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Lot 34
Carole Morgan Hopkin. “Moroccan Summer”. Unique photographic print from watercolour. 27 x 38cms. Educated at Cardiff College of Art, receiving an M.A. from the University of Wales, Carole is an artist and associate tutor at Swansea University teaching Art and Creative Writing. She has written and published novels, short stories and poems.
Lot 50
Julia Griffiths Jones. “Bird in a garden”. Screen printed vitreous enamel. 60 x 60cms. Julia Griffiths Jones was born in Bangor, studied Printed Textiles at Winchester School of Art and the Royal College of Art. Julia was the Dewis y Bobl award winner at National Eisteddfod and was also won the gold medal for craft and design at the National Eisteddfod of Wales for her installation, Room within a Room in 2017.
Lot 66
Karel Lek MBE. RCA. “Penmon, Anglesey”. Oil on board. 81.5 x51.5cms.Karel Lek (1929 - 2020) was born in Antwerp in 1929 but moved with his parents to North Wales as refugees when he was a boy. Karel studied at Liverpool College of Art and has been a Member of the Royal Cambrian Academy since 1954.
Lot 70
Wendy Murphy. “Drama Queen”. Acrylics on card. 18 x 13.5cms. Wendy Murphy was born in Farnborough in Kent in 1956. She studied Graphic Design at Canterbury College of Art, and also gained a BA (Hons) in Illustration from Brighton Polytechnic. After moving to Gwynedd in Wales in 1990 she now lectures in Fine Art at Coleg Meirion Dwyfor and works as a professional painter.
Lot 72
Gustavius Payne. “Rhywbeth I Ddweud?/Something to say?” Oil on canvas. 57 x 46cms. Born Michael Gustavius Payne in Merthyr Tydfil in 1969, Payne won his first art prize at the 1993 National Eisteddfod of Wales as Student of The Year. He has exhibited regularly since 1994, including an Arts Council of Wales funded collaborative touring exhibition, with poet and author Mike Jenkins during 2011 – 2012. He has work in a number of collections including the University of South Wales, Museum of Modern Art Wales and the C&G Building Society.
Lot 16
John Piper C.H. (British, 1903-1992)Kirkmaiden (Levinson 252) Screenprint in colours, 1975, on Arches wove paper, signed and numbered 2/70 in pencil, printed by Kelpra Studio, London, with their inkstamp verso, published by Marlborough Fine Art Ltd., London, with full margins, framedImage 606 x 910mm (23 7/8 x 35 7/8in)Sheet 674 x 970mm (26 1/2 x 38 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 162
Helen Frankenthaler (American, 1928-2011)A Slice of Stone Itself (Harrison 18) Lithograph in colours, 1969, on handmade French paper, signed, dated and inscribed 'Artist's Proof 2/4' in pencil, an artist's proof aside from the numbered edition of 24, printed by Zigmunds Priede and Bill Goldston, New York, published by Universal Limited Art Editions, West Islip, New York, with their blindstamp, the full sheet, framedSheet 485 x 380mm (19 1/8 x 15in)For further information on this lot please visit Bonhams.com
Lot 189
Sir Peter Blake R.A. (British, born 1932)Some of the Sources of Pop-Art 4 Screenprint in colours with red glitter and glaze, 2006, on wove paper, signed and numbered 33/175 in pencil, published by CCA Galleries, London, with full margins, framedSheet 660 x 685mm (26 x 27in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 19
John Piper C.H. (British, 1903-1992)Wigmore Abbey Gateway (Levinson 323) Screenprint in colours, 1981, on wove paper, signed and inscribed 'AP.', one of ten artist's proofs aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with margins, framedImage 558 x 792mm (22 x 31 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 20
John Piper C.H. (British, 1903-1992)Exeter College Chapel, Oxford (Levinson 269) Screenprint in colours, 1977, on wove paper, signed and numbered 89/100 in pencil (there were also ten artist's proofs), printed by Kelpra Studio, London, with their ink stamp verso, published by Marlborough Fine Art Ltd., London, with full margins, framedImage 816 x 608mm (32 1/2 x 23 7/8in)Sheet 932 x 709mm (36 3/8 x 27 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 21
