We found 31176 price guide item(s) matching your search

Two Dresden style figures of a man and woman, selection of coins, plates of Vyners school founder members 1960 etc

Dresden style scene of apple picking, Royal Doulton figurine "Autumn Breezes", Royal Doulton "Sonata", etc (6)

Hammersley 'Dresden Sprays' China Table Ware, of approximately forty one pieces.

DRESDEN; a pair of 19th century figures depicting a couple, each carrying grapes in baskets and wearing floral decorated clothes, the gentleman with a tricorn hat and basket over one shoulder, the lady wearing an apron and carrying a single bunch of grapes in one hand and basket in the other, both on naturalistic bases, with Rococo C-scroll gilt highlighted decoration, painted marks to base, height of largest 26cm (2).

A 19TH CENTURY MEISSEN/DRESDEN CABARET TRAY with polychrome enamelled floral and gilt decoration, 37cm wide, a coffee pot 21cm high and a cup and saucer, each with underglaze blue (cancelled) crossed swords mark; together with a floral and gilt decorated circular tureen Condition Report : tray, coffee pot and cup and saucer good (just a tiny loss to petal of knop to coffee pot). tureen wiht rubbing to gilt, hairline crack Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

German Dresden porcelain bonboniere with decorated flowers. 20th century. Dimensions: H 6.5 x Ø 12 cm. In good condition.

German Dresden porcelain lidded vase with hand-painted floral/gold decor. 20th century. Dimensions: H 30 cm. In good condition.

A Continental porcelain figure of two entwined nude females, a porcelain Polynesian figure, two Dresden figures and a Worcester 'Burmah' figure

An early 19th century porcelain cream jug and matching coffee can, another porcelain jug and a Dresden vase and cover

Quantity of English and continental ceramics, including Herend, Dresden, etc

New Hall teapot, silver shape with a painted band, on a teapot stand; and a Creamware lidded jug; Derby tankard painted in the Imari palette; a pair of Dresden figures, man playing the bagpipes, and a lady playing a mandolin; German porcelain figure, lady with a basket of flowers; Belleek shell-moulded posy vase; Dresden cup and saucer; Dresden figure of cupid with a floral garland; sundry Victorian teaware; pair of Derby cups and saucers, painted in cobalt blue and gilt; Pearlware blue and white plate; miniature cabaret set.

Tray of china to include Parian ware study of a Grecian semi-nude woman, Noritake dressing table box and cover, Paragon miniature coal scuttle and another Paragon vase, together with a good quality Dresden porcelain cabinet cup and saucer on a gilded and cobalt blue ground. (B.P. 21% + VAT)Parian figure has firing crack and is grubby. Paragon scuttle has wear to sliding otherwise no obvious damage.

A large collection of military books to include, Adolf Hitler by John Toland, History of the Second World War- Soe in France, Dresden 1945 'The Devils Tinderbox' and other military related books (6)

Dresden B & B 761 Six Soup Bowls, cream ground with pink and yellow flower and leaf design.

An Edwardian Villeroy & Boch Dresden blue and white coffee set.

A retro vintage mid 20th Century German educational biology poster of the human anatomy of the kidneys. Published by The Deutsches Hygiene Museum, Dresden, No. 2013. Mounted on pine poles. Wear commensurate with age, with some discolouration mainly to the background. Measures approx; 120cm x 93cm.    

