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A pair of 20thC Dresden porcelain seated figures, impressed marks to underside. 12cm (D)

A collection of mixed porcelain to includeCrown Derby, Meissen, Dresden, Sevres etc.

A collection of twenty-one glass replica historic diamonds, to include Koh-i-Noor (old cut and new cut), Sancy, Hope Diamond, Dresden Green, Star of Africa, Tiffany, Regent, Piggott, Shah of Persia, Pasha of Egypt, Star of Este, Stewart, Nassak, Great Mogul, Florentine, Eugenie, Orlov, Polar Star, South Star, English Dresden, each with typed label with original German label underneath, in fitted case, silk lining stamped 25 Sep 1927.

A mixed group of Dresden cabinet tea wares, primarily of wrythen fluted form and painted with flowers within gold borders, together with a miniature Helena Wolfsohn coffee pot, painted with song birds. [a lot]

A Quantity of Dresden and other German porcelain, primarily decorated with flowers within gold borders, but including some green scale wares, comprising dishes, trays, powder box, hat pin stand, pin box and vases.

A small group of Dresden porcelain, comprising two small tea pots, two small cups each similarly decorated with courting figures interspersed with flower decorated yellow panels, various marks, [one teapot damaged].

A Paris ornithological porcelain saucer dish, a pair of German reticulated plates and a Carl Thieme Dresden shaped square dish the first painted with a crested goose in a lake vignette within a gilt neo-classical border, early 19th century, 20cm [some wear to gilt]; the pair painted with floral bouquets, W mark, 19th century, 21cm; the Dresden dish decorated in the Meissen Augustus Rex manner, crossed swords and T mark, 19th century, 21cm [some wear] 4.

A DRESDEN PORCELAIN WALL MIRROR - early 20th century of Rococo form with floral encrusted and pierced detail, applied with Putto, with impressed number to back '7253', 29cms H, 19cms W

An extensive 19th century hand painted dessert service, including comport - some plates marked 'Dresden' CONDITION REPORTIn our judgement, overall condition of lot is good. Occasional nicks and some staple repairs.5 plates are marked Dresden. The remaining items are marked 790 or are blank.Inventory as follows:20 x 9 inch plates4 x 11''x 8'' rectangle dishes4 x 11''x8.5'' oval 2 handle dish4 x 10''x8'' oval 1 handle dish1 x 12.5'' x 9.5'' fruit bowl1 x tureen and cover 7'' heightCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.

Falcon ware vase,German Dresden Sitzendorf figure & Szeiler figure of a dog

A Royal Copenhagen floral decorated vase and a Dresden floral decorated vase

TWO CABINET PLATES, comprising a Dresden style cabinet plate painted with a bust of a woman, indistinctly signed, inside a pink and cream heavily gilt border, marked with a blue printed letter D under a crown, other marks obscured by a gilt rose near the foot, diameter 22cm, together with a Royal Worcester wavy rimmed plate, with gold, pale pink and burgundy foliate decoration surrounding a central panel of printed and tinted wild strawberries and other flowers, bearing green printed backstamp and date cypher for 1902 (2) (Condition Report: good overall condition, the Dresden style plate has a few small missing areas of gilding, a little minor wear to Worcester plate)

A 19th century painted porcelain oval plaque of a reclining lady reading a book. The reverse stamped L. Sturm Dresden. 15x19.5cm

A Dresden porcelain plaque in velvet and gilt mount

REICHENBACH [Heinrich Gottlieb Ludwig] (1793-1879): 127 Original watercolours of mainly OWLS, many heightened with gum Arabic, plus 9 in pencil (Including possibly a couple of Engravings?). All mounted, either one or more to a page, into a green morocco-backed marbled boards volume with 'Reichenbach, Original Drawings' to the spine. The page size: 350 x 250 mm. The size of the drawings varies from 280 x 220 mm the largest, 180 x140 mm the medium & 140 x 110 mm or slightly less for the smallest. [H. G. Ludwig Reichenbach, botanist, ornithologist and artist, was born in Saxony in 1793. He studied medicine and the natural sciences at Leipzig, gaining his doctorate in Philosophy in 1815 and Medicine in 1817. He moved to Dresden in 1820 as professor of natural history at the college of medicine, where he became director of the zoological museum and director of the botanical garden, which he helped found.]

