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Le Filet Ancien. Wolf & Dupeyron Paris. Designs for lace. Certificates, Diplomas and other professional awards for Florence Marguerite Bouts from 1888-1902. Art and Needlework. Including needlework sample cards of knitting and sewing a lilac and white printed jacket and a doll sized apron. Quantity
William "Bill" Hewison, pen and ink cartoon, Atom bomb exploding with figures running away from "the mushroom cloud", inscribed on reverse in pencil "In a matter of seconds we were all racing downhill", 12" x 9", signed Provenance; Bill Hewison was a well-known cartoonist who worked as Art editor for Punch for 24 years and produced many of their front covers He had been a wireless operator in the 1st Royal Tank Regiment in France in the War. Sent in for sale by his family.
William "Bill" Hewison, cartoon pen and ink with colour wash, "All dressed up and nowhere to kill", soldier firing his rifle terrorising wildlife, 9" x 11.5", signed, Provenance; Bill Hewison was a well-known cartoonist who worked as Art editor for Punch for 24 years and produced many of their front covers He had been a wireless operator in the 1st Royal Tank Regiment in France in the War. Sent in for sale by his family.
William "Bill" Hewison, pen and ink cartoon, of actors including Alan Rickman in RSC production of Mephisto at The Barbican 1986. Punch issue 16th April, signed Hewison `86. The play deals with the rise of Hitler in the 1930s, 11" x 15" Provenance; Bill Hewison was a well-known cartoonist who worked as Art editor for Punch for 24 years and produced many of their front covers He had been a wireless operator in the 1st Royal Tank Regiment in France in the War. Sent in for sale by his family.
William "Bill" Hewison, Cartoon for the Times theatre review of Insignificance June 1995, pen and ink, Featuring Einstein 13" x 11" and the Bomb, signed and dated 1995 Provenance; Bill Hewison was a well-known cartoonist who worked as Art editor for Punch for 24 years and produced many of their front covers He had been a wireless operator in the 1st Royal Tank Regiment in France in the War. Sent in for sale by his family.
William "Bill" Hewison, pen and ink cartoon to illustrate The Times theatre review of "Good" at the Donmar March 1999 Charles Dance as Halder, The play deals with the Holocaust in Germany in the 1930s. 15" x 10.5", signed Hewison `99 Provenance; Bill Hewison was a well-known cartoonist who worked as Art editor for Punch for 24 years and produced many of their front covers He had been a wireless operator in the 1st Royal Tank Regiment in France in the War. Sent in for sale by his family.
William "Bill" Hewison, watercolour cartoon for Punch "Would you fight for Queen and Country, sgd Hewison, 12" x 10.5" Provenance; Bill Hewison was a well-known cartoonist who worked as Art editor for Punch for 24 years and produced many of their front covers He had been a wireless operator in the 1st Royal Tank Regiment in France in the War. Sent in for sale by his family.
PARURE D`HABIT>ART DéCO>en disque d`onyx agrémentée de petits diamants, composée d`une paire de boutons de manchettes, la monture en or gris, et de deux boutons de plastron, la monture en or gris et en or rose.>Travail français.>Poids brut : 13,3 g>A pair of white gold, onyx and diamonds cufflinks and buttons.
PARURE D`HABIT>ART DéCO>en forme de disque en platine, composé de fines lignes de diamants et orné au centre d`un diamant serti clos. Composée d`une paire de boutons de manchettes et de deux boutons de plastrons.>Poids brut : 15,5 g>A pair of platinum and diamond cufflinks and buttons.
Unique Art manufacturing company (USA) “Kiddy Cyclist”: Scarce clockwork 3-wheeled tricycle, tinplate including boy figure with articulated limbs, clockwork in working order, with brake and ringing bell sound, light wear to wheel edges but generally a Good Plus to Excellent example 23cm high.
