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Click here to subscribeRudolph, Charlotte (1896 Dresden - Hamburg 1983) Vier Silbergelatineabzüge mit drei Tanzdarstellungen, dabei "Mary Wigman in Traumgestalt" aus "Visionen". Je auf Unterkarton mit Bleistift sign. und dat. 1927/28. Je mit Prägestempel CH. RUDOLPH DRESDEN. Unterkartons mit Gebrauchsspuren (1x stärker verfärbt).
Acier, Michel Victor (1736 Versailles – Dresden 1799), nach Paar Potpourri-Vasen. Ovoider Korpus mit abgesetzter, eingezogener Schulter, seitlich hochgezogenen Henkeln in Gestalt eines sich windenden Schlangenpaares (1x rest.). Haubenartig aufgewölbter, durchbrochen gearbeiteter Deckel, mittig Knauf in Form eines Eichenblattkranzes. Kobaltblauer Fond mit reicher Goldmalerei. Schau- und rückseitig bunte Watteaumalerei in ausgesparter Reserve. Schwertermarke Meissen, 1850-1924. 1. Wahl. H. ca. 29 cm.
Konvolut von ca. 33 Blättern mit Karikaturzeichnungen (meist 1. Drittel 20. Jh.) Dabei Arbeiten von Künstlern wie Karl Maximilian Arnold (1883 Neustadt - München 1953), Arthur Paunzen (1890 Wien 1940), Josef Nikolaus Geis (1892 München 1952), Max Feldbauer (1869-1948), Hans Gyenis (1873-1926), Julius von Szeremley (1871-1916), Franz Wilhelm Voigt (1867-1949), Friedrich Leonhard Heubner (1886 Dresden-München 1974), Max Bauer (1886-1951), Carl Olof Petersen (1880-1939), Richard Rost (tätig 1912-1927), Albert Fiebiger (1869-?), Theo Waidenschlager (1873-1936), Paul Neu (1881-1940). Teils Altersspuren. Verschiedene Techniken, überwiegend sign. oder monog. bzw. bez. Unterschiedliche Formate, je auf PP. montiert.
Ziergefäß, Dresden. Schalenform mit ausgestelltem Lippenrand, seitlich vollplastischen Schwanenhenkeln in weißem Biskuit und rundem Sockelfuß. Goldfond. In ausgesparter Reserve polychrom gemalte Schlossansicht. Stempelmarke Sächsische Porzellanfabrik zu Potschappel, vorm. C. Thieme AG. 20. Jh. H. 12,5, B. 18,5 cm.
Pilz, Otto (1876 Sonneberg - Dresden 1934) "Grunzochsen (Yaks)". Porzellan mit naturalistischer Bemalung unter der Glasur. Sockelrand min best. und beide Spitzen der Hörner des vorderen Yaks rest. Form-Nr. X141, Entwurf aus dem Jahr 1906. Zeitnahe Ausformung. Schwertermarke Meissen, 1850-1924. 1. Wahl. 18x 37,5x 19 cm. Lit. vgl. Katalog "Bröhan-Museum, Porzellan", Band II, S. 75.
A pair of 19th Century Meissen centrepiece figures from a table service, in the form of a boy and girl holding flowers, crossed swords marks in blue, slotted underside to bases with brass fitting,11.5cms; and a pair of late 19th Century Dresden figures of a boy and girl holding grapes, crossed swords marks in blue, 11cms. (4)
A Dresden porcelain coffee service, early 20th Century, each piece painted with summer flower sprays and sprigs within gilt dentil and loop borders, comprising: coffee pot and cover, teapot and cover, sucrier and cover, milk jug, cream jug and six cups and saucers, crossed batons and T mark in overglaze-blue, pattern number 3577 in iron-red.
A 20th century Dresden style figure, Dwarf musician, crowned N in blue marks, 7.6cm high; other dancing girls; Dutch plaques, leonardo glass rocket vase;Alan Nuttall (20th century) set of six, British Birds, Robin, Chaffinch, Blackbird etc, each signed, part dated 1989, watercolour and gouache, 11cm x 17cm, 16cm x 11.5cm, 12cm x 16.5cm etc (6)
A Dresden porcelain tea for two set, including tray. CONDITION REPORT: All items in this tea set appear to have no visible cracks or damage. Some wear to the decoration in places through age and use. Also noticeable imperfections to the glaze and pitting particularly on the teapot. These are seen as brown dots. Also some wear to the bases of the milk jug, teapot and cups.