Workshop of GUIDO RENI (Calvenzano di Vergato, Bologna, 1575 - Bologna, 1642)."Bacchus child".Oil on canvas.Measurements: 73,5 x cm; 87 x 76 cm (frame).The master painted a work of "Bacchus child drinking" around 1600 which is in the State Art Collections of Dresden, Galerie Alter Meister, in Germany. It is believed that Reni's own pupils copied this painting, attributing the work in question to the artist's own workshop.The painting in question can be attributed to the workshop of Guido Reni. It has an elegant compositional balance, chromatic and luminous sensitivity, dictated by Reni's models, suggesting the attribution to an artist among the pupils or followers of the master who passed through his house-workshop in via Pescherie. Many were, in fact, the young painters who aspired to be considered his pupils, actively participating in the life of his various "rooms" or coming sporadically to draw inspiration from his work in progress.Against a landscape background is the figure of a child, crowned with vines and bunches of grapes, leaning on a small vat from which wine is flowing. The representation of this god is raising with his left arm a globular bottle, the type of onion while drinking.The undisputed master of Roman-Bolognese classicism along with Albani and Domenichino, Guido Reni was undoubtedly the best of the three. Closely linked to the Carracci family and to the city of Bologna, they all had a similar trajectory. They trained in Bologna with Denys Calvaert, and then moved on to the Accademia degli Incamminati, directed by Ludovico Carraci. In 1600 Reni arrived in Rome, where he worked with Annibale Carracci in the Farnese Gallery. His best period begins in these years; in 1609, at Annibale's death, Reni remains as the head of the classicist school. In the city he will be protected by Scipione Borghese, the future Pope Paul V, for whom the painter will realize one of his most important works, "La Aurora" (Palazzo Rospigliosi). It shows something that will always be characteristic of Reni's style, his admiration for ancient sculpture. Starting from the classical statues, he develops an ideal of beauty and perfection that will be much admired by the following painters. In 1614 he returned to Bologna for good. Reni's style evolves in a clear direction, more and more sculptural and cold, more and more fully classicist. His mature work will be characterized by a cold palette, with silvery reflections. Finally, from the 1930s onwards, his style became sketchy, with an unfinished appearance and a tendency towards monochrome, of great interest from a technical as well as a formal point of view.Guido Reni is currently represented in the most important art galleries around the world, including the Prado Museum, the Hermitage, the Louvre, the Metropolitan Museum in New York and the National Gallery in London, among many others.

Seven similar German, Dresden, cabinet plates with trellis and raised floral border and central vignette, approx. 21cm dia. and a similar shallow bowl 23cm dia.

Five Dresden "Monkey Band" figures, approx. 15cm, another 18cm and a continental figure of a young man

Painted spelter figure of a grouse, signed L. Sarvin, on a marble base, a yellow Somerset Stoneware pot by David Winkley, a tin glazed earthenware figure of a cockerel, a Dresden figure of a putti (repaired), a six piece silver dressing table set, engine turned and another brush

A Dresden, possibly Sèvres, porcelain six place coffee service, circa 1900, finely painted with borders of mixed flowers on a cream ground, with gilt frieze and gilded interiors, bases with interlaced blue mark over ‘26 ans’, and various impressed marks (indistinct ), comprising: six coffee cups, six dished saucers, a large slop bowl, coffee pot, covered sugar bowl and hot water ewer (18)Condition reportOne cup has been damaged and repaired. Where it was repaired a chip came loose, but the missing piece is with the lot. One handle has been damaged & repaired.There is some overall staining & fading on all items.

A pair of Chelsea figures, Bagpiper and Flower Seller, second half 19th century, decorated in colours, she standing in a green coat and holding a loose basket of flowers, standing on a scrolled base bearing a sheep, impressed 30 over 9; He in a turquoise jacket and holding a set of pipes, the base bearing a hunting dog, 25cm high; together a pair of small Dresden figures of a girl and boy, 9cm high (4)Condition reportPiper has 1cm chip to hat and signs of some restoration the brim, one finger missing, She has a few missing pieces to the flowers and one finger missing. One of the two small figures has been broken and restored.

A pair of Dresden porcelain cups, cover and saucers, 19th century, decorated with sepia panels of putti on a light pink ground, blue cross marks to base, saucers 14cm diameter; together with a set of three Dresden cups, covers and saucers and a double handed cup, all with panels decorated with figures, on a dark pink ground, ‘Augustus Rex’ AR mark to base, saucer 14cm diameter; and a pair of cups and saucers, one covered, decorated with putti (22)Condition reportOne cup has been damaged and repaired. There is some overall staining & fading on all items. Some chipping at the base of cups & saucers.  

A Spode Imari pattern pen stand, on claw feet, 28cm wide; together with assorted china including three Dresden cups and saucers, a similar cup and pin stand and other items (11)

A Dresden porcelain part tea service, 19th century, decorated with flowers on a white ground, all with fluted twist bodies, comprising hot water jug, slop bowl, covered sugar bowl, four cups, saucers and plates, teapot appears similar but associated (19)Condition reportThere is damage to 3 of the cups that has been repaired.There is some staining on the base of the items.

