We found 31346 price guide item(s) matching your search

A Meissen academic period miniature teapot and matched cover, a small Dresden vase decorated with flowers, a small Coalport coffee can and saucer; together with another

4 Dresden plates and a ribbon bowl.

A Dresden potpourri lidded casket

Schumann (Robert, German composer, 1810-56).- Reinick (Robert, German painter and poet, 1805-52) Autograph poem signed as a farewell to Robert and Clara Schumann on leaving Dresden, manuscript in German, 4pp., folds, browned, 8vo, 1850.

Dresden style porcelain tree shaped two train mantel clock, the Henri Marc movement with outside countwheel striking on a bell, the 2.5" white dial also signed Henry Marc á Paris, within a floral encrusted and gilded case and upon an ornate scrolling stand, 13.5" high overall (pendulum and key)

Two Dresden Helena Wolfsohn two-handled chocolate cups with Watteau style scenes and cobalt and gilt panels, 'D' crown mark to base and a Dresden bud vase with classical panel, heavily gilded, 14cm. (3) Chocolate cups: rough patches to interiors and slight discolouration. Some rubbing to gilding.Vase: couple of small surface scratches, small rough patch to base.

Collection of Dresden Helena Wolfsohn style ceramics to include small teapot, quatrefoil chocolate cup and saucer, quatrefoil coffee cup and saucer and small plate, items have various Augustus Rex marks to base. Teapot: some rubbing to gilding.Chocolate cup and saucer, some rough patches/discolouration to interior of cup, some light rubbing to gilding, metal hangers.Coffee cup and saucer: some light rubbing to gilding.Plate: some light rubbing to gilding.

Dresden lobed tea cup and saucer, pair of Tuscan tea cups and saucers, and a Royal Doulton Chintz preserve pot and cover and jug

Quantity of Continental and English porcelain including; Royal Worcester, Belleek, Meissen, Dresden, etc

Two 20th Century Dresden porcelain plates, each with floral panels and raised gilt scroll borders, underglaze blue crossed swords mark indicating late Meissen, each 30cm diameter (2)

MEISSEN; a mid-18th century figure of a violinist from the Dresden Opera, circa 1750, painted blue crossed swords mark to rear of base and impressed number 10 to the tree stump, height 13.7cm.Provenance: from a private Worcestershire collection.Additional InformationThere is restoration to the hat, violin, both arms and the upward turned scroll of his coat.

MOORCROFT; a 'Spring Flowers' pattern pin dish, diameter 9cm, a Royal Crown Derby goblet vase, pattern 1128, height 12cm, Aynsley, Coalport twin handled dish, Hammersley, Dresden sprays jug, etc (8).

A pair of Dresden style figures in 18th century dress, man with hurdy-gurdy and woman with rose, height 22 cm (hurdy-gurdy chipped); a similar group of 2 lovers, length 24 cm (a.f.)

A late 19th century pair of Dresden porcelain figures of a beau and his lass, 40 cm

A pair of late 19th century Dresden candelabra (adapted) in the form of an 18th century style gentleman and lady, each standing by rustic rose covered column on domed bases, 37cm high

A selection of cut table glass and ceramic coffee sets to include Dresden cups and saucers, a blue flanked and cut spirit decanter and stopper, 18th/19th century creamware strainer and other items

A late 19th century Continental porcelain pug in the manner of Rudolf Kammer - Dresden; miniature Beswick Dachshund (2)

CHAMBERLAINS WORCESTER OVAL LIDDED SUCRIER, (repaired handle), also Dresden gilt and pierced edge floral painted fruit bowl (small edge damage)

Mallarmé, Stéphane Pages Brussels: E. Deman, 1891. 4to, limited to 325 copies, one of 275 on Hollande Van Gelder paper, frontispiece by Renoir, slightly spotted, a few small stains (p.160), ?later tan cloth lettered in ink, binding somewhat soiled, inscriptions to initial blank leaf of A.J.R. Hamilton, Dresden, 1897, upper hinge weak

A collection of Dresden and similar ceramics, to include plates with pierced borders, small dishes, English porcelain flower encrusted two handled vase, hand painted with flowers, etc.

A pair of Dresden porcelain two handled small jardiniere or cachepots, each decorated with birds, flowers, stylised Augustus Rex marks to underside. (1 AF)

A collection of German porcelain figurines, to include some pieces stamped Dresden, others with pseudo Meissen marks, etc.