A GERMAN VIOLIN, c.1895, made for Campbell & Co. Glasgow, with two piece back, notched sound holes and ebony turners, printed label "Copy of Antonius Stadivarius, fecit Dresden Anno 1895, for Campbell & Co. Glasgow", back 14" long, 23" long overall, in a black painted coffin case (2) (Est. plus 21% premium inc. VAT)No apparent splits, very obvious scratches to fascia, purfling appears to be pen rather than inlaid
Postcards, Shipping, a mixed selection of approx. 50 cards, with naval, merchant, liners, shipping company view cards (officials), Tuck published 'Our Navy', wreck of Gladiator, RMS Dresden, Invernia, Holt Line, Arcadian (Shoesmith), Carron Line (advert), Booth Line scenic views, P.S Brighton Queen (Campbells), RMSP views (Tuck) (mixed condition)
Two ceramic centrepieces, lobed oval form with floral and fruit panels, gilt rims and decoration, both on stands, overall height 19.5cm; a Royal Worcester planter, feather decoration, eagle mask handles; and an H Dresden cup and saucer, floral decorationQty: 4Condition report:There are some hairline cracks, crazing and minor loss of gilding to the two centerpieces. The planter is in excellent condition. There are some tiny chips to the feet on the cup. Please see additional uploaded images.
FOUR ALBUMS OF 'TRADE' CARDS, comprising approximately 2650 cards in complete sets part sets and 'odds 'manufacturers include Brooke Bond, Ty-Phoo, Cadbury's, Glengettie Tea, Willow Tea, Tonibell Ice Cream, Panini and many others, there is also a smaller collection of Cigarette Cards, including 'Silks' in one album and an album of art from Dresden
A COLLECTION OF HAMMERSLEY CHINA, over thirty pieces, in patterns including Dresden Sprays, Lady Patricia, and Victorian Violets, to include covered bowls, vases, a large basket shaped dish, a covered jar, ten thimbles, a tankard printed with gundogs, trinket boxes, etc (qty) (Condition Report: most pieces appear in good condition, the preserve pot cover is repaired, one trinket box is second quality, would benefit from a clean)
Two late 19th century cabinet plates in the manner of Vienna, both finely painted with a portrait of a female beauty, the first depicting semi nude classical lady within an ornate gilt border painted with white flowers and foliage on alternating teal and light blue ground, the second depicting a lady in pink dress adorned with flowers within white border with raised gilt foliate motifs, interspersed with four deep red roundels with gilt garden scenes, both marked Wagner and with blue beehive marks, one marked Dresden, and entitled 'Babarere' and Ustana, D25cm
William F Yeames RA (1835-1918)"Dr Harvey and the children of Charles I at the Battle of Edgehill"Signed, oil on canvas, 161cm by 107cmExhibited at the RA 1871, No.81"The Young Princes accompanied their father the King, whilst he waged war with Parliament. At the outset of the Battle of Edgehill, their tutor Harvey, the famous discoverer of the circulation of blood, took them to a place of safety, as he thought, and all absorbed in his meditations, sat down, pulled out his books, and plunged into his studies. It was only when the bullets whistled about their heads that he became aware of the danger to which his young charges were exposed." - Royal Academy accompanying note (1871)Literature: James Dafforne, 'The Works of William Frederick Yeames, A.R.A.', in Art Journal, 1871, p.100William Frederick Yeames was born in Russia to a British consular official. He was educated in Dresden following the death of his father where he first began to study painting.The Yeames family moved to London in 1848 where William began studying anatomy. In 1852 Yeames made a career defining trip to Florence where he learned from and made copies after Renaissance luminaries such as Benozzo Gozzoli, Andrea del Sarto and Raphael. On his return to London Yeames set up his studio in Park Place and began associating with other artists who became known as the St John’s Wood Clique. He was made an associate of the Royal Academy in 1866.Yeames did not exist as a stereotype of the bohemian artist, instead he lived a civilised and comfortable existence with a smart house in London and holidays to Hever Castle and the Devon coast.He is best known for his 1878 painting “And When Did You Last See Your Father” which is in the collection of the Walker Art Gallery, Liverpool. In it a group of Parliamentarians question a Royalist household and a young boy in partiular as to the whereabouts of the head of the house. Yeames' fascination with British history, and the Civil War in particular can be seen in both his seminal masterwork and the fine example in this sale.
A.Lange & Sohne: An 18 Carat Gold Keyless Open Faced Pocket Watch, signed A.Lange & Sohne, Glashutte, Dresden, circa 1902, manual wound lever movement signed and numbered 41659, split bimetallic balance with a blued overcoil hairspring, micrometer regulator, diamond endstone, enamel dial with Arabic numerals and signed, seconds dial, pierced hands, inside case covers stamped with maker's mark Glashutte A.Lange & Sohne and numbered 41659 and 0.75053mm wideCase with surface scratches, glass with small scratches, dial with hairline cracks, dial edge with minor chips at 5, hand setting correctly and winding smoothly, movement is slightly dirty and needs cleaning, movement in going order. Total watch weight 119.7g.
