Weislinger,J.N.: Huttenus delarvatus. Das ist: Wahrhaffte Nachricht von dem Authore der verschreyten Epistolarum obscurorum virorum Ulrich von Hütten, wobey umständlich und gründlich gehandelt wird von dem Streit zwischen dem berühmbten Johann Reuchlin und Johann Pfefferkorn, wie auch von dem Leben des bekannten Frantzen von Sickingen, und anderen zur Kirchenhistorie des XVI. Jahrhunderts gehörigen raren Sachen und Merckwürdigkeiten. Konstanz u. Augsburg, Wagner 1730. Mit gefalt. gest. Front., 4 Kupfertaf. u. Doppeltitel. 62, 519 S. Prgt. d. Zt. mit hs. Rtitel u. 2 Metall- Schließen. Schottenloher 9238. Seebaß/Edelmann 1984. Einzige Ausgabe. - Weislinger behandelt in seiner derben polemischen Art zahlreiche humanistische Zeitgenossen des Reuchlin-Pfefferkornstreits, sowie seltene pro- und antisemitische Schriften des 16.-18. Jh. Mit Portraits von Hutten, Reuchlin, Pfefferkorn u. Sickingen. - Tls. leicht fleckig.
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Hokusai, Katsushika: (1760-1848). 3 Dplbl. aus "Ehon Kanso Gundan" (Geschichten der Kämpfe zw. Han u. Chu, aus dem Chines. übersetzt von Chojiro). Monochrome Holzschnittillustrationen, 1843/45. Je ca. 18 x 26, Blgr. 21,5 x 28 cm. Jwls. unter Passep. mont. Jack Hillier (1980), The Art of Hokusai in Book Illustration, no. 256. - ╔Dabei: Ders., Keisai Eisen╗ (1790-1848), u.a., 9 Bl. tls. farb. Holzschnittillustr. mit Regenmotiven, aus "Hokusai Manga", "Keisai Soga" u.a. Werken, 19. Jh. Blgr. zw. 11 x 14 u. 22 x 27 cm. Jwls. unter Passep. mont. Zus. 12 Bl.
Jugendstil.: Über 103 Orig.-Zeichnungen auf Papier, mit Klammern in Papier-Umschlägen geheftet. (Umschläge tls. stockfl., etw. läd.). Ein Umschlag betitelt: "Marquèterie Tables à thé" und der zweite mit dem Titel "Ornamente, verschiedene moderne Stile, japanische Stile, Tafeln und Friese", mit zahlreichen Studien und anonymen unsignierten Skizzen. Um 1900. Verschiedene Formate, 45 x 68 cm (Intarsien) und 45 x 58 cm (Ornamente) für die Umschläge. Einige der Zeichnungen weisen Ähnlichkeit zu ╔Werken von A.Lyongrün╗ auf. - Einige Bll. mit 2 Zeichnungen. - Verschiedene Techniken: Aquarelle, Tinten, Gouachen, Graphit, Pauspapier usw. Die überwiegende Mehrheit der Blätter von Hand nummeriert. - Teils sehr dekorativ. - Art Nouveau. Over 103 original drawings on paper, stapled to covers. (Covers partly foxed and somewhat damaged). Various techniques, including watercolours, inks, graphite and gouaches. R
Wernher,J.B.v.: Selectae observationes forenses (ab Band 2: Selectarum observationum forensium). Cum duplici indici. 8 Bde. Wittenberg, Ludovicus 1710-23. Mit gest. Portr. Prgtbde. d. Zt. mit hs. Ritt. (Schwach gebräunt). Eine Art erste Gesamtausgabe der Schriften des Professors der Mathematik und Jurisprudenz an der Wittenberger Universität. Wernher (1675-1745) schrieb dieses Werk aus seiner Tätigkeit am Wittenberger Gericht. Band VIII mit einem Repertorium Wernherianum seu indices generales von G. R. Koesel. - ╔Kollation:╗ Vol. I, Ps 1/2: [5] Bl., 644 S. [1] Bl. 647-972 S., [71] Bl. : Portr.; Vol. II, Ps 3: [4] Bl., 632 S., [40] Bl.; Vol. III, Ps. 4: [4] Bl., 628 S., [1] Bl., S. 629-800, [45] Bl.; Vol. IV, Ps. 5/6: [5] Bl., 436 S., [1] Bl., 438-932 S., [55] Bl.; Vol. V, Ps. 7/8: [4] Bl., 460 S., [1] Bl. 463-856 S., [52] Bl.; Vol. VI, Ps. 9/10: [6] Bl., 444 S., [1] Bl., 447-916 S., [48] Bl.; Vol. VII, Supplementa Nova Ad Omnes Partes Hvc Vsqve Editas: [4] Bl., 792 S., [31] Bl.; Vol. VIII: Repertorivm Wernherianvm Sev Indices Generales In Excellentissimi Jcti Dn. Jo. Balthasaris Wernheri... Selectarvm Observationvm Forensivm Earvndemqve Svpplementorvm X. Partes Sev VII. volvmina Alter Ad Ordinem Alphabeticvm Alter Vero Ad Seriem Pandectarvm Constrvctus / Cvra Godofredi Reinoldi Koeselisii [299], [133] Bl. - Nur teilweise leicht gebräunt bzw. etwas fleckig. Gutes Exemplar der seltenen Reihe.