A collection of various pottery and porcelain wares to include Coalport floral encrusted vase, Rockingham style floral encrusted pot and cover, Schneeballen style pierced and floral encrusted vase, floral decorated pedestal jar and cover, Royal Crown Derby tree stump vase, Continental figural candlestick with floral encrusted decoration and a floral painted vase with pierced neck and stylised swan type handles, floral painted vase on three paw feet, floral painted chamberstick and a Dresden yellow ground rose decorated plate

A Hammersley "Dresden Sprays" part tea service, Spode "Japan" pattern teacup and saucer (2697), Spode rose and gilt decorated teacup and saucer (3614), a Coalport Feltspar porcelain teacup and saucer inscribed to base with stamp "Patronised by The Society of Arts The Gold Medal Awarded May 30th 1820...", together with two further floral decorated blue and white and gilt decorated teacups and saucers and a rose spray decorated pedestal inkwell

A collection of twenty various Victorian and 20th Century teapots including Doulton Slater's "Lacework", Coalport "Flower pot", Dresden "Floral spray", Wedgwood "Ferrara", Wedgwood "Blue Jasper dip", Wetherby Falconware, Keeling & Co. "Willow" pattern, Royal Cauldon "Dragon", James Kent floral decorated, Booth's Silicon "Dragon" decorated, Sadler "Willow" pattern, Derby "Japan" pattern, etc, together with a Delft ware octagonal pot and cover, Falconware flower basket, ribbed pedestal fruit and a cut glass mallet shaped decanter and stopper (24)

Box of assorted china to include; Italian pottery griffin design spill vase, Royal Chelsea foliate design teapot and cup, boxed Staffordshire enamels pin cushion, Paragon and Coalport commemorative ware, Coalport and other teacups and saucers, Wedgwood and other trinket boxes, Royal Albert floral milk jug, Dresden candlesticks etc. (B.P. 24% incl. VAT)

Adolph Lange, Dresden. A fine 18K gold key wind full hunter pocket watchDate: Circa 1830Movement: Gilt 1/2 plate Swiss lever, gold pallet fork, gold escape wheel, cut and compensated bi-metallic balance with heavy gold compensation screws, Guillaume balance, diamond end stone, screwed gold chaton jewels, No.5759Dial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, blued steel spade handsCase: Engine turned round hinged, reeded band, No.5759Signed: Dial & movement, case stamped C.W.SSize: 49mm Accompaniments: 14K gold chain, winding key in the form of an eagle with red chalcedonyFootnotes:Ferdinand Adolph Lange (1815-1875) developed the Glashütte lever escapement in 1844 and went on to make his hometown of Glashütte in Saxony the centre of Haute Horology in Germany. Upon his death in 1875, he left his company, A. Lange & Söhne, to his sons.For further information on this lot please visit Bonhams.com

including Wedgwood, Dresden, Oriental wares and other similar porcelain

SIX BOXES AND LOOSE CERAMICS, LETTER RACK, GLASS, etc, to include empty Beswick boxes, cut glasses, Kaiser colbalt blue vase with gilt decoration, similar Limoges trinkets, Oriental ginger jar, decorated with butterflies and foliage, Spode teacups and saucers 'Summer Palace', Royal Albert 'Old Country Roses' plates, Mason's, Dresden, Royal Doulton, Minton, Wedgwood plates etc

A BOXED WADE WHIMSIES MINIATURE NURSERIES SET FOUR (Little Bo-Peep, Little Boy Blue, Cat and the Fiddle, Gingerbread Man, Ride-a-Cock Horse and Tom Tom the Piper's Son) together with three small porcelain pin dolly heads, and four small Dresden ribbon plates, diameter 19cm

A PAIR OF DRESDEN AUGUSTUX REX STYLE FIGURAL CANDELABRA, each candlestick with three branches and central candleholder, young man and woman seated on both bases, AR backstamp, height 45cm (condition:- restorations, chips and broken arm)

Dresden style porcelain table mirror, the frame surmounted by cherubs and with applied foliate border, oval mirror plate, wooden easel backing, 32cm; and similar pair of wall brackets, each 18cm. (Qty: 3)

A LATE 19TH/EARLY 20THCENTURY GERMAN OVAL PORCELAIN PLAQUE marked Dresden Saxony finely painted with a pair of horses heads, bridled and overlooking a wall with flower spray to the left 19cms by 14cms signed C. Pohl and in fine chased gilt brass frame

Two Samson vases and covers, two Dresden vases and two further Dresden pots (6)

A Chinese famille rose plate with Johanneum mark, ex-coll. August the Strong, Yongzheng -- Dia.: 22 cmÊ Condition: (UV-checked) - A rim section broken out and restuck between 5 and 6.30 o'clock, the break retouched. Otherwise in good condition.Ê Provenance: With an engraved inventory number from the collection of August the Strong.Ê Saxon elector and Polish king Augustus the Strong was a major proponent of porcelain in the early 18thcentury. His love for the material drove him to imprison a talented young alchemistnamed Johann Friedrich Böttger in hopes of finding the formula for white porcelain, which at that time was a secret known only in China and Japan.Ê When Böttger perfected the recipe for porcelain in 1709, Augustus the Strong quickly founded the Meissen Porcelain Manufactory-the first porcelain manufactory in Europe-revolutionizing the porcelain market worldwide. He eventually amassed what is still the largest collection of Chinese and Japaneseporcelain in the West, and began plans fora palace built to store the royal collection-an ambition that ultimately remained a dream.Ê The number of Chinese and Japanese porcelain Augustus the Strong collected grew to 29,000 until his death in 1733. Roughly 8000 pieces from his collection are still preserved in Dresden. They are actually the subject of a major cataloguing, digitization, and research project of the Dresden Porcelain Collection, something experts from all over the world are working on. The remaining third can be considered as a representative cross section of the original collection. The other pieces were dispersed throughout the world in many different ways: In the 19th century, when the Porcelain Collection tried to turn itself into a museum of world ceramics, so-called duplicates were sold or given away in exchanges. When Saxony became a republic in 1918, parts of the porcelain collection became public whereas others stayed with the royal family and were partly auctioned. More losses occurred during the Second World War, when the collections were moved to different repositories outside of Dresden and later to Russia, from where the biggest part returned to Dresden in 1958. Today, we can recognize the pieces originally in the collection of Augustus the Strong thanks to their historic inventory numbers. They are treasured objects in public as well as private collections and in the art market. -- Condition reports, high resolution images or extra images will be made available on request. They will be uploaded to our website. Please send us your requests on info@rm-auctions.com

A Chinese famille verte dish with Johanneum mark, ex-coll. August the Strong, Kangxi -- Dia.: 38 cmÊ Provenance: With an engraved inventory number from the collection of August the Strong.Ê Saxon elector and Polish king Augustus the Strong was a major proponent of porcelain in the early 18thcentury. His love for the material drove him to imprison a talented young alchemistnamed Johann Friedrich Böttger in hopes of finding the formula for white porcelain, which at that time was a secret known only in China and Japan.Ê When Böttger perfected the recipe for porcelain in 1709, Augustus the Strong quickly founded the Meissen Porcelain Manufactory-the first porcelain manufactory in Europe-revolutionizing the porcelain market worldwide. He eventually amassed what is still the largest collection of Chinese and Japaneseporcelain in the West, and began plans fora palace built to store the royal collection-an ambition that ultimately remained a dream.Ê The number of Chinese and Japanese porcelain Augustus the Strong collected grew to 29,000 until his death in 1733. Roughly 8000 pieces from his collection are still preserved in Dresden. They are actually the subject of a major cataloguing, digitization, and research project of the Dresden Porcelain Collection, something experts from all over the world are working on. The remaining third can be considered as a representative cross section of the original collection. The other pieces were dispersed throughout the world in many different ways: In the 19th century, when the Porcelain Collection tried to turn itself into a museum of world ceramics, so-called duplicates were sold or given away in exchanges. When Saxony became a republic in 1918, parts of the porcelain collection became public whereas others stayed with the royal family and were partly auctioned. More losses occurred during the Second World War, when the collections were moved to different repositories outside of Dresden and later to Russia, from where the biggest part returned to Dresden in 1958. Today, we can recognize the pieces originally in the collection of Augustus the Strong thanks to their historic inventory numbers. They are treasured objects in public as well as private collections and in the art market. -- Condition reports, high resolution images or extra images will be made available on request. They will be uploaded to our website. Please send us your requests on info@rm-auctions.com