John Piper C.H. (British, 1903-1992)Ruined Church, Bawsey (Levinson 341) Screenprint in colours, 1982, on wove paper, signed and numbered 22/100 in pencil (there were also ten artist's proofs), printed by Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, framedImage 443 x 597mm (17 1/2 x 23 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 210
Prunella Clough (British, 1919-1999)Starlings, from Nine London Birds Sugar-lift etching, 1994, on wove paper, signed and numbered 80/80 in pencil, printed and published by the Byam Shaw School of Art, London, with full marginsPlate 178 x 230mm (7 x 9in)Sheet 305 x 410mm (12 x 16 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 211
Craigie Aitchison (British, 1926-2009)Magpie (Pica Pica), from Nine London Birds (Peck 6) Lithograph in colours, 1994, on wove paper, signed and numbered 80/80 in pencil, printed by Paupers Press, London, published by the Byam Shaw School of Art, London, the full sheetSheet 406 x 304mm (16 x 12in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 215
Craigie Aitchison C.B.E., R.S.A., R.A. (British, 1926-2009)Lemon and Birds (Peck 28) Screenprint in colours, 2002, on wove paper, signed, dated and numbered 73/75 in white ink (there were also ten artist's proofs), printed by Advanced Graphics, London, published by AXA Art Insurance, London, the full sheetSheet 380 x 432mm (15 x 17in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 223
Damien Hirst (British, born 1965)Claridge's Art Space Double-sided offset lithographic poster in colours, 2021, on wove paper, signed in red felt-tip pen, from the edition of an unknown size, published by HENI, London, for Claridge's Art Space Exhibition, October 2021, the full sheet, framedSheet 985 x 575mm (38 3/4 x 22 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 229
Harland Miller (British, born 1964)Fuck Art Let's Dance / Fuck Dancing Let's Fuck (Deck Chairs) Two deck chairs, 2013, each printed in colours on fabric with wood support, from the edition of 50, each folded within the original packagingOverall 1315 x 580 x 50mm (51 3/4 x 22 7/8 x 2in)(Multiples)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 24
John Piper C.H. (British, 1903-1992)Terrace with Red Pots (Levinson 394) Screenprint in colours, 1987, on wove paper, signed and numbered 20/70 in pencil (there were also 15 artist's proofs), printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with margins, framedImage 485 x 665mm (19 1/8 x 26 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 244
The Connor Brothers (British, born 1968)Every Saint Has A Past Giclée print with screenprint varnish, 2021, on wove paper, signed, dated and inscribed 'SP 3/15' in pencil, one of 15 special proofs aside from the numbered edition of 150 (there were also 15 artist's proofs), printed by Jealous Print Studio, London, published by Clarendon Fine Art, London, with full margins, framedSheet 1200 x 750mm (47 1/4 x 29 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 247
The Connor Brothers (British, born 1968)Christ Now What? Hand-coloured pigment print with acrylic and oil stick, 2022, on wove paper, signed, dated, and inscribed 'SP 3/5' in pencil, a studio proof aside of the edition of 20 (there were also five artist's proofs), printed by Jealous Print Studio, London, published by Clarendon Fine Art, London, with full margins, framedSheet 415 x 290mm (16 3/8 x 11 3/8in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 249
