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An art nouveau silver dressing table tray, by Robert Pringle & Sons, Birmingham 1902,of shaped oval form with a lady`s head in profile, her overflowing tresses terminating in poppy heads,36cm wide, 12oz CONDITION REPORT: Surface scratches. Has been highly polished. Rubbing and loss of detail. One deeper scratch. Rim is dented and mishapen in places.Additional images available (upon request).
A silver gilt and enamel egg, by Anthony Elson, London 1979,the silver gilt pedestal egg cup with a cover naturalistically modelled and enamelled as an egg, revealing a `surprise` spring loaded, parcel gilt basket of eggs inside, numbered 56/200, 1.5cm high Anthony Elson (b.1935) trained at Brighton College of Art, before moving on to the Royal College of Art. His first job subsequently was at William Comyns Ltd. Then, in 1966, he took over a company that had produced traditional ecclesiastical designs. There he proceeded to start developing his contemporary designs. Examples of his work are in Salters` Hall, the Inner Temple London and Lincoln Cathedral.
A pair of Art Deco turquoise and diamond drop earrings, each earring composed of an old eight cut diamond, rub set to the top. A graduated pear shaped frame, grain set with rose cut diamonds, and an oval cabochon turquoise and rose cut diamond pendant drop to the centre. Later post fittings CONDITION REPORT: Butterflies deficient.Later posts fitted.
A three row graduated natural pearl necklace,with an Art Deco sapphire and diamond box clasp. Three rows of graduated natural pearls, 80, 83 and 88 pearls, strung plain to each row in a scattered formation, previously strung in formal graduation. A three row rectangular box clasp, with a trap cut sapphire, end set to the centre, with angled faces to each side, pav? set with old European cut and eight cut diamonds, to hand engraved guards. Accompanied by a pearl identification report from AnchorCert dated 04/09/2014, No. 20018545, stating that, under extensive samplng, the pearls were found to be natural saltwater with two nucleated cultured pearls. Largest pearl 7.76-7.83mm, smallest 3.24-3.25mm CONDITION REPORT: Shape: round to semi round in shape.Colour: medium to light cream.Lustre: good to very good.Overtones: pinkSkins: smooth.Stringing in good condition, clasp secure.
An Art Deco pearl and diamond crossover ring with diamond set shoulders, a slightly bouton shaped pearl, approximately 7.5 x 7.1 x 5.3mm, cup and peg set to one side, with a cushion cut diamond, estimated as approximately 1.40ct, claw set to the other. Crossover shoulders, each one grain set with old Swiss cut and old eight cut diamonds to a plain shank. Pearl untested. Diamond assessed as approximately. Colour: M/N Clarity: P2-P3 Finger size L (approximately) CONDITION REPORT: Settings appear secure although the cement holding the pearl may be of some age.Has been sized in the pastLight surface scratches throughout.The pearl is of a medium/dark cream colour. Semi round, medium lustre.Hairline mark, or surfacecrack to the nacre on the underside of the pearl, above the diamond set shoulder.When tilted at an angle, there appears to be a crack in the nacre, but this is not surface reaching, and vanished when the pearl is tilted the opposite way.Stamped PLAT.The shank testing as platinum,
An Art Nouveau diamond, split pearl and pearl drop pendant, c.1900, open heart shaped form with an old Swiss cut diamond, milligrain set to the centre, with graduated split pearl frame and bale. A drop shaped pearl suspended below, untested, with a trace chain. The pendant tested as approximately 15ct gold, the chain as approximately 9ct gold CONDITION REPORT: One break in the chain.Clasp weak.Requires cleaning, this is making the diamond appear dull.
A 9ct gold Art Deco open faced pocket watch, with a silvered dial, royal blue Arabic numerals and chapter ring, with blued Breguet antique hands. Plain bezel, triangular bow and milled case, sides 42mm diameter. Case no. 507432, movement no. 051648. Import hallmarked 9ct gold London 1928 CONDITION REPORT: Light surface scratches throughout.Small dent to the back cover.Discolouration to the dial.Winds and ticking.
A cased Art Deco, ruby and diamond necklace by the Goldsmiths` and Silversmiths` Company, c.1935, a centrepiece composed of three graduated circular mixed cut rubies and three graduated old brilliant cut diamonds, all claw set in alternate positions, with graduated bars to each side. A `V` shaped articulated top, milligrain set with diamonds to an integral trace chain. Tested as platinum. Fitted case by the Goldsmiths` and Silversmiths` Company Ltd., 112 Regent St., London W1. Original receipt dated June 1938 CONDITION REPORT: Settings secure.No obvious faults.Rubies of good colour, tone and saturation.Diamonds nice and bright.
