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Click here to subscribeTeetisch / Beistelltisch, 800er Silber, Art Déco, 1930er Jahre, Hofjuwelier Alfred Roesner, Dresdenrunde Platte/ Tablett mit gewelltem Rand, getrieben, D.74cm, H.65cm, Gew. 4.900g, unterseitig bezeichnet A.ROESNER 800 Krone Halbmond DRESDEN, vierfüßiger Stand mit Kreuzverstrebung, Holz schwarz lackiert, Plattenunterbau mit überkragenden Metallbändern, Unterbau und Tablett mit Alters- und Gebrauchsspuren
A pair of early 20th century Dresden porcelain figures, the gentleman in standing pose, in blue jacket, purple boots with basket in hand on naturalistic base with C-scrolling gilt decoration, his companion in a purple bonnet and floral dress with basket of flowers in hand, on gilt heightened C-scroll base, having printed mark verso, height 15cm; together with a pair of continental maiolica glazed figures, and a Staffordshire flat back figure (5)
A set of four 19th century Meissen Dresden open salts, each of twin circular form with lop handle, decorated in the Exotic Bird pattern, having crossed swords mark verso; together with a 19th century Meissen Dresden cup and cover, of squat circular form with fluted decoration, hand-painted with various panels of figures in landscapes, all heightened in gilt, having underglazed blue crossed swords mark verso; one other similar cup lacking cover; and a spoon
KIRCHNER, ERNST LUDWIG (1880-1938), "Weg unter Bäumen", wohl im Park in Dresden, u.re. mit Bleistift signiert 'E L Kirchner' und undeutlich datiert '190?' (letzte Ziffer vom Passepartout verdeckt), Tuschpinselzeichnung/chamoisfarbenes Papier, HxB: Passepartoutausschnitt ca. 42x32,5 cm (62x51 cm mit Rahmen). Alters- und Knickspuren, gebräunt und leicht wellig. Im Passepartout mit Papier hinterlegt und mit Papierklebestreifen montiert, hinter Glas gerahmt (Rahmenleiste minim. beschädigt).| KIRCHNER, ERNST LUDWIG (1880-1938), "Path under trees", probably in the park in Dresden, signed in pencil 'E L Kirchner' and indistinctly dated '190?' (last digit covered by the passe-partout), ink brush drawing/chamois-colored paper, HxW: passe-partout cut-out approx. 42x32.5 cm (62x51 cm with frame). Signs of age and creases, browned and slightly wavy. Backed with paper in the passe-partout and mounted with paper adhesive strips, framed behind glass (frame bar minim. damaged).
Ernst Hassebrauk. (1905 - 1974, Dresden). Damenbildnis (Charlotte). 1939. Pastell und Graphit auf leichtem Karton. 55,3 x 37,2 cm. Verso signiert, datiert und betitelt. Unter Glas gerahmt im Passepartout freigestellt. - Mit vereinzelten Braunfleckchen. Farbintensives Blatt. Die frühe Arbeit des Künstler hebt mit ihren farbigen Akzenten das Gesicht seiner Frau gegen die schwarzen Kontraste der Kleidung geschickt hervor. Seine Vorliebe zur starken Farbigkeit wurde von Otto Dix beeinflusst. Pastel and graphite on light cardboard. Signed, dated and titled on verso. Framed under glass in a passepartout - With a few brown spots. Colour-intensive sheet.
Eberhard Göschel (1943 Bubenreuth - lebt in Dresden)Mappe mit 5 Aquatintaradierungen auf Kupferdruckkarton. 1978. Radierungen parallel zu typographischen Text auf Doppelblatt gefaltet. Blattgröße der Graphiken je 37,5 x 50 cm. Bll. jeweils signiert und nummeriert. Zusätzlich im Kolophon von Theilmann und Göschel signiert sowie nummeriert. Lose in original Halbpergament-Mappe. - Leicht lichtspurig an den Blatträndern (Motive nicht betroffen). Graphiken mit starkem Plattenrand. Eines von 50 Exemplaren. - Ausgabe mit fünf Gedichten von Bernhard Theilmann. Obergrabenpresse, Dresden 1978.