The Connor Brothers (British, born 1968)I Can Resist Everything Except Temptation Giclée print with silkscreen varnish, 2021, on wove paper, signed, dated and inscribed 'PP' in pencil, a printer's proof aside from the numbered edition of 150 (there were also fifteen artist's proofs), printed by Jealous Print Studio, London, published by Clarendon Fine Art, London, with full margins, framedSheet 1200 x 750mm (47 1/4 x 29 1/2in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 25
John Piper C.H. (British, 1903-1992)Terrace with Morning Glories (Levinson 393) Screenprint in colours, 1987, on wove paper, signed and numbered 9/70 in pencil (there were also 15 artist's proofs), printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with margins, framedImage 490 x 682mm (19 1/4 x 26 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 251
The Connor Brothers (British, born 1968)Anxiety Giclée print in colours with screenprint varnish, 2022, on wove paper, signed, dated and inscribed 'PP', a printer's proof aside from the edition of 75 in pencil (there were also eight artist's proofs), printed by Print Studio, London, published by Clarendon Fine Art, London, with full margins, framedSheet 750 x 500mm (29 3/8 x 19 3/4in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 254
The Connor Brothers (British, born 1968)Vice Versa Pigment print with varnish and hand-colouring, 2019, on wove paper, signed, dated and inscribed 'AP' in pencil, one of five artist's proofs aside from the numbered edition of 20, published by Clarendon Fine Art, London, with full margins, framedSheet 1320 x 830mm (51 1/4 x 31 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 258
Chris Levine (Canadian/British, born 1972)Lightness of Being (Freedom Edition) Giclée print in colours, 2021, on composite panel, from the edition of 1,000, published by Dominic Guerrini Fine Art, London, with full margins, housed within the original packagingSheet 900 x 700mm (35 3/8 x 27 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 26
John Piper C.H. (British, 1903-1992)Holme, Nottinghamshire (Levinson 373) Screenprint in colours, 1985, on wove paper, signed, dated and inscribed 'AP' in pencil, one of 15 artist's proofs aside from the numbered edition of 70, printed by Kelpra Studio, London, with their blindstamp, published by Marlborough Fine Art Ltd., London, with full margins, framedImage 505 x 660mm (19 7/8 x 26in)Sheet 610 x 765mm (24 x 30 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 27
John Piper C.H. (British, 1903-1992)Donzy-le-Pré (Levinson 342) Screenprint in colours, 1982, on Arches wove paper, signed and inscribed 'AP' in pencil, one of ten artist's proofs aside from the numbered edition of 100, printed by Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, framedImage 439 x 648mm (17 1/4 x 25 1/2in)Sheet 545 x 750mm (21 1/2 x 29 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 296
Helen Beard (British, born 1971)Entwine Giclée print in colours, 2021, on Hahnemühle Photo Rag wove paper, signed and numbered 41/50 in pencil, published by Art On A Postcard, London, with full margins, framedSheet 210 x 150mm (8 1/4 x 5 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 313
Nelson Rolihlahla Mandela (South African, 1918-2013)Hand of Africa (Right Hand), from Impressions of Nelson Mandela Lithograph, 2002, on BFK Rives wove paper, signed and numbered 826/1000 in pencil, printed by Michaelis School of Fine Art, University of Cape Town, South Africa, published by Touch of Mandela, Cape Town, with their blindstamp, the full sheetSheet 660 x 500mm (26 x 19 5/8in)For further information on this lot please visit Bonhams.com
Lot 319
Carlos Cruz-Diez (French/Venezuelan, 1923-2019)Couleur a l'Espace Ariel 1 Chromography in colours over Plexiglas with steel bar, 2011, signed and numbered 7/75 in pencil on the label affixed to the underside, published by Mike-Art-Kunst, Gent, housed within the original packagingOverall 523 x 120 x 120mm (20 1/2 x 4 3/4 x 4 3/4in)(Multiple)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 32
