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Victorian Scottish silver Royal Academy fencing medal, Edinburgh maker James Nasmyth & Co, the medal with inscription "THE ROYAL ACADEMY Presented in the ASSEMBLEY ROOMS on the 20th April 1844 to R.P. Grey THE SUCCESSFUL COMPETITOR at the Annual Fencing Meeting of the Pupils of Mr ROLAND", the reverse with raised profile depiction of a Roman soldier, 45.5mm diameter George Roland (fl.1809-1862) was fencing master at the Royal Academy of Edinburgh and son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. George Roland wrote various fencing and gymnastics books to include "A Treatise on the Theory and Practice of the Art of Fencing ... and Continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements"
Collection of ephemera to include "Reminiscences of Bridge Ward and The Bridge of the World- London Bridge", "Sir John Moore Monography Corunna 1809", "Bills of Exchange Act 1882", envelope "A Souvenir of the exhibition of art-treasures Manchester" containing a folded and pierced paper document decorated with prints of Manchester scenes, Royal ephemera etc. (qty)
Artist: Andrew Wyeth (American, 1917-2009). Title: "White Dress [Helga]". Medium: Color offset lithograph. Date: Composed 1980. Printed 1987. Dimensions: Overall size: 11 1/8 x 15 3/4 in. (283 x 400 mm). Image size: 8 1/4 x 13 3/16 in. (210 x 335 mm).Lot Note(s): Signed in pencil, lower right; signed in the plate, lower right. Edition unknown. Cream wove paper. Wide margins. Fine impression. Very good to fine condition. Provenance: Private collection, Santa Barbara, California. Comment(s): Andrew Newell Wyeth was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He is one of the best-known U.S. artists of the middle 20th century. In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. One of the best-known images in 20th-century American art is his painting, "Christina's World," currently in the collection of the Museum of Modern Art in New York City. [28309-3-225]
Artist: Sam Francis (American, 1923-1994). Title: "Uncle Sam Love Marilyn". Medium: Color lithograph. Date: Composed 1963. Dimensions: Overall size: 16 1/4 x 22 15/16 in. (413 x 583 mm). Image size: 16 x 22 7/16 in. (406 x 570 mm).Lot Note(s): Edition of 2,000. White wove paper. The full sheet. Fine impression with fresh colors. Fine condition; centerfold as issued. Comment(s): For Walasse Ting's "1¢ Life." Prints from the One Cent Life portfolio are in most major and public collections worldwide including MOMA (New York), Tate Modern (London), Museum of Contemporary Art (Montreal) and the Andy Warhol Museum (Pittsburg). Text and/or image may be on verso. Image copyright © Estate of Sam Francis / Artists Rights Society (ARS), New York. [26796-4-225]
Artist: Lucian Freud (German/English, 1922-2011). Title: "Two Men in the Studio". Medium: Color offset lithograph. Date: Composed 1987-89. Printed 1993. Dimensions: Overall size: 11 1/2 x 7 9/16 in. (292 x 192 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at The Metropolitan Museum of Art, New York. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 16th 1993 to March 13th 1994. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29186-2-600]
Artist: Lucian Freud (German/English, 1922-2011). Title: "Two Men". Medium: Color offset lithograph. Date: Composed 1987-88. Printed 1993. Dimensions: Overall size: 11 5/8 x 8 7/16 in. (295 x 214 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29181-2-600]
Artist: Lucian Freud (German/English, 1922-2011). Title: "Two Irishmen in W11". Medium: Color offset lithograph. Date: Composed 1984-85. Printed 1993. Dimensions: Overall size: 11 9/16 x 9 9/16 in. (294 x 243 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at The Metropolitan Museum of Art, New York. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 16th 1993 to March 13th 1994. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29174-2-600]
Artist: Alvin Langdon Coburn (American, 1882 - 1966). Title: "The Water Carrier". Medium: Original vintage photogravure. Date: Composed 1909. Printed 1910. Dimensions: Image size: 4 1/8 x 4 11/16 in. (105 x 119 mm).Lot Note(s): Stamped with the photographer's name, verso. Edtion unknown, presumed small. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Comment(s): According to 'Gordon's Art Reference' an impression similar to ours sold at an auction record of $8,400 including premium (Swann Galleries, NYC, sale 03/06/2008, lot #482). [24765-1-100]
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Sweet Dreams Baby! [postcard edition]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1994. Dimensions: Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm). Image size: 5 1/16 x 3 5/8 in. (129 x 92 mm).Lot Note(s): Initialed in black marker, lower right; signed verso. Edition unknown, presumed small. White thick coated paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett 39 for the full-size, editioned screenprint. Provenance: Through the McEvoy family, San Francisco, California; Private collection, Bethesda, Maryland. Comment(s): Postcard published on the occasion of the exhibition "The Prints of Roy Lichtenstein" at the National Gallery of Art, Washington, D.C., 1994. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25209-1-225]
