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A pair of Dresden porcelain pug dogs, each seated and wearing a pink and gilt collar, printed mark, 22cm (2)

A pair of 19th century Dresden porcelain oriental musicians in oriental dress, playing guitars, with printed and impressed marks each 19cm high

Dresden porcelain ink stand and cover, painted in colourful trailing flowers with gilt highlights, 16cm diameter; and a Vienna chocolate cup and saucer, decorated with a oval panel of a queen fairy on a green, floral and gilt ground, 7cm high (2)

A pair of Dresden porcelain figures, early 20th Century, modelled as a male and female musician, each resting on a tree stump, a dog at his foot, a sheep at hers on naturalistic green bases, underglaze blue and impressed marks to bases, height approx 19cm.

A pair of Dresden porcelain bottle vases and covers, circa 1900, the spherical bodies painted with figural panels against a pink ground beneath square shaped necks, blue printed marks to bases, height approx 36cm (haircrack to one neck).

A Meissen porcelain circular trinket box and cover, outside factory decorated, the cover with a figural lakeside view within green ground and black trellis framing, enriched with gilding, crossed swords in underglaze blue to base, together with a similar blue scale ground Dresden example.

A Dresden circular trinket box and cover with pink scale borders, the cover painted with a couple in a landscape, together with a German porcelain Meissen style circular trinket box with hinge lid, late 19th Century, enamelled with lovers in a landscape setting within gilt foliate scroll framing and orange scale borders, underglaze blue mark to base, a Sèvres style rectangular green ground trinket box, late 19th Century, the hinged lid enamelled with a putto, the sides with pink roses, pseudo blue painted interlaced L's to base (cover detached) and a Limoges lilac ground jar and cover (chip to base).

A Dresden porcelain turquoise ground two handled écuelle, cover and stand, late 19th Century, painted with figural and floral panels, the cover with floral knop, underglazed blue 'AR' mark to bases (cover restored, star crack to stand), together with a similarly decorated lobed oval box and cover (minor faults).

A Stevenson & Hancock Derby porcelain figure, late 19th Century, modelled as a maiden carrying flowers in her apron, on a circular scroll base, painted marks to base (minor faults), a Dresden porcelain trinket box and cover decorated with a maiden and gallant in a garden, a Continental porcelain circular trinket box with hinge lid, together with three other items.

A Dresden porcelain gilt metal mounted rectangular box, late 19th Century, the hinge lid painted with a courting couple out of doors within a gilt rococo scroll and green scale border, repeated on the lid interior and base, the sides with flower festoons, length approx 8.5cm.

A Dresden circular plate decorated in colours with flower sprays within a basket weave border, a further decorative continental plate with a lemon and gilded border, an Adams “Winter Scenes” plate and a 19th Century Chamber Pot

A collection of various Susie Cooper Ware and Gustavsberg Wares, decorated with asterisks and Dresden spray designs etc, comprising 16 cups and saucers, Tea Pot, various plates etc

A Dresden Porcelain small Wall Mirror of oval form, applied with Putti and the frame encrusted with flowers, decorated in colours throughout, Augustus Rex Mark, 13” high (Note: may be viewed hanging on wall opposite Lot 333)

A Dresden porcelain figure of Eurian, 10" high

A Spode bone china "Dresden Rose" part teaset

A pair of Dresden pierced gilt and floral enamelled plates.

A Victorian Staffordshire "Dresden Opaque China" soup tureen, stand and cover. Damage.

A pair of Dresden three light girandoles, late 19th century, the frames encrusted with flowers and foliage and each with two cherub surmounts, 40cm high, marks in blue Provenance: Sion House, Sion Mills, Co. Tyrone, Northern Ireland

After Gabriel Metsu 1629-1667- "Woman selling Poultry"; oil on canvas, 60x44.5cm. Note: The original painting is held by the Dresden Galerie

A porcelain Meissen style planter, late 19th century, with floral painted decoration, the handles as naturalistic branches with applied schneeballen type flowers, 18 cm high, a Meissen style quatrefoil box and cover, with floral painted decoration, 15 cm wide, a similar smaller pair, 10 cm wide, a Dresden type porcelain trinket box with gilt metal mounts and hand painted floral decoration, 13 cm wide, a Vienna porcelain trinket box, with gilt metal mounts and painted with cupid scenes within a blue and gilt ground, 8 cm wide, two Bing & Grondal vases, and a similar Royal Copenhagen example, a trefoil porcelain dish, a Wedgwood style glazed jasperware plaque, a Meissen porcelain slipper, and an Augustus Rex porcelain cabinet cup and saucer, painted with panels courting couple scenes on a blue and gilt ground, (13).

