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A French Art Deco dinanderie vase table lamp Circa 1925, unsigned, inscribed in black ink to underside ``Made in France``, ov

John Moran Inc

Lot 1081

A French Art Deco dinanderie vase table lamp Circa 1925, unsigned, inscribed in black ink to underside ``Made in France``, oviform on a stepped circular base, inlaid with roundels depicting maps of the continents on a ground decorated with waves and lightning, electrified, overall 24`` H x 6.5`` Dia., est: $800/1200 Condition: General marks, scratches and rubbed wear to surfaces. Some oxidation and verdigris. The base possibly a later addition. The wiring and electrical fixtures later additions. No marks or signatures beneath base. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

Live Auction

Bernard Baruch Zakheim (1896-1985 San Francisco, CA) Early 20th Century Mexican mural design, figures in a Mexican colonnade,

John Moran Inc

Lot 1089

Bernard Baruch Zakheim (1896-1985 San Francisco, CA) Early 20th Century Mexican mural design, figures in a Mexican colonnade, signed, inscribed and dated lower right: Bernard Zakheim Mexico 1930 design for a mural, watercolor and ink on paper under glass, sight size: 13.5`` H x 19`` W, est: $500/700 Note: Bernard Zakheim was an important and controversial artist whose paintings, murals and sculptures championed socialism and explored themes of human dignity. A Warsaw native who grew up in a Hasidic family, Zakheim studied fine art extensively in Poland and Germany and fought against Germany in World War I for an independent Polish state. Immigrating to San Francisco in 1921, he settled in the vibrant Jewish community of the Fillmore District where he would remain, except for studies in Paris and Mexico, until his death in 1985 (R. Shaw, ``San Francisco Activist, Artist Bernard Zakheim in Culturally Vital Show at Jazz Heritage Center``, 18 October 2010, www.beyondchron.org). Developing a friendship with Diego Rivera, Zakheim spent a year in Mexico around 1930 studying and working with him. The present work from this Mexican period strongly resembles Rivera`s murals in the overall composition and the stylized and layered narrative treatment of the figures. Zakheim`s time in Mexico launched a successful career highlighted by important mural commissions including ``Jewish Wedding``, painted for the new San Francisco Jewish Community Center in 1933, and ``Library``, a controversial mural commissioned for the Coit Tower in 1934 Zakheim also oversaw the entire mural program for Coit Tower. Provenance: Estate, San Pedro; by descent in the family to the present owner. Condition: Visual: Scattered toning and staining. Wear and some scattered water staining along the edges and in the corners. A 1`` stable tear along the lower center edge and two other smaller tears along the lower left edge. Scattered surface residue along the lower left edge. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

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Antoinette DeForest Parsons (1861-1941 Los Angeles, CA) ``The Hawthorne Jar``, Floral still life, signed lower left: Antoinet

John Moran Inc

Lot 1156

Antoinette DeForest Parsons (1861-1941 Los Angeles, CA) ``The Hawthorne Jar``, Floral still life, signed lower left: Antoinette DeForest Merwin, titled verso on a gallery label, oil on canvas, 30`` H x 36`` W, est: $500/800 Exhibited: Laguna Beach Art Association, Laguna Beach, CA, August-September, n.d.; Fifth Annual Exhibition of California Artists, Pasadena Art Institute, Pasadena, CA, n.d. Provenance: Estate, Beverly Hills, CA; by descent in the family to the present owners. Condition: Visual: Scattered spots and specks of loss throughout mostly concentrated in the center. Two specks of loss and an area of instability on the jar lid in the left center and a small scratch with two specks of loss in the lower right. Isolated areas of craquelure in the thicker pigments throughout. Upper stretcher bar crease. Oxidation scattered in the lower half of the canvas. Blacklight: Apparently no evidence of touch-up under blacklight. Some pigments fluoresce unevenly under blacklight presumed to be due to uneven vanish. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

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A bronze figure of a naked female in an art nouveau style on a swirling circular base.

High Road Auctions

Lot 174

A bronze figure of a naked female in an art nouveau style on a swirling circular base.

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A silver brooch in the form of two art nouveau buttons pierced and chased with female masks and flowers.

High Road Auctions

Lot 181

A silver brooch in the form of two art nouveau buttons pierced and chased with female masks and flowers.

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An art deco style three piece silver plated three piece tea set.

High Road Auctions

Lot 212

An art deco style three piece silver plated three piece tea set.

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Four items of art glass to include a pair of amethyst bottles and two bowls.

High Road Auctions

Lot 321

Four items of art glass to include a pair of amethyst bottles and two bowls.

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The Oxford Companion to art along with a collection of other reference books.

High Road Auctions

Lot 384

The Oxford Companion to art along with a collection of other reference books.

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William Trost Richards (1833-1905), American LANCASHIRE SANDS; FISHERFOLK ON THE BEACH; BEACHED BOAT;; Three oils on board; t

Waddington's

Lot 3

William Trost Richards (1833-1905), American LANCASHIRE SANDS; FISHERFOLK ON THE BEACH; BEACHED BOAT;; Three oils on board; the first title on Reeves & Sons Manufacturers, London board; signed “W.T. Richards”; titled in pencil verso; the second on London stamped board; the second and third; signed with initials W.T.R. and inscribed: “To my Dear Dolly with sincere love” in pencil verso. Contained in matching Canadian frames. 11" x 19.75" — 27.9 x 50.2 cm.; 9.5" x 12" — 24.1 x 30.5 cm. Provenance: Dedicated to “Dolly”, her collection; With The Roberts Art Gallery, Toronto circa 1920-1940 Starting Price: $1000

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Robert Loftin Newman (1827-1912), American BROTHER AND SISTER; Oil on canvas; inscribed “Newman” in pencil to the

Waddington's

Lot 5

Robert Loftin Newman (1827-1912), American BROTHER AND SISTER; Oil on canvas; inscribed “Newman” in pencil to the stretcher 8" x 6" — 20.3 x 15.2 cm. Provenance: Cottier & Co., New York stamps to the stretcher; Recorded in the Van Horne family documents as with the Art Association of Montreal, 1944; Ex. Coll. of Sir William Cornelius Van Horne, Montreal, inventory number V.H. 283; By descent through the family to the present Private Collection, Toronto Starting Price: $500

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George W. Chambers (1857-1897), American MISTRESS CORNELIA (THE ARTIST’S FIRST WIFE); Oil on canvas; signed and dated 1