51 TOWN PLANS, including: BERLIN, DRESDEN, MUNICH, HAMBURG; PARIS, WARSAW, AMSTERDAM, ST. PETERSBURG, ETC. Engraved by W. E. Clarke, & others, 1830’s & 1840’s. (Image 31 x 37.5). (Qty.)

Original vintage advertising poster for Salem No 6 Cigarettes - Design features an Arab man wearing a turban and kneeling in the desert next to a bow weapon and holding a dead Falcon bird with an arrow in its body. Ornate illustrations appear in a banner below including a camel and a boat on an orange background. Printed in Dresden by the Yenidze cigarette factory. Large size. Good condition, folds, large tears, creasing, staining, printed on 2 un-attached sheets. Country of issue: Germany, designer: Unknown, size (cm): 173x84, year of printing: 1950s.

JOHAN CHRISTIAN CLAUSEN DAHL Bergen 1788 - 1857 Dresden: Sich küssendes Paar. Humoristische Darstellung. Aquarellierte Feder- und Pinselzeichnung in Braun 1843. Signiert, datiert und bezeichnet „Zum Andenken an die Frau mit dem Rosenmunde“ sowie verso mit handschriftlichem Text in brauner Feder. 15,6 x 8,9 cm. Gering angestaubt, schwach stockfleckig und mit winzigem Löchlein. Verso mit Kleberesten an den Rändern. Sammlung Johann Georg Prinz von Sachsen (Lugt 4485). [bg]

(CARL) FRIEDRICH FRANCK, auch FRANCKE Annaberg/Sachsen 1799 - 1872 Dresden: Sächsische Landschaft mit Wasserfall an einem Waldweg, im Hintergrund eine Stadt. Oel auf Leinwand 1857. Signiert „F. Franck“ und datiert. Verso signiert „gem: v: von C. F. Franck“ und datiert. 57 x 65 cm. Mit feinen Krakelüren und Bereibungen im Bereich der Ränder. Franck studierte von 1829 bis 1835 an der Kunstakademie Dresden. Nach Beendigung des Studiums war er freischaffend als Maler und Zeichenlehrer in Dresden tätig und zwischen 1830 und 1865 regelmäßig auf Ausstellungen vertreten. Seine Gemälde zeigen fast ausschließlich sächsische Landschaften. Stimmungsvolle Darstellung in fein abgestuftem grünem und bräunlichem Kolorit. Gerahmt. [bg]

FRIEDRICH OTTO GEORGI Leipzig 1819 - 1874 Dresden: Ägyptisches Dorf mit alten Ruinen. Aquarell 1871. Signiert „Otto Georgi“ und datiert. Auf kräftigem chamoisfarbenem Vélin. 26 x 20,2 cm. Verso mit Kleberesten und -spuren im Randbereich. [ms]

MORITZ RETZSCH Dresden 1779 - 1857 Hoflößnitz bei Dresden: Tanzende Mädchen - Zwei sich haltende Mädchen. 2 weißgehöhte, lavierte Federzeichungen in Grau auf 1 Blatt. Unterhalb der rechten Zeichnung in brauner Feder signiert „Retsch.“ sowie verso mit weiterer Federstudie (Knabe mit verschränkten Armen; ca. 7,7 x 9,5 cm). Auf bräunlichem Vélin. Je 15,8 x 10,6 bzw. 9,5 cm (Blatt: ca. 21,1 x 28,5 cm). Geringfügig fleckig und linker Rand mit kurzen Knickspuren. Vermutlich Entwürfe für Umrissradierungen. [ms]

