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A COLLECTION OF BOOKS RELATING TO WW2 INCLUDING `FATEFUL CHOICES` AUTHOR IAN KERSHAW, `STALINGRAD` AUTHOR ANTONY BEEVOR, `STALIN` AUTHOR SIMON SEBAG MONTEFIORE, `THE THIRD REICH` AUTHOR MICHAEL BURLEIGH, `SPEER THE FINAL VERDICT` AUTHOR JOACHIM FEST, `BARBAROSSA` AUTHOR ALAN CLARK, `BERLIN` AUTHOR ANTONY BEEVOR, `INTERROGATIONS` AUTHOR RICHARD OVERY, `FORGOTTEN VOICES` AUTHOR MAX ARTHUR, `THE THIRD REICH` AT WAR` AUTHOR RICHARD J EVANS, `ARMAGEDDON` AUTHOR MAX HASTING S, `INSIDE HITLER`S BUNKER` AUTHOR JOACHIM FEST, `HITLER` IAN KERSHAW X 2 , `DRESDEN` FREDERICK TAYLOR, `STALIN BIOGRAPHY` AUTHOR ROBERT SERVICE, `IN HITLERS GERMANY` AUTHOR BERNT ENGELMANN, `THE WORLD WE FOUGHT FOR` AUTHOR ROBERT KEE, `FINEST HOUR WINSTON CHURCHILL` AUTHOR MARTIN GILBERT, `WAR DIARIES` AUTHOR FIELD MARSHALL LORD ALANBROOKE, `MUSSOLINI` AUTHOR BOSWORTH, `THE KLEMPERER DIARIES` AUTHOR VICTOR KLEMPERER.
2 Porcelain Kitchen Antiques, c. 1910 1) Cutting board by "Villeroy & Boch, Dresden", onion pattern, size 11 x 9 x 1 1/2 in. - And: 2) Vegetable slizer, flower pattern, size 15 x 6 x 2/5 in. - Both items with crack. 2 Porzellan-Küchenutensilien, um 1910 1) Schneidebrett von "Villeroy & Boch, Dresden", Zwiebelmuster, Maße: 28 x 23 x 4 cm. - Und: 2) Gemüsehobel, Blumenmotiv, Maße 38 x 15 x 1 cm. - Jeweils mit Riß. Condition: (4/-) Starting Price: €40
14 Old Chocolate Moulds, c. 1920 Manufactured mostly by "Anton Reiche, Dresden", tinplate, two or three parts, nice models. 14 alte Back- und Schokoladen-Formen, um 1920 Hersteller zumeist "Anton Reiche, Dresden", Weißblech, zwei- oder dreiteilig, originelle Modelle. Condition: (3/-) Starting Price: €60
Rare Coin-Operated Musical Monkey Photographer Automaton by Phalibois Paris, c. 1880, depicting an anthropomorphic photographer with Daguerreotype camera on tripod taking the portrait of his female subject who is seated, with mirror and fan, against a backdrop of holly leaves, potted plants and a whippet, both figures with papier-mâché heads, carved hands and articulated eyes and mouths, on ebonised base with coin box and drawer on the front, going-barrel movement driving fourteen wood cams and replacement pull-string two-air cylinder movement of appropriate type and date, dressed in elaborate mainly original costumes trimmed with brass stars and Dresden paper, under glass dome, height 26 in. (66 cm) x width 23 in. (58 cm), with keys for the movement and the drawer, and placard with text "Figures Work by Dropping a Penny in the Box". The automaton and musical movements have been overhauled and are in excellent working condition. The monkey with a magic lantern was a familiar figure in French popular culture and appeared many times in printed illustrations during the first half of the 19th century. The image came from a fable by Jean-Pierre Claris de Florian which tells the story of a showman`s monkey, Jacqueau, who entertains an audience of farmyard animals with a magic lantern performance while his master is away. Here the idea is carried one stage further. There are fourteen separate movements. The photographer lowers his head as though framing his subject as a brass plate at the back of the camera rises and the lady fans herself, shakes her head and raises the mirror. The photographer then gestures to his subject with two movements of his right hand, the lady pauses in her actions and looks into the lens, the plate falls, the photographer raises his head, looks about and then reveals the "exposed" plate (a miniature watercolor portrait) to his subject, who nods in approval. Both figures blink and move their mouths meanwhile. The coin activation, box and drawer were almost certainly added in England during the first few years of the automaton`s life, possibly by the London wholesaler Silber & Fleming who illustrated Phalibois automata in their catalogues during the 1880s and advertised that for a cost of 20 shillings "mechanical novelties could be made up so that they performed with a penny in the slot action". - Literature: Mary Hillier, "Automata & Mechanical Toys", pp. 114-117. - A complex coin-operated automaton and humorous piece of early photographic memorabilia.Please Watch & Listen on: Youtube.com/AuctionTeamBreker Das Affen-Photostudio - seltener Münz-Musik-Puppenautomat von "Phalibois", Paris, um 1880 Mit Darstellung eines anthropomorphen Affen als Photograph mit Daguerreotypie-Kamera, der sein weibliches Pendant ablichtet. Beide Figuren mit Köpfen aus Papiermaché, geschnitzten Händen und beweglichen Augen und Mäulern. Die Affendame sitzt mit Fächer und Spiegel in den Händen vor einem Hintergrund aus Stechapfelblättern, umgeben von zwei Topfpflanzen und einem kleinen Windhund. Auf schwarz lackiertem Sockel mit Münzeinwurf und Schublade an der Vorderseite. Federwerk für die Mechanik mit 14 Nockenscheiben und Walzenspielwerk für 2 Melodien (Fadenaufzug) in Sockel (passendes Spielwerk ergänzt). Die Puppen sind mit feinen, mit Messingsternen verzierten Kostümen bekleidet (zum größten Teil original). Mit