A Dutch-decorated Chinese Kakiemon-style plate, ex-coll. August the Strong, Yongzheng -- Dia.: 23 cmÊ Provenance: With an engraved inventory number from the collection of August the Strong.Ê Saxon elector and Polish king Augustus the Strong was a major proponent of porcelain in the early 18thcentury. His love for the material drove him to imprison a talented young alchemistnamed Johann Friedrich Böttger in hopes of finding the formula for white porcelain, which at that time was a secret known only in China and Japan.Ê When Böttger perfected the recipe for porcelain in 1709, Augustus the Strong quickly founded the Meissen Porcelain Manufactory-the first porcelain manufactory in Europe-revolutionizing the porcelain market worldwide. He eventually amassed what is still the largest collection of Chinese and Japaneseporcelain in the West, and began plans fora palace built to store the royal collection-an ambition that ultimately remained a dream.Ê The number of Chinese and Japanese porcelain Augustus the Strong collected grew to 29,000 until his death in 1733. Roughly 8000 pieces from his collection are still preserved in Dresden. They are actually the subject of a major cataloguing, digitization, and research project of the Dresden Porcelain Collection, something experts from all over the world are working on. The remaining third can be considered as a representative cross section of the original collection. The other pieces were dispersed throughout the world in many different ways: In the 19th century, when the Porcelain Collection tried to turn itself into a museum of world ceramics, so-called duplicates were sold or given away in exchanges. When Saxony became a republic in 1918, parts of the porcelain collection became public whereas others stayed with the royal family and were partly auctioned. More losses occurred during the Second World War, when the collections were moved to different repositories outside of Dresden and later to Russia, from where the biggest part returned to Dresden in 1958. Today, we can recognize the pieces originally in the collection of Augustus the Strong thanks to their historic inventory numbers. They are treasured objects in public as well as private collections and in the art market. -- Condition reports, high resolution images or extra images will be made available on request. They will be uploaded to our website. Please send us your requests on info@rm-auctions.com

Arthur Harris signed 1983 bomber Command Reunion Dinner Menu. Signed boldly in blue to the front page. Marshal of the Royal Air Force Sir Arthur Travers Harris, 1st Baronet, GCB, OBE, AFC (13 April 1892 - 5 April 1984), commonly known as Bomber Harris by the press , was Air Officer Commanding-in-Chief (AOC-in-C) RAF Bomber Command during the height of the Anglo-American strategic bombing campaign against Nazi Germany in the Second World War. In 1942, the British Cabinet agreed to the "area bombing" of German cities. Harris was given the task of implementing Churchill's policy and supported the development of tactics and technology to perform the task more effectively. Harris assisted British Chief of the Air Staff Marshal of the Royal Air Force Charles Portal in carrying out the United Kingdom's most devastating attacks against the German infrastructure and population, including the Bombing of Dresden. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

signed 'Nessler' (lower left) oil on canvas (Dimensions: 39.50cm x 50cm)(39.50cm x 50cm)Footnote: Provenance The Hertfordshire County Council 'Pictures For Schools' collection' Their sale; Cheffins, 21 March 2019, lot 6, where acquired by the present owner Born in Leipzig, Germany, Nessler began his artistic career at the Castelli Italian School of Art, Dresden. Despite not being Jewish, he strongly opposed National Socialism, and eventually moved to London in 1937, joining the British army shortly thereafter. After the war, he studied sculpture at St Martin's School of Art and travelled to Paris, meeting the likes of Cocteau, Sartre, Picasso, Giacometti and Matisse. French modernism, particularly Cubism, exerted a strong influence on his subsequent work. The bright colours and geometric planes used to depict the landscape surrounding Jersey, the subject of numerous works in the early 1950s, reveals the artist's optimistic post-war outlook. Nessler first exhibited his work at the Molon Gallery in 1961. He also took part in several group exhibitions at the Royal Academy, the Royal Society of British Artists, and commercial galleries in London, the provinces, and abroad. A retrospective of his work was held in 1990, which coincided with his increasing recognition in Germany. Nessler's works are now held in numerous public collections internationally.Condition report: Oil on canvas. On the reverse of the painting is an area of modern adhesive which appears to be a crude repair to a tear at the right of the painting. Around this area are raised flakes of paint. The area appears pink under ultraviolet light suggesting it may have been retouched or reworked following the damage. Quite extensive cracking throughout.

A pair of 19th century Dresden porcelain urns and covers, floral encrusted with gilt ram head handles, on pedestal base, crossed swords mark to base, (a/f) 25cm high

A German Saxe porcelain plate with pierced border and hand painted floral design, together with an Irish Dresden figure of a woman in lace trimmed dress 'Florence' Victorian girls collection Ireland 10cm high

A gilt metal mounted Dresden porcelain trinket box, the hand painted lid depicting lovers signed Jurey (a/f) together with Dresden porcelain candlestick, a German porcelain bud vase models as a putto with cornucopia (a/f) and a Royal Crown Derby bud vase

Three Dresden figure groups, comprising Afternoon Tea Party, impressed mark V11656, a Courting Couple, and a Girl and Boy on a Seesaw, all with blue and gold decoration (3)