GUSTAV SCHÖNLEBER Bietigheim/Wttbg. 1851 - 1917 Karlsruhe: Montefino, Bucht (Waschloch Portofino). Oel auf Karton 1893. Miller-Gruber 479. Nachlaßausstellungen Sächsischer Kunstverein, Dresden bzw. Kunsthaus Schaller, Stuttgart, 1918, Kat.-Nr. 53. - Signiert. Verso mit dem Stempel „Gustav Schönleber’s/ausgewählter Nachlass“ sowie auf typographisch bezeichneten Künstleretikett von der Künstlergattin Luise Schönleber in brauner Feder datiert, betitelt „Montefino Bucht, Olivenhain“ und bezeichnet (darunter mit der Nachlaß-Verzeichnis-Nr. „482“ ). 38,5 x 27,5 cm. Ränder überklebt. Mit Retuschen. In den 90er Jahren des 19. Jahrhundert widmete sich Schönleber in Italien weiteren Studien, so an der Riviera, in Venedig und an der Adriaküste. Neben gefälligen, dekorativen Ansichten wählte er auch immer wieder reine Fels- und Wassermotive für seine Gemälde. Gerahmt. [bg]

HENOCH (HENRYK) BARCZYNSKI, auch BARCINSKI Lodz 1896 - 1939 verschollen auf der Flucht bei Tomaszów Mazowiecki/Polen: Mittelalterliches Frauenportrait mit gelocktem Haar und Krone. Tuschfederzeichnung 1921. Signiert „HBarcinski“ (ligiert) und datiert. Auf bräunlichem Vélin. 41,2 x 30,2 cm. Schwach fleckig. Ränder mit winzigen Läsuren. Nach Studien in Warschau besuchte der Künstler 1919-26 die Kunstakademie in Dresden bei O. Gußmann und R. Sterl. Von 1930-33 war er in Berlin ansässig. [bg]

CONRAD FELIXMÜLLER Dresden 1897 - 1977 Berlin: Modellstudium. Blatt 3 aus der Mappe „Das Malerleben“. Lithographie 1927. Söhn 374. - Eines von 160 Expl. Signiert sowie mit dem Monogramm im Stein. Auf chamoisfarbenem Vélin. 26 x 19,4 cm. [bg]

HELGE LEIBERG Dresden 1954 - tätig in Berlin und Werbig/Oderbruch: Jaul. Eitempera auf Leinwand 1989. Tanz im Kopf. Ausst.-Kat. Mannheimer Kunstverein 1992, Nr. 16. - Verso signiert und datiert „II/89“. 80 x 150 cm. Leibergs Hauptmotiv ist der menschliche Körper, meist in zeichenhaft-kalligrafischer Auffassung. In Atelierleiste. [bg]

(AUGUST ADOLPH) BRUNO MARQUARDT Berlin 1878 - 1918 gefallen vor Verdun: Dschunke und ankernde Schiffe im Hafen von Hongkong. Oel auf Leinwand um 1908. Signiert und monogrammiert. Verso auf dem Spannrahmen von fremder Hand in Bleistift bezeichnet „Hafen Hongkong China“. 43 x 60 cm. Mit feinen Krakelüren. Marquardt war Schüler von E. Bracht zuerst in Berlin und Dresden, bevor er sich als freier Maler in Berlin niederließ. 1907 unternahm er eine Reise in die Deutschen Kolonien, um Farbaufnahmen zu machen, die 1909/10 im Werk „Die deutschen Kolonien“ veröffentlicht wurden. 1908 reiste er von den deutschen Besitzungen in der Südsee über Hongkong weiter nach China. Nach seiner Rückkehr widmete er sich erneut der Malerei. Gerahmt. [bg]