Waddington's

Lot 6

George W. Chambers (1857-1897), American MISTRESS CORNELIA (THE ARTIST’S FIRST WIFE); Oil on canvas; signed and dated 1885 at Kirkwood (Missouri) lower right, signed and titled to artist’s label from “St. L. School of Fine Arts, St. Louis, Missouri” accompanying this lot 39.5" x 23.5" — 100.3 x 59.7 cm. Provenance: Collection of the artist and his wife, Cornelia, Malpeque, Prince Edward Island; Dr. James Keir, Malpeque, Prince Edward Island; By descent to their granddaughter, Mary Margaret Elizabeth Auld, Malpeque, PEI; By descent to the present owner’s mother’s brother, Malpeque, PEI; By descent to the present owner’s parents who recovered the two paintings from the house of Dr. Keir where they had been held in the family residence in Malpeque, PEI since their execution; By descent to the present, Private Collection, Orillia This painting and the next lot (lot 7) were acquired by the parents of the present Private Collection when the Malpeque residence was sold Literature: The Spectator, St. Louis, Vol. 6, Oct. 3, 1885, p.72, there is mention of a painting by Chambers with the title of “Mistress Cornelia”; H. Barbara Weinberg, The American Pupils of Jean-Leon Gerome, p.104, Chambers listed; The following literature references to Chambers was provided by The Missouri History Museum, St. Louis, MO: Missouri Historical Society Bulletin”, Vol. XXIV and Vol. XXVII (by M. Patricia Holmes); Gateway Heritage”, Vol. 8, Number 1, Summer 1987, “Chambers Watercolour Presented to Art Collections”; Pen and Sunlight Sketches of Saint Louis” Phoenix Publishing Company, Chicago, p.127; St. Louis Up to Date”, 1895, p.228; Walter B. Stevens Scrapbook 46, p. 65 Note: The painter and teacher George W. Chambers was born in St. Louis, Missouri, in 1857. Little is known of his life until 1880 when he entered the Paris studio of Jean Léon Gerome, the French classicist. He remained in Paris until 1884, studying with Gerome and also with Julien Dupré, whose Barbizon style influenced his early work. At this time, he was made a professor in the St. Louis Art School and later organized the Art School in Nashville, Tenn., where he was appointed Director in the 1890’s. He painted American subjects upon his return to the US, particularly landscapes “full of warm color, light and beauty”. Mistress Cornelia” was painted the year after Chambers returned to Missouri from Paris. She is believed to be Chambers’ first wife and either a grandmother or great grandmother of the consignor’s mother. Cornelia died prior to 1893 when he married Bilo Keir, the woman depicted in the following lot (lot 7). In the October 1885 issue of The Spectator, the writer describes the artist’s studio in Kirkwood and the work Chambers executed during the summer of 1885: Mr. Geo W. Chambers has completed an admirable studio at Kirkwood. He has completed a most satisfactory picture, which will doubtless be exhibited at the Pettes galleries. It is called ‘Mistress Cornelia’ and illustrates the following lines from Chaucer: ‘For in her living, maidens mighten rede, as in a book, Every goode word and dede which longeth to a maiden vertuous, She was so prudent and so bounteous’. The type is not of Chaucer’s time or our own, but every age wherein dwells maiden sweetness and goodness and truth. The landscape is true and good, and thoroughly of our own country. The distance is most charming and clear, but not too distinct to interfere with the interest in ‘Mistress Cornelia. It seems to me to be one of the best of Mr. Chamber’s productions’. (W.R.H.) The present owner remembers his mother and her sister often talking about “Aunt Anne” and Bilo (the subject of the next lot by the artist, lot 7) in PEI. The two women remember how Aunt Anne and Bilo never got along and their was always tension between them. The Keir House is a large, two storey, Georgian house, established circa 1810 with neo-classical design elements situated on the edge of Malpeque Bay, Prince Edward Island. The house is valued for its age, its association with the Presbyterian minister, Rev. Dr. John Keir (1780-1858) and his family, and the prominent role that the family played in community education for Malpeque and surrounding areas. The house also has a connection to Lucy Maud Montgomery, who was a friend of John Keir’s daughter Anne. For more about the Keir house see http://www.historicplaces.ca/en/rep-reg/place-lieu.aspx?id=18765 Starting Price: $2500

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William Etty (1787-1849), British NUDE (BATHER); Oil on panel; partial title on an old typed label from an unknown auction to

Waddington's

Lot 30

William Etty (1787-1849), British NUDE (BATHER); Oil on panel; partial title on an old typed label from an unknown auction to the frame 8" x 4" — 20.3 x 10.2 cm. Provenance: Unknown sale, From the B.? Collection partial typed label verso; Bennett’s Art Store, Montreal; Nichols? Collection inscribed indistinctly to a label verso Starting Price: $750

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After John Constable (1776-1837), British HAMSTEAD HEATH, BRANCH HILL; Oil on canvas 25" x 30" — 63.5 x 76.2

Waddington's

Lot 33

After John Constable (1776-1837), British HAMSTEAD HEATH, BRANCH HILL; Oil on canvas 25" x 30" — 63.5 x 76.2 cm. Provenance: American Art Association, The Thomas E. Waggaman sale, June 27th, 1905, New York from who purchased by Sir William Cornelius Van Horne, Montreal, inventory No. V.H. 15; By descent through the family to the present Private Collection, Toronto Literature: This work is cited and illustrated in Charles Wassermann’s article, “Fourteen Famous Paintings from the Van Hone Collection” published in “Mayfair” magazine, October 1952 when the painting was formerly fully attributed to “John Constable”. An excerpt from the text remarks: “In a Montreal home, Mrs. William Van Horne continues to maintain paintings, ceramics, armor and other treasures collected by empire-builder Sir William Van Horne, K.C.M.G. - from Rembrandt and El Greco to a cat from the tomb of a Pharaoh. For the first time in any magazine. are selected reproductions from Canada’s Finest Art Collection” Starting Price: $1000

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Edwin Thomas Roberts (1840-1917), British BLOWING BUBBLES; Oil on canvas; signed lower right, signed and titled verso Sight 1

Waddington's

Lot 35

Edwin Thomas Roberts (1840-1917), British BLOWING BUBBLES; Oil on canvas; signed lower right, signed and titled verso Sight 14" x 12" — 35.6 x 30.5 cm. Provenance: The Fine Art Galleries, The T. Eaton Co. Limited, Canada Starting Price: $750

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William Shayer the Elder (1787-1879), British FISHERFOLK ON THE BEACH; Oil on canvas; signed and dated 1839 lower right, titl

Waddington's

Lot 40

William Shayer the Elder (1787-1879), British FISHERFOLK ON THE BEACH; Oil on canvas; signed and dated 1839 lower right, titled to gallery label verso 30" x 40" — 76.2 x 101.6 cm. Provenance: W. Bakker & Co., Alexandra Gallery, Harrogate; John Britnell Art Galleries, Toronto; An unidentified gallery label from Toronto (Cooling Galleries?) Starting Price: $5000

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Charles Baxter (1809-1879), British A GIRL WITH A BASKET OF EGGS; Oil on canvas; signed and dated 1863 lower left, titled and

Waddington's

Lot 47

Charles Baxter (1809-1879), British A GIRL WITH A BASKET OF EGGS; Oil on canvas; signed and dated 1863 lower left, titled and dated 1863 to gallery label verso 30" x 25" — 76.2 x 63.5 cm. Provenance: Frost & Reed, London, registration number 27530; The Fine Art Galleries, The T. Eaton Company Ltd., Canada; By descent through the family, Toronto to the present Private Collection Starting Price: $1500

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Philip Hermogenes Calderon (1833-1898), British NIGHT. “EMPRESS OF SILENCE AND THE QUEEN OF SLEEP”; Oil on canvas