Levin,G.: Edward Hopper. A Catalogue Raisonné. 4 Bde. mit einer CD-ROM. Mit mehr als 1500 Abbildungen, davon 600 in Farbe. New York, Whitney Museum of American Art: W.W. Norton, 1995. 4°. Olwd. mit golgepr. Rtitel im Ohlwd.-Schuber. (Minimal berieben, sonst einwandfrei, Schuber mit zweisprach. Aufdruck Schirmer/Mosel).
Werkverzeichnisse.: Sammlung von 9 versch. Werken, vorwiegend Werkverzeichnisse, einige doppelt vorhanden. ╔Dupin,J.╗ Miro Radierungen II: 1961-1973. (Genf), Weber (1989). 4°. Mit 3 (inkl. Umschlag, 2 farb.) Holzschnitten u. zahlr., meist farb. Abb. 237 S., 7 Bl. Olwd. mit OU. in Okart.-Schuber u. orig.-verpackt. Eines von 1500 Ex. - Verlagsfrisch. Doppelt vorhanden. ╔Dupin,J.╗ Miró Radierungen III. 1973-1975. Genf, Weber 1991. Mit zahlreichen, teils farbigen und ganzseitigen Abbildungen und 3 (inkl. Umschlag, 2 farb.) Holzschnitten von Joan Miró. OLwd mit OU u. Opp.-Schuber. Aus einer Auflage von 1500 Ex. - Dreifach vorhanden. Schuber jwls. fleck. u. bei zweien läd. ╔Calas,N. u E.╗ Joan Miro. Der Lithograph IV 1969-1972. Genf, Weber 1982. 4°. Mit 6 Orig.-Lithogr. (inkl. Umschlag). 208 S. Olwd. mit farb. illustr. OU u. Orig.-Bauchbinde. - Umschlag le. randrissig. ╔Sorlier,C.╗ Bernard Buffet. Lithographe II. 1979-1986. O.O., Editions M.Trinckvel (1987). 4°. Mit 3 farb. Orig.-Lithographien (inkl. OU). 264 S.,1 Bl. Olwd. mit OU in Pp.-Schuber. - Guter Zustand. ╔Sorlier,C.╗ Chagall Lithograph. 1980 - 1985. Montecarlo, Éditions Andrè Sauret 1986. OLwd. mit OU u. Opp.-Schuber. - Sehr guter Zustand. Doppelt vorhanden. Bei 2. Ex. OU gewellt. ╔Davis,B. (u.a.)╗ German Expressionist Prints and Drawings. Los Angeles, Los Angeles County Museum of Art 1989. 2 Bde. OLwd. mit gepr. Deckelillustr. in OU mit Opp.-Schuber (le. läd.). ╔Rosenberg,N.╗ Nicolas Poussin. Catalogue raisonné des Dessins. 2 Bde. Genf, 1994. 4°. OLwd. im Orig.-Lwdschuber. ╔Barnett,V.E.╗ Kandinsky, Werkverzeichnis der Aquarelle. Bd. 2 (von 2): 1922-1944. Mchn., Beck 1994. 4°. Mit zahlr., tls. farb. Abb. 555 S. Olwd. mit OU in Opp.-Schuber. - Maßgebliches WVZ. Verlagsfrisches Originalverpacktes Ex. ╔Maere,J. u. Wabbes,M.╗ Illustrated Dictionary of 17th Century Flemish Painters. Edited by Jennifer A. Martin. 3 Bde (1 Text- u. 2 Tafelbde.). (Brüssel), La Renaissance du Livre (1994). Gr.4°. 542 S. Textband; 1319 S. Tafelbände. Olwdbde. mit OU. in Orig-Lwdschuber.
(Goupil,P.E.A. ?).: Marie Antonette von Osterreich, Königinn von Frankreich, ein biographischer Versuch ihres Privatlebens. O.O.u.Dr. 1789. 1 Bl., 97 S. Pbd. d. Zt. Einer von mehreren dt. Drucken im Jahr der franz. Erstausgabe, anonym erschienen. - Hayn-G. IV, 414 f.: "Sehr selten! Berüchtigtes und höchst gemeines Pamphlet, worin die Königin u.a. als Tribade schlimmster Art geschildert wird". Vgl. Fromm II, 8672 ("Privatleben der Königin Marie-Antoinette. London, 1789. Mutmassl. Verf.: Goupil"). Weller I, 142 (Titel wie bei Fromm. Verf.: Brissot de Warville). Das "Essai historique sur la vie privee de Marie-Antoinette d'Autriche, Reine de France" (ohne Ort und Verlag, 1789) wird in deutschen Bibliotheken entweder Brissot de Warville oder Goupil zugeschrieben, manchmal werden auch beide Namen genannt ("Angebl. Verfasser: Brissot/Mutmasslicher Verfasser: Goupil"). - Tls schwach wasserrandig, hs. Eintr. a.T.
Jack Vettriano (Scottish, b.1951) Twelve vintage art posters, majority by the Portland Gallery, including Elegy for a Dead Admiral, The Singing Butler, Dance Me to the End of Love, Sweet Bird of Youth (Study), The Picnic Party, The Billy Boys, Mad Dogs, and A Very Dangerous Beach (some duplicates). 60cm x 78cm (23.5" x 31") Unframed, unglazed and previously stored rolled.
Vincent Van Gogh (Dutch, 1853-1890) The Night Cafe Published Springdale Graphics, U.S.A 1988 61cm x 76cm (24" x 30") Eglise d'Auvers, 1890 Printed by Fernand Hazan in France 80cm x 60cm (31.5" x 24") Pablo Picasso (Spanish, 1881 - 1973) The Bird Cage, 1923 Distributed in 1988 by Tushita Fine Art, Clouded Tiger publishing 60cm x 45" (23.5" x 18") Sylvette au Fauteuil, 1963 Touchstone Publishers 1980, printed in France 70cm x 52cm (27.5" x 20.5") All unframed, glazed and having been previously stored rolled.
Isaac Maimon Offset lithograph exhibition poste Advertising a 1993 exhibition at B&R International Art. Published by Romm Art Editions Ltd. 91cm x 61cm (36" x 24") George Dokupil Fishing Exhibition poster for Leo Castelli's 1985 exhibition Designed by Smatt Florence and Paul Maenz. 89cm x 58.5cm (35" x 23") Theo Tobiasse Romeo et Juliette Acte I Offset lithograph poster Published by Touchstone Publishers Inc. 76cm x 63.5cm (30" x 25") Presented unframed, unglazed & unrolled.
Vincent Van Gogh (Dutch, 1853-1890) Road with Cypress and Star 1890 Print on paper Kroller-Muller Museum collection, 1995 Published by Portal Publications Ltd USA 91.5cm x 60cm (36" x 23.5") The Starry Night, 1889 Print on paper Bridgeman Art Library, 1994 Published by Portal Publications Ltd. USA 62cm x 92cm (22" x 36") Landscape at St Remy Print on paper Published by Bruce Magaw Publication Copyright 1988, Indianapolis Museum of Art 66cm x 76cm (26" x 30") Sunflowers Print on paper Bridgeman Art Library, 1994 Printed in Italy 120cm x 90cm (47" x 35.5") Presented unframed, unglazed and previously stored in roll.