Artist: Tsukioka Yoshitoshi (Japanese, 1839-1892). Title: "Study for Woodcut #12". Medium: Pen and ink drawing. Date: Composed c1880s. Dimensions: Overall size: 10 3/4 x 7 in. (273 x 178 mm). Image size: 9 5/8 x 6 1/8 in. (244 x 156 mm).Lot Note(s): Translucent Gampi (Washi/Rice/Mulberry) paper affixed at the corners to a semi-opaque, handmade, laid paper. Composed with black and cinnebar inks. Very good condition; the black spots visible on the jpg are on the support sheet, not the drawing, the Gambi paper being translucent. Provenance: Wittenborn Art Books, New York City. Comment(s): Drawings by Yoshitoshi are very scarce. This drawing came from a hand bound album of drawings and sketches, with Yoshitoshi’s name and date inscribed, not in his hand, on the first leaf (please see images). The date is written “the 27th year of Meiji period, Oct. 10th.” The 27th year of the Meiji is the year 1894, two years after the Artist’s death. The album is hand bound and had many blank pages. In addition, the final non-blank pages are colored around the drawings with cinnabar, clearly by the artist. Hence while the album could have been assembled after his death, the more likely probability is that it was bound by the Artist and became a working album, which he continually added to over the years. He is also known as Taiso Yoshitoshi, Yoshitoshi Taiso, and Tsukioka Kinzaburo Yoshitoshi. [25341-2-400]
Artist: Andrew Wyeth (American, 1917-2009). Title: "Spring Sun". Medium: Color offset lithograph. Date: Composed 1958. Printed 1963. Dimensions: Overall size: 11 1/4 x 15 1/2 in. (286 x 394 mm). Image size: 8 9/16 x 13 3/16 in. (217 x 335 mm).Lot Note(s): Signed in pencil, lower right; signed in the plate, lower left. A proof from the edition of unknown size (c300?). Cream wove paper. Wide margins. Fine impression. Fine condition. Provenance: Private collection, Santa Barbara, California. Comment(s): Andrew Newell Wyeth was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He is one of the best-known U.S. artists of the middle 20th century. In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. One of the best-known images in 20th-century American art is his painting, "Christina's World," currently in the collection of the Museum of Modern Art in New York City. Image copyright © The Estate of Andrew Wyeth. [27972-3-150]
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Shipboard Girl [postcard edition]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1994. Dimensions: Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm). Image size: 4 7/8 x 3 5/8 in. (124 x 92 mm).Lot Note(s): Initialed in black marker, lower right; signed in black marker, verso. Edition unknown, presumed small. White thick coated paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett II.6 & Doering/Von der Osten 12, both for the full-size print. Provenance: Through the McEvoy family, San Francisco, California; Private collection, Bethesda, Maryland. Comment(s): Postcard published on the occasion of the exhibition "The Prints of Roy Lichtenstein" at the National Gallery of Art, Washington, D.C., 1994. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25205-1-225]
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Pop Art One [book/portfolio with signed "Explosion" sticker]". Medium: Color offset lithograph. Date: Composed 1965. Lot Note(s): Signed across the sticker in black marker. Edition unknown, presumed small. Fine impression. Very good condition. Overall size of book/portfolio: 7 1/2" x 5 5/8". Comment(s): A scarce item on its own, especially with the unbroken seal, even more so with Lichtenstein’s signature across his “explosion” sticker. This early, charming, and innovative catalogue edited by Dorothy Herzka (later to become Lichtenstein) is one of the earliest documents of the New York Pop Art movement. It presents brief texts, photographic portraits (by Rudy Burkhardt and Hans Namuth, among others), and four or five individual plates each for artists Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, and Andy Warhol. The design is ingenious: two plastic spiral bindings on the left and right hand sides, bound to a heavy card back panel, hold the Lichtenstein inspired black Benday dot card covers and the first 16 pages of text. The pages are cut vertically at the center so the pages open on the left and right sides and allow the catalog to stand up and showcase (if desired), via the medium of the shutter-like wrappers, any of the loose and unbound 27 plates (complete) in the rear compartment. Opened fully, the grey card folder that holds the individual plates reproducing works by these artists is revealed. The compartment is sealed with the Lichtenstein explosion sticker that is still unopened and uncut. An intriguing and imaginative production from the height of the Pop Art movement. New York: Publishing Institute of American Art, 1965. First Edition. Image copyright © Estate of Roy Lichtenstein. [24522-1-800]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Pete Rose [museum promotional card]". Medium: Color offset lithograph. Date: Composed 1985. Dimensions: Overall size: 6 7/8 x 5 5/8 in. (175 x 143 mm).Lot Note(s): Signed in black marker, center right. Edition unknown, presumed small. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann IIB.360B.2. Comment(s): Scarce. No auction records located. Published by the Cincinnati Art Museum, Cincinnati, Ohio. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29468-1-225]
Artist: Karima Muyaes (Mexican, b.1960). Title: "Pareja [black and white]". Medium: Etching with sugarlift aquatint. Date: Composed 2000. Dimensions: Overall size: 15 3/4 x 15 7/8 in. (400 x 403 mm). Image size: 9 5/8 x 9 5/8 in. (244 x 244 mm).Lot Note(s): Signed and dated in pencil, lower right; titled in pencil, lower center; numbered in pencil, lower left. Edition of 10 (The color edition was 40). Pale cream wove Arches paper. Full margins. Fine impression. Fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2022. Muyaes's work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [17715-0-150]
Artist: Andrew Wyeth (American, 1917-2009). Title: "New Leaves". Medium: Offset lithograph. Date: Composed 1941. Printed 1963. Dimensions: Overall size: 11 3/8 x 14 1/4 in. (289 x 362 mm). Image size: 8 5/8 x 11 1/2 in. (219 x 292 mm).Lot Note(s): Signed in pencil, lower right. A proof from the edition of unknown size (c300?). Cream wove paper. Wide margins. Fine impression. Fine condition. Provenance: Private collection, Santa Barbara, California. Comment(s): Andrew Newell Wyeth was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He is one of the best-known U.S. artