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A Dutch Delft novelty table salt, blue and white decorated, and modelled as a woman washing her legs in a tub, late 19th century, 14.5cm high; a Schumann, Dresden, breakfast cup and saucer, polychrome-decorated and gilt with floral sprays, and a Batersea enamel saucer dish, 18th century, 13.5cm diameter (3)
TWO DRESDEN ALLEGORICAL FIGURE GROUPS LATE 19TH/EARLY 20TH CENTURY, UNDERGLAZE BLUE PITCHFORK MARKS The first after the Meissen model of 'The Broken Eggs' by Acier, modelled with a young lady being festooned with flowers by a putto hiding in her skirt, an attendant seated to her side and cupid kneeling on the rocky base breaking eggs from the basket beside him, the second similar with a lady accompanied by two cherubs 9¾ in. (24.7 cm.) high (2) View on Christie's.com
ALEXANDER IGNATIUS ROCHE RP RSA NEAC (Scottish 1861-1921) The Crofter`s Steading oil on board 36cm x 44cm Note : Born at Gallowgate in Glasgow on 17th August 1861, the son of a milliner, Alexander Roche was schooled at St Mungo`s Academy and then attended some classes at the Glasgow School of Art while working in an architect`s office. His real art training came in Paris, where he studied for several years from 1881, under Boulanger and Lefebvre at Julien`s and later under Gérome at l`Ecole des Beaux-Arts. While in Paris he met several other Scottish students including William Kennnedy, (Sir) John Lavery and Thomas Millie Dow, along with Dow`s mentor, William Stott of Oldham. Together they painted at Grez-Sur-Loing, just south of Fontainebleau, all influenced by Bastien-Lepage (1848-84) and the plein-airistes. In 1885 Roche returned to Glasgow where he painted a number of romantic idylls of girls in gardens, interiors or in landscape, such as The Dominie`s (schoolmaster) Favourites exhibited at the Glasgow Institute in 1885, No. 591, which was priced at the great sum of £250 and The Shepherdess (exhibited to acclaim at the RA 1890). He moved to a cottage on the banks of the Luggie in Dunbartonshire and there some of his best landscapes were painted. Most of 1888 was spent in Capri, where he was associated with a cosmopolitan group of artists including Fabio Fabbi and Harold Speed. Two further trips to Italy followed, to Florence and Venice, in the early 1890s when he painted peasants in the Sabine Hills. In Florence, he met and married an Italian girl, but the marriage was not to last. In 1896 Roche moved to Edinburgh and began to paint portraits and figure studies. His sense of colour and confident brushwork were well suited to portraiture and in his later years this became his main output and source of income. He spent some time in the USA, fulfilling portrait commissions and seeking others. Among his lucrative commissions was a group portrait for Andrew Carnegie, then the world`s richest man, of his wife Louise (nee Whitfield) and their daughter, Margaret. He won a gold medal at Munich 1891, an Hon. Mention at the Paris Salon 1892 and a gold medal at Dresden 1897. Elected ARSA 1894 and RSA 1900, he exhibited at the RSA from 1887-1976 and at the RA from 1890-1919. Roche was considered a member of the Glasgow School, but after the late 1880s he drifted to the fringes of the movement. In 1906, he remarried, to Jean, daughter of the animal painter Robert Alexander and sister of Edwin, the flower and animal painter. All four shared a friendship with Joseph Crawhall, together with a love of Tangier. They lived from 1907 until the outbreak of the Great War at 8 Royal Terrace in Edinburgh. Around this time he was struck with a cerebral haemorrhage which paralysed his right hand. He taught himself to paint with his left and was later to produce some of his best landscapes.
A pair of Dresden porcelain four light candelabra, late 19th Century, the scroll moulded bases surmounted by children before leaf moulded stems supporting the floral encrusted scroll arms and stiff leaf moulded sconces, `AR` mark in underglaze blue to bases, height approx 41cm (some restoration).