Three iconic and striking 20th century modern art lithograph posters. Comprising: Henri Matisse (French, 1869-1954) Icarus Offset lithograph Limited edition of 2000 58cm x 47.5cm (23" x 18.75") Edvard Munch (Norwegian, 1863-1944) The Scream Offset lithograph printed 1999 80cm x 75cm (31.5" x 29.5") Reuven Rubin (Israeli, 1893-1974) Girl with Flower Pot Offset lithograph poster, produced for the exhibition of Israeli art in Jerusalem Please measure Presented unframed, unglazed & previously stored in roll
Henri Matisse (French, 1869 - 1954) The Door of the Casbah - 1912 Screenprint on paper Copyright Succession H Matisse/DACS 1995 Published by Enormous Art 80 cm x 60 cm (31 1/2 " x 24") The Snail - 1953 Screenprint on paper Copyright Succession H Matisse/DACS 2001 Copyright Tate Gallery Publishing 86 cm x 86 c (33 5/8" x 33 5/8") Presented unframed, unglazed and previously stored in roll.
Henri Matisse (French, 1869-1954) Icarus Offset lithograph Limited edition of 2000 58cm x 48cm (23" x 18.75") Study for Dance III Poster for exhibition titled Painter and Sculptor at Dallas Museum of Art April 2007 43cm x 30cm (11" x 17") Mark Rothko (American, 1903-1970) Dusk Offset lithograph 38cm x 38cm (15" x 15") Presented unframed, unglazed and previously stored in roll.
Salvador Dali (Spanish, 1904-1989) The Hallucinogenic Toreador 1968 Screenprint on paper Salvador Dali - Foundation Gala Published by Enormous Art, Sheffield, England 80 cm x 60 cm (31 1/2 x 23 5/8") La Persistance De Memoire 1931 Screenprint on paper Published by Museum of Art New York 60 cm x 80cm (3 5/8" x 31 1/2") Swans reflecting elephants Screenprint on paper Published by Zodiac Edition AG in 2002 60 cm x 80cm (3 5/8" x 31 1/2") La Persistance De Memoire Screenprint on paper Published by Verkerke Studio 1993 60 cm x 80cm (3 5/8" x 31 1/2") Millet's Architectonic Angelus Screenprint on paper for Hanover Gallery Published by Editions Hazan, Paris 80 cm x 60 cm (31 1/2 x 23 5/8") The Temptation of St Anthony Print on paper Published by Icon Copyright Demart de Art 60 cm x 80cm (3 5/8" x 31 1/2") Metamorphosis of Narcissus Screenprint on paper Published by Icon Copyright Demart Pro Arte 60 cm x 80cm (3 5/8" x 31 1/2") Disintegration of the persistence of Memory Screenprint on paper Published by Icon Copyright Demart Pro Arte 60 cm x 80cm (3 5/8" x 31 1/2") Presented unframed, unglazed and previously stored in roll.
Edvard Munch (Norwegian, 1863–1944 Madonna Print on paper Maestri Della Pittura N. K715 Copyright The Munch Museum - The Munch-Ellingsen Group SIAE 1999 80 cm x 60 cm (31 1/2" x 23 5/8") Ruth Alder (American, 1923-2023) Night Palm Print on paper Copyright Ruth Alder 1989 Published by King Publishing 90 cm x 64 cm (35 1/2" x 25") Klaus Malyska - (German, b 1958) Chromatic Blue 1992- 1993 Silkscreen print on paper Copyright Klaus Malyska 1993 Published by Mercurius Art Publishing 100 cm x 70 cm (39 1/2" x 27 1/2") Ljubomir Popović (Serbian, 1934 -2016) Title, Unknown LJUBA -Galerie Beaubourg - 15 Fevrier - 11 Mars 1978 Screenprint on paper 80 cm x 62 cm (31 1/2" x 24 3/8") Presented unframed, unglazed and previously stored in roll.