Steffen Volmer (1955 Dresden - lebt in Chemnitz)Set aus zwei Arbeiten. 1993 bzw. 1995. Je Mischtechnik und Papiercollage auf Büttenpapier. Blattgröße von 53,5 x 39,2 cm bis 107 x 79 cm. Je signiert, datiert u. betitelt. - Je verso etw. atelierspurig u. technikbedingt ein Bl. am Rand leicht gewellt, sonst in gutem Zustand mit schönem Büttenrand. Beinhaltet: - Sehen. 1993. - Köpfe im Kopf. 1995. Set of two works. Each mixed media and paper collage on handmade paper. Each signed, dated a. titled. - Each with some traces of painting on the verso and one sheet slightly wavy at the margin due to the technique, otherwise in good condition with beautiful handmade paper margin.
Konstruktivismus - - Hermann Glöckner. (1889 Dresden - 1987 Berlin). 6 Farbserigraphien in Ausst.-Kat. "Werke aus den Jahren 1945 bis 1975". 2 von 6 Farbserigraphien als Einbandgestaltung. Die anderen 4 je auf glattem Papier. Blattmaße je 26 x 20,5 cm. - Die Serigraphien teils mininmal bestoßen. Vereinzelt mit leichtem Farbabrieb. Insgesamt schön samtig-pulvrige Drucke. Enthält die Arbeiten: - Kurve Grau-Schwarz (Titel) - Dreieckige Erhebungen - Schwarzrote Verklammerung - Vier vertikale Formen - Aufgerichtetes Monogramm - Kurve Grau - Kurve Grau-Schwarz Umkehrung (Rückseite). - Hrsg. Kupferstichkabinett Staatliche Kunstsammlungen, Dresden, 1976. Mit OKarton mit Spiralbindung. 6 colour silkscreens in exibition cat. "Works from the years 1945 to 1975". 2 silkscreens as cover design. The other 4 each on smooth paper. - The silkscreens partly slightly bumped. Occasionally with slight colour abrasion. Altogether nice velvety-powdery impressions. Altogether nice velvety-powdery prints.
Peter Makolies, geb. 1936 Königsberg, Steinmetzlehre in der Zwingerbauhütte Dresden, Zeichenstudium bei Strawalde, hier: Busenstück, Marmor, monogr. PM und dat. 97, H. ca. 25cmPeter Makolies, born in Königsberg in 1936, apprenticed as a stonemason in the Zwinger Bauhütte in Dresden, studied drawing with Strawalde, here: breast piece, marble, monogr.PM and dated 97, H. approx. 25cm
HAP Grieshaber, 1909-1981: Der Totentanz von Basel mit den Dialogen des mittelalterlichen Wandbildes, VEB Verlag der Kunst Dresden 1966 , mit 40 ganzseitigen Original -Farbholzschnitten, Text in dt./frz./engl., Nachwort von Rudolf Mayer, orig. schwarzer Leineneinband mit beidseitiger Prägung, rot geprägter Rückentitel, ca. 45x36 cm, Alters. u. Gebr.sp.HAP Grieshaber, 1909-1981: The Dance of Death from Basel with the dialogues of the medieval mural, VEB Verlag der Kunst Dresden 1966, with40 full-page original color woodcuts, text in German/French/English, afterword by Rudolf Mayer, orig. black linen cover with embossing on both sides, title on spine embossed in red,approx. 45x36 cm, age. u . Gebr.sp.
Two 19th Century Dresden type figures, the first modelled as a lady with patterned dress with a Dresden lace trim, holding a bird cage with a bird perched on top, the second a gentleman leaning slightly forward dressed in patterned clothes with long cape and tri-corn hat, both bear underglaze cross swords marks, tallest 27cm, both S/D. (2)
Four assorted early to mid 20th Century Dresden type figures, the first modelled as a lady and gentleman playing chess, the second a lady seated with a cherub with a gentleman by her side playing a horn, the third a table salt with a seated boy beside two baskets and the last a kneeling male offering a basket of chicks, all with spurious underglaze marks, S/D and restoration.