Good quality mid nineteenth century Meissen dessert plate with Dresden finely painted central Cupid decoration within finely reticulated borders, impressed and painted marks, 22.5cm

A Dresden plate, painted with exotic birds and foliage by A Lamm, bears the unauthorized use of Meissen sword mark, 9 1/2” diameter (illustrated page 20)

A Dresden shaped porcelain dish, with cartouches of gilt flowers on a deep blue ground, 12” diameter

A pair of Dresden flower encrusted urns, two handled, the covers crested with a kneeling cherub with a bird, 7 1/2” high (2)

Dresden monkey band conductor modelled wearing an orange coat standing on scrolled base, also one other figure of a boy running holding a basket of flowers, (2) 15cm high Illustrated

19th Century Dresden Vase, formed as a conch shell supported by three putto.

Pair of late Dresden puce ground vases and covers, with alternating panels of figures and flowers, 13" high

Pair of Dresden bottle vases one with turquoise ground and one yellow painted with various flowers h: 12 in.

A Crown Staffordshire miniature vase, of baluster form decorated in blue and gilt, together with a Dresden egg, a miniature Toby jug and sundry items

A modern Dresden floral inkstand and pen tray with two loose inkwells and covers, two floral boxes and covers, a Goss mug initialled W in blue flowers, 7.5cm (3") high and another

A collection of early 20th Century Dresden tea wares, comprising a tray, cups, saucers, side plates, a jug, a leaf shaped dish etc all decorated sprays of flowers within gilt borders

A pair of late 19th Century Dresden mugs painted rose sprays and with border of roses within blue and gilt borders, 12cm (4.75") high

Five: Petty Officer 2nd Class A. Stevens, Royal Navy, killed in action on H.M.S. Good Hope at the Battle of Coronel, 1 November 1914 Queen’s South Africa 1899-1902, no clasp (Ord., H.M.S. Terrible) small impressed naming; China 1900, 1 clasp, Relief of Pekin (A.B., H.M.S. Terrible); 1914-15 Star (190224 P.O. 11 (sic), R.N.); British War and Victory Medals (190224 P.O. 2, R.N.) first two with contact marks, nearly very fine; others good very fine (5) £650-750 Arthur Stevens was born in Derby on 1 May 1881, the son of Enoch and Alice Stevens. A Shop Boy by occupation, he enlisted into the Royal Navy as a Boy 2nd Class on Impregnable in August 1896 and was advanced to Boy 1st Class on the Lion in May 1897. He was promoted to Ordinary Seaman on the Volage in May 1899 and was posted to the 1st class cruiser Terrible, September 1899-October 1901. On the ship, he served in the operations in South Africa and in the supression of the Boxer Rebellion, where he was involved in the relief of Pekin. Stevens was promoted to Able Seaman on 1 October 1900 whilst on the Terrible. Stevens was advanced to Leading Seaman in October 1902 when on the Duke of Wellington and to Petty Officer 2nd Class in 1906 when on the Hindustan. He then took his discharge by purchase in February 1907 and joined the Royal Fleet Reserve in the following month, re-enrolling in 1911. With the onset of war Stevens returned to service and was posted to the armoured cruiser Good Hope. Petty Officer Stevens serving on the Good Hope was killed in action at the battle of Coronel, 1 November 1914. He was the husband of Hannah Stevens of 40 Liversage Street, Derby. His name is commemorated on the Portsmouth Naval Memorial. Early in August 1914 a force, consisting of the old armoured cruisers Good Hope and Monmouth, the light cruiser Glasgow and the armed merchant cruiser Otranto, all under the command of Rear-Admiral Sir Christopher Cradock, R.N., was sent to protect the southern trade routes and to intercept German cruisers operating on the high seas. In October 1914 the squadron was reinforced by the addition of the old battleship Canopus but reports of the ship’s lack of speed led the admiral to leave her behind as he searched for the German East Asiatic Squadron. The German squadron, commanded by Admiral Graf von Spee consisted of the armoured cruisers Scharnhorst and Gneisenau and the light cruisers Leipzig, Nurnberg and Dresden. Both admirals became aware of the proximity of the other on 31 October. At 6.40 p.m. on 1 November the squadrons made contact off Coronel, Chile and at 7.04 p.m. the battle opened at a range of 11,500 yards. As the German ships had a greater number of heavier guns, Cradock’s tactics were to close the range to allow his ships’ more numerous smaller calibre guns to come into play; this however was partly negated by the rough seas and high speeds which prevented many of British armoured cruisers’ casemate guns being brought into action. The British armoured cruisers were repeatedly hit as the range was reduced. As the range reduced to 5,500 yards, the Good Hope was on fire in several places and in a bad way. Endeavouring to reduce the range even further, so as to be able to fire torpedoes in a last ditch attempt to do damage to his adversary, the ship was repeatedly hit by heavy calibre shells and at 7.53 Good Hope blew up, taking the Admiral and all hands with her. At about 9.30 the Monmouth too was hunted down and sunk; the Glasgow and Otranto were able to make their escape under the cover of darkness. Sold with Royal Naval Memorial scroll (folded) and with copied service paper.

Lewis (T. Percy) & Bromley (A.G.) The Book of Cakes, nd., colour plates throughout, cloth; Weber-Dresden (J.M. Erich) Theory and Practice of the Confectioner, [1927], colour plates, German, English and Swedish text, half russia binding; Gouffe (Jules) The Royal Cookery Book, 1869; N.B. all three volumes worn and well-used, w.a.f. (3)

A SAXON SLURBOW, BY JOHANN GEORG ERTTEL, DRESDEN, DATED 1753 with blued steel bow decorated with a gilt band top and bottom on each side, fitted with an early string, retained by gilt cords and with its green pom-poms, fruitwood tiller fitted an additional bar above and with bone bolt channel (very light worm damage), engraved with the date ahead of the string release, inlaid with engraved staghorn segmental lines and plaques including panels of rococo foliage inhabited by hounds on each side of the mechanism, a doe and a stag pursued by a hound in a rococo landscape on the left of the cheek-piece and further decorated panels on top including a scalloped hollow for the thumb, steel string release, double set trigger, steel trigger-guard, and bone butt-plate engraved with the number '1' and the maker's full initials 'I. G. E' and surname 'Ertell' 67cm; 27 3/8in This was converted for use as a slurbo in its early working life. Two gunmakers of this name, a father and son, are recorded circa 1700-63 and 1728-94 respectively. A number of firearms by them are preserved in the Electoral Gunrooms, Dresden though neither is recorded as a crossbow maker. It is likely that this is the work of the father as the son is recorded as in Amsterdam as both Burgher and Master the year the present bow was manufactured. See D. Schaal, 1975.

WINHOLDT, MICHEL A FINE DRAWING OF A 48 POUNDER AND A 24 POUNDER DECORATED CANNON, BOTH DATED 1646 63.5cm; 25in by 16cm; 6 1/4in and 51.5cm; 20 1/4in x 14cm; 5 1/2in respectively (2) ink on paper (each with a repaired clean tear), the 48 pounder signed and dated within a cartouche over the first reinforce and inscribed '8 lodt Eissen' [48 pounds], the 24 pounder signed and dated around the base-ring '4 lodt Eissen' [24 pounds], both framed and glazed The Weinholdt (Weinhold) family are recorded as a family of gun and bell founders originating in Danzig. Late in the 17th Century they moved to Dresden where they succeeded the Herolds as chief founders to the Electors of Saxony. The present drawings are in keeping with contemporary British 'demi-cannon' and 'whole cannon' later known as cannon of 7 and cannon of 6 respectively. See H. L. Blackmore 1976 and A. N. Kennard 1986, p. 152.

A 1930's coloured glass liqueur set, including decanter, 9in., amber coloured triform vase, 9in., two other items of glassware and a 19th century Dresden porcelain inkstand, lobed shape painted with flowers and birds

*A silver and tortoiseshell mounted Violin Bow by Knopf Stamped: Knopf Dresden Octagonal stick Weight: 59g.