Piet Mondrian (Dutch, 1872-1944) Composition B with Red - 1935 Copyright 2002 Mondrian/Holtzman Trust Copyright Tate Publishing 80 cm x 59 cm (31 1/2" x 23 3/8") Mark Rothko (American, 1903-1970) Brown, Blue, Brown on Blue - 1953 Original poster no 409 Copyright 1985 The Museum of Contemporary Art, LA, Third Edition 1988 The Panza Collection 110 cm x 77 cm (39 1/2" x 30 1/2")
Edgar Degas (French, 1834-1917) Blue Dancers Print on paper Limited edition of 950 copies Published by Lawrence & Turner Ltd by courtesy of the Bridgeman Art Library from the original work in the Pushkin Museum, Moscow. 70cm x 50cm (27.5" x 19.5") After the bath Print on paper Hermitage Museum Editions no. 117 Copyright Greenhouse Publications, Antwerp, Belgium & Aurora Art Publications, Lemingrad, USSR Printed in the Netherlands 93cm x 62cm (36.5" x 23.5")
A vase, Chinese export porcelain, blue decoration with coat of arms of D. Pedro de Lancastre (1697-1752), 5th Count of Vila Nova de Portimão, Kangxi period (1662-1722), missing upper part covered by latter application and silver cover transforming into pot, silver without marks, pursuant to Decreto-Lei no. 120/2017, of 15 September - art. 2nd, no. 2, paragraph c). Notes: Nuno de Castro collection. Vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império - Portugal/Brasil". Lisbon: ACD Editores, 2007, p. 112; and SANTOS, A. Varela - "Portugal na Porcelana da China - 500 Anos de Comércio" - vol. III. Lisbon: Artemágica, 2009, pp. 796-799; and DIAS, Pedro - "Heráldica Portuguesa na Porcelana da China Qing". Lisbon: Macau Foundation, 2014, pp. 72-73, who prefers the attribution to D. Luís de Lancastre Silveira Valente Castelo Branco Vasconcelos Barreto e Meneses, 4th Count of Vila Nova de Portimão; and "Museu do Oriente - Lisboa". Lisbon: Orient Foundation/BNP Paribas Foundation, 2009, p. 58, nº 71., Dim. - 18 cm
A scalloped salt cellar with three feet, Chinese export porcelain, polychrome and gilt decoration with coat of arms of António de Sousa Falcão de Saldanha Coutinho (17??-1761), Qianlong period (1736-1795), minor faults in the glazing of the feet reliefs. Notes: vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império, Portugal/Brasil". Lisbon: ACD Editores, 2007, p. 148; SANTOS, A. Varela - "Portugal na Porcelana da China: 500 Anos de Comércio". Lisbon: Artemágica , 2009, volume III, nº 6.18, pp. 900-904; DIAS, Pedro - "Heráldica Portuguesa na Porcelana da China Qing". Lisbon: Macau Foundation, 2014, pp. 142-143; and "Out of the Ordinary - Living with Chinese Export Porcelain". London/Lisbon: Jorge Welsh Oriental Porcelain Works of Art, 2014, pp. 68-69, nºs 15 a 19., Dim. - 4,5 x 7,8 cm
The Calvary - Christ crucified, Our Lady, Saint John the Evangelist, Saint Mary Magdalene reclining and six steps of the Passion of Christ, ivory sculptures, darkened teak base, teak cross resting on a carved and gilt “crab” - alluding to the Society of Jesus (miracle of Saint Francis Xavier), carved and gilt edges, silver applications, Indo-Portuguese, 18th C. (mid), silver without marks, pursuant to Decreto-Lei no. 120/2017, art. 2, no. 2, subparagraph c). Notes: a) This lot is subject to CITES export/import restrictions and is duly certified: nr 23PTLX10247C; b) Several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle; c) In Portugal, according to the forecast transposition into the Portuguese legislation of the more recente EU guidance document concerning ivory commerce, the issuing of reexport certifications for non EU countries is suspended; d) We therefore advise potential buyers to inform themselves in advance on the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - (Cristo) 32 cm; (Nossa Senhora e São São Evangelista) 13 cm; (Santa Maria Madalena) 12 cm; (Cristo dos Passos da Paixão) 4,5 cm; Peso - (placa) 25,5 g.
A bureau, teak, partial ebony covering, ebony inlays with ivory fillets with Islamic contours, interior of the cover and front of the drawers with marquetry of ebony , ivory and “sadeli” micromosaic, indo-portuguese, Mughal influence, 16th C. (1st quarter), extensive restoration on the exterior of the tilting cover, other restorations, minor faults and defects, the interior underwent extensive transformation, having been transformed the five drawers of the two central sections into a single drawer and the two lower drawers into another drawer, but having been used everything that was possible to use from the original raw material, later mounts. Notes: vd. JAFFER, Amin – Luxury Goods from India - the art of the indian cabinet-maker. Londres: V&A Publications, 2002, pp. 18-19, nº 3. a) This lot is subject to CITES export/import restrictions and is duly certified: nr 23PTLX10182C; b) Several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle; c) In Portugal, according to the forecast transposition into the Portuguese legislation of the more recente EU guidance document concerning ivory commerce, the issuing of reexport certifications for non EU countries is suspended; d) We therefore advise potential buyers to inform themselves in advance on the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 39,5 x 41,4 x 29,8 cm
A casket with pyramidal cover, silver filigree, scalloped keyhole escutcheon, hinges and feet, interior with grille for six vanity boxes, Indian-Deccan, 18th C. (2nd half), minor faults in filigree, without marks, pursuant to Decreto-Lei nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c). Notes: see similar copy at CRESPO, Hugo Miguel - "Jóias da Carreira da Índia". Lisbon: Orient Museum, 2014, p. 127., Dim. - 9 x 13 x 7 cm; Peso - 520 g.