Laurence Stephen Lowry R.A. (British, 1887-1976)His Family Offset lithograph in colours, 1972, on wove paper, signed in pencil, from the edition of 575, printed by Chorley & Pickersgill Ltd., Leeds, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with wide margins, framedImage 530 x 710mm (20 7/8 x 27 7/8in)Sheet 622 x 848mm (24 1/2 x 33in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 33
Laurence Stephen Lowry R.A. (British, 1887-1976)The Pond Offset lithograph in colours, 1974, on wove paper, signed in pencil, from the edition of 850, printed by Beric Press, London, published by Mainstone Publications, Norwich, with the Fine Art Trade Guild blindstamp, with margins, framedImage 430 x 575mm (16 7/8 x 22 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 34
Laurence Stephen Lowry R.A. (British, 1887-1976)Ferry Boats Offset lithograph in colours, 1972, on wove paper, signed in pencil, from the edition of 500, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, with margins, framedImage 344 x 433mm (13 1/2 x 17in)Sheet 446 x 534mm (17 5/8 x 21in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 35
Laurence Stephen Lowry R.A. (British, 1887-1976)Berwick-on-Tweed Offset lithograph in colours, 1973, on wove paper, signed in pencil, from the edition of 650, published by the Medici Society Ltd., London, with the Fine Art Trade Guild blindstamp, with margins, framedImage 530 x 430mm (20 7/8 x 16 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 36
Laurence Stephen Lowry R.A. (British, 1887-1976)Industrial Scene Offset lithograph in colours, 1974, on wove paper, signed in pencil, from the edition of 850, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, with margins, framedImage 347 x 250mm (13 3/4 x 9 7/8in)Sheet 486 x 374mm (19 1/4 x 14 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 38
Laurence Stephen Lowry R.A. (British, 1887-1976)Britain at Play Offset lithograph in colours, on wove paper, signed in pencil, from the edition of 850, printed by Beric Press, London, published by Mainstone Publications, Norwich, with the Fine Art Trade Guild blindstamp, with margins, framedImage 445 x 598mm (17 1/2 x 23 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 39
Laurence Stephen Lowry R.A. (British, 1887-1976)Going to the Match Offset lithograph in colours, 1972, on wove paper, signed in pencil, from the edition of 300, printed by Max Jaffe, Vienna, published by the Medici Society, London, with the Fine Art Trade Guild blindstamp, with full margins, framedImage 531 x 686mm (20 7/8 x 27in)Sheet 642 x 785mm (25 1/4 x 30 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 46
Henry Moore O.M., C.H. (British, 1898-1986)Violet Torso on Orange Stripes from Shelter Sketchbook (Cramer 86) Lithograph in colours, 1967, on Japon nacré paper, signed and numbered 89/180 in pencil, printed by J.E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, the full sheet Image 163 x 192mm (6 3/8 x 7 5/8in)Sheet 370 x 310mm (14 1/2 x 12 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 47
Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child, from Shelter Sketchbook (Cramer 83) Lithograph in colours, 1967, on wove paper, signed and numbered 6/180 in pencil, printed by J.E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, the full sheetImage 152 x 203mm (6 x 8in)Sheet 370 x 310mm (14 1/2 x 12 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 48
Henry Moore O.M., C.H. (British, 1898-1986)Two Seated Women, from Shelter Sketchbook (Cramer 85) Lithograph in colours, 1966, on Japon nacré paper, signed and numbered 178/180 in pencil, printed by J.E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, the full sheetImage 187 x 203mm (7 3/8 x 8in)Sheet 370 x 310mm (14 1/2 x 12 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 49
