th century Imari pattern large mug, gilt pattern no 1220, perhaps Derby, an English porcelain spill vase with gilt and green rococo scrolls decorated with exotic birds, two Royal Worcester ivory ground jugs painted and gilt with flower-sprays, a Dresden cache pot, a Samson vase printed and painted with exotic birds in a Chelsea style and other items 

19th century Coalbrookdale-type flower encrusted blue ground basket, lobed and encrusted with garden flowers and painted with bouquets within gilt foliate rims, 22.5cm long, a Meissen-style Schneeballen vase made from four conjoined globular flower encrusted bud vases applied with a canary, a Continental porcelain yellow ground scent bottle and stopper printed and painted with a bouquet and a Dresden shaped oval spoon tray, circa 1835 and later Condition ReportFlower encrusted blue ground Basket: Numerous chips and losses, mianly to encrustments, one whole flower broken off.Schneeballen Vase:  Numerous chips and small losses.Dresden Spoon Tray: Gilt loss, some firing faults/imperfections, general wear.Continental Scent Bottle: Some gilt wear and surface marking.

Group of Limoges porcelain gilt metal mounted pill boxes, variously printed and painted with flowers reserved on coloured grounds, a Royal Crown Derby imari pattern rouge pot and cover painted and gilt with panels of chinoiserie flower sprays and a Dresden porcelain inkwell and sander of circular form, with a fixed inkwell and cover and cylindrical sander, painted with birds perched on branches, circa 1890 and later, printed and painted marks Condition ReportGeneral wear throughout especially to bases, some pattern loss. Small chip to rectangular pill box marked "SD". See pictures.

Collection of late 18th century and later Continental and English pottery and porcelain comprising a late 18th century Thuringian porcelain teapot and cover, painted with loose puce flower sprays, a Derby (Sampson Hancock) Imari patterned scalloped dish, 30cm wide, a Minton saucer dish painted with colourful flowers to the border, a Coalport pink ground fluted circular dish, cover and stand, gilt with spider's webs and leaves, a Dresden flower encrusted tazza, a Continental porcelain figural spill vase, an inkwell and cover on fixed stand and other itemsCondition ReportThuringian porcelain Teapot: Large chip to pot rim, gilt loss, general wear.Derby scalloped Dish: Some pattern imperfections, general wear and scratches throughout, fouling to interior.Copeland Spode Straining Dish:  Crazing throughout, soem pattern loss and general wear.Derby sugar pot: Some surface and base wear.Spill vase: Occasional chips and losses especially to egg rims. Wear and pattern loss.Coalport lidded dish: Crack to lid and stand. Crazing especially to lid and stand. Gilt loss and wear.Inkwell: Large crack to lid, glued. Heavy fouling and wear.Dresden flower encrusted tazza: Crack interior base. Small chips especially to encrustments.Rounded rectangular floral dish: Wear and imperfections throughout.Wood and Sons bowl: Chip and crack. Crazing and wear throughout.Lidded royal limoges pot and dish: Some surface wear.Wedgewood plate: Scratches to surface and wear.See additional photos.

Copeland two handled strawberry dish, 12ins wide, Masons ironstone bowl and a Dresden floral decorated teapot stand and other miscellaneous items of porcelain and pottery

20th Century Dresden porcelain inkwell, painted with figures and flowers

Dresden floral and gilt decorated inkwell with cover, Doulton Burslem floral and gilt decorated globular form vase on green ground

A pair of Davenport vases, Dresden vases and other ceramics.