A Tsuba (sword guard), Namban Art, iron, pierced decoration en relief "Chinese junk with Christian cross", nippo-portuguese - Momoyama period (1573-1615), signs of uses. Notes: vd. catalog for the exhibition "Os Construtores do Oriente Português". Porto: National Commission for the Commemorations of Portuguese Discoveries, 1998, p. 263, no. 29., Dim. - 7 cm
Six chess pieces - white bishops, knights and rooks, carved, painted and gilt ivory, Indian - Rajasthan, 19th C., minor faults, wear on polychrome. Notes: a similar set was part of the exhibition "Jogos Cruzados - Viagens entre Oriente e Ocidente" in Museu de Arte Antiga, Lisbon, from the 14th of June to the 25th of September of 2022, and is reproduced in its catalogue, p. 187, fig. 3. Another similar set is part of the collection of the Metropolitan Museum of Art in New York - vd. https://www.metmuseum.org/art/collection/search/199977?ft=C, visited on 14.11.2023 at 11:34. a) This lot is subject to CITES export/import restrictions and is duly certified: nr 21PTLX09372C; b) Several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle; c) In Portugal, according to the forecast transposition into the Portuguese legislation of the more recente EU guidance document concerning ivory commerce, the issuing of reexport certifications for non EU countries is suspended; d) We therefore advise potential buyers to inform themselves in advance on the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - (a maior) 9 cm
Six chess pieces - red King and Queen, bishops and knights, carved, painted and gilt ivory, Indian - Rajasthan, 19th C., various faults and defects, wear on polychrome. Notes: a similar set was part of the exhibition "Jogos Cruzados - Viagens entre Oriente e Ocidente" in Museu de Arte Antiga, Lisbon, from the 14th of June to the 25th of September of 2022, and is reproduced in its catalogue, p. 187, fig. 3. Another similar set is part of the collection of the Metropolitan Museum of Art in New York - vd. https://www.metmuseum.org/art/collection/search/199977?ft=C, visited on 14.11.2023 at 11:34. a) This lot is subject to CITES export/import restrictions and is duly certified: nr 21PTLX09372C; b) Several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle; c) In Portugal, according to the forecast transposition into the Portuguese legislation of the more recente EU guidance document concerning ivory commerce, the issuing of reexport certifications for non EU countries is suspended; d) We therefore advise potential buyers to inform themselves in advance on the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - (a maior) 11 cm
Chess pieces, carved ivory, one set dyed green, the other red, Indian (islamic), 19th C., minor faults, small restoration, wear on the decoration, one green bishop with faded green. Notes: vd. similar pieces in WICHMANN, Hans and WICHMANN, Siegfried - "Chess - The Story of Chesspieces from Antiquity to Modern Times". London: Paul Hamlyn Ltd, 1964, fig. 109. In the same book one can find references to similar sets belonging to the following collections: Metropolitan Museum, New York (catalogue number 48.174.11); Topkapi Saray Museum, Istanbul; Hammond Collection, London (cf. HAMMOND, Alex - "The Book of Chessmen". London, 1950); British Museum, London. Other similar pieces were part of the exhibition "Schachpartie durch Zeiten und Welten" in the Museum für Kunst und Gewerbe, Hamburg, from May 5th to August 28th in 2005, and are reproduced in its catalogue as figs. 138 and 141. Other similar pieces were part of the exhibition "Jogos Cruzados - Viagens entre Oriente e Ocidente", held at the Museum of Ancient Art, from June 14th to September 25th, 2022, and is reproduced in its catalogue, p. 194, fig. 114. a) This lot is subject to CITES export/import restrictions and is duly certified: nr ?????????????; b) Several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle; c) In Portugal, according to the forecast transposition into the Portuguese legislation of the more recente EU guidance document concerning ivory commerce, the issuing of reexport certifications for non EU countries is suspended; d) We therefore advise potential buyers to inform themselves in advance on the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - (Rei) 5 cm