MARTIN E. PHILIPP Zwickau 1887 - 1974 Dresden: „Reue“ - „Aktskizze“ - Schlummernde Venus. 3 Bll. Radierungen (davon 2 in Schwarzbraun) um 1913-57. Werkverz.-Nr. A126, A132 und A213. - Sämtlich signiert, teils betitelt, datiert und Bl. 1 bezeichnet „No. 2 Selbstdruck. Auf der Platte radiert“ sowie sämtlich mit dem Monogramm und Datum in der Platte. Auf versch. Papieren. 7,1 x 11,7 bis 10 x 15,8 cm. Sämtlich schwach angestaubt. Bl. 1 rechter Rand wasserrandig. [bg]

FRITZ SKADE, eigentl. FRIEDRICH SKADE Döhlen 1898 - 1971 Dresden: Brustbildnis einer jungen Frau. Bleistiftzeichnung. Signiert. Auf leichtem Vélin. 56,5 x 43,2 cm. Leicht unfrisch, mit zwei rötlichen Flecken und kleinen, teils hinterlegte Randläsuren. Skade, der an der Kunstgewerbeschule und danach an der Kunstakademie in Dresden studierte, war Mitglied von „Die Schaffenden“ und der Dresdner Sezession. [ms]

FRIEDRICH LUDWIG OESER 1751 - Dresden - 1792: Landschaft mit Wasserfall und Hütte. Aquarell. Auf der Unterlage mit Tuschfedereinfassungslinien in Bleistift bezeichnet „J. F. L. Oeser (jun)“. Auf chamoisfarbenem Bütten. 29,4 x 19,7 cm. An den oberen Ecken aufgezogen sowie mit Montierungsrest (verso) in der leicht beriebenen linken unteren Ecke. [ms]

A pair of early 20th century Dresden porcelain figures, each modelled as a male and female flower sellers in period dress on gilt heightened base having underglazed crossed swords mark verso, height 17cm, together with a Royal Dux model of a lady in blue dress and wide brimmed hat, having raised pink triangle mark verso, a Royal Worcester figure of Red Shoes No. 3258 modelled by FG Dougherty, and various other continental porcelain figures

A pair of early 20th century Dresden porcelain vases, each of teardrop shape with applied floral decoration having underglazed blue crossed swords mark verso, later converted for electricity, height 41cm including fittings

A set of four Dresden blanc-de-chine porcelain military figures, the tallest h.25cm

An early 20th century Dresden porcelain table lamp, the single gilt metal sconce on a fluted column surmounted by three cherubs on further floral encrusted base, height 60cm including shade

A pair of attractive Dresden figurines c. 1900 the boy (6" tall) chiselling a bowl the girl (5 1/2" tall) washing clothes, blue marks to bases.

A Dresden Sitzendorf Lady in floral dress playing Ukelele and Royal Doulton Alice in Wonderland figurem 5'' tall.

A collection of ceramics 19th/20th century to include, Dresden bowl, cup & saucer, ironstone jug, etc

Two late 19th/early 20th century Palissy style majolica plates, one by Joaquim G Roque Casadinho, the other Alvaro Jose Caldas da Rainha, largest 23cm diameter; together with a pair of Dresden porcelain candlesticks, 24cm high; and a Royal Doulton figure. (5)

A small Dresden porcelain box, late 19th century, 7.5cm wide. 

A Dresden porcelain centrepiece with pierced basket top three cherubs to column and flowers throughout, height 46 cm.

A Collection of British and European Porcelain, including Helena Wolfoshn miniature turquoise ground teapot ans similar wares, Meissen Marcolini cabinet cup, cover and saucer, Sevres style cache pot, similar coffee can and saucer, pair of Dresden yellow ground cylindrical vases and Royal Worcester blush ware etc (two trays)Turquoise tete-a-tete the suguar bowl with small losses to the petals on the knop only.Yellow Dresden vases, one with a very minor crack underneath.Marcolini cup cover knop badly repaired. Two Samson Chelsea saucers with puce flowers both cracked.Miniature chair back broken and re glued.One turquoise Dresden plate broken in two, restuck and with a large flat rim chip.One Royal Worcester saucer with a short hair crack, the cups with some staining.Estimate £300-500

Dresden porcelain candlestick, acanthus leaf sconce, scrolled floral encrusted column, circular base modelled with lady and child, underglaze blue crossed swords mark, impressed numbers 74 and 163, 30cm.Condition report:Height 30cm. Width 12cm. Base diameter 10cm.The scone has been resecurred with a makeshift cork stopper and wire attaching to the top of the branch. There is a shallow chip to one of the leaves of the sconce. Various chipped losses to the foliage and applied detailing. Chipped losses around the base circumference. No evident restoration.