Two pairs of Dresden porcelain candelabra tops, 19th century, one with four arms, 28cm wide, and one with six, 30cm wide,  all profusely decorated with flowers (original bases apparently sold some years ago separately)

A WWII Second World War type Third Reich Nazi German Luftwaffe Paratrooper (Fallschirmjaeger) award badge by Osam Dresden. The badge having an oak leaf perimeter with a central eagle in a swooping down position holding a Swastika. To the reverse retaining it's pin & hook, the badge back having makers marks ' U.H. Osam Dresden '.The badge comes along with the original case. Measures; 5.5cm tall.

A Meissen bachelor's teaset, (teapot s.d.); together with a Nymphenburg bowl, 23cm diameter; and a small quantity of Dresden. 

A collection of Dresden porcelain, largest 23.5cm high; together with a pair of Sitzendorf figures, 12cm high.

A mixed group of ceramics, comprising: a pottery royal commemorative part tea service; a Dresden porcelain mirror, (lacking candle branches); and two boxed Spode commemorative plates.

An antique Dresden chocolate cup and lid, a/f

Heinrich Aldegrever (1502-1555)A Collection of sixty-seven engravings (Bartsch, Hollstein 57-60,71,83-95,206,231) Three portfolios containing engravings of various mythological, religious and ornamental subjects, including the complete set of thirteen Labours of Hercules, 1550, Hannibal fighting Scipio, 1538, Two Genii with the Roman Alphabet, Three Genii with a bear, 1529, The Four Evangelists, 1539, on laid paper, good to very good impressions and several later impressions, mostly trimmed to the platemark or with thread margins, mounted on card, within the cloth and leather-bound portfolios, various conditions Each portfolio 450 x 300mm. (17 3/4 x 11 7/8in.)Footnotes:ProvenanceComte Vladimir Daun, Vienna, 1812-1896 (Lugt 2715) (B.14)G.A.Cardew, London, 1865-1941 (Lugt 1134) (B.16,143,231) Herman Marx, Surrey, d.1948 (Lugt 2816a) (B.16,143,231)Karl Scheffler, Vienna, 1838-1911 (Lugt 1644) (B.17)Kupferstichkabinett, Dresden, 19th Century (Lugt 1618) (B.65)Kupferstichkabinett der Staatlichen Museen, Berlin (Lugt 1606; L.2398) (B.101)KFF.von Nagler, Berlin, 1770-1846 (Lugt 2529) (B.101)For further information on this lot please visit Bonhams.com

LATE 19TH CENTURY DRESDEN VASE IN THE MANNER OF HELENA WOLFSOHN,of bottle form, the neck and body hand-painted with panels of young lovers, blue ground, moulded and painted marks to base 31cm highCondition report: Two small cracks to rim and area just beneath, several pronounced crazing lines/hairlines visible to neck exterior, pronounced crazing to majority of body, additional pronounced crazing lines/hairlines to the blue panels of the body, glaze inclusions and manufacturing imperfections, additional images available

SOMMERSHUISEN. GERMAN FL. 1880-1920 A continental street scene with figures queuing at a soup kitchen, possibly Dresden. Oil on porcelain panel 16' x 24'

A Dresden porcelain model, of Nelson 1815, af, height 9.75ins

A Dresden porcelain figure group, of a seated coupe at a games table

C20th continental combination miniature carriage clock and ameroid barometer painted porcelain dials and the further panels decorated in the Dresden style, movement numbered 3015 stand numbered 3017, W12.5cm H10.75cm

Shelf of European ceramics including Masons,Dresden, Sitzendorf & others

An old German Dresden porcelain table lamp with ram's heads - missing the shade, decorated with sprays of flowers in oval cartouches on blue background, two ram's heads to the sides, parcel gilded. Second half of the 20th century. H 30 cm

A Set of ten Dresden plates each with four sections painted with figures and bouquets of flowers Condition Report: Available upon request

A late 19th century Dresden porcelain vase of onion form, converted as a lamp, 33cm (excluding fittings), together with another late 19th century vase of hexagonal form also converted