Waddington's

Lot 52

Philip Hermogenes Calderon (1833-1898), British NIGHT. “EMPRESS OF SILENCE AND THE QUEEN OF SLEEP”; Oil on canvas placed on masonite; signed “P.H. Calderon Esq. R.A. at 16 Grove End Rd.” on the Charles Roberson & Co., London artist supplies manufacturer’s label to the stretcher 69" x 47" — 175.3 x 119.4 cm. Provenance: John Aird, Hyde Park Terrace- London; The Fine family of Toronto where the painting hung at Julie’s Mansion, Toronto in the 1960’s to 1970’s; By descent to the present, Private Collection, Toronto Exhibited: Royal Academy, 1884, Cat. No. 340 Literature: Henry Blackburn ed., “Academy Notes with one hundred and forthy three illustrations, facsimile of Sketches by the Artists, 1883” London: Chatto and Windus, Piccadilly; lllustrated on p. 31, No. 340 The Royal Academy”, The Building News and Engineering Journal, Vol 46, May 18, 1884, p. 741 Philip Hermogenes Calderon. Morning”. R.E.W. Art, 2012 Note: According to Calderon’s studio records, this work was one of eight paintings he executed for the residence of Civil Engineer, Sir John Aird (1833-1911) of Hyde Park Terrace, London in 1891. This large canvas hung in Mr. Aird’s dining room along with the seven other works in the “Calderon Room”, all of which were exhibited at the Royal Academy. This work being the companion work to the canvas “Morning. Hark Hark! The Lark at Heaven’s Gate Sings” was exhibited at the Royal Academy in 1885 and sold in this salesroom on November 13, 2003, lot 298. In “Academy Notes”, the painting is described as “a nearly life size figure in dark blue robe, with background of night sky, one of a series which includes ‘The Olive’ and ‘The Vine’ exhibited at the Royal Academy in 1880”. Night” is also described in “The Building News and Engineering Journal”; “According to Philip H. Calderon, ‘Night’ (no. 340) sits enthroned as ‘Empress of Silence and Queen of Sleep’ thoughtful and calm in white dress, with a dark robe over it, a beautiful personification” Starting Price: $40000

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Henry Moore (1898-1986), British NUDE STUDY 3; Brush and India ink over graphite with wash on paperboard; signed and dated 34

Waddington's

Lot 61

Henry Moore (1898-1986), British NUDE STUDY 3; Brush and India ink over graphite with wash on paperboard; signed and dated 34 lower right Sight 21" x 13" — 53.3 x 33 cm. Provenance: A. Zwemmer, 76 Charing Cross Road W.C.2.; Purchased by George Gilmour, Toronto(?) in 1985; By descent Exhibited: British Council Fine Arts Department in “Contemporary British Art”; Riksforbundet for bildande Konst, 1934 Literature: See “Sculptures & Drawings”, edited by David Sylvester. Vol. I, pg. 194, Illustrated. Starting Price: $10000

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Eileen Agar (1904-1991), British ABSTRACT (MAN AND WOMAN); Oil with ink sketching lines on canvas; signed lower right, titled

Waddington's

Lot 62

Eileen Agar (1904-1991), British ABSTRACT (MAN AND WOMAN); Oil with ink sketching lines on canvas; signed lower right, titled “Abstract” to the stretcher Together with: UNTITLED (BLUE AND RED ABSTRACT); Mixed-media on paper; signed lower right 16" x 20" — 40.6 x 50.8 cm.; 19" x 14.5" — 48.3 x 36.8 cm. Provenance: Lauri Stewart - Fine Art, The Church Lane Gallery, London gallery label to the second title Starting Price: $1250

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Maurice Canning Wilks (1911-1984), Irish PAT’S POOL GLANDUN, CO. ANTRIM; Oil on canvas; signed lower right, titled to t

Waddington's

Lot 79

Maurice Canning Wilks (1911-1984), Irish PAT’S POOL GLANDUN, CO. ANTRIM; Oil on canvas; signed lower right, titled to the stretcher 18" x 22" — 45.7 x 55.9 cm. Provenance: Watson Art Galleries, Montreal; By descent to the granddaughter of the Watson firm, Toronto Starting Price: $750

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Maurice Canning Wilks (1911-1984), Irish ON THE NORTH DONEGAL COAST (MALIN HD); Oil on canvas; signed lower left, titled to t

Waddington's

Lot 80

Maurice Canning Wilks (1911-1984), Irish ON THE NORTH DONEGAL COAST (MALIN HD); Oil on canvas; signed lower left, titled to the stretcher 20" x 24" — 50.8 x 61 cm. Provenance: Watson Art Galleries, Montreal; By descent to the granddaughter of the Watson firm, Toronto Starting Price: $1000

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Lucas van Uden (1595 - Died Circa 1673), Flemish EX LUCUM SISSIMIS DELINEATIONIBUS (?) (ROAD THROUGH THE GROVE OF TREES); Bla

Waddington's

Lot 93

Lucas van Uden (1595 - Died Circa 1673), Flemish EX LUCUM SISSIMIS DELINEATIONIBUS (?) (ROAD THROUGH THE GROVE OF TREES); Black pen and ink and brown watercolour wash on wove paper; signed lower right, and indistinctly inscribed in Latin script with the title and provenance translated as deciphered in pen and ink verso Sheet 24.5" x 18.5" — 62.2 x 47 cm. Provenance: Ex-Collection Philippo Schoyt (b. 1629- ?), senator, Antwerp; Domicelli Augusti Schoyt (b.1850- ?) Architect, Antwerp; The Gunther Wagner Pelikan Art Collection, Hannover, Germany and later partially located on the family estate in Northern Germany (Gut Auermühle); By descent to the present Private Collection, Canada from the consignor’s parents, Germany Starting Price: $1500

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After Narcisse Virgile Diaz de la Pena (1808-1876), French DIANE CHASSERESSE; Oil on canvas; signed and dated 49 lower left,

Waddington's

Lot 125

After Narcisse Virgile Diaz de la Pena (1808-1876), French DIANE CHASSERESSE; Oil on canvas; signed and dated 49 lower left, titled and dated ‘49 to gallery label verso 21" x 13" — 53.3 x 33 cm. Provenance: G.M. Lotinga Ltd. Fine Art Galleries, London, with them in April 1960; Private Collection, Montreal Starting Price: $1000

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Constantin Meunier (1831-1905), French WAITING BY THE SEA; Oil on canvas; signed lower right 19.75" x 27.5" —

Waddington's

Lot 130

Constantin Meunier (1831-1905), French WAITING BY THE SEA; Oil on canvas; signed lower right 19.75" x 27.5" — 50.2 x 69.9 cm. Provenance: The Gunther Wagner Pelikan Art Collection, Hannover, Germany and later partially located on the family estate in Northern Germany (Gut Auermühle); With Vanden Broeck Miroitier, Bruxelles, framing company; Karl Werne (?), Koln stamp to the frame; By descent to the present Private Collection, Canada from the consignor’s parents, Germany Starting Price: $1000

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Louis Victor Felix Mettling (1847-1904), French PORTRAIT OF THE ARTIST’S DAUGHTER; Oil on cradled panel; signed and dat

Waddington's

Lot 143

Louis Victor Felix Mettling (1847-1904), French PORTRAIT OF THE ARTIST’S DAUGHTER; Oil on cradled panel; signed and dated ‘84 lower left, titled to gallery label on the frame verso 12.5" x 9" — 31.8 x 22.9 cm. Provenance: The French Gallery, London, Edinburgh, Montreal and New York, Inventory No. 24554; Ex. Coll. of Sir William Cornelius Van Horne, Montreal, inventory number V.H. 261 verso; By descent through the family to the present Private Collection, Toronto Exhibited: Art Association of Montreal, 1933, No. 158 while owned by Sir William Van Horne Note: This painting is readily visible in many of the photographs taken of the drawing room at the Van Horne residence on Sherbrooke Street, Montreal Starting Price: $750