5 DRESDEN PORCELAIN ITEMS & A DECORATIVE GERMAN INKWELL

A group of decorative porcelain to include a bow figurine of a girl holding a lamb, circa 1780, 15.5cm high; a Herend porcelain salt with bird perched to the side; a pair of continental porcelain figurines of a courtly gentleman and his belle; a Chinese porcelain figurine of a bearded gentleman; a small continental egg shaped vase and cover decorated with courtly figures and on three scrolling feet; further porcelain figurines; a Staffordshire greyhound pen stand and a Staffordshire Pottery greyhound pen stand (11)The figure of a girl with head reattached and further repairs to include the handle of the vase at her feet; the two courtly figures in generally good condition, the lady with thumb lacking; the small continental porcelain figurine marked possibly Berlin, some probable repairs to her watering can, losses to the bocage beside her; the street vendor in a gold coat with scales and losses to these, further losses to the fruit and leaves in the basket he's carrying, losses to his hat; the Chinese bearded gentleman with lower half of his scroll lacking; the Staffordshire greyhound with some wear and minor marks; the egg shaped vase with chips and damages to the lid and some wear to the gilding overall; the Dresden double salt with chip to one section of rim, otherwise good condition; the two cream coloured figurines of a boy and a girl with some losses to foliage, the boy's left hand repaired.

A collection of Dresden porcelain figurines featuring lacework dresses. (Approx. 17 figures)

A collection of Dresden porcelain figurines featuring lacework dresses. One includes original box and certificate. (Approx. 8 figures).

A MID 20TH CENTURY CAPODIMONTE FLORAL ENCRUSTED PORCELAIN FRAMED MIRROR, Rococo style frame, the back lacking easel strut, height 52cm, together with a modern Dresden lozenge shaped bowl, painted and florally encrusted with flowers, triangular pierced border, four scrolled legs, printed marks to the base, width 25cm (2) (Condition report: the mirror lacks the easel strut, is very dusty/ dirty throughout, a few losses to the encrusting, the bowl has a minor loss to the floral encrusting, otherwise in good condition but would benefit from a clean)

A Dresden style ornament man and lady playing backgammon signed P.Frank, a figure girl signed Guiseppe Armani and a Coalport figure man and lady

Portmeirion 'Botanic Gardens' teapot, a large Capodimonte vase, a Dresden pierced and floral gilt decorated fruit bowl, a modern Japanese vase, various kitchen items to include saucepans, etc and assorted china and glassware (3 boxes) 

Taschenuhr: besonders große Glashütter Louis XV Präzisionsuhr, Union Glashütte No.56052, ca. 1905: Ca. Ø56,5mm, ca. 116g, 14K Rotgold "Louis XV", Gehäuse, Werk und Zifferblatt signiert Uhrenfabrik Union Glashütte, Gehäuse und Werk nummerngleich 56052, Staubdeckel mit Widmung, datiert Dresden 1905, Glashütter Präzisionsankerwerk mit Goldanker, goldenem Ankerrad und Feinregulierung, einwandfrei erhaltenes, originales Emaillezifferblatt, originale Goldzeiger, gangbar, Gehäuse mit flachen Druckstellen. Besonderheit: Die Uhr befindet sich noch in ihrer Originalschatulle mit originalen Papieren und originaler Gangtabelle. Aufgrund der außergewöhnlichen Größe, der seltenen Louis XV- Ausführung und des komplett originalen Zustandes mit Box und allen Papieren handelt es sich hier um eine sehr seltene Glashütter Sammleruhr.

Sonnenuhr: bedeutende, frühe Elfenbein Diptych-Sonnenuhr, Charles Bloud, Dieppe, circa 1650-1685: Ca. 62 x 71mm, Elfenbein/Silber, aufklappbar, mit Kalendarium und Kompass, signiert Charles Bloud, Dieppe, Gehäuse mit Spannungsriss in der Front. Ein wichtiges Zentrum der Herstellung von Sonnenuhren war die französische Hafenstadt Dieppe, wo sich insbesondere Charles Bloud (nachweisbar zwischen 1650 und 1685) mit seinen Klappsonnenuhren aus Elfenbein einen Namen machte. Vergleichbare Objekte befinden sich in berühmten Sammlungen und Museen, u.a. im Mathematisch-Physikalischen Salon Dresden und im Uhrenmuseum Furtwangen. Meistens befindet sich das Kalendarium im Deckel. Bei dem hier vorliegenden Exemplar sind es 2 Kalender, im Deckel und im Boden. Signierte Exemplare sind außerordentlich selten (Quelle: https://www.cortrie.de/go/VY4).