Dresden porcelain group, modelled with three cherubs supporting a classical urn, scrolled base, blue crossed swords mark, incised B21, impressed 51, 21cm.Condition report:Height 21cm. Width 16cm. Depth of base 14cm.The vase element is loose as the original filler/ adhesive has aged. There is a firing line to the interior of the vase.The cherub in purple sash has an old restored right arm, with subsequent losses. No other significant restoration. Some firing lines to the underside of the base. Some minor chips and losses to the applied decoration. 

Dresden style oval plaque, A child, after Jean-Baptiste Greuze, possibly over a print foundation, 27x23cm, oval, framed.

A collection of Dresden and other floral decorated porcelain, including teacups, sugar bowl, milk jug, etcFading to the gilt and pattern throughout. Crazing to some pieces. Chip to the bases of cups and saucers and to the spout of the teapot. Heavy rubbing to the gilt on the sugar bowl saucers. One plate with a minor impact hairline fracture to the centre of the base. One teacup with repair to side with discoloured marking where repair has been made - chipping in this area.

A pair of Dresden porcelain figures of a couple. Each modelled seated with chickens and chicks, height 11cm, together with a blue and white bowl, three painted dessert dishes, and a tureen and stand.

A Dresden porcelain urn and cover. Highlighted in gilt decorated with floral swags twin goat mask handles height 20cm, together with four Dresden porcelain figures, A Sitzendorf figure of Elizabeth D'Autiche, Femme de Charles IX, and a continental porcelain figure on horseback. (7) Losses to the guns of the Hunter figures, images of the marks on Lay's website.

A pair of late 19th to early 20th Century Dresden porcelain vase and covers each decorated with hand painted Watteauesque scenes of courting couples and ladies in a garden setting, the ground in pale green to purple with a gilt linear pattern and gilt flowers, the domed covers with pierced ovals, both with gilt marks to the bases and painted Dresden 27150, height 14cm.

Great War Navy Felix Nikolaus Alexander Georg Graf von Luckner collection of two photos and handwritten letter. (9 June 1881, Dresden - 13 April 1966, Malmö), sometimes called Count Luckner in English, was a German nobleman, naval officer, author, and sailor who earned the epithet Der Seeteufel (the Sea Devil), and his crew that of Die Piraten des Kaisers (the Emperor's Pirates), for his exploits in command of the sailing commerce raider SMS Seeadler (Sea Eagle) during the First World War. After the war, Luckner became a war hero in Germany and was renowned around the world for his seamanship and chivalrous conduct during the war, which resulted in a minimal loss of life on both sides. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Partie de service à thé et café, Meissen, vers 1722-26A Meissen part tea and coffee service, circa 1722-26Finely painted with chinoiserie scenes within shaped gilt scroll- and strapwork cartouches filled with Böttger lustre and edged with iron-red foliate scrollwork, the rims with borders of gilt scroll- and strapwork enclosing flower heads, the insides of the teabowls with sprays of indianische Blumen within concentric iron-red circles, the coffee pot and the teapot with silver-gilt mounts marked for Elias Adam, Augsburg, and further painted with scattered insects and sprigs of indianische Blumen, the domed covers with continuous chinoiserie scenes, gilt finials, comprising:a silver-gilt-mounted coffee pot and cover,a silver-gilt-mounted teapot and cover,five teabowls and six saucers,an associated teabowl, circa 1730, similarly decorated, the coffee pot: 22.5cm high; the teapot: 11.5cm high, the teapot with crossed swords mark and K.P.M. in underglaze-blue and gilt numeral 83., the remaining pieces with gilt numeral 83., one teabowl with crossed swords mark in underglaze-blue and gilt numeral 1. (some minor rubbing to saucers) (14)Footnotes:Provenance:Private German Collection of Meissen PorcelainLiterature:U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 177Exhibited:Düsseldorf, Hetjens-Museum, 'Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen', 19 January-6 April 1997;Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Albertinum, 'Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen', 7 May-13 July 1997For further information on this lot please visit Bonhams.com