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Antoine Blanchard (1910-1988), French NOTRE DAME, QUAI ST. MICHEL; Oil on canvas; signed lower left, signed at Paris verso. T

Waddington's

Lot 151

Antoine Blanchard (1910-1988), French NOTRE DAME, QUAI ST. MICHEL; Oil on canvas; signed lower left, signed at Paris verso. Together with with a certificate from Rehs Galleries, Inc. New York 18" x 21.5" — 45.7 x 54.6 cm. Provenance: Universal Art Studio, Montreal Note: This work was examined, via photograph, by Rehs Galleries Inc., and has been included in the online catalogue: Antoine Blanchard Virtual Checklist (www.antoineblanchard.org),#NDQSM1821.001 Starting Price: $2000

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R** Domba (19th/20th Century), Italian GONDALIERS AT VENICE; Oil on canvas; signed lower right 18" x 32" — 45

Waddington's

Lot 186

R** Domba (19th/20th Century), Italian GONDALIERS AT VENICE; Oil on canvas; signed lower right 18" x 32" — 45.7 x 81.3 cm. Provenance: John Britnell Art Galleries Limited, Toronto Starting Price: $750

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SÈVRES Paire de bustes en biscuit de porcelaine dure représentant le Roi Louis XVI et la Reine Marie-Antoinette sur des socle

Tajan

Lot 44

SÈVRES Paire de bustes en biscuit de porcelaine dure représentant le Roi Louis XVI et la Reine Marie-Antoinette sur des socles carrés. Modèle de Louis-Simon Boizot. XVIIIe siècle, vers 1785. Ils sont présentés sur des socles en bois sculpté et doré à cannelure et feuilles d`eau. (Éclats et coups de feu). HAUT. DU ROI : 37 cm - HAUT. DE LA REINE : 39,5 cm - HAUT. DES SOCLES : 9,5 cm Nos bustes du Roi et de la Reine sont modelés par Louis-Simon Boizot en 1785. En juillet 1785, le comte d`Angiviller, directeur général des Batiments, demande à la manufacture de Sèvres " d`exécuter en Sculpture de Pate forte le Buste du Roy Ouvrage de M. Boizot ". Le buste de la Reine est réalisé sans doute à partir d`août 1785. Ces bustes furent produits en deux grandeurs, l`une de grandeur nature, très probablement vendue au prix de 600 livres chaque, la deuxième grandeur vendue au prix de 120 livres puis 96 livres à partir de 1787. Entre le 20 décembre 1785 et le 31 décembre 1791, dix-sept bustes du Roi et quinze bustes de la Reine sont mentionnés dans les registres des ventes de la manufacture, certains offerts comme cadeau diplomatique notamment à l`archiduc Ferdinand d`Autriche, le duc de Saxe-Teschen ou encore aux ambassadeurs du sultan Tipoo-Saïb. Une des paires offertes à ces derniers est aujourd`hui conservée au Victoria and Albert Museum de Londres. Le Roi Louis XVI achète dans la seconde moitié de l`année 1788 2 Bustes, le Roi et la Reine, pour la somme de 96 livres. 2 bustes représentant Louis XVI et la Reine sur leurs pieds de bois sculptés et doré sont mentionnés sur la cheminée dans le Cabinet de la Pendule à Versailles dans l`inventaire dressé en 1792 et prisés alors 300 livres chaque. Plusieurs exemplaires sont conservés dans des collections publiques et privées : deux bustes du Roi et de la Reine au Château de Versailles, une paire à la Cité de la Céramique de Sèvres, une paire au château de Dalmeny (Ecosse), une paire sur des socles à fond bleu dans les collections Royales anglaises (Sir Geoffrey de Bellaigue, French Porcelain in the Collection of Her Majesty the Queen, 2009, vol. III, n° 307-308, pp. 1084-1087), deux bustes de Louis XVI sont au Fogg Art Museum de Cambridge, Massachusset et au musée de l`Ermitage à Saint-Pétersbourg. Une paire provenant des collections de la Reine Juliana de Hollande est récemment passée en vente publique (Sotheby`s, Amsterdam, 14-17 mars 2011, lot 528). Un buste du Roi Louis XVI figurait dans la vente de la collection Weinberg (Sotheby`s, New York, 10-11 novembre 2006) et un buste de la Reine s`est également vendu à New York en 2006 (Sotheby`s, 9 novembre 2006, lot 122).

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TABLE A OUVRAGE de forme rectangulaire en placage de bois de rose, satiné, amarante, et bois de violette. Elle ouvre à un pla

Tajan

Lot 147

TABLE A OUVRAGE de forme rectangulaire en placage de bois de rose, satiné, amarante, et bois de violette. Elle ouvre à un plateau mouvementé marqueté de branchages feuillagés et fleuris en bois de bout dans une réserve bordée de larges rinceaux avec des fleurettes dans les écoinçons. Il découvre trois compartiments. La ceinture à décor de réserves mouvementées ouvre à un tiroir latéral formant écritoire. Elle est ornée d`élégants bronzes finement ciselés à décor de coquilles crénelées, rinceaux feuillagés et fleurettes. Les pieds surlignés d`un filet de fine moulure en bronze sont cambrés et se terminent par des sabots de bronze feuillagés réunis par une tablette d`entretoise avec une réserve rectangulaire présentant un motif quadrilobé. Estampillée au pochoir BVRB, et poinçon de jurande. Époque Louis XV. (Quelques petits manques au placage). HAUT. 67 cm - LARG. 43 cm - PROF. 30 cm L’estampille BVRB est restée durant de nombreuses années entourée de mystère. Et pourtant, elle se retrouve sur des meubles Louis XV parmi les plus importants. C’est seulement en 1957, que Jean-Pierre Baroli fait le lien entre la signature BVRB et une dynastie d’ébénistes du faubourg Saint-Antoine d’origine hollandaise portant tous le prénom de Bernard et le nom de famille Van Risen Burgh. Bernard II Van Risen Burgh est le plus célèbre, le plus prolifique ébéniste de cette famille et sans doute le plus grand ébéniste parisien du règne de Louis XV. Reçu maître vers 1735, il meurt en 1765. Durant ces trente ans de carrière, BVRB travaille pour les commanditaires les plus prestigieux. Par l’intermédiaire des marchands-merciers comme Lazare Duvaux, Simon Philippe Poirier et Hébert il fournit même la famille royale. Cette table à ouvrage fait parti d’un groupe connu avec certaines variantes au niveau des bronzes, du décor de marqueterie et de la présence ou non d’une tablette d’entretoise. Ce corpus de tables a sans doute été commandé par le marchand-mercier Lazare Duvaux qui livra entre autre Madame de Pompadour. D’ailleurs, François Boucher, dans son célèbre portrait de la favorite de Louis XV peint en 1756, la présente avec une de ces tables. De même dans l’inventaire de la vente de la collection de la maison du peintre en 1771 figure sous le numéro 1006 « un vide-poches, fait par Bernard, il est en bois de rose et amarante, le dessus de bois de violette entouré d’un quart-de-rond, chute, sabots et ornements de bronze doré. Hauteur 25 pouces, longueur 15 pouces 6 lignes, largeur 10 pouces 9 lignes ». En convertissant ces dimensions (hauteur 68 cm, largeur 42 cm et profondeur 28 cm) nous arrivons à des proportions très proche de notre table. D’autres exemples proches sont conservés dans des musées, ainsi au Metropolitan Museum of Art de New York figurent deux tables, au Jacquemart-André une autre table est présentée, celle-ci sans tablette et non estampillée. Œuvres en rapport : - Christie’s Londres 14 décembre 2005, lot 47. - Tajan 16 juin 2004, lot 118. - Christie’s New York collection Riahi 2 novembre 2000, lot 12. - Christie’s New York collection Alexander 30 avril 1999, lot 102. Bibliographie : P. Kjellberg, Le Mobilier français du XVIIIe siècle, Dictionnaire des ébénistes et des menuisiers, Les Éditions de l`Amateur, Paris 1989, pp. 127 à 142. B. Pallot et N. Sainte Fare Garnot, le mobilier français du musée Jacquemart-André, Éditions Faton, 2006 pp. 110 à 113. F.J.B. Watson, the Wrightsman Collection, New York, 1966, vol. 1 cat. 125 et 126.