An early 20th century vase shaped biscuit tin, embossed and printed in polychrome with a young lady in Renaissance dress, to verso with her suitor, he stands, leaning on his sword, within gilt scrolls and panels of colourful summer flowers on a blue ground, inscribed to underside of base 7401 Dresden, 26cm high, 13.5cm wide, 11cm deep, c.1905
A quantity of mainly 19th century ceramics, including; a Royal Crown Derby Imari coffee can, a Dresden style chocolate cup of two handled quadrilobe form, saucers, a Worcester slop bowl, an Imari pattern tea cup and saucer, a Coalport cabinet plate, a jug with spout painted with flowers against a white octagonal ground and sundry.
Richard Earlom 1743-1822- "A Fruit Market" mezzotint, after Frans Snyders & Long John and with Joseph Farrington, published by John Boydell, Cheapside London, 1775, good impression with margins, laid down, 45x66cm: Johann Georg Wille 1715-1808- "Musiciens Ambulans"; 1764, engraving, with margins, minor scattered staining, otherwise good, Note: Johann Georg Wille `J. G. Wille`: One of the most eminent engravers of the eighteenth century, taught engraving as an apprentice to a gunmaker. In 1736 he was sent to Paris to engrave some plates after Rigaud. Most of Wille`s early engravings was in the genre of the portrait . By 1750, however, he had established himself as a leading engraver of historical and genre subjects, particularly after the designs of contemporary Dutch and German painters. During his career he was awarded the titles of Engraver to the King of France, Engraver to the Emperor of Germany and Engraver to the King of Denmark. He was elected an Academician of the French Academy in 1761 and was also a member of the Academies of Dresden, Berlin, Augsburg, Vienna and Rouen, (2) (unframed)
A Bourne and Leigh blue and white "Watteau" pattern vase of square sectioned baluster form, a Dutch blue and white Delftware vase decorated with a hunting scene, a small 18th Century Chinese blue and white export porcelain rectangular serving dish decorated with a coastal landscape, and a Dresden blue and white porcelain ribbon plate (4)
* A Dresden part tea service, mid-late 19th c., comprising four pairs of tea cups and saucers, one extra saucer, tea plate and slop bowl, decorated with spiral fluting, hand painted with sprays of flowers and gilt border, plus a Dresden basketwork two-handled shaped dish, a Dresden peacock and three other items (16)
A pair of Dresden urn form vases each with everted rim and mask handles, decorated with painted panels of flower sprigs with blue and gilt scalloped border, and with further flower sprigs and gilt foliate borders, blue printed marks, 12cm high; a Dresden tall mug with gilt stripes central flower painted roundel to each side surrounded by floral swags, 12.5cm high; and a Staffordshire vase of hexagonal form, decorated with flower panels amongst blue and gilt borders, 18cm high (4)
FOOTBALL PENNANTS Collection of 1960s/1970s inc: QPR (League Cup Winners 66/67); Man City (ECWC and League Cup Winners 69/70); Mexico 70 (Francis Lee - Chosen for England 1970); Arsenal (Double Winners 1971); West Ham (F.A Cup Winners 1975); Southampton (F.A Cup Winners 75/76); Oldham Ath; L Orient; Bristol City; Dresden (1973). Total number 17.
TICKETS A good selection of circa 50 tickets , many for European games includes Liverpool v Anderlecht 78/9 with counterfoil, Coventry v Morton 64/5, Man City v AC Milan 78/9, West Brom v Braga 78/9, Wrexham v Blyth 77/8 (FA Cup 5th Round), Liverpool v Man Utd 77/8, v Arsenal 77/8, v FC Zurich 76/7, v Man Utd 76/7, v Dynamo Dresden 76/7, v Borussia 77/8, v Trabzonspor 76/7, v Dinamo Tbilisi 79/80, Man City v Borussia 78/9, v Werder Bremen 79/80, Everton v Tottenham 61/2, Derby v Real Madrid 75/6, Man Utd v St Etienne (ECWC), Man City v Widzew Lodz 77/8, also includes Wales v Scotland 12/10/77 (Kop ticket at Liverpool), Wales v Czechoslovakia 76/7 at Wrexham, Tottenham v Slovan Bratislava 62/3, four England tickets, Inter-League and Under 21 games and Wales v Scotland 76/7 at Wrexham etc. Condition is usually good although some have a very small staple attached ( easily removeable).
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31346 item(s)/page