Très rare ensemble de vingt et une figurines Meissen 'Cris de Paris', vers 1755A very rare set of twenty-one Meissen 'Cris de Paris' figures, circa 1755Modelled by Peter Reinicke after drawings by Christophe Huet of 1753, comprising: crier with a magic lantern, the spirits seller, the pipe and drum player, the female fish vendor, the oyster seller, the hurdy-gurdy player, the grape seller, the orange seller, the peasant with a cradle, the vegetable seller, the triangle player, the violinist, the flower seller, the lemon seller, the liquorice-water seller, the cook with a stove, the lemonade seller, the egg seller, the horn player, the crier with chicks (later-decorated) and the poultry chef, after 1760, 14-15cm high, crossed swords marks in underglaze-blue and blue, various impressed numerals (scattered restoration) (21)Footnotes:Provenance:Private German Collection of Meissen PorcelainLiterature:Martin Eberle, Cris de Paris Meissener Porzellanfiguren des 18. Jahrhunderts (2001): no. 23 (the flower seller), no. 25 (crier with chicks), no. 28 (lemonade seller), no. 29 (cook with stove), no. 32 (triangle-player), no. 33 (hurdy-gurdy player), no. 35 (crier with drum and whistle), no. 36 (crier with horn), no. 37 (vegetable seller), no. 38 (crier with cradle), no. 39 (fish seller), no. 43 (spirit seller), no. 44 (liquorice-water seller), no. 47 (orange-seller);U. Pietsch/C. Banz, Triumph der blauen Schwerter (2010), cat. no. 436 (crier with magic lantern)Exhibited:Leipzig, Gohliser Schlößchen, 'Sachsens Gold im Schlößchen', 29 April-10 June 2001 (as above Literature);Dresden, Japanese Palace, 'Triumph der blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710-1815', 8 May-29 August 2010 (crier with magic lantern)For further information on this lot please visit Bonhams.com

Figure Meissen d'un gentilhomme assis à un bureau, écrivant un mot, vers 1745A Meissen figure of a cavalier seated at a writing desk, circa 1745Modelled by J.J. Kaendler, wearing an iron-red patterned coat, blue waistcoat and black breeches, the Baroque desk embellished in gilding and blue enamel, the letter inscribed 'Monsieur/ Il foudroit ne vous a/ voir jamais vu', flanked by writing implements and a watch on the top of the desk, the base applied with leaves and flowers, 13.8cm high (some restoration)Footnotes:Provenance:Private German Collection of Meissen PorcelainThe model is listed in Kaendler's Taxa of overtime work: '1. Figur, einen Monsieur, der einen Liebes-Brieff schreibt, vorstellend, mit der Feder in der Hand am Tische sizend' [1 figure, depicting a monsieur writing a love-letter, seated at a desk with a feather in the hand]; see U. Pietsch/C. Banz, Triumph der blauen Schwerter (2010), no. 341, for the example in the Porzellansammlung Dresden.For further information on this lot please visit Bonhams.com

ARTS & CRAFTS OPAL AND ENAMEL NECKLACE, EARLY 20TH CENTURYThe pendant set with an oval opal cabochon within a frame of grape vine design, suspended from a trace-link chain interspersed with open work plaques decorated with blue/green enamel, mounted in gold, lengths: pendant 5.0cm, chain 41.0cmFootnotes:By family repute, this necklace was originally owned by Lady Hildegarde Syfret, née Warner, wife of Admiral Sir Neville Syfret and daughter of Herbert Warner, a wealthy iron merchant. Before her marriage in 1913, Hildegarde studied at the Dresden Academy of Fine Arts and was a keen artist with a particular interest in the Arts and Crafts movement. The opal in the necklace is understood to have been a gift to Hildegarde from her brothers, Alfred and Harold, who had made their fortunes in Australia.For further information on this lot please visit Bonhams.com

Ceramics - three Dresden porcelain floral painted cups and saucers; Royal Worcester trinket dishes; others Aynsley, etc Masons Ironstone green Chartreuse pattern jars and covers etc

A Dresden porcelain candelabrum, modelled in the form of a young man and lady with sledge, etc., 32cm high. (AF)

A mixed group of ceramics, to include two shaped rectangular plates decorated with gilded rims and botanical studies, the plants named to the underside, 21.5cm x 21.5cm, a Wedgwood creamware leaf plate with osier border, impressed Wedgwood to the underside, a Royal Worcester egg coddler with white metal lid, a Dresden porcelain dish decorated to the centre with deutsche blumen and gilded vine motif border to the rim, marked to underside for R. Grossbaum & Söhne, 39cm diameter, and a modern studio pottery unglazed dish, impressed mark to underside, 27cm diameter (6) (VAT charged on the hammer price)

A Dresden style porcelain figure group emblematic of music, late 19th century, featuring five putti holding musical instruments, sheet music, and conductor's baton, atop rocky outcrop with cylindrical drum base, 16.5cm highCondition Report: Multiple losses of fingers, chip to footrim, light wear to gilding

Two Dresden porcelain military figures, early 20th century, each of an 1815 Scots Guardsman, naturalistically painted and modelled standing on a rocky green ground, inscribed in gilt lettering to the underside, one bearing a label to the underside for Thomas Goode & Co., each 19cm high (2)Condition Report: One figure with losses to the tip, grip, guard and sheath of their sword, the head broken off and re-glued, the other figure with loss to the tip of their sword, both with surface dirt and minor paint loss.

A collection of portrait miniatures, 19th century and later, in glazed oval and rectangular gilded metal frames, to include a painting on slate of a lady playing the mandolin and singing, after Franz I Van Mieris, inscribed verso La chanteuse (F. Mieris), held in a rococo style frame, 9cm x 6cm, a Dresden oval porcelain plaque miniature of a lady, inscribed to verso Elisabeth with Dresden factory stamp, 8cm high, an oval portrait of Lady Hamilton, inscribed to verso, and various other examples (11)

PAIR OF LARGE DRESDEN LIDDED JARS. A pair of large jars painted with alternating panels of courting couples and sprays of flowers on a purple ground. With dome top covers with gilded finials and various gilded decoration, each with 'AR' monogram mark to the base. 37.5cms high. *CR One jar, lid - finial has chipped down one side and gilded over, some wear to the gilding around the rim of the lid, bottom of lid slightly miss shaped from manufacture. Jar, hairline crack from rim to bottom of that section, section inside the rim uneven from manufacture. The other, lid - the finial has been broken at the base and restored, a little wear to the finial and rim in places, bottom of lid slightly miss shaped from manufacture. Jar, a little wear to the gilding in places, firing crack to the base (4cms long).

MEISSEN - FESTIVE PUBLICATION TO COMMEMORATE THE 200TH JUBILEE OF THE OLDEST EUROPEAN CHINA FACTORY, AND ANOTHER SIMILAR BOOK. folio, Dresden, privately published 1911. Also with Koniglich Sachfifche Porzellan Manufactur Meiken, hardback, published by Lichtdruck von Rommler & Sons, Dresden. *CR Festive publication -boards soiled and worn, spine slightly loose, marks to title page and dirt to page edges. Second book- slight marks to boards.