An Art Deco, three stone diamond Edna May pendant, with three old European cut diamonds, each one milligrain set in a plain collet, articulated to a blade edge bar. The top collet set at the centre of a fine trace chain with half solid bolt ring clasp. Tested as approximately 18ct white gold. Later bolt ring clasp marked 9c CONDITION REPORT: Requires cleaning.Very obvious inclusions in the diamonds under 10x magnification.No obvious faults.
An Art Deco, cultured pearl, diamond and sapphire brooch by Cartier (incomplete), of crescent shaped, fret form. A cultured pearl, cup and peg set to the centre, milligrain set with lines of rose cut diamonds, to a pair of arched links below, channel set with lines of French cut sapphires. Signed `Cartier, Paris`. Brooch framework detachable CONDITION REPORT: The design suggests there was another section below the two sapphire set links. Approximate measurements: 38mm x 21mm, although the wire cap for this pin protudes slightly further. No setting edge at the bottom of the calibre sapphire arches, where the additional section would have been.
A Continental Art Deco diamond and hardstone bow brooch, with an old European cut diamond milligrain set to the centre to lines of calibr? cut onyx and stained agate. The bow loops with pierced laurel sections, milligrain set with rose cut diamonds to two rows of calibr? cut stones. The pin marked 750 CONDITION REPORT: Setting will require checking prior to being worn.Some of the calibre stone have been replaced in the past.
An Art Deco diamond set bow brooch or fob pin, c.1925, with an old European cut diamond, milligrain set to the centre, with graduated old European cut diamonds grain set throughout. A partially concealed wire fob loop. Pin and lever clasp CONDITION REPORT: Diamonds nice and bright.The wire suspension loop has been repaired in the past, not aligned correctly.
An Art Deco, diamond and synthetic sapphire plaque ring, with an old European cut diamond, milligrain set to the centre. A Swiss cut synthetic sapphire, grain set in a box collet to each side, to lobed clusters at each side, milligrain set with old European cut diamonds. Tested as approximately 18ct gold and platinum. Finger size M CONDITION REPORT: The diamonds are drawing colour.May have a replcement shank.
A single row graduated cultured pearl necklace,inset with two Art Deco diamond set oval plaques, each plaque set with graduated old Swiss cut and eight cut diamonds, to a bolt ring clasp CONDITION REPORT: The two diamond set oval plaques have had additional jump ring added, to be strung into the pearls. The original eyelets would have been sufficient.Clasp secure.Stringing still good.Approximate measurements: 2.8mm-7.5mm graduation.600mm in length.
An Art Deco diamond and emerald target ring, c.1925, an old European cut diamond, with an estimated weight of approximately 1.20ct, rub set to a plain white collet. A border of keystone, calibr? cut emeralds, rub set in yellow, with a pierced geometric gallery. Three graduated rose cut diamonds, rub set in white collets, with yellow underbezels to a yellow gold shank. Marked 18ct. Diamond assessed as approximately. Colour: J/K Clarity: SI1/SI2 Finger size M CONDITION REPORT: Significant wear to the setting edge of the diamond.Wear to the crown facet edges of the emeralds.Wear to the setting edge of the emeralds.Requires cleaning.
An Art Deco emerald and diamond rectangular cluster ring with cut corners, c.1925, three square calibr? cut emeralds set in a vertical line through the centre of the head, surrounded by ten, eight cut diamonds, milligrain set to a white head. Yellow under bezel and shank with applied white shoulders. Marked 18ct plat set.Finger size Gó CONDITION REPORT: Wear to the crown facet edges, one emerald chipped.
An Art Deco emerald, ruby and diamond swivel guard eternity ring, with a half row of calibr? cut emeralds, and a half row of calibr? cut rubies, channel set to a flat section band, with hand engraved guards. A pair of tapered fold-down guards, each grain set with graduated eight cut diamonds that can be worn at either side of the gemstone half hoop.Finger size M« LE CONDITION REPORT: Wear to the crown facet edges, one emerald chipped, one with only half remaining.Requires cleaning.
An Art Deco single stone diamond ring with diamond set shoulders, an old European cut diamond, estimated as approximately 0.50ct, grain set to an offset square, to a square head with an old eight cut or Swiss cut diamond to each corner. Stepped shoulders milligrain set with rows of old eight cut diamonds to hand engraved laurel leaf shoulders. Marked platinum.Finger size K (approximately) CONDITION REPORT: Diamond very included but bright and liveley.Wear to the underbezel on both sides.Requires cleaning.
A pair of Art Deco synthetic sapphire chain-link cufflinks, flat octagonal plates with engine turned decoration, and a small mixed cut circular synthetic sapphire, rub set to the centre. Marked 18ct PLAT CONDITION REPORT: Wear to the crown facet edges of the sapphires.Some wear to the setting edges.Tarnish to the backs.