A nickel-mounted Viola Bow by Christian Wilhelm Knopf, Dresden circa. 1825 Unstamped Octagonal stick Inlaid beneath frog with mother of pearl strips Weight: 67g. (no hair or lapping)

A Violin by L. Lowendall, Dresden 1879 Branded internally: L. Lowendall Dresden 1879 Length of back: 14ins, 356mm

Pair of Portmeirion 'Botanic Garden' series candlesticks, glass decanter and Dresden style porcelain candle holder and pair of contemporary Adams 'Baltic' design floral blue and white tureens

Dresden style small 19thC figure, young boy holding hat with flowers, incised marks

A Beswick dog, cat, bird, a pair of Dresden figures and other decorative ceramics

A pair of Volkstedt bisque porcelain figural candlesticks, late 19th Century, with gilt detail on a pale blue ground, a pair of Dresden side plates, three Dresden vases and covers, two other plates and a Caverswall coronation commemorative beaker.

A Dresden porcelain baluster vase and cover, late 19th/early 20th Century, painted with panels of figures in 18th Century costumes, alternating with flowers against a yellow ground (rim restored).

An Austrian porcelain model of a seated white cat washing itself, underglaze blue and impressed marks to base, together with two Austrian models of dogs, a Czechoslovakian model of a puppy (fault), two Dresden dogs and a Dresden cat.

A Dresden porcelain Staffordshire style model of a poodle, early 20th Century, the seated animal with shredded clay detailing raised on a rectangular base with gilt scrolls, underglaze blue factory marks to base, together with five other Staffordshire style animals.

A Royal Doulton porcelain brown gloss Arab Horse, DA52 and a Dresden porcelain trio.

A Meissen pickle dish of leaf form decorated with insects and fruit (faults), a Belleek cup and saucer, black printed marks, a later Belleek jug and a pair of cylinder vases, a Crown Derby blue and white cup and saucer, a Dresden cup and saucer decorated with figures and flowers, a Minton teapot decorated with scattered flowers, a similar cup and saucer, a chintz dish, and a Rye pottery vase decorated with hops (faults).

A PAIR OF DRESDEN PORCELAIN BLANC-DE-CHINE FIGURAL CANDELABRA, each with three leaf moulded sconces on similar scrolled branches, the stems flanked by a boy and girl in 18th century costume on circular bases, late 19th/20th century, blue crossed swords mark, 19" high

A Dresden porcelain two division letter rack, 20th Century, of shaped rectangular form, decorated with pink floral garlands beneath gilt edging, underglaze blue mark to reverse, together with a Rosenthal 'Palladiana' pattern black printed Fornasetti oval vase, a similar beaker and a small collection of decorative ceramics.

A DRESDEN PORCELAIN TREMBLEUSE HOT CHOCOLATE CUP, COVER AND SAUCER Painted in the manner of Helena Wolfsohn with Watteauesque figural and floral decoration, against puce and white panelled grounds. Underglaze blue AR monogram marks, late 19th/early 20th Century ++Saucer restored

A late 19th/early 20th Century Dresden porcelain group of five musicians, enamelled in colours and with applied porcelain lace, on oval rococo pattern base, 27ins x 15ins x 18.5ins high (apparently unmarked - base cracked and generally damaged and restored)

C19th Meissen porcelain figure of a seated lady feeding a cat, damages and restorations, 4.85ins. (12.3cms.), blue crossed swords mark; together with a similar yellow ground chamberstick with topographical panel, titled on underside 'Albrechtsschloss, Dresden', damages and restorations, 4.65ins. (11.8cms.) dia.; and a pair of late C19th / early 20th Continental porcelain chambersticks, 3.25ins. (8.3cms.) high (4).

Late 19th Century Dresden porcelain tea urn having typical painted decoration and standing on gilt highlighted triple scroll supports, 26cm high together with a somewhat similarly decorated pot-pourri and cover, 15cm high

A Derby peacock, modelled by John Whitaker, standing with tail down, picked out in gilt and colours, the shaped stand encrusted with colourful summer flowers, picked out in gilt, 16cm high, mock Dresden mark in blue, c.1785 - 1825

A pair of 19th century Meissen slender campana vases, decorated with Views of Dresden within raised foliate scroll cartouches picked out in gilt above conforming floral reserves on a cobalt blue ground, the verso conforming, shaped circular bases, 36cm high, crossed swords in underglaze blue, incised 2767, c.1880

19th Century Dresden porcelain Vase, modelled as a fish, painted with Spring flowers, with gilt scales, marked, 26cms, (10").

Dresden part Dessert Set, comprising six plates, a tazza and fruit bowl, each piece with a pierced border and decorated with flower sprays, marked. (8)

A decorative Dresden two-handled shaped circular Dish, decorated in colours with floral sprigs, raised on four feet, cross-swords mark in underglaze blue (chipped), 9 ½” wide