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BUREAU DE PENTE En placage de bois de rose. Il ouvre à un abattant de forme mouvementée regainé de cuir fauve découvrant des

Tajan

Lot 168

BUREAU DE PENTE En placage de bois de rose. Il ouvre à un abattant de forme mouvementée regainé de cuir fauve découvrant des casiers et petits tiroirs, l`un avec nécessaire à écrire, deux petits tiroirs en ceinture et deux tirettes en fer forgé. Il repose sur quatre pieds cambrés. Trace d`estampille de Migeon et poinçon de jurande. Époque Louis XV. (Restaurations, éclats, fentes et manques). HAUT. 97 cm - LARG. 82 cm - PROF. 49 cm L`atelier des Migeon était composé du père, Pierre I Migeon, mort vers 1740 (qui ne signait pas ses ouvrages), du fils Pierre II (1701-1758) et du petit-fils Pierre III (1733-1775), reçu maître le 18 juin 1761. "La dynastie des Migeon (...) nous est connue par une production énorme (...)." (Verlet, p. 151). Leur style est hétéroclite mais on relève un goût certain pour les courbes, les placages simples disposés en feuilles, les compositions polylobées ou faites de losanges. Les œuvres de cet atelier sont conservées dans les plus grands musées comme le Louvre (Paris) ou le Metropolitan Museum of Art (New-York). Bibliographie : P. Kjellberg, Le Mobilier français du XVIIIe siècle. Dictionnaire des ébénistes et des menuisiers, Les Editions de l`Amateur, 1989. P. Verlet, Les Meubles français du XVIIIe siècle, t. II, P.U.F.

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Cristal Art Specchio con cornice in vetro colorato in grigio e decoro con molature a lenti specchiate. Prod. Italia 1960 ca.

Cambi Casa d'Aste

Lot 82

Cristal Art Specchio con cornice in vetro colorato in grigio e decoro con molature a lenti specchiate. Prod. Italia 1960 ca. cm 100x56 Prezzo di partenza:€1200

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Cristal Art Specchiera in vetro molato con cornice in vetro color bronzo. Prod. Cristal Art Italia 1965 ca. cm 70 Prezzo di p

Cambi Casa d'Aste

Lot 331

Cristal Art Specchiera in vetro molato con cornice in vetro color bronzo. Prod. Cristal Art Italia 1965 ca. cm 70 Prezzo di partenza:€1000

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(Hainaut) - d`INN, René.- Mons qui passe.Quaregnon, Baudry, Cocu et Mairesse, [1908-1910].In-4° : titre, 125 pl. (1 cahier dé

Henri Godts

Lot 128

(Hainaut) - d`INN, René.- Mons qui passe.Quaregnon, Baudry, Cocu et Mairesse, [1908-1910].In-4° : titre, 125 pl. (1 cahier dérelié, qqs pet. taches ou traits de crayon rouge à qqs pl.).Rel. d`édition : pleine percaline verte, plat sup. à décor Art Nouveau en relief avec titre doré (lég. us.).Est. : 100/ 120 €Unique tirage, complet des 125 portraits-charge lithographiés sur fond teinté, signés par l`artiste dans la planche, figurant diverses personnalités politiques, scientifiques, militaires, artistiques, sportives locales (table in fine) ) : Raoul du Sart de Bouland, Charles Tricot, Charles Delhaye, Maurice Jottrand, Henri Maka, Alphonse Scutenaire, Achille Tondeur, Alphonse Gallez, Léopold Sasserath, Albert Dolez....

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7 ouvrages d`art.Est. : 120/ 150 €Verve, The French Review of Art. Paris, Tériade, s. d. et 1939, n° 3 et n° 5-6 (coup

Henri Godts

Lot 157

7 ouvrages d`art.Est. : 120/ 150 €Verve, The French Review of Art. Paris, Tériade, s. d. et 1939, n° 3 et n° 5-6 (coup dans le bas du dos du 2e vol.). Lithographies de Braque, Chagall, Miro, Klee, Léger, Matisse...— Douze chefs-d`oeuvre de la peinture française moderne reproduits. P., Tisné, 1941.— Dunoyer de Segonzac, préf. de Genevoix. S.l., Art et Style, 1956.— Avermaete : Dessins. Lyon, Henneuse, 1976.— Un dessin, une peinture, une scupture. Genève, M.L. Jeanneret, 1973. Cat. d`exposition (Morandi, Modigliani, de Chirico, Dubuffet...).— Ianchelevici. Dessins, Tekeningen. Brux., s.d. Ex. num.HISTOIRE, DROIT, ÉCONOMIE, MILITARIA, POLITIQUE…GESCHIEDENIS, MILITARIA, POLITIEK, RECHT…voir aussi / zie ook Belgicana, Photographie, Éditions du XVIe szie ook Belgicana, Fotos, 16de eeuwse uitgaven

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(Économie & Ingénierie, Agriculture, Élevage) - RÉAUMUR, René Antoine Ferchault de.- Art de faire éclorre [sic] et d`élev

Henri Godts

Lot 163

(Économie & Ingénierie, Agriculture, Élevage) - RÉAUMUR, René Antoine Ferchault de.- Art de faire éclorre [sic] et d`élever en toute saison des oiseaux domestiques de toutes espèces, soit par le moyen de la chaleur du fumier, soit par le moyen de celle du feu ordinaire.Paris, de l`Imprimerie royale, 1751.2 vol. in-12° : xviii-364, [4]-42 pp.7; 16 h.-t. (qqs claires mouill. au 2e vol., qqs rouss., rares piqûres, qqs pp. très lég. brunies).Rel. de l`époque : pleine basane marbrée, dos à nerfs fleuronnés dorés, tr. marbrées (coiffes sup. manquantes, qqs pet. épidermures, pet. manque de cuir au plat sup. du vol. I, étiq. de classement au bas des dos, qqs coins émoussés).Est. : 250/ 300 €Seconde édition (éd. orig. : 1749). Le texte fut lu à l`Académie des Sciences en 1747 mais Réaumur voulut assurer encore quelques vérifications, notamment en hiver, avant de l`éditer. L`ouvrage traite de l`incubation et de l`éclosion artificielles des oeufs d`oiseaux domestiques, notamment selon "la chaleur du feu", principe établi par les Égyptiens depuis l`Antiquité dont la méthode fut approuvée et longtemps exploitée. Complet des 16 planches dépliantes descriptives et des 11 bandeaux historiés gravés. Membre de l`Académie des Sciences à 24 ans, auteur d`ouvrages et de recherches dans les domaines de l`entomologie (insectes minuscules), de la digestion (influence du suc gastrique), de la génétique (incubation artificielle), de la physique (le thermomètre à alcool porte son nom), de la verrerie, de la taxidermie, etc., Réaumur (La Rochelle 1683-1757 Maine) était un véritable scientifique de génie et un esprit universel.Relié avec, mêmes auteur, lieux, éd. et date : Pratique de l`Art de faire éclore [...], xii-144 pp. (claires mouill.). Édition originale de ce condensé du précédent ouvrage à l`usage des "habitans de la campagne" (cfr Préface p. vii), illustré de 4 pl. dépliantes et d`1 bandeau historié.