Henry Moore O.M., C.H. (British, 1898-1986)Black Seated Figure on Orange Ground, from Shelter Sketchbook (Cramer 80) Lithograph in colours, 1966, on Japon nacré paper, signed and numbered 145/180 in pencil, printed by J. E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, the full sheetImage 170 x 158mm (6 3/4 x 6 1/4in)Sheet 370 x 310mm (14 1/2 x 12 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 69
Sir Howard Hodgkin (British, 1932-2017)Early Evening at the Museum of Modern Art, from In the Museum of Modern Art (Heenk 51) Soft-ground etching with hand-colouring in black gouache, 1979, on grey BFK Rives mould-made paper, signed, dated and numbered 45/100 in red crayon (there were also 20 artist's proofs), printed and hand-coloured by Ken Farley and John Hutcheson at Petersburg Studios, New York, published by Petersburg Press, New York, the full sheet, framedSheet 745 x 980mm (29 1/4 x 38 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 70
Various ArtistsPortfolio of Prints by British Artists The complete set of 12 prints in various techniques, 1975, on wove paper, each signed, dated and numbered XIV in pencil (from the edition of 35 numbered in Roman Numerals, aside from the standard edition of 75), some titled, with justification page, printed by Megara Limited, published by The United Kingdom National Committee of the International Association of Art, London, the full sheets, housed within the original portfolioSheet 683 x 482mm (26 3/4 x 19 1/8in)(and smaller)Folio 700 x 503 x 20mm (27 1/2 x 19 7/8 x 3/4in)Footnotes:Including: Sandra Blow, R.A. (British, 1925-2006), Sir Terry Frost R.A. (British, 1915-2003), Victor Pasmore R.A. (British, 1908-1998), John Piper C.H. (British, 1903-1992), Robert Adams (British, 1917-1984), Harvey Daniels (British, 1936), Gertrude Hermes (British, 1901-1983), Gordon House (British, 1932-2004), Morris Kestelman (British, 1905-1988), Robert Medley (British, 1905-1994), Michael Rothenstein (British, 1908-1993) and Blair Hughes Stanton (British, 1902-1981).For further information on this lot please visit Bonhams.com
Lot 76
Patrick Heron (British, 1920-1999)October 5th: 1982, from 35 Artists Printmaking, Folio 3 Screenprint in colours, 1982, on Whatman wove paper, signed, dated and numbered 44/50 in pencil, published by the Royal College of Art, London, with full margins, framedImage 180 x 296mm (7 1/8 x 11 5/8 in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 81
Patrick Caulfield R.A. (British, 1936-2005)Duck, from Nine London Birds (Cristea 84) Screenprint, 1994, on wove paper, signed and numbered 80/80 in pencil (there were also twenty proofs), printed and published by the Byam Shaw School of Art, London, the full sheetSheet 404 x 299mm (16 x 12in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 15
John Piper C.H. (British, 1903-1992)Two Suffolk Towers (Levinson 237) Screenprint in colours, 1973, on wove paper, signed and numbered 2/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with margins, framedImage 656 x 722mm (25 7/8 x 28 1/2in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1
AN EXTREMELY RARE CLOISONNE ENAMEL QUADRILOBED BOX AND COVER, QIANLONG FIVE-CHARACTER MARK AND OF THE PERIODChina, 1736-1795. Supported on a flaring foot, the cover decorated with a central blossom encircled by four lotus flowers issuing meandering vines, the foot with further lotus and vines above a band of floral sprays, all above a turquoise ground, the interior, base, and rims in gilt. The recessed base incised with a five-character mark Qianlong nianzhi xuan and of the period.Provenance: From a noted private collection in Geneva, Switzerland, assembled since the 1960s, and thence by descent. An important part of this collection was on permanent loan and exhibited over several decades at the Asia-Africa Museum in Geneva. The interior of the cover with three old labels, '18', 'Signe Kun-Lung Imperial', and 'Geneve Art Ancien Chine & Extro-Orient. 