Three Dresden figure groups, comprising Girl and Boy on a Seesaw, Afternoon Tea Party, and a Courting Couple, each in blue with gilt decoration (3)

Meissen porcelain bottle vase of gourd form with polychrome painted panel depicting a view of Dresden and floral panel verso, the dark blue ground with additional foliate scroll decoration, blue crossed sword mark, inscribed with title, repair to rim, 18cm high; a Mary Gregory style green glass vase of tapered form depicting a classical maiden on flowering tree stump with applied clear glass prunt handles, 28cm high and a Royal Copenhagen blue and white porcelain floral decorated scent bottle, 13cm high.  (3).

Large 19th century Dresden Helena Wolfsohn porcelain charger with painted polychrome panel depicting a courting couple surrounded by floral sprays and a lobed puce and gilt fish scale border with further floral panels. Augustus Rex mark, 56.5cm diam.

Continental Ceramics - a Dresden style dressing table box, hinged cover, decorated floral swags; a Meissen style covered pot; others similar

A Dresden baluster vase and cover, late 19th century, decorated in the Helena Wolfshon workshop with alternate panels of figures in Watteauesque style and bouquets of flowers, 28cm high.

A collection of Dresden and other German porcelain, painted with floral bouquets, sprays of flowers and scattered flowers heightened with gilding, including: a shaped square dessert dish, 24.5cm square, butter dish and cover, candleholder, inkwell, box and cover, circular pedestal dish, muffin dish and cover, a pair of plates and eight miscellaneous other pieces also a Meissen plate, painted to the centre with a floral bouquet, the pierced border with sprays of flowers, trellis and shells, 24cm diameter (18).

A Beswick figure of a Thoroughbred stallion, standing on an oval wooden plinth base, 22.5cm high and a Dresden shaped oval inkstand, painted with flowers and heightened with gilding, having two inkwells, one lacking liner and cover, 26.5cm wide (2).

Two Dresden quatre lobed two-handled cups and saucers, decorated in the Helena Wolfshon Workshop, typically with alternating panels of romantic figures and floral bouquets reserved against pink or blue grounds, saucers 14.5cm wide (4).

A colection of Dresden and other German porcelain tea and coffee wares, painted with floral bouquets, sprays of flowers and scattered flowers heightened with gilding, including: 2 teapots, 25 plates of varying sizes and designs, 12 tea cups, 5 coffee cups, 12 saucers of varying sizes and designs and a sugar bowl (57).

Three Dresden heart shape dishes, painted with bouquets of scattered flowers and gilded, 16 and 12cm wide, and a Plant Tuscan figure The Town Crier, 17.5cm high (4).

A Dresden quatre lobed two-handled cup and saucer, decorated in the Helena Wolfshon workshop with alternate water landscape and floral bouquets reserved against a black ground, the saucer 14.5cm wide and a pair of Carl Knoll Carlsbad saucers, painted with landscape scenes reserved against a gilt ground, 14cm diameter (4).

Andras Kaldor (Hungarian, born 1938)Vigado Concert Hall, Budapest; Staatsoper, Dresden; Wurttembergisches, Staatstheater, Stuttgart; Bavarian State Opera, Munich; Zurcher Opernhaus, Zuricha set of five works depicting various opera houseseach signed dated and inscribed (along the lower edge) watercolour the first and second 78 x 118cm (30 11/16 x 46 7/16in); the third 76 x 111cm (29 15/16 x 43 11/16in); the fourth 61.5 x 107.5cm (24 3/16 x 42 5/16in); the fifth 75.5 x 100.5cm (29 3/4 x 39 9/16in)(5)Footnotes:ExhibitedNew York, Coe Kerr Gallery Inc., The Opera Houses of Europe, December 5-21, 1990.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.

A quantity of continental floral decorated tea-ware to include Dresden

DRESDEN PORCELAIN FIGURES, polychrome decorated, 16cm H.

Pair Augustus Rex Dresden style vases with covers, H32cm and matching pair (4)

Pair Victorian Davenport Imari pattern cups & saucers, Dresden hand painted floral plate, Aynsley George V commemorative mug, Shelley Melody mug, Royal Worcester commemorative candles and other commemorative wares

Royal Worcester figure 'Friday's Child is Loving & Giving' no. 3261, Royal Doulton 'Choir Boy', 'BoPeep', 'Cissie', two Goebel figures, Dresden lady in lace dress and Karl Ens figure of a Girl with Chick (8)