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(Objet, Globe) - GIRARD & BARRERE.- Globe physique, politique et historique.Paris, [c. 1930].Globe en chromolithographie

Henri Godts

Lot 231

(Objet, Globe) - GIRARD & BARRERE.- Globe physique, politique et historique.Paris, [c. 1930].Globe en chromolithographie monté sur pied central tripode de métal chromé (diam. 50 cm, haut. total 90 cm), méridien gravé (2 petits coups, faibles us. au pied).Est. : 3.000/ 4.000 €Important et beau globe art-déco. Échelle : 1/25.000.000 ou 1 mm pour 25 km.

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(Belgique, Archivalia) - Archives de la famille Delvaux de Fenffe, 19e s.Est. : 500/ 600 €Théodore Delvaux acheta en 17

Henri Godts

Lot 274

(Belgique, Archivalia) - Archives de la famille Delvaux de Fenffe, 19e s.Est. : 500/ 600 €Théodore Delvaux acheta en 1740 le château de Fenffe, hameau de la commune de Houyet dans la province de Namur, "de Fenffe" fut donc accolé au nom à partir de ce moment-là. Suite à l`acquisition de cette propriété par Léopold II en 1891 (donation royale en 1903), la famille s`installa dans la paroisse de Cierreux, située dans l`ancienne commune de Bovigny (actuellement Gouvy dans la province du Luxembourg). Parmi quelques membres illustres des Delvaux de Fenffe citons : Jean-Charles-Philippe-Joseph (1782-1863), chimiste et médecin, élu recteur de l`université de Liège en 1832 et le baron Henri (1863-1947), docteur en lettres, philologie et droit, membre du parti catholique, gouverneur de la province de Liège et sénateur provincial. Les archives concernent principalement les troisième et quatrième générations de cette famille et des parents plus ou moins proches à celle-ci et se composent de :- 22 cahiers mss : "Renseignements intéressants" ou petits journaux tenus par Sidonie Delvaux (1838-1915), épouse de Charles (1824-1879), sur ses enfants Maria, Théodore, Charles, Stanislas, Cécile, Jeanne et Emmanuel (8 vol., qqs pp. manquants à certains- 5 albums de photos : principalement photos de la famille Delvaux de Fenffe, mais aussi des familles Everats de Blanmont, d`Hoop, Speeckaert, etc.,photos de paysages, de voyages (Ostende, Maroc, Paris...), de châteaux ou maisons (Chevetogne, Cierreux, Bi- 4 ouvr. brochés de Adolphe Delvaux : "De l`ordre de Saint-Hubert et de ses Grands Aumôniers Belges au XVIIIe siècle", "La seigneurie de Fenffe et de Hérock", "Liège, Quelques transformations, visages du Passé", "Les abbés et princes-abbés des abbayes de- 1 ouvr. en pleine toile : "Notice nécrologique sur J.C.P.J. [Jean-Charles-Philippe-Joseph] Delvaux de Fenffe, chevalier de l`ordre de Léopold. Liège", Dessain, 1864,- 1 vol. broché : contenant des photocopies de docs. dactylographiés ou mss (principalement sur la généalogie de la famille), de photos, art. de journaux, avis de décès,- c. 30 documents divers : avis de décès de membres des Delvaux de Fenffe (Charles-Marie-Joseph (bourgmestre de Chevetogne), Jean-Charles-Philippe-Joseph, Marguerite...), d`Alphonse-Marie-Joseph Fabri, de Marie de Fabribeckers de Cortils, de Louis de Sain

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BRAUN, Thomas.- L`An. Poëmes. [Illustrations de] Franz M. Melchers.Bruxelles, E. Lyon-Claesen, 1847 [sur la couv. : i.e. 1897

Henri Godts

Lot 363

BRAUN, Thomas.- L`An. Poëmes. [Illustrations de] Franz M. Melchers.Bruxelles, E. Lyon-Claesen, 1847 [sur la couv. : i.e. 1897].Gr. in-4° carré.Rel. moderne : bradel demi-chagrin lavallière à fins cadres, plats de bois déroulé et plat sup. titré en noir, gardes de papier Japon tilleul (très lég. us. sur les plats).Est. : 600/ 700 €Édition originale tirée à 1.070 ex., ex. du tirage courant (non justifié). Malgré cet important tirage, l`ouvrage reste peu courant.Le plus beau livre illustré de l`époque en Belgique (# The turn of the century, 1970, n° 89), soit 17 compositions : titre à ornementation abstraite tiré en vert olive et lettres grises,- et 16 compositions hors texte imprimées en couleurs sur papier vergé, évoquant le passage des saisons. Le style de Melchers (1868-1944), influencé par le japonisme et l`Art Nouveau, dénote aussi un beau sens des couleurs.

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MERIMÉE, Prosper.- Carmen. Seize eaux-fortes originales en couleurs et dix pointes sèches de Léon Courbouleix.Paris, Éditions

Henri Godts

Lot 425

MERIMÉE, Prosper.- Carmen. Seize eaux-fortes originales en couleurs et dix pointes sèches de Léon Courbouleix.Paris, Éditions d`art de l`Intermédiaire du Bibliophile, 1929.In-4°.En ff. Sous couv. illustrée d`une eau-forte en noir, chemise et étui d`édition.Est. : 200/ 250 €16 eaux-fortes en couleurs hors texte et 10 pointes sèches (8 bandeaux ou culs-de-lampe en noir, 1 vignette de titre en couleurs et 1 vignette en noir sur la couverture). Tirage à 110 ex. num., un des 85 sur vélin de Rives (n° 24) accompagnés de 2 suites :- les hors-texte en noir,#NAME?# pas dans Carteret, ni Monod.

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SARTRE, Jean-Paul.- Visages. Précédé de Portraits officiels. Avec 4 pointes-sèches de Wols.(Paris, Pierre) Seghers, (janvier

Henri Godts

Lot 438

SARTRE, Jean-Paul.- Visages. Précédé de Portraits officiels. Avec 4 pointes-sèches de Wols.(Paris, Pierre) Seghers, (janvier 1948).In-12° agenda.Broché.Est. : 600/ 800 €Édition originale dont les 4 gravures originales tirées en noir hors texte ont été rayées après tirage. Ex. du tirage courant sur Crèvecoeur du Marais (n° 850). Alfred Otto Wolfgang Schulze dit Otto Wolfs (1913-1951) est considéré comme un pionnier de l`abstraction lyrique européenne et un représentant important du tachisme et de l`Art informel en Europe.