A 20thC Dresden porcelain lidded loving cup, profusely decorated with garlands of flowers with gilt highlights marked beneath, 10cm high and a Meissen style powder box of circular form with removable lid, hand painted with flowers with gilt highlights, double blue crossed sword marks beneath. (2)

A Jane Churchill Limited vase, decorated with flowers, marked beneath, 9cm high, a Spode Stafford flowers cabinet, cup and saucer, Halcyon Days christening set and a Dresden floral basket vase of small proportion. (a quantity)

S. D. U. K. (publishers). Maps for the Society for the Diffusion of Useful Knowledge, vol.2 (only) Chapman and Hall, 1844, printed title, loosely inserted map of 'The World on Mercator's Projection' (not called for), 45 (only of 49 maps), lacking British North America, New South Wales, Western Australia & Islands of New Zealand, 42 city plans (only) lacking Berlin, Birmingham, Dresden, Frankfort, Geneva, Hambourg and Munich, slight dust soiling throughout, upper hinge broken, contemporary half morocco, rubbed and worn, folioQty: (1)Footnote: Sold as a collection of maps, not subject to return.

A pair of Dresden porcelain bottle vases of square baluster form, painted with alternating panels of 17th century courting couples and floral sprays on a yellow ground within gilt borders, 32 cmNo damage, light wear to gilding in parts Slight bump on yellow panel with tulip (under glaze) Three small pinholes under the glaze - situated on panel with blindfolded lady with yellow  hat Minor scratches on top of glaze on purple skirt (lady wearing yellow top)

A pair of Carl Thieme (Potschappel/Dresden) porcelain twin-branch wall sconces in the Rococo manner, with floral encrustations, the socket-sleeves painted with Deutsche blumen, 33 x 25 cm overall

A Dresden porcelain oval girandole mirror with twin candle-sconces, surmounted by cherubs with floral garland, 29 x 28 cm overall

Payne, Albert HenryDresden Gallery, being a Selection of Subjects Engraved after Pictures, by the Great Masters, Bechem, Bol, Cranach.. Raphael, Rembrandt, Rubens etc. etc. Illustriert mit über 130 ganzseitigen Stahlstichen nach alten Meistern. Dresden und Leipzig, Payne/ London, French o.J. (um 1850). 2 Bde. 4 °. Prachtvolle Lederbände der Zeit mit floraler Rückengoldprägung und rundum Goldschnitt. Teilweise minimal stockfleckig, insgesamt sehr gute Erhaltung.

Richter, Ludwig(1803 Dresden 1884)Weihnachten. "Adventus:Domini:1864". Rotbrauner Tuschpinsel über Bleistift. 16x11,2 cm. - Etwas gebräunt und mit leichten Randmängeln.

Felixmüller, Conrad(Dresden 1897–1977 Berlin)"Selbstportrait mit Frau". Holzschnitt. 6/15. Unten rechts in Bleistift signiert. Unten links nummeriert und bezeichnet: "Holzschnitt". Blattgrösse 66x50 cm. Gerahmt. -Blatt stark gebräunt, leicht fleckig und knittrig. Hellerer Lichtrand. Das Blatt wurde an allen vier Rändern nach hinten gefaltet (0.8 bis 3,4 cm). Ränder und Ecken bestossen.

DRESDEN; a pair of early 20th century lidded vases of bulbous form with cylindrical necks, painted with figures in landscape and floral sprays within panels and gilt scrolling detail, blue painted mark to the underside, height 34cm, with a Schumann Bavarian comport and a Japanese blue and white vase (4).Additional InformationTraces of glue to the underside of the pedestal on the comport, wear to the gilding on each of the Dresden vases, each of the covers are af with chips, and lacking their finials.

HEREND; a model of a seated rabbit, height 14cm, with a Dresden tea canister and cover of 18th century style painted with flowers, a Coalport cup and cover and a further cup and saucer retailed by T.Goode & Co.Additional InformationThe Herend rabbit is ok, and the tea canister has very slight rubbing to the gilding, the green cup and saucer are both heavily crazed throughout.