Glasdom, Gesamtmaße 66 x 64 cm. Der Affe mit einer Laterna Magica war eine populäre Figur während der 1. Hälfte des 19. Jh. in Frankreich und wurde oft als Illustration verwendet. Sie geht auf eine Fabel von Jean-Pierre Claris de Florian zurück. Mit diesem Automaten wird diese Idee fortgeführt. Insgesamt 14 einzelne Bewegungen werden ausgeführt. Der Photograph senkt seinen Kopf, mustert sein Motiv und schiebt eine unbelichtete Platte in die Kamera. Währenddessen fächelt sich die Affendame Luft zu, schüttelt ihren Kopf und hebt den Spiegel. Der Photograph macht 2 Handzeichen, um die Dame zur Ruhe zu bringen, was auch gelingt. Die Affendame schaut ruhig in die Kamera, die Platte verschwindet, der Photograph hebt seinen Kopf, schaut herum und holt das belichtete Photo aus der Kamera, zeigt es ihr und erhält ein anerkennendes Nicken. Beide Figuren zwinkern mit den Augen und bewegen ihre Mäuler. Der Münzeinwurf wurde vermutlich vom Händler "Silber & Flemming", London, Ende des 19. Jh. ergänzt. In seinen Verkaufskatalogen der 1880er Jahre sind Phalibois-Automaten abgebildet und mit der Werbung versehen: "Automaten können für 20 Schillinge mit einem Münzeinwurf ausgerüstet werden." - Literatur: Mary Hillier, "Automata & Mechanical Toys", S. 114-117. - Mit Aufzugschlüssel und Schlüssel für die Kassenschublade. Ein aufwendiger Münzautomat und humorvolles Ausstellungsstück in exzellent funktionierendem Zustand.Please Watch & Listen on: Youtube.com/AuctionTeamBreker Condition: (3/2) Starting Price: €12000
Collection of Tin Figures 1) Box with 20 Prussian soldiers "Alter Fritz", manufactured by "Georg Heide, Dresden", c. 1880. - 2) 20 Indian figures (black/brown). - 3) 1 Spanish bullfighting group. - And: 4) 6 rider figures by "William Britain", cast metal. - Add-on: 4 Wiking metal toy boats. Sammlung Zinnfiguren 1) Kasten mit 20 preußischen Soldaten "Alter Fritz". Hersteller "Georg Heide, Dresden", um 1880. - 2) 20 Indianer-Figuren (schwarz/braun). - 3) 1 spanische Stierkampf-Gruppe. - Und: 4) 6 Reiterfiguren, Metall, Hersteller "William Britain". - Dabei: 4 Wiking-Schiffe aus Metall. Condition: (3/-) Starting Price: €80
An early 20th Century Dresden porcelain cabinet plate, the central roundel painted with floral sprays in coloured enamels within a pierced and gilt decorated trestle border with three further shaped panels with floral sprays, on a rich blue ground, bears crossed swords mark in blue, 23.5 cm diameter (ILLUSTRATED)
Dresden, Germany (Dresden), SDUK Society for the Diffusion of Useful Knowledge, London, 1833. 14.8 x 12”. (HC) A handsome plan of Dresden showing the newer city surrounding the old, fortified town, with the Elbe River winding through. Elevations of the major buildings and the Elbe Bridge are at bottom. Drawn by W.B. Clarke, engraved by W. Henshall and published by Baldwin & Cradock. Original color with minor marginal toning. (A)
*German Civil Aviation 1919-1939. A collection of photographs, specifications and press-cuttings relating to many aircraft types built during this period, including many manufacturer`s images, also those from the studios of C.W. Erick Meyer of Dresden and Zander & Lalisch, aircraft types include Arado with leaflet for the SCII, the Albatros L83 and others, the BMW M20 high wing monoplane, Bucker, the Caspar U1 float-plane, Dietrich-Gobiet, Dornier `Wal`, a 13-page type-written descriptive pamphlet of the `Wal` flying boat, Dornier Do.23 and others, the Heinkel 118 and further types, Junkers aircraft include the G.38, Ju.52, 86 and 89, various types of Klemm, a Lufthansa leaflet, rare images of the Mercedes-Daimler L-20, Werft-Stralsund and various Udet-Fleugzeingbau types and other historic and interesting photographs, many with manufacturer`s and photographer`s stamps verso, together with inscriptions describing the subject aircraft place and date, approx. 110 images contained in a modern ring binder (approx. 110)
*Zeppelin Badges. An oval/cloth Zeppelin Eckener Spende badge, (these were produced to raise funds to build another Zeppelin after the loss of the LZ4), an oval enamelled `Nord-u-Sudameika Jubilaumsfahrt 1933` badge by Kerbach, Dresden, enamelled and bronze `Weltausstellung Zeppelin Tag Chicago 1933 badge, LZ129 medal pin badge, circular `Graf Zeppelin LZ-127 1929 Weltfahrt` badge by E. Schmidt, Leipzig, and an early Graf Zeppelin plastic badge (6)
A Coalport tea cup c.1820 of `London` shape, with mazarine blue ground and gilt diaper pattern with two panels of handpainted flowers, pattern number 793, gilt mark to base, together with a mug, possibly Dresden, early 19th century, with floral sprays and a roundel with a landscape scene within dark blue bands heightened in gilt, and a large mug with a dark blue ground with gilt foliate decoration. (3)
A nineteenth century Dresden porcelain invalids cup and saucer, the shaped body decorated a puce panel of putti, with a cornucopia by a tree, gilt scroll border and gilt scalework to a yellow ground, two gilt scroll handles, together with the matching saucer. Augustus Rex mark in underglaze blue.