Taschenuhr: museale Julius Assman Prunktaschenuhr mit Renaissancegehäuse, vermutlich Professor Graff Dresden, um 1877: Ca. Ø50mm, ca. 93g, 14K Gold, ausgesprochen schönes und hochwertiges Prunkgehäuse im Renaissancestil, Glashütter Präzisionsankerwerk mit goldenem Ankerrad No.9736, nummerngleich mit dem Gehäuse, originales Emaillezifferblatt (sehr feiner, alter Haarriss), originale Stahlzeiger, sehr schöner Gesamtzustand, äußerst selten in dieser Gehäuseausführung, Gehäuse, Werk und Zifferblatt signiert. Die Dekoration der vorliegenden Uhr erinnert sehr an die berühmten Gehäuse nach den Entwürfen von Prof. Karl Ludwig Theodor Graff, ab 1875 leitender Direktor an der Dresdner Kunstgewerbeschule.

Taschenuhr: einzigartige Julius Assmann Dresden 1A, vermutlich ein Unikat, ca. 1870: Ca. Ø52mm, ca. 129g, 18K Roségold/Weißgold, gesamtes Gehäuse im Schachbrettmuster graviert, herausragende Qualität, verschraubte Goldkrone, 18K Goldpunze, Gehäuse und Werk nummerngleich 4744, ganz frühes Assmann Präzisionsankerwerk in besonderer Qualität mit massiv goldenem Minutenrad, Goldanker, goldenem Ankerrad, verschraubten Goldchatons und Diamantdeckstein, Zifferblatt ebenfalls in Roségold/Weißgold gestaltet, gebläute Stahlzeiger, hervorragender kaum getragener Zustand, funktionstüchtig, museales Sammlerstück. Uns ist keine vergleichbare Julius Assmann in dieser Qualität und Gehäusegestaltung bekannt. Vermutlich ist es ein Unikat, gefertigt für eine Ausstellung oder im Auftrag eines besonderen Kunden. Ein Video für dieses Los finden Sie auf unserer Website.

PUTZ Leo (1869 Meran, Italien - 1940 ebd.) "Doppelportrait" zweier Mädchen in Halbfigur dargestellt, im Vordergrund Mädchen mit dunklem Haar und verschränkten Armen, dahinter eines mit hellem Haar, den Betrachter anblickend, Ölgemälde auf Karton, links unten signiert, 26,5x23cm, 66x63cm (Rahmen); Provenienz: stammt aus privatem Besitz, Belege des Einliefernden vorhanden *Putz studierte an der Münchener Akademie der Bildenden Künste bei Gabriel von Hackl und an der Académie Julian in Paris. Die Staatsgalerie Dresden und die Neue Königliche Pinakothek München erwarben ab 1903 mehrere seiner Arbeiten. Ab 1905 wurden Putz für seine Werke mehrere Medaillen verliehen. Das künstlerische Werk umfasst den Jugendstil, den Impressionismus und die Anfänge des Expressionismus. Schwerpunkte seines Schaffens sind Figuren-, Akt- und Landschaftsbilder.*

LOT DREI KAMERAS mit Objektiven: EXA Ib, Ihagee Dresden, mit Bedienungsanleitung, Objektiv 2,8/50 Jena DDR Nr. 10789709, mit Balgengerät, Stativ - Praktica LTL Pentacon, mit Bedienungsanleitung, Objektiv Biotar 2/58 Nr. 5243510, Zeiss Jena und Russische Kamera

HERZGER Walter (1901 Leipzig - 1985 Gaienhofen) ''Schafe'', Handdruck, signiert und 1968 datiert, 33,5x22,5cm *Herzger studierte Grafik und Malerei am Bauhaus in Weimar. Seine Lehrer waren Johannes Itten, Wassili Kandinski, Paul Klee und Oskar Schlemmer. Er arbeitete anschließend als freischaffender Künstler in Dresden. Ab 1930 war er Meisterschüler von Charles Crodel an der Kunstschule Burg Giebichenstein in Halle und gleichzeitig Leiter von dessen Grafikwerkstatt. Von 1958-67 hatte er eine Professur für Zeichnen an der Staatlichen Akademie der Bildenden Künste in Karlsruhe inne. Nach seiner Pensionierung war er am Bodensee wieder freischaffend tätig.*