Leo DietVenedig1908Pastell auf Papier68 x 77 cmSigniert, datiert und betitelt rechts unten: Leo Diet / Venedig / 1908Rückseitig altes Etikett: Sächsischer / Kunstverein / Dresden / 1788Rückseitig Reste eines alten Etikettsösterreichischer Privatbesitz

A pair of 1920's Dresden style porcelain ewers with saucer dishes, a Belleek spiral dish, other decorative china

Ary Scheffer (Dutch, 1795-1858)Faust at the Sabbathsigned and dated 'Ary Scheffer 1842' (lower centre right) oil on canvas 211.7 x 136.5cm (83 3/8 x 53 3/4in).Footnotes:Provenance: Freiherr von Lotzbeck, Schloss Weyhern, Munich, circa 1850.Private collection, Munich (acquired from the descendants of the above), 1980.Exhibited: Dresden, Grosse Halle, Grosse Kunstausstellung, 1904.Munich, Münchner Stadtmuseum, Biedermeiers Glück und Ende, 10 May-30 September 1987, no. 8.1.14.Literature: Verzeichnis des Frhr. v. Lotzbeck'sschen Fideicommis auf Schloss Weyhern, 1853, no. 16 illustrated.L. Vitet, Oeuvre de Ary Scheffer reproduit en photographie par Bingham, accompagné d'une notice sur la vie et les ouvrages de Ary Scheffer par L. Vitet, Paris, 1860, pp. 2, 13-14, no. 38 illustrated. Katalog der Sammlung der Freiherrlich von Lotzbeck'schen Skulpturen und Gemälde, Munich, 1907 and 1927, no. 17.M. Kolb, Ary Scheffer, Paris, 1934, p. 476.Exh. cat., Ary Scheffer, dessins, aquarelles, esquissés à l'huile, Institut Nérlandais, Paris, 1980, under no. 33.Exh. cat., Biedermeiers Glück und Ende, Stadtmuseum München, 1987, no. 8.1.14, p. 618 ff. illustrated.L. Ewals, Ary Scheffer, sa vie et son oeuvre, Nijmegen, 1987, p. 494.L. Ewals, exh. cat., Ary Scheffer 1795-1858, Gevierd Romanticus, Dordrechtsmuseum, 1995, p. 245.L.Ewals, exh. cat., Ary Scheffer, Musée de la Vie romantique, Paris, 1996, p.76.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A porcelain cabbage tureen,19th century, French, probably by Jacob Petit of Paris, the lid with a finial in the form of carrots, bearing the initials 'JP' in underglaze blue and an overglaze crossed swords mark,36cm diameter24cm highAccording to William Chaffers, 'Marks & Monograms on Pottery & Porcelain', 'The products of the first period were much esteemed, being well painted and well modelled, bearing his mark, but recently the proprietor has unwisely altered his original plan and imitates Dresden, counterfeiting also the mark of the crossed swords...'.Condition report: Areas of repainting, repair and restoration to cover and tureen. The stand being glued and extensively stapled. General surface wear.

New Hall teapot, silver shape with a painted band, on a teapot stand; and a Creamware lidded jug; Derby tankard painted in the Imari palette; a pair of Dresden figures, man playing the bagpipes, and a lady playing a mandolin; German porcelain figure, lady with a basket of flowers; Belleek shell-moulded posy vase; Dresden cup and saucer; Dresden figure of cupid with a floral garland; sundry Victorian teaware; pair of Derby cups and saucers, painted in cobalt blue and gilt; Pearlware blue and white plate; miniature cabaret set.

Meissen figure of a girl wearing a bonnet, 15cm, restored, pair of Dresden figures and a French bisque figure.

A Dresden model of a parrot on a rustic stump, 30cm h, a Royal Dux cockatoo resting on a branch, 41cm h, pink triangle and printed mark in underglaze blue and a Continental porcelain model of a woodpecker, 25cm h (3) All with faults

Walcha (Otto) - Meissener Porzellan, illustrated, dust jacket, Dresden 1973 and approximately 27 others on Meissen and other ceramics, including principal works of reference of the Nymphenburg and Frankenthal  porcelain factories, Italian maiolica and Japanese and Chinese ceramics  Catalogues. Furniture in the Frick Collection, vol 5, Furniture (Italian and French, part 1), illustrated, dust jacket, Princeton 1992 and other art reference, including sculpture and glass (approximately 80)