LA FONTAINE, Jean de.- Fables choisies, mises en vers.- Nouvelle edition gravée en taille douce, les figures par le Sr. Fessard. Le texte par le Sr. Montulay.- A Paris: Chez l’Auteur, graveur ordinaire du Cabinet du Roy. M. DCC. LXV. - M. DCC. LXXV. [1765-1775].- 6 vols.: il.; 22 cm.- E., A masterpiece of elegance and refinement, entirely engraved in copperplate print, it took more than 10 years for the publisher to complete the edition. Etienne Fessard (1714-1777) himself was responsible for opening the 238 compositions in verse (in 724 pages) on a copper plate, while the 243 figures, 243 vignettes and 229 “culs-de-lampe” were written by the engraver François Montulay. Very clean copy, from the first and most popular edition, keeping all the proofs (text and illustrations) very fresh. Good bindings, full morocco “vieux rouge”, unsigned, but probably made in France at the beginning of the 20th century (?); top folder of the first volume loose; triple fillets and “dents-de-rat” on the covers, panels closed in gold with florets on the spine sections; rolls on the squares and thickness of the boards; impeccable gilt edges. Of this edition, said Gordon Ray (The art of the French illustrated book. New York, 1982), which ranks among the one hundred most beautiful French illustrated books of the 18th and 19th centuries. Cohen-De Ricci (Livres à engravures), 551., loose top cover of Tome I
ENCADERNAÇÃO DE APARATO.- SABUGOSA, Conde de.- O Paço de Cintra: apontamentos históricos e archeológicos / desenhos de Sua Majestade a Rainha a Senhora Dona Amélia; colaboração artística de E. Casanova e R. Lino.- Lisboa: Imprensa Nacional, 1903.- XII, 274 p.: il., 2 plantas desdobr., 5 estampas color.; 32 cm.- E., Luxurious silver filigree binding and snails set with cabochon-cut agates and two oval-cut synthetic spinels, agate globe, featuring on the back cover the inscription, gauffered in gold: Leitão & Irmão - Joalheiros da Coroa - Lisbon. It is, certainly, an offer from the prestigious goldsmiths and jewelers of Lisbon, to the newlyweds, on the occasion of the wedding of King D. Manuel II, with the German princess D. Augusta Victória of Hohenzollern-Sigmaringen, celebrated on the 13th of September 1913. The underlying binding is made of rigid parchment, on which a complex assembly of silver filigree was applied with large ornamental border stripes, made up of 20 quadrangular modules (45x45mm), with intricate plant motifs and relief brooches in the corners of both covers. In the central reserve of the front cover, a stylized representation of the Sintra Palace chimneys alongside a vase with flowers (bottom stripe with two faceted stones); below, the title of the work and the associated coats of arms of the Houses of Hohenzollern and Braganza, supported laterally on winged snakes. Surrounding the central reserve, a stripe with 20 moonstones in cabochons. In the center of the lower margin, an armillary glass sphere (on both covers). Central reserve of the posterior plane, not filled. Endpapers in watered silk, with an indication, on the top back cover, that the binding was restored in 1998 by the company Invicta Livro, from Porto. The copy of “O Paço de Cintra” belongs to the normal circulation and only retains the cover and upper brochure (without flaps). The volume is packed in a case, coated in blue velvet and lined with silk of the same colour, with a lock (missing the key). Provenance: Auction catalog “...Property from the collections of King Manuel II of Portugal”, Sotheby’s Geneva, May 16, 1991, lot nº 490, a filigree plaque on the verso loose, silver with Leitão & Irmão trademark, restoration from 1998 by makers Artur Augusto Correia Martins & Filho, without marks pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2nd, no. 2, paragraph c)
A six-leaf screen, Namban Art style, fully lacquered, painted and gilded wood "Disembarkation of the Portuguese black ship on the beaches of Japan in the great Black Ship", Portuguese, 20th C., minor defects, stamped FUNDAÇÃO R.E.S.S., dated 1991, numbered 18144. Notes: this piece is a reproduction of a piece in the collection of Museu Nacional de Arte Antiga, in Lisbon - vd. CURVELO, Alexandra - "Obras-primas dos Biombos Nanban - Japão-Portugal século XVII". Paris: Éditions Chandeigne, 2015, pp. 101-114., Dim. - (cada folha) 171,5 x 41 cm
