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Click here to subscribeDRESDEN PORCELAIN TEA CANNISTER. A Dresden tea cannister in the Meissen Hausmalerei style, of hexagonal form the chinoiserie tea caddy and cover painted on each side with a variety of Chinese figures, insects and birds. With gilded decoration to the lid and body, and marked to the base and inside the lid with the number 66 or 99. 10.5cms high. *CR Some wear to the gilding where the lid sits on the caddy, otherwise seems generally fine.
A MEISSEN (OUTSIDE-DECORATED) BLACK-GROUND TEA SERVICELATE 19TH CENTURY painted with equestrian scenes divided by bouquets of flowers on black ground, comprising: a teapot and covera milk jugand twelve cups and saucersand a Dresden sugar bowl, cover and stand ensuite blue crossed swords marks and cancellation marks (30) Provenance: Sotheby's STYLE London: Furniture, Clocks, Silver, Ceramics & Works of Art, 17 May 2022 lot 115
A PAIR OF LARGE DRESDEN BOTTLE VASESCIRCA 1900Typically decorated with flowers and Watteauesque panels, on carved Chinese style bases and adapted for electricity as lamps58cm high overall including electrical fitmentsProvenance:By repute- Sir Lionel Faudel-Phillips, Balls Park Hertford and thence by family descentCondition Report: As part of the adaption these have been drilled, the gilding worn Please note these are sold as decorative items of furniture only and not as working electrical lamps - these would need to be rewired and tested by a professional electrician prior to use in a domestic setting. Condition Report Disclaimer
Klaus Schmitt (1955-) – ‘Max’ coloured print, signed and numbered edition 525/1120. Born in Korschenbroich, Schmitt studied at Aachen University and Düsseldorf Academy of Art, he uses linear bright lines to cross over each other and create patterns that each change the shape of the space when they intersect. He has exhibited across Germany in Cologne, Dresden and Berlin. 50cm x 50cm.
DelPrado - Relive Waterloo. A selection of Thirty, diecast model military figures, predominantly 'Relive Waterloo' series, all mint in sealed blister packs (a small number with light bruising to the transparent packaging) To include: #88 The Road to Dresden, #83 The Peninsular War in Eastern Spain, #81 The Battles of the Pyrenees and similar. (This does not constitute a guarantee)
A pair of late 19th century Dresden porcelain bottle-shaped vases. Blue AR marks, painted with bouquets of flowers on a pale-pink ground alternating with couples in landscape the the Meissen style, within gilt scroll and pebble borders, 26cm high Condition Report: Overall in good-very good condition. No apparent cracks or chips. Some slight signs of wear including rubbing to the bases, scuffs and light scratches. Gilt has possibly been reapplied around one of the rims. Would benefit from a clean.
Dix, Otto (Gera 1891 - 1969 Singen)"Frau mit Kind (im Kinderwagen)"; Farblithographie 1949; auf Kupferdruckpapier; rechts unten sign. und dat. 49; links unten num. 30/30 sowie betitelt: Frau mit Kind; Darstellungsgröße: ca. 42 x 32 cm; unter PP hinter Glas gerahmt (71 x 54 x 2 cm); mit Blindstempel der Akademie der Bildenden Künste Dresden; Auflage: 30 Exemplare; Lit.: WVZ Karsch Nr. 183 a
Group of mixed ceramics to include 2 x early 19th century Copeland & Garrett teacups (circa 1830s, featuring an example with hand painted landscape panels), 19th century Crown Derby urn vase in cobalt blue (9cm high), Royal Crown Derby Imari coffee can, Continental porcelain hand-painted cabinet cup, Dresden cream jug, Staffordshire figural sugar shaker, F Cartlidge teacup & saucer, etc
A 19thc china Continental envelope style wall pocket with ribbon surmount, decorated with floral and leaf sprays, unsigned verso, (h 18cm x 17cm) and a Continental porcelain Dresden style cachepot with rococo style C scrolls and twin handles to side, with floral sprays, on bracket feet, (11.5cm x 12cm) (2)
A pair of Dresden figural table lamps decorated with cherubs, 28cms high; together with a Dresden pierced comport, 20cms high (3).Condition ReportThe comport does have minor fritting to the base, the top is also a little loose and the gilt has rubbed in places. The first candlestick has some minor chips/sharp knocks to some of the roses and minor rubbing to the gilt decoration. The other candlestick is in similar condition to the other and has a few chips to the tips of the cherub figures.
Dresden Superb Quality Pair of Large and Impressive Hand Painted Mask Handled Lidded Vases, in a classic Regency design, the superb forms decorated in blue enamels on a white ground and embellished with gold highlights; each vase standing on a square base with splayed, shaped top covers; Dresden marks to undersides, each vase standing 16 inches (40cms) high; both of first quality and in mint condition
Fanny Mary Minns (aka Frances Mary Minns) 1847-1929 - Isle Of Wight-born artist. An unseen sketchbook of studies by Minns. The inner board signed ' FM Minns -Edinboro August 1900 '. The book features several finished and unfinished sketches, largely annotated by Minns noting details of the subject or location. Sketches of note include; Holy Loch, Lay's Yard Colchester, On Cowes Pontoon (studies of people), Court Chapel Dresden, Leopold Vienna, Hungarian Shepherd and many others. Some coloured. Fanny Mary Minns, was born at Node Hill, Carisbrooke, Isle of Wight, Hampshire in 1847, sixth and youngest child of William Minns, partner in the dry cleaning and dyeing business of Bright and Minns, and his wife Mary née Bright, who married at Niton, Hampshire on 28 March 1836. The dying business lasted for some 164 years and allowed Fanny, the luxury of training as an artist. In 1851, a 4 year old, living at Node Hill, Carisbrooke, Isle of Wight with her parents, 57 year old William of Southampton and 38 year old Mary, and five siblings, Jane 13, William 12, Charles 10, Walter 8 and Kate 6, all born at Newport. It seems probable that Fanny received painting lessons from Ellen Cantelo (c.1825-1898) of Carisbrooke, who made her living as an artist. As the Royal Academy in London was closed to women until 1862 Fanny proceeded to Dresden Art Academy and she established herself as a teacher of painting. Her father died in 1852 and Fanny continued to reside with her widowed mother on the Isle of Wight. Working in watercolour she produced a huge number of local landscapes, working 'al fresco' to capture the immediacy of light and colour. She also did hasty sketches for further work in her studio and her continental travels certainly took her to Switzerland where Alpine scenes, including the Matterhorn are among her works. A member of the Ipswich Art Club 1889-1890 and exhibited from Glen Cottage, Isle of Wight in 1889, three pictures, 'Roses', 'In the New Forest, Sunset' and 'Alpine Anemones' she also exhibited two items of earthenware but she exhibited widely, including the Birmingham Art Gallery, the Walker Gallery in Liverpool, the Royal Society of British Artists and the Society of Women Artists. As well as teaching painting, Fanny received commissions to illustrate books from several publishers, including for 'The Silence of Dean Maitland', by local author Maxwell Gray (Mary Gleed Tuttiett), and illustrated 'Romance of the Hill Station and Other Stories' by Mrs H S Lerverton and Mary's landscapes caught the attention of Ruddock and Co, providing views of the Island and Dorset in the 'Artist' series of postcards. In 1911, she held an exhibition of her work at the Unity Hall in Newport where she displayed 110 paintings. Mary travelled in search of new subjects until the end of her life. She was of Langsnek, Medina Avenue, Newport when she died Ryde, Isle of Wight on 11 May 1929, aged 82, and buried beside her mother at Mountjoy Cemetery in Carisbrooke, she was unmarried. She is sometimes recorded as Frances but her birth and death records are Fanny. (From www,suffolkartists.co.uk/index.cgi?choice=painter&pid=1909)
ROYAL CROWN DERBY; a collection of ceramics in the 1128 and 2451 pattern, to include a miniature tyg, a miniature jug, tea cups and saucers, also two Royal Crown Derby animal form paperweights and a Royal Copenhagen model of a duck, also a Dresden porcelain lidded vase.Condition Report: The Royal Crown Derby miniature jug, side plate, circular dish and 2451 cup and saucer are seconds quality, the robin paperweight is with silver base button, a Dresden lidded jar with a fine hairline crack.
WW2 German Luftwaffe Other Ranks Belt Buckle, fine example of an other ranks belt buckle which retains much of the original dark blue combat paint finish. Attached to the buckle is the original tan leather tab which is stamped with makers details of H Aurich Dresden and dated 1942. Some light wear to the finish but generally a very good example.
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