A collection of assorted early to mid 20th Century Dresden type figures to include a small pair of winged children both with spurious Augustus Rex marks, a model of a gardener stood holding a spade with a water can behind and a shepherdess stood with a lamb, all with spurious blue underglaze marks. (qty)
Two 19th Century Dresden type figurines, the first a lady stood draped in robes holding aloft a gilt goblet stood beside a pedestal, titled Gourmandise to the base, the second a lady also stood in drapery holding a lamp with a bag of coins by her feet, both bear underglaze cross swords marks, tallest 19cm, both S/D.
A DRESDEN PORCELAIN PART DESERT SERVICECIRCA 1900Decorated with flowersComprising; a shaped oval two handled serving dish, 26.5cm long, a pair of shaped square dishes, 21cm wide, and eleven dessert platesCondition Report: Some rubbing to gilding. One square dish has a small crack from the rim to the piercing. Image available upon request from the Dept. at Dreweatt's.Condition Report Disclaimer
A Collection of Various 19th Century and Later Porcelain to Comprise Royal Copenhagen Floral Hand Painted Saucer with Gilt Trim, Dresden Blue and White, Derby Blue and White Shaped Dishes, English Transfer Printed Blue and White Oriental Scene Cups and Saucer etc Together with Various Cat Ornaments to Include Victorian Jackfield Example (Various Condition Issues etc)
A pair of Minton porcelain Potpourri vases with covers,Circa 1860/70, having unglazed storks to knopped stem, cobalt blue ground with gilt jewelling and central motifs with red and green enamel accents to centres,cerise banding to base of bowl, foot and rim with white enamel detail also sold with a Dresden lidded vase having hand tinted floral pattern and a similar tea cup possessing relief forget me not's to exterior and bugs, butterflies and flora internally.AF. Chipped flowers and foot to cup, Minton vases , one having hairline to base, the other with stapled repair to base and finial to top glued in place. globes in good condition. Dresden ginger jar good.
cavetto of each decorated with a gilt foliate and floral trellis cartouches and vignettes, all featuring a young beauty in profile with soft features and gazes, each respectively named: Annuth, Fruhling and Stilles Gluck, two Royal Vienna, each signed Greiner and Schmidt lower right edge,eachmarked with factory mark in blue underglaze, one with Germany in red script overglaze, each titled in red script overglaze with model numerals, underside of plates; one Dresden, signed, Bock lower right edge, marked with factory mark in blue underglaze, with gilt script inscription overglaze, underside of plate; diameter of each: 24 cm (9 1/2 in.)CONDITIONThe group is in very good condition. Very light surface scratches. Minor surface soiling resulting in an imperfection to one of the Royal Vienna plates. Inspection under UV light shows no sign of restoration.
Groupe en porcelaine représentant deux soeurs, Meissen, circa 1930-1933 A Meissen group of two sisters, circa 1930-1933Modelled by Paul Scheurich, standing on a canted rectangular base the older girl with her arm around her sister who holds a bird in her left hand and has a ball at her feet, at the rear a cat seated on a low pedestal painted with a flower sprig, the base painted with a brown trellis pattern, yellow and truquoise line borders and brown ornamental devices on the corners and front, incised signature 'SCHEURICH/ 29' to rear of base, 19.1cm high, crossed swords mark with dot between the tips in underglaze-blue (with four incised lines), incised moedel number A.1217, impressed former's number 42 (for Alexander Struck)Footnotes:Provenance: Private commission for Alexander Struck (1902-1990), modeller and designer at the Meissen manufactory between 1923 and 1968Exhibited:Meissen, Museum der Meissen Porzellan-Stiftung, Paul Scheurich. Porzellangestalter Zeichner Grafiker, 6 March 2020-21 February 2021The model for this group was delivered to the Meissen manufactory shortly after Scheurich's return from Paris in early Summer 1929. The group was purchased for RM 1,600 and first produced in porcelain in Autumn 1930, probably painted by Scheurich in Meissen. The group was exhibited in Spring 1931 at the Kunstgewerbemuseum in Dresden. The surviving records of royalty payments record the first sales only in 1946 (Rafael 1995a, no. 37).For further information on this lot please visit Bonhams.com