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(Ex-libris) - SÉVERIN, Mark.- 12 ex-libris.Bruxelles, (Antoine Rousseau), 1982.Entre 10 x 12 et 11 x 15 cm, collés par les co

Henri Godts

Lot 11

(Ex-libris) - SÉVERIN, Mark.- 12 ex-libris.Bruxelles, (Antoine Rousseau), 1982.Entre 10 x 12 et 11 x 15 cm, collés par les coins supérieurs, signés au crayon par Séverin dans le coin dr. (avis de décès de Séverin et art. du journal "Le Soir" de 1987 collés au verso de la dernière p.).Rel. moderne : pleine toile orangée, dos lisse.Est. : 100/ 120 €Figurant principalement des femmes nues (8). Pour e.a. J. Van Der Stricht, John Gartner, A. C. (pour Albert Collaert (?)), J. Dumont, L. Asperslac, British Museum (Natural History), J. Theunis, L.J. Kaspar, Natalie Strauss Midlo. Recueil édité à titre privé par Antoine Rousseau et tiré à 125 ex. (n° 2).Enrichi de 2 ex-libris de l`entomologiste Albert Collart (1899-1993) par Séverin offerts à Albert Carrière pour sa collection.▲ Provenance : Mark Séverin à Albert Carrière (ex-dono ms. collé en plein au contreplat sup.).

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(Musique, Partition) - Partitions illustrées par Peter De Greef (3), René Magritte (2) ou Anto Carte (1).In-f° (pet. déchirur

Henri Godts

Lot 18

(Musique, Partition) - Partitions illustrées par Peter De Greef (3), René Magritte (2) ou Anto Carte (1).In-f° (pet. déchirures, qqs plis ou taches aux bords).Est. : 150/ 200 €- DE GREEF, Peter.- "Bing !... Bam !... Boum !... Fox-trot-blues". Mus. de Teddy Moon. Brux., Office musical, s.d.— "Le Coiffeur pour Dames. Fox-trot-step". Mus. de F. Wangermée. Lodelinsart, Titie, s.d.— "Mélodies". Mus. de Aug. Deboeck. Brux., Maison du- MAGRITTE, René.- "Pour tes dents de nacre". Par Aug. De Boeck. Brux., Vriamont, 1933. Signée Emair (Typp-Ex dans le coin sup. dr.). # Schwilden 55 (tirage unique).— "Bal de fleurs". Par J. Jongen. Brux., Éd. musicales de l`Art belge, s.d. La composition- ANTO-CARTE.- "La route d`émeraude". D`après Demolder, mus. de Aug. De Boeck. Brux., Pletinckx, 1922, 2 parties (Berceuse & Cantilène). Plats monogrammés et datés.Joint, 3 partitions (ens. 9 pièces) : PUCCINI.- La Tosca, trad. de Ferrier. Milano, Ricordi, 1908.— DE SÉVERAC, D.- Deux mélodies nouvelles. Paris, Philioo, s.d.— TIESOT, Julien.- Charts de la Vieille France. P., Ménestrel, s.d.

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(Composition originale) - Portrait de jésuite (peinture sur cuivre).[17e s.].Peinture à l`huile, 18,5 x 16 cm, sur cuivre (le

Henri Godts

Lot 21

(Composition originale) - Portrait de jésuite (peinture sur cuivre).[17e s.].Peinture à l`huile, 18,5 x 16 cm, sur cuivre (le chapeau semble avoir été ajouté ou repeint, un nettoyage du vernis permettrait à l`oeuvre de retrouver ses couleurs d`origine).Sous cadre de bois (ébène ?) guilloché et bois doré de l`époque.Est. : 150/ 200 €Beau portrait au regard empreint d`humanité, rappelant l`art d`Ottavio Leoni, ou Leoni de Marsari dit Il Padovanino (Padoue 1578-1630), un peintre italien du baroque tardif ou rococo et un imprimeur connu pour ses portraits.

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(École française) - [LE CLERC, Sébastien (Metz 1637-1714 Paris)].- Les actions glorieuses de S.A.S. Charles duc de Lorraine.P

Henri Godts

Lot 33

(École française) - [LE CLERC, Sébastien (Metz 1637-1714 Paris)].- Les actions glorieuses de S.A.S. Charles duc de Lorraine.Paris, Chereau, [post 1704 ?].In-4° : 13 h.-t.Rel. 19e s. : demi-veau, plats de papier, dos lisse (veau frotté, chinoiserie gravée en forme de pare-feu collée sur la garde sup.).Est. : 250/ 300 €Suite gravée dite de Pacot composée d`1 planche de table explicative, d`1 planche de dédicace au comte d`Ons-en-Bray et de 11 grandes planches non signées figurant des faits de guerre entre 1664 et 1687 accomplis en Hongrie par Charles V Léopold de Lorraine (1643-1690), généralissime des armées impériales : batailles de Saint-Gothard, Barcan, Vifalu, sièges du château de Muran, de Philisbourg, de Vicegrade, de Buda, défaite des Turcs devant Vienne, Transylvains soumis après bataille d`Arsan, etc. La suite gravée par le célèbre Sébastien Le Clerc (Metz 1637-1714 Paris) parut l`année de la mort de Charles en 1690 et un 3e tirage en 1691 mais l`édition illustrée pour laquelle elles avaient été gravées ne fut pas publiée et les 37 planches (frontispice, 17 h.-t., 8 vignettes, 6 lettrines et 6 culs-de-lampe) furent vendues à la pièce. Elles seront contrefaites en copie inversée à Augsbourg et un particulier nommé Pacot les copiera 1704 ("Ma reconnoissance jointe à mon devoir [...] ont animé mon zèle et mon burin [...]. Quelques foibles que soient les traits de ma main, encore novice dans cet Art [...]", # dédicace). La planche de dédicace est signée Oppenort "inv. et del." et gravée par Cochin. Les planches sont numérotées dans le bas à g. (non numérotées mais signées dans la suite de Le Clerc).# Jombert, Cat. raisonné de l`oeuvre de Sébastien Le Clerc. Paris, Jombert, 1774, tome II, n° 288, pp. 229-241.

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APPROXIMATELY 49 DONALD McGILL COMIC COLOUR POSTCARDS together with RELATED FIRST EDITION BOOK WITH DUST JACKET `Wish you wer

Capes Dunn

Lot 69

APPROXIMATELY 49 DONALD McGILL COMIC COLOUR POSTCARDS together with RELATED FIRST EDITION BOOK WITH DUST JACKET `Wish you were here - the art of Donald McGill` 1966 (50)

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ALFRED DERBYSHIRE (1839-1908) ENGLISH ARCHITECT. A SMALL ARCHIVE OF MATERIAL COMPRISING OF SIX ITEMS 1. Photograph album, sma