Original Hand Drawn Supergran Story Board Artwork: Original Pen & Ink by Harry North would appear to have begun his career as an art assistant at IPC in the late 1960s before finding regular work as an artist at Look-In This is for the Look-In Comic Number 18 Page 12, 13 & Number 15 Page 13 (3)
Original Hand Drawn Alf Story Board Artwork: Original Watercolour in full colour by Harry North would appear to have begun his career as an art assistant at IPC in the late 1960s before finding regular work as an artist at Look-In This is for the Look-In Comic
Original Hand Drawn Jane Bond Secret Agent Story Board Artwork: Original Pen & Ink by Mike Hubbard (1902-1976) illustrator and comics artist, was born Ernest Alfred Hubbard in Dublin on 2 April 1902. His family moved to London after the First World War, where he attended art school before joining Dean’s Studios as an illustrator. By the 1930s he was working on the Amalgamated Press’s story papers The Thriller and Detective Weekly. For the Princess Tina Comic 2nd November 1968
An Art Deco style 9ct gold Rotary mechanical pocket watch, c.1960, a slimline case with a circular silvered dial, with raised gilt quarter batons and hands. A bevelled bezel with geometric bow to back case with hand engraved presentation inscription. Hallmarked London 1962, case no. 51424. Suspended on a gold trace and knot link watch chain with swivel clip and bolt ring clasp. Tested as approximately 9ct gold. Original case
Archival Material from the Collection of Ernest Marsh, Collector, Writer, Lecturer and Generous Lender and Donator to numerous museums including the British Museum and Victoria & Albert Museum. The Martin Brothers 5 typescripts, some with ms. additions for his article The Martin Brothers, Studio Potters of London and Southall, Middlesex, in Apollo magazine; and another inscribed part II, part ms; together with an ms letter from Marsh to the editor of Apollo regarding the articles and hoping that his exceeding both the word count and the number of illustrations will be tolerated. Typescript with ms additions for his lecture on the Martins at the Central Library, Fulham, May 9th 1929. Ms In pencil on the Martins. Ms in pencil, seemingly a draft for an article or autobiography on Marsh's relationship with the Martins including the description of a firing (includes a pencil washing list!). Photocopy typescript of the Frank Knight Collection of Martinware at Southall District Library. Original photographs of various pots, some with ms. descriptions, in a re-used addressed envelope. A rare Martin Brothers printed and folded Brochure with quotes from magazines about their work: '… it is no exaggeration to say that no more interesting and, in its own line, superior pottery has ever been turned out in England'. The Pall Mall Gazette, January 23rd 1897. A Brochure, also rare, with a three page article by Sidney Greenslade (the brothers' patron), the slate-grey cover with a photograph of the brothers in their studio. Apollo, October and November 1944, illustrated articles by Marsh on the Martins. Miscellaneous press cuttings, auction catalogues, magazine articles etc., mostly on the Martin Brothers. Other works Typescript of article on collecting (mainly Chinese). Apollo, May 1925, seven-page, illustrated article on Reginald Wells. Shoji Hamada. Invitation cards for an exhibition at The Little Gallery, London, SW1 (probably 1942 or 1943) together with photographs of pots by him and Kawai (in addressed envelope) together with a five-page ms draft of Three Modern Japanese Potters, Shoji Hamada, Kanjiro Kawai and Kenkichi Tomimoto, together with two, five-page typescripts for the article and a three-page extract on Kawai with ms corrections and additions. W.Staite Murray; Studio Potter of Bray, Berkshire. Typed six-page article (two copies). Nora Braden. A fascinating four-page autograph, signed, letter to Marsh from Cobwebs - West Hoathley - Sussex, 22.2.43, which touches on, inter alia, the war and her fear of not getting a job when it ends, apologising for only having five photographs left of her work for Marsh's Apollo article and pleading for them back, not having made pots for six years and being refused a licence by the Board of Trade to make more; a meeting with W.B.Honey at the V&A, her cv and more; together with: a five-page letter to Marsh (numbered x-3) from Katherine PBouverie (so signed)The Mill, Coleshill, Swindon, Wilts, Jan. 19.43, regarding Marsh's article for Apollo and mentioning her year with Bernard Leach at St Ives in 1924, followed by Norah Braden; a three page Autograph Letter to Marsh from Katherine PBouverie, dated Jan. 31.43 largely about the same article and photographs, s.a.e.;together with Miss K.Pleydell-Bouverie and Miss D.K.N. Braden, Studio Potters of Coleshill, Wiltshire, ink four-page ms, apparently an early (first?) draft for his article, together with a typed, seven-page article (three copies) one inscribed by Marsh in pencil 'First Draft', presumably from the ms. Interestingly, Marsh sets out on page one in confident style, but by the end is making numerous crossings-out, substitutions and marginalia. 'A Short Talk on Modern Pottery' six-page ink ms draft (first?) with numerous corrections, together with two eight-page, typed copies. The Fremlington Pottery 1889, typescript, five pages, 2 copies. Charles & Nell Vyse. Studio Potters of Chelsea, six-page typescript with ms corrections. Draft pencil ms on the Etchers Art, five pp. CONDITION REPORT: All in sleeves, stapled articles, pamphlets worn. Provenance - East Sussex collector

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641361 item(s)/page