Trois cloches en porcelaine blanche, Meissen, circa 1934 Three Meissen porcelain bells in sizes, circa 1934Designed by Paul Börner, tuned to F, D and G, 25.5cm, 28cm and 32cm high, crossed swords marks in underglaze-blue (middle bell with small flat rim chip) (3)Footnotes:Max Adolf Pfeiffer initiated the production of a porcelain glockenspiel to mark the 1000th anniversary of the founding of the town of Meissen in 1929. A porcelain glockenspiel was made in 1736 for the Japanese Palace by J.J. Kaendler and his assistants, though the tone quality left something to be desired. The new glockenspiel provided an opportunity to demonstrate the technical and design mastery required to produce a melodic instrument. The first playable example was installed in the tower of the Frauenkirche in Meissen in 1929; others followed in 1930 in the press pavillion of the Dresden hygiene exhibition (subsequently in the Zwinger palace), and in 1934 in Bremen (Lechelt 2011, pp. 110-111).For further information on this lot please visit Bonhams.com
The doctor's visit; and A gentleman playing the lute to a lady at a windowoil on metal31.5 x 25.5cm, a pairProvenance:Cheffins, Cambridge, 17th June 2015, lot 871Footnote: The present paintings are after the originals by Caspar Netscher believed to have been destroyed by Allied bombing in Dresden in 1945.Condition report: Framed 36 x 30.5cmThe paintings are executed in oil on a metal support. The metal sheets have minor undulations but are generally in plane and in a good condition. The paint layers have suffered minor losses on both works but are stable overall. The picture with the musician has been partially cleaned to remove the varnish, this has caused wear to the paint layer in some areas. The scene with the physician has a thick layer of varnish which is even, glossy and slightly yellowed. There are small areas of overpaint in localised areas.
SAMUEL PROUT EARLY 19TH CENTURY ETCHINGS, bound in a book with no title pages or publishing details, 31 plates of mainly Cornwall and Devon, one hand coloured, together with 'Story of the Norman Conquest' by D. Maclise 1866, three disbound volumes of 'Die Konigliche Gemaldegalerie Zu Dresden' etc.
Dresden floral encrusted mantel clock, applied with figures and painted with children playing, white enamel garland painted dial, the French movement striking on a gong, 43 cm highCondition Report: No pendulum or key. Dial slightly misaligned, some damage to flower petals, thumb missing from one of the figuresNo makers mark or signature found
After Bartolomé Esteban Murillo, 19th CenturyThe Virgin and Child oil on canvas120.5 x 80cm (47 7/16 x 31 1/2in).Footnotes:The present lot is after Murillo's original which now hangs at the Gemäldegalerie Alte Meister, Dresden (Gal.-Nr. 705).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Dresden porcelain figure group of a hurdy-gurdy player and lady,c.1900, on a Greek key gilt decorated base,12.5cm wide17.5cm hightogether with a porcelain figurinetitled 'Fruhling', depicting a young girl carrying a basket of flowers,15cm highand a porcelain framed heart-shaped mirror with cherub cresting,14cm wide 19cm high (3)Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition report: Figure group missing arm of the lady, Fruhling figure with glued neck and missing the basket handle and a chip to the baseMirror frame with glued repairs to the Cherub and leaf losses to the encrusted floral decorations
A pair of Dresden porcelain urn vases,c.1900, with painted reserves to a blue ground,21cm hightogether with a porcelain pedestal as a lamp base,22cm higha pair of modern Royal Collection Trust mugs, and a Copenhagen fox figure mounted on an alabaster plinth, 14cm high (6)Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition report: Pair of vases are lacking their covers and one has old restoration to the base and one handle.The lamp base has a glued repair and small loss, and chip to the baseThe fox has restoration to the tail.
A pair of Meissen campana shaped vases, c1840, painted with panels of 18th c courtship or flowers in moulded gilt rococo frame, the foot with similar reserves of a musical trophy or flowers, on a gilt patterned vivid pink ground, 46cm h, underglaze blue crossed swords Recorded in Joanna Philips' notebook, c1845: "2 Dresden pink vases bought at Paris in 1842" Condition ReportOne vase chipped around gilt foot, the other vase with re-stuck flat chip on top edge of foot, not cracked, no restoration
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