DIX Otto (1891 Untermhaus/Gera - 1969 Singen am Hohentwiel) Selbstportrait, Plakat der Galerie Stuckert, 1968, rechts unten signiert, 41x29,5cm *Dix absolvierte eine Lehre als Dekorationsmaler und ein Studium an der Kunstgewerbeschule in Dresden. Nach Ende des Ersten Weltkriegs gründet er gemeinsam mit Conrad Felixmüller die "Gruppe 1919" der Dresdner-Secession. Ab 1927 hat er eine Professur an der Kunstakademie in Dresden inne bis zur Entlassung aus der Lehrtätigkeit durch die Nationalsozialisten, die auch seine Werke als "entartete Kunst" diffamieren. Otto Dix' Werk ist von stilistischer Vielfalt geprägt, am bekanntesten sind die Werke, die der Neuen Sachlichkeit zugerechnet werden.*

Heinrich Hofmann (1824, Darmstadt - 1911, Dresden), Studie "Die Reinigung des Tempels", Öl/Karton rückseitig typografisch altbezeichnet, HxB 38,5x47cm, Malgrund leicht konvex, in Goldstuckrahmen (partiell bestoßen), Gesamt-HxB 49,5x58cm

Martin Erich Philipp (1887, Zwickau - 1978, Dresden), "Fingerhut", 1949, Farbholzschnitt unten links im Druckstock monogrammiert "MEPH", unten rechts handsigniert, Motivmaß HxB 44,5x30cm, unter einfachem Passepartout, mit reversiblen Verunreinigungen unter Glas, verglast gerahmt, Gesamt-HxB 68x51cm

A. Winkler, "Blick auf die Dresdner Frauenkirche", frühes 20. Jh., Aquarell u.l. signiert, ggf. Carl Alexander von Winkler (1860, Tallinn - 1911, Dresden), unter Passepartout, Ausschnitt HxB 16,2x11,8cm, verglast gerahmt, Gesamt-HxB 32,3x26,3cm

2 Hefte mit Karikatur-Postkarten, Werbung der Victoria-Werke A.G., 1920er Jahre Druck Aktiengesellschaft für Kunstdruck, Niedersedlitz (b. Dresden), 1x vollständig mit 12 Postkarten, 1x mit 9 Postkarten; Alters- und Lagerspuren

Adrian Ludwig Richter (1803, Friedrichstadt - 1884, Dresden), attr., "Sächsische Landschaft mit Personenstaffage", 1828, Radierung u.l. i.d. Platte monogrammiert, datiert und ortbezeichnet "Meißen", Blattmaß HxB 15,2x22cm, partiell leicht stockfleckig, aufgezogen

Gasparo Lopez dei Fiori (1650-1732) attr., "Blumenstillleben mit weißen Hortensien und Lilien", Öl/Lwd. von fremder Hand rückseitig mehrfach bezeichnet "Gaspero Lopez" (Schreibweise zu finden in Fachliteratur des 19. Jh.); reiches, sommerliches Blumenbouquet in Bronze-Cachepot; HxB 58x43,5cm, partiell craqueliert, Firnis vergilbt, minimale Fehlstellen; in schwarzem Lackrahmen des 19. Jh., mit innen liegender, goldener Zierleiste, Gesamt-HxB 77x62cm, Leiste partiell bestoßen* Studium bei Jean Baptiste Du Buisson u. Andrea Belvedere, tätig in Rom, Venedig und Dresden, später in Florenz als Hofmaler des Großherzogs (vgl. wikipedia)

2 Mokkatassen mit Ut., Form Dresden, Hutschenreuther 1x polychromes Blumendekor, Goldrand, Ut.-D.11,2cm, Tassen-H.5,3cm; 1x Blaue Blumen mit Goldzweigen, Goldrand, Ut.-D.12,3cm, Tassen-H.5,3cm

A Royal Worcester cabinet dish, circa 1913, finely painted with a Nightingale, by William Powell, 12cm diameter, together with a collection of decorative porcelain, to include Dresden (10)

A pair of early 20th century Dresden cache-pots, each decorated with birds, 12cm high, together with a Victorian family Bible (3)Bible is complete, but worn and dirty. Not inscribed.