2762 TFA', and a lacquered inventory number 'AMA-2762/2'. The interior of the bowl with three old labels, 'Signe Kung Lung Imperial', 'K. Ming 1736-95', and 'Asia-Africa Museum Geneve', and lacquered with an inventory number 'AMA-2762/2'. The base with an old label, 'Signe Kien Lung Imperial'. Two old paper labels with collection notes, one numbered 'No 276/TFA' and the other 'No 2757/TFA'. According to the collector's personal notes, the present lot was acquired on 13 October 1972. A copy of the corresponding entry in the collector's notebook accompanies this lot. Condition: Very good condition with minor wear, few small nicks and light scratches, and manufacturing flaws, such as scattered pitting.Weight: 140.0 g Dimensions: Length 6.6 cmThe present lot belongs to a group of small cloisonne vases, censers, and instruments (luping sanshi) which were made for the burning of incense had an additional character below the reign mark and were made for the Qianlong court. Some scholars have suggested that the fifth character under the Qianlong mark could have been a way to number the large group of objects in a correct order, see H. Brinker and A. Lutz, Chinese Cloisonne: The Pierre Uldry Collection, New York, 1989, pp. 74-79.The form of this four-lobed box supported by a broad foot rim directly references the crabapple (haitang), which could be combined with other emblems to create auspicious rebuses. Its second character, 'tang', is homophonous with the character for 'hall' and, by extension, 'the family home'. For examples of Imperial objects of the Qing court of related haitang shape, see a bamboo tray at Bonhams Hong Kong, 24 November 2012, lot 323 (see fig. 1), and a pair of gilt bronze and cloisonne jardinieres at Bonhams London, 8 November 2012, lot 250 (see fig. 2).Auction result comparison:Type: Closely relatedAuction: Christie's New York, 24 September 2021, lot 930Price: USD 25,000 or approx. EUR 26,000 converted and adjusted for inflation at the time of writingDescription: A small cloisonne enamel circular box and cover, Qianlong four-character incised mark in a line and of the period, with an additional character yingExpert remark: Compare the related lotus decoration, five-character Qianlong mark, and size (6.4 cm). Note the less rare circular form.Auction result comparison:Type: Closely relatedAuction: Sotheby's Hong Kong, 4 October 2011, lot 2091Price: HKD 250,000 or approx. EUR 41,500 converted and adjusted for inflation at the time of writingDescription: A small cloisonne seal-paste box and cover, incised mark and period of QianlongExpert remark: Compare the related lotus decoration, five-character Qianlong mark, and size (7 cm). Note the less rare circular form.乾隆五字款及年代罕見銅胎掐絲琺瑯四瓣花口蓋盒中國，1736-1795年。四瓣花口，蓋子裝飾著纏枝蓮紋，中央一朵花。足部有更多的纏枝蓮紋。綠松石色地，盒內、底部和邊緣鎏金。底足内刻“乾隆年製 宣”五字款。 來源：瑞士日内瓦知名私人收藏，建立於上世紀六十年代，保存至今。收藏中重要的一部分被永久借出，已在日內瓦的亞非博物館展出了幾十年。盒蓋内有三個標籤，'18'，'Signe Kun-Lung Imperial'與 'Geneve Art Ancien Chine & Extro-Orient. 2762 TFA'，收藏編號 'AMA-2762/2'。盒内有三個標籤 'Signe Kung Lung Imperial'，'K. Ming 1736-95'與 'Asia-Africa Museum Geneve'，'AMA-2762/2'。底部標籤 'Signe Kien Lung Imperial'。兩個收藏紙標籤，一個寫著 '編號276/TFA' ，另一個寫著 '編號2757/TFA'。根據收藏家的個人筆記，本拍品購於 1972 年 10 月 13 日。隨附收藏家筆記本中相應條目的複印本。品相：狀況良好，有輕微磨損、少量刻痕和輕微劃痕，以及製造缺陷，如分散的點蝕。 重量：140.0 克 尺寸：長6.6 厘米 本拍品為一組小景泰藍花瓶、香爐及燒香器具中的一件，為乾隆宮廷御製，年號下方加字。一些學者認為，乾隆標記下的第五個字符可能是一種以正確順序對大量物品進行編號的方法，參見 H. Brinker 和 A. Lutz，《Chinese Cloisonne: The Pierre Uldry Collection》，紐約，1989 年 ，頁74-79。四瓣盒子的形式直接參考了海棠，是吉祥的圖案。清宮御用海棠紋樣，見香港邦瀚斯竹盤，2012年11 月 24 日，拍品編號 323（見圖 1），倫敦邦瀚斯一對鎏金景泰藍花瓶，2012年11 月8日，拍品 250（見圖 2）。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2021年9月24日，lot 930 價格：USD 25,000（相當於今日EUR 26,000） 描述：清乾隆掐絲琺瑯蓮紋小圓蓋盒，《乾隆年製》及《映》千字文楷書刻款 專家評論：比較相近的蓮花裝飾、乾隆五字款和尺寸(6.4 厘米)。請注意此掐絲琺瑯為較少見的圓形。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2011年10月4日，lot 2091 價格：HKD 250,000（相當於今日EUR 41,500） 描述：乾隆款及年代銅胎掐絲琺瑯印泥蓋盒 專家評論：比較相近的蓮花裝飾、乾隆五字款和尺寸(7 厘米)。請注意此掐絲琺瑯為較少見的圓形。#byimperialcommand#worksofart
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