Bronze Richard Wilhelm Daniel Fabricius(1863 Berlin - 1923 Dresden) Mantelpavian, hockend, um 1900. Schwarz patiniert. Aufrecht sitzend, d. Hände auf d. angewinkelten Beinen abgelegt. Auf kl. rechteckiger Plinthe, seitl. sign. "R.D. Fabricius" u. rechteckigem, grün-geädertem Marmorsockel. Oberflächen minim. berieben, Augenbraue minim. bestoßen, Marmor minim. bestoßen. Ges.H 22 cmAffe, Dresden, Jugendstil, Marmorsockel, Schwarz, Signatur, Tiere
Radierung Richard Müller1874 Tschirnitz - 1854 Dresden "Das größte und das kleinste Säugetier" 1920 u. re. sign. Rich. Müller u. mittig in der Platte monogr. u. dat. R.M. 1920 Exemplar 24/50 38 x 43,5 cm (Plattenmaß) Insges. gebräunt und etwas wellig. In Berliner Leiste mit kleinen Abplatzungen, Glas defekt.
Gemälde Ludwig von Hofmann1861 Darmstadt - 1945 Pillnitz nahe Dresden "Liegender Akt" u. re. monogr. L. v. H. verso mit Widmung Öl/Lwd./Karton, 44,5 x 64,5 cm Mit Bestätigung (E-Mail) von Frau Dr. Verena Senti-Schmidlin vom 7.11.2022, in der Sie das Gemälde zeitlich um 1900/05 einordnet. Lit.: AKL
Full title: Carolina Friederica Friedrich (1749-1815): Flower still life with cherries, oil on canvas, dated 1780Description:Work: 40 x 28,5 cm Frame: 41 x 29,5 cm The painting signed and dated (1780?)on the stone base, just below the table top. Carolina was born in 1749 in the then still independent municipality of Friedrichstadt at the gates of Dresden, as one of the six children of Johanna Dorothea Günther and the wallpaper painter and etcher David Friedrich (1719-1766).She was trained by her father and her brother, the history painter Alexander Friedrich (1744-1793). Thanks to her skills, Carolinatook care of the family after the death of her father. After studying in nature, she specialized in still lifes, the quality of which also spread in academic circles. The art-loving Saxon diplomat Christian Ludwig von Hagedorn feared a waste of talent in view of the starving Friedrich family. Therefore, he campaigned energetically for Caroline, so that the Electoral Saxon Art Academy in Dresden awarded her a scholarship for hopeful art talents from 1770. Sponsored by the Saxon Elector Friedrich August III, she became honorary member of the Academy in 1774 and as a still life teacher she was the only woman to teach there since 1783.In contrast to the more matter-of-fact plant depictions of her brother Jacob, Caroline’s tempera brush drawings on toned paper unfold more splendidly and more colorfully, which prompted Duke Franz Friedrich Anton von Sachsen-Coburg-Saalfeld to buy thirty of her paintings. Her sponsor, the Princess Henriette Amalie von Anhalt-Dessau, the youngest daughter of the Old Dessau, also bought several pieces from her. These were incorporated around 1900 in the picture gallery of the Amalienstift Dessau. However, many of her works have remained lost to this day, including her painting 'Allegory of World Peace' with the embroidered motto 'Pax universalis 1800', which symbolized the year of peace in 1800 and attracted a lot of public attention – probably her only work outside the still life genre. Paintings by her hand later came to the collections of King Friedrich August II of Saxony. At the beginning of the 19th century, some of her pictures were included in the catalogs of the Dresden gallery. Today, the Kupferstichkabinett Dresden keeps a considerable number of drawings, watercolours and gouaches. (link)
Noributro Hadrava. Ragguagli di varii scavi e scoverte di antichita fatte nell'isola di Capri, first edition, engraved title vignette, 7 engraved tail-pieces, engraved map and 8 engraved plates, contemporary half calf, bookplate of Merthyr Guest, 8vo, Dresden: Walther Brothers, 1794. ** Occasional light browning.
A collection of Continental ceramics to include; Dresden part coffee set including the coffee pot and milk jug, with Dresden plates, saucers, cups, sugar bowl, a coffee and cake plate in a cobalt blue and painting of couple. With a J.P.L France part tea set including Tea pot, milk jug, cup and saucer, sugar bowl. along with two Cauldon England tea cups and saucers.Some chips, cracks and staining to some.
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