An Art Deco, diamond set prancing horse bar brooch or tie pin, the prancing horse pav? set with graduated rose cut diamonds and a Swiss cut ruby set eye, mounted to a flat section gold bar brooch faced with platinum CONDITION REPORT: Light surface scratches to the bar.Pin requires a slight adjustment.
A pair of Art Deco sapphire and diamond earrings or double clips, c.1935,of winged form, each wing grain set with lines of eight cut diamonds, to a crescent of circular mixed cut sapphires, individually claw set in four claw collets, to a paper scroll set with baguette cut diamonds CONDITION REPORT: significant wear to the crown facet edges of the sapphires.One claw out of position, will require attention.Require cleaning.
An Art Deco silver, blue zircon and white sapphire line bracelet,a series of slightly graduated, circular mixed cut blue zircons, each one grain set in a box setting, with a pair of circular mixed cut white sapphires between. Each pair grain set in a box collet, with open sections to each side, hand engraved guards to a concealed box clasp with a figure of eight safety catch CONDITION REPORT: Some wear to the crown facet edges.Requires a light clean.No obvious faults.
A cased Art Deco, diamond set, mechanical cocktail watch, c.1925, a rectangular silvered dial with black Roman numerals and blued hands. The bezel set with a continuous line of eight cut diamonds to hinged obus shaped lugs, all pav? set with graduated eight cut diamonds, pairs of pierced diamond set links to expanding bracelet with concealed box clasp. The case marked `PLATINUM`. The fitted case by Gowland Bros. Ltd., 48 Cornhill, London CONDITION REPORT: Glass scratched.Discolouration to the dial.Does not wind.Clasp secure.
A ladies` Art Deco diamond set mechanical cocktail watch, with a circular silvered dial, black Arabic numerals and blued hands. A line of old European cut diamonds milligrain set to the bezel, with fan shaped lug fittings at the top and bottom, each grain set with two rows of graduated diamonds. A later 9ct white gold Brazilian snake bracelet with ladder snap clasp. Case marked H Ltd., ALL PLAT G8626 CONDITION REPORT: Light scratches to the glass.Winds and ticking.Would benefit from the diamonds being cleaned.
A ladies` Art Deco diamond set cocktail watch,with a black rectangular dial and silver hands to a baguette shaped case. A line of graduated eight cut diamonds, grain set to the bezel, with a larger diamond grain set in a box setting at the `3` and `9`, with raised diamond set arches at the `12` and `6`. Bifurcated lugs to a diamond set line bracelet with a diamond set pierced box clasp. Hand engraved case sides and back. Case marked `London Made`, case Swiss movement. Tested as platinum CONDITION REPORT: Light surface scratches to the glass.Winds and ticking. No guarantee given.Case and bracelet would benefit from being cleaned.
A ladies` diamond set Art Deco cocktail watch, with tonneau shaped silvered dial, with eight cut diamonds milligrain set to the case, with an adjustable moir? strap. Case engraved PLATINUM CONDITION REPORT: Scratches to the glass.Discolouration to the dial.Case and diamonds require cleaning.Winds and tricking, no guarantee.
An 18ct gold baroque cultured pearl brooch by Clare Street, Art Nouveau style, with a polished flower and buds, claw set with a baroque cultured pearl to a reticulated ground, London 1992, together with a pair of similar 18ct gold scallop edge earrings by Clare Street, with clip fittings, London 1996. Original Clare Street earring case. CONDITION REPORT: Light surface scratches throughout.Clasp secure.Clip fittings secure.
A pair of Continental Art Deco style peridot and diamond drop earrings, an oval mixed cut peridot, rub set in a gold collet, with a brilliant cut diamond above, to an outer elongated hexagonal frame of brilliant cut diamonds. A pav? cluster top to post and butterfly fittings. Marked 750. Tested as approximately 18ct gold and silver CONDITION REPORT: Tarnished.No obvious faults.
A pair of Continental Art Deco style diamond drop earrings, with a lozenge stud top, pav? set with eight cut diamonds. A graduated drop, suspended below, with graduated chevrons, all pav? set with eight cut diamonds, all set in silver backed in gold, to post and butterfly fittings. Tested as approximately 18ct gold and silver CONDITION REPORT: Tarnished.Light surface scratches throughout.
A large Minton Majolica Christmas platter or charger c.1860, made for the Crystal Palace Art Union, the well with a Christmas rose surrounded by mistletoe, the rim pierced with panels of holly between putti at seasonal activities, one cooking a goose, another warming his hands before a fire, impressed facsimilie `Minton` signature, 39.5cm.
A pair of Copeland Christmas plates and a matching mug 19th century, together with a large platter and a faceted jug, all decorated with wide continuous bands of holly around central mistletoe motifs, the two plates and mug with banners offering festive tidings, printed marks and registration diamonds, 41.5cm max. (5) Cf. The Art Journal Catalogue of the International Exposition 1862, p.272 for the Copeland plates.

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640875 item(s)/page