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Two German-market O Gauge (or larger) Platform Train Indicators, by Fischer or similar with finely-printed greenery to bases, both of similar pattern, destinations Berlin/Leipzig/Stuttgart on both, one with Hamburg and the other Dresden, one with additional arms to each end (possibly added), F-G, each missing one pull-handle, one unit missing its embossed roof (2)
Dresden china cabinet cup and saucer, each lobed, the cup applied and painted numerous floral sprays, raised on six stilt feet and a Coalport china coffee can and saucer, quatrefoil with black and gilt formal floral decoration (2) Condition Reportthe Coalport cup and saucer have gilt rubbed on the rims, the flowers on the base of the Dresden saucer are chipped, the cup appears without damage. Please see images
A MEISSEN 18TH CENTURY FIGURE OF A LADY HOLIDNG A FAN; together with a companion figure of a gentleman standing dressed in pink overcoat, each approx. 13.5cm high; a pair of Dresden seated figures of an artist and a lady holding a flower basket, each 10cm high, and a 19th century Meissen figure of a classical lady, 13cm high. (5)
A Beswick pheasant, model number 1225, 20cm high, with a pair of Victorian cabinet plates, each with pierced rim, one painted with a central floral panel surrounded by foliate cartouches, the other with a central seashell panel surrounded by seashell cartouches, each 25cm wide, a Staffordshire plate with painted floral decoration and gilt highlights, 24cm wide, and a pierced serving basket marked Dresden, 27.5cm wide (5)
A near-pair of circa 1900 Meissen Dresden porcelain figures, each as a seated maiden, one at the breakfast table and the other with attendant parrot, each with underglaze blue crossed sword mark verso, parrot example further incised 6.4 and impressed 122, h.14cmCondition report: Parrot example - lacking left arm.
[Cooper, James Fenimore]. The Water Witch; or the Skimmer of the Seas. A Tale, 3 volumes, 1st UK edition, 1830, advertisements front and rear of volume 1, a little minor spotting, original boards, a few splits along joints and small tears at spine ends, 8vo, together with The Last of the Mohicans: A Narrative of 1757, 3 volumes, 2nd UK edition, 1828, a little minor spotting, original boards, one or two small nicks and tears to spines, 8vo (Qty: 6)NOTESFrom the Library of Alan and Joan Tucker, Stroud, Gloucestershire. The Water Witch first UK edition precedes the US first edition, but was first published in Dresden in 1830 with only a handful, possibly eight, copies printed.
Felixmüller (Conrad). ABC. Ein geschütteltes geknütteltes Alphabet in Bildern mit Versen von Londa und Conrad Felixmüller, Dresden: F. Emil Boden for the artist, 1925, 16 full-page hand-coloured woodcut illustrations, original wrappers, stitched as issued, with title design to upper cover printed in red and blue, slightly rubbed to edges, and some minor marks and light spots, oblong folio (26 x 34 cm) (Qty: 1)NOTESProvenance: Eduard Rosenbaum (1887-1979), Anglo-German economist and librarian, and close friend of Felixmüller. Jentsch 154; Rifkind 617; Söhn 348-363. One of perhaps 10 copies hand-coloured by the artist, from the total edition of 350, comprising 100 copies on Bütten paper, numbered and signed by the artist, and bound in cloth, and 250 copies on Ingres paper and bound in wrappers. This copy is from the Ingres issue, and is inscribed by the artist 'Eigenhandig coloriert C. Felixmüller' on the title-page, though the few other hand-coloured copies traced have all been on Bütten. Created for his sons Luca and Titus and the children of his friends, and printed by master printer Zielinski in December 1925 under the supervision of the artist, Felixmüller's glowingly hand-coloured picture book is one of the most significant artist's books of German Expressionism. Partly as a result of the straightened circumstances brought on by the catastrophic economic decline in Germany in the 1920's, Felixmüller took overall control of all aspects of the production of this book, thereby keeping costs to a minimum, but at the same time enhancing significantly the quality and harmony of all aspects of production.
Felixmüller (Conrad). Das Maler-Leben, 16 Originallithographien mit Pinsel und feder von Conrad Felixmüller, Dresden: Rau und Sohn for the artist, 1927, 16 full-page lithographs, including title and colophon, printed by the master printer May at Rau und Sohn in November 1927, contemporary plain green cloth, slightly rubbed, with some overall spotting and discolouration to covers, folio (34.8 x 24.5 cm) (Qty: 1)NOTESProvenance: Eduard Rosenbaum (1887-1979), Anglo-German economist and librarian, and close friend of Felixmüller. Söhn 386; Lindenau-Museum 565-580. Limited edition of 160 copies, the first 30 copies with every lithograph signed. This copy is numbered 26, but the prints are unsigned. The colophon however is signed and inscribed bu the artist in blue ink to Eduard Rosenbaum 'Herrn und frau Dr. Ed. Rosenbaum herzlich und dankbar 25.6.1930, C Felixmüller'. Dedicated to his friend the poet Carl Sternheim, Felixmüller's Maler-Leben tells the autobiographical story of the artist's life in vivid, childlike images, from the boy sketching from his window, to painting the nude and selling works to a dealer.
A pair of Dresden late 19th century vases of ovoid shape, pseudo ring handles and encrusted with roses and leaves together with a figure group of a boy on a gate, a girl besides on an oval base, a pair of porcelain figures of fruit sellers, an early 19th century figure of a mother and child riding a goat, pottery floral decorated plate, a Sitzendorf figure of a frog playing a euphonium, two blue glass decanters and an elephant
A Meissen 19th century figure of a girl with a book under her arm, blue crossed swords and impressed 1429 to base, 12 cm high to/w a Meissen 19th century miniature pedestal vase finely painted with a scene of Dresden and polychrome flowers and with garlands of flowers in bold relief, blue crossed swords and title of scene to base, 9.5 cm high, a Naples porcelain figure of a seated shepherd shearing a sheep, a porcelain model of a sheep and a Rudolstadt Volkstedt allegorical study of a classical woman and cherubs, 16.5 cm high (5)Meissen girl - Good conditionMeissen vase - minor losses to the leaves & petalsShepherd - Good conditionSheep - a/fRudolstadt Volkstedt - major losses including cherub's wings
A pair of 19th century Sèvres style porcelain slender lidded vases probably Dresden, with ram's head handles, painted with sprays of flowers within a gilded frame on a white lined pale blue ground, the conforming waisted spire lid with moulded white acanthus leaf decoration and gilt ball finial, underglaze blue Sèvres mark inside the base, 15in. (38.1cm.) high. (2)
F.W. HABIG, DRESDENA 9.5x47R (SCHEIBEN) HAMMER BOLT-ACTION SINGLE-SHOT TARGET-RIFLE, MODEL 'SCHUTZENFEST MATCH', no visible serial number,circa 1878, with blued two-stage 31in. barrel, the top dove-tailed for an adjustable position rear-sight and signed 'F.W. HABIG, DRESDEN', dove-tailed adjustable fore-sight blade with curved side-protectors, rounded receiver with short straight bolt handle, no provision for safe, plain top-tang mounted with a pan-headed aperture sight, plain exposed hump-backed bar-action lock with dipped tail and external hammer striking a pin concealed in the bolt-handle, walnut tyrolean three-quarter stock with chequered swan-neck wrist (old repaired cracks) and Swiss heel-plate, complex trigger-guard, double-set triggers, plain fore-end with moulded iron tip and iron under-barrel clearing-rod, traces of original finish remaining and complete with a period leather sling (worn). Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
An early 20th century Dresden porcelain teapot and cover, of bullet shape, having flower finial with further floral decoration, printed mark verso; together with a pair of Dresden porcelain jars and covers; teacup and saucer etc.Teapot – height 13cm, spout to handle 21cm, dia.16cm, some surface wear to lid, minor losses to flowers on finial, otherwise very good condition.Bowl one – some wear and losses to gilt, losses to flower on finial, otherwise good.Bowl two – some pitting to interior, losses to flower on finial, otherwise good.
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31176 item(s)/page