Leonid Borisov, Russian b.1943- Untitled geometric abstract composition; oil on canvas, signed and dated 1986 to verso, 60x65cm Note: Leonid Borisov was initially recognised as a Soviet Nonconformist Artist, he concentrated on geometric abstraction which was closer in style to the nonconformist art in Moscow than his home town of Leningrad. In 1978 the Ministry of Culture granted him a solo show at the Krupskaia House of Culture which was a feat of success in itself as unofficial shows were banned in Leningrad after 1976 particularly. More recently he contributed work in 1991 to the exhibition `Modern Artists-Homage to Malevich`, the State Tretiakov Gallery have two of his paintings in their collection and his work is also in the collections of the Penza State Art Gallery, the Dresden State Art Gallery and the State Russian Museum. Borisov continues to work in a geometric abstract style and lives in St. Petersburg.
German medicine & natural history, a quantity, including Troja, Michel Neue beobachtungen und versuche über die Knochen. Erlangen, 1828. 4to, 5 engraved plates, [bound with] Ebermaier, Carl H. Ueber den Schwamm der Schädelknochen und die Schwammartigen Auswüchse der harten Hirnhaut. Dusseldorf, 1829. 4to, 10 lithographed plates, 2 hand coloured; half calf, spotted, library stamps, covers detached; Walther, Johann G. Sylva medica opulentissima. Budissae: F. Arnst, 1679. 4to, folding frontispiece portrait, title in red and black, later calf, title dust-soiled and with library stamp, browning, lacks upper board, lacks part of one index leaf; Zwelfer, Johann Pharmacopoeia Augustana reformata. Dordrecht: V. Caimax, 1672. 4to, additional engraved title, contemporary calf, engraved title with library stamp, slightly soiled and slightly frayed in fore-margin, worn, upper cover detached; Wildberg, C.F.L. Bibliotheca medicinae publicae. Berlin, 1819. 2 volumes, 8vo, half calf, spotting; Weber, W. & E. Mechanik der menschlichen Gehwerkzeuge. Göttingen, 1836. 8vo, 12 folding plates, half calf, spotting; Engelhardt, Moritz von & K. von Raumer. Geognostische Umrisse von Frankreich, Grossbrittannien. Berlin, 1816. 4to, hand-coloured folding map, half calf, spotted, worn, lacks spine; Oken, L. & G. Kiefer. Beiträge zur verlichenden Zoologie. Bamberg, 1806. Part 1 only, 4to, 3 folding plates, original boards, uncut; Müller, O.F. Naturgeschichte einiger Wurm-Alten. Copenhagen, 1800. 4to, title vignette & 19 engraved plates, cloth; Seiler, Burkhard W. Die Gebärmutter und das ei des Menschen. Dresden, 1832. Folio, 12 plates, 2 hand-coloured, half calf, spotting, rubbed; Duftschmid, Kaspar Fauna Austriae. Linz & Leipzig, 1805. 8vo, volume 1 only, cloth; Huschke, Emil Schaedel, hir und Seele des Menschen. Jena, 1854. Folio, 6 lithographed plates, original boards, worn; Braune, W. Die Oberschenkelvene des Menschen. Leipzig, 1873. 4to, 6 coloured plates, original boards, worn; Wagner, Rudolph Sechz Kupfertafeln zu Rudolph Wagner`s Abhandlung. Gottingen, 1860. 4to, 6 plates, loose as issued in original boards, dampstained, worn; and others, mainly 19th century, medical and some natural history, original wrappers, calf or half calf, mostly worn, library stamps; sold not subject to return (quantity)
Three Dresden bone china coffee cups and sauces in gilt heightened Oriental style with dragons, flowers etc a miniature continental porcelain saloon suit, comprising settee and two side chairs with floral encrustation, a similar settee with frolicking cherubs and a floral table decoration in the form of a wheel barrow
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31346 item(s)/page