A reliquary cross inside hanging display cabinet, D. José I, King of Portugal (1750-1777)/D. Maria I, Queen of Portugal (1777-1816), carved Brazilian rosewood, cross with silver ends and fourteen receptacles containing relics, display cabinet with gilt application en relief "Two Cherubim and cross", interior with two glass vases containing relics and silvered metal leaf palm hearts, bottom lined with red damask silk with braids in gilt metallic thread, Portuguese, faults in the display cabinet moulding, other minor faults and defects, silver without marks, pursuant to Decreto-Lei nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - (cruz) 42 cm; (maquineta) 88 x 44 x 15 cm
Portrait of a Knight of the Order of Christ, painted ivory miniature, gold rim, silver frame set with «Minas Novas» (quartz), Portuguese, 18th C. (4th quarter), signs of use, gold and silver without maks without Portuguese marks, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2nd, no. 2, paragraph c). Notes: a) This lot is subject to CITES export/import restrictions and is duly certified: nr 23PTLX10181C; b) Several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle; c) In Portugal, according to the forecast transposition into the Portuguese legislation of the more recente EU guidance document concerning ivory commerce, the issuing of reexport certifications for non EU countries is suspended; d) We therefore advise potential buyers to inform themselves in advance on the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - (miniatura) 4,7 x 3,4 cm; (total) 8,2 x 5,4 cm
A "Two hearts surmounted by Brazilian imperial crown" scarf pin, gold and silver, set with 2 aquamarines and 1/2 pearls, cardboard box fully covered in red shagreen with gold ironwork and interior lined with green velvet, Brazilian, 19th C. (mid), signs of use, without marks, pursuant to Decree-Law nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c). Notes: accompanied by a handwritten document stating that it was a jewel offered by D. Pedro I, Emperor of Brazil, to Captain-General Luís do Rego Barreto (1777-1840), 1st Viscount of Geraz do Lima. vd. MARTINS, Rocha - "A Independência do Brasil". Coimbra: Lvmen, 1922, p. 375., Dim. - 7,7 cm; Peso - 2,8 g.
Insignia of the Order of Christ surmounted Rosaceae "Star", 800/1000 silver and gilt silver, set with burgundy and colourless rhinestones, French, 19th C., warranty mark and maker's mark, without Portuguese marks, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2nd, no. 2, paragraph c), Dim. - 11,7 x 5,6 cm; Peso - 61,5 g.
A pair of earrings, platinum, set with 40 old brilliant cut diamonds weighing approximately 2.30 ct., Portuguese, 20th C. (2nd quarter), signs of use, without marks, pursuant to Decreto-Lei nº 120/2017, of September 15th - art. 2nd, nº 2, paragraph c), Lisbon's Nuno Pinheiro maker's mark (1920-1952), Dim. - 2 cm; Peso - 9,4 g.
A pair of earrings, 800/1000 gold and platinum, set with 2 oval-cut sapphires and 38 antique brilliant-cut diamonds weighing approximately 1.15 ct., Portuguese, signs of use, case with defects, Lisbon mark (1887-1937), Artur da Silva Oliveira maker's mark (1922-1932), unmarked platinum, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2nd, no. 2, paragraph c), Dim. - 2,5 cm; Peso - 4,9 g.
A rigid bracelet, neoclassical style, 750/1000 gold, pierced meander decoration, set with rose cut diamonds, and antique brilliant cut central diamond with the approximate weight of 2.48 ct., color grade J~K and purity SI2, French, 19th C., signs of use, restoration and defect on the safety chain, warranty mark, without Portuguese marks, pursuant to Decreto-Lei No. 120/2017, of September 15 - art. 2, paragraph 2, letter c), Dim. - 6,3 x 6,5 cm; Peso - 19,4 g.
A "Cross" pendant and a pair of earrings, gold, set with rose cut and table cut diamonds, Portuguese, 18th C., signs of use, small restoration on an earring, without marks, pursuant to Decree-Law 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - (pendente) 7,5 x 4,5 cm; (brincos) 4,5 cm; Peso - 30 g.
A brooch "Bow", gold, decorated with polychrome enamels, application of natural pearls (not tested), Spanish, 17th C. (2nd half), signs of use, restoration and minor faults, missing one pearl, without marks, pursuant to Decree-Law nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - 8 x 4,5 cm; Peso - 25,1 g.
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