Capes Dunn

Lot 88

ALFRED DERBYSHIRE (1839-1908) ENGLISH ARCHITECT. A SMALL ARCHIVE OF MATERIAL COMPRISING OF SIX ITEMS 1. Photograph album, small folio 381mm x 267mm, containing many photographs, incl; family, friends and acquaintances , (Samuel Bamford, Charles Dickens , Wilkie Collins, Charles Calvert etc.) most captioned. album spine defective, 406mm x 305mm, 2. ALBUM OF PENCIL DRAWINGS, SKETCHES AND WATERCOLOURS, all by Derbyshire and including Bruges Town Hall, Stratford Church, Tower on city wall Oxford, Merton Coll. Oxford, plus many family pencil sketches, all captioned. (Album spine defective) 3. FOLDER EPHEMERA, Incl; Letters, press cuttings, photographs etc . 4. CATALOGUE OF BOOKS (Belonging) to Alfred Derbyshire, Manchester 1861. 8vo. Manuscript. Unpaginated, 802 books, titles and date only. Also including in the catalogue are other items - Antique furniture, pottery and porcelain etc. 5. DERBYSHIRE, ALFRED. An Architects Experiences. Manchester: J.E. Cornish. 1897. 8vo. paper backed boards. shaken. Spine. Defective. Signed presentation copy to his daughter. 6. DERBYSHIRE, ALFRED. The Art of The Victorian Stage. Manchester: Sherratt and Hughes. 1907. 8vo. Orig cloth soiled. Spine chipped. Signed presentation copy to his daughter

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FRENCH ART BRASS CHAMBER CANDLESTICK, circular with pierced gallery border; brass `Australian Commonwealth Forces` badge; Fes

Capes Dunn

Lot 513

FRENCH ART BRASS CHAMBER CANDLESTICK, circular with pierced gallery border; brass `Australian Commonwealth Forces` badge; Festival of Britain CROWN 1951, boxed and a SCALPEL with bone handle (4)

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CHINESE QING DYNASTY BLUE AND WHITE POTTERY OBLONG TRINKET BOX AND COVER, 4" X 3" (10.2cm x 7.6cm) TOGETHER with a

Capes Dunn

Lot 554

CHINESE QING DYNASTY BLUE AND WHITE POTTERY OBLONG TRINKET BOX AND COVER, 4" X 3" (10.2cm x 7.6cm) TOGETHER with a PAIR OF EARRINGS, made with ancient Egyptian beads (3) supplied with `Certificates of Authenticity` issued by Ancient Art, Southgate, London

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A MARKED 9CT GOLD CHARM BRACELET, with eleven marked 9ct gold charms, TWO CORAL BEAD NECKLACES AND AN ART DECO OPALESCENT BAK

Capes Dunn

Lot 698

A MARKED 9CT GOLD CHARM BRACELET, with eleven marked 9ct gold charms, TWO CORAL BEAD NECKLACES AND AN ART DECO OPALESCENT BAKELITE TRINKET BOX AND COVER (4)

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Pair of late Victorian Art Nouveau-influence vaseline glass vases with handkerchief edge and stylised floral leaf decoration,

Reeman Dansie

Lot 168

Pair of late Victorian Art Nouveau-influence vaseline glass vases with handkerchief edge and stylised floral leaf decoration, 20cm high CONDITION REPORT Both in very good order

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Victorian Copeland Parian Ware figure of mother with child, signed - R. Monte 1871, impressed ceramic and Crystal Palace Art

Reeman Dansie

Lot 246

Victorian Copeland Parian Ware figure of mother with child, signed - R. Monte 1871, impressed ceramic and Crystal Palace Art Union (socle missing), 30cm high CONDITION REPORT One small chip to base rim, crack running from left arm dress line to base. Chip to veil on right hand side, approximately 1.5 inches, otherwise good order

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1930s silver cased Art Deco-style travelling clock of rectangular form with engine-turned decoration by Asprey, with an eight

Reeman Dansie

Lot 315

1930s silver cased Art Deco-style travelling clock of rectangular form with engine-turned decoration by Asprey, with an eight day Le Coultre movement with Art Deco-style hands and subsidiary day counter (London 1934 with Jubilee mark), Asprey & Co. Ltd. Case 8.2cm x 5.1cm

Live Auction

Edwardian silver Art Nouveau-style desk clock of square form with shaped handle, on four ball feet, traces of presentation in

Reeman Dansie

Lot 330

Edwardian silver Art Nouveau-style desk clock of square form with shaped handle, on four ball feet, traces of presentation inscription, circular white enamel dial with Arabic numerals, lever escapement (Chester 1906), maker - W. N., 15cm overall height to handle CONDITION REPORT General overall condition is good with dents and surface scratching commensurate with age and use. Some surface damage to case, specifically, top is worn through and has holes to top rear left corner and front right corner. Dents in both side panels and front right foot is pushed in. Engraving is worn and marks are worn. Movement has replacement escapement and one mounting screw is a replacement. We are unable to confirm whether the movement is in full working order

Live Auction

Late nineteenth / early twentieth century silver bowl of circular form with deep dished centre and Art Nouveau-style floral b

Reeman Dansie

Lot 331

Late nineteenth / early twentieth century silver bowl of circular form with deep dished centre and Art Nouveau-style floral border, underside of base stamped - International Sterling D. 299, possibly American. All at approximately 30ozs, 31cm diameter

Live Auction

Late 1920s silver two-handled pedestal dish of hexagonal form with Art Nouveau-style handles, hexagonal stem on a domed hexag

Reeman Dansie

Lot 332

Late 1920s silver two-handled pedestal dish of hexagonal form with Art Nouveau-style handles, hexagonal stem on a domed hexagonal foot, with engraved presentation inscription (Sheffield 1929), Walker & Hall. All at approximately 20ozs, 17cm overall height

Live Auction

1930s silver three piece condiment set comprising salt of cauldron form in the Art Deco-style with reeded rim, on three styli

Reeman Dansie

Lot 368

1930s silver three piece condiment set comprising salt of cauldron form in the Art Deco-style with reeded rim, on three stylised paw feet, blue glass liner, matching salt and pepper (Sheffield 1932), maker - F. C. All at approximately 6ozs, salt 5.5cm diameter

Live Auction

Pair 1920s silver napkin rings with engraved initials, in a fitted case (Birmingham 1919), maker - W. S., a late 1940s silver

Reeman Dansie

Lot 372

Pair 1920s silver napkin rings with engraved initials, in a fitted case (Birmingham 1919), maker - W. S., a late 1940s silver tea-strainer with Art Deco-style handle and pierced bowl (Sheffield 1947), Charles Boyton & Sons, together with pair contemporary silver wine / spirit labels (Birmingham 1975). All at approximately 4.5ozs, tea-strainer 14cm overall (5)

Live Auction

Gentlemen's gold (9ct) signet ring with Art Deco-style platinum overlay in a sunburst design (Birmingham 1948). Ring size Z+

Reeman Dansie

Lot 548

Gentlemen's gold (9ct) signet ring with Art Deco-style platinum overlay in a sunburst design (Birmingham 1948). Ring size Z+ CONDITION REPORT Total weight approximately 6.5 grams

Live Auction

Art Deco ladies' platinum and diamond cocktail watch with Josarn Swiss fifteen jewel movement, in platinum case with stepped

Reeman Dansie

Lot 625

Art Deco ladies' platinum and diamond cocktail watch with Josarn Swiss fifteen jewel movement, in platinum case with stepped shoulders set with diamonds, on a later white gold (9ct) mesh link bracelet

Live Auction

Katherine C. Gimson, twentieth century oil on canvas in gilt frame - The Huntsman, bearing Colchester Art Society label to re

Reeman Dansie

Lot 724

Katherine C. Gimson, twentieth century oil on canvas in gilt frame - The Huntsman, bearing Colchester Art Society label to reverse, signed, 50cm x 40cm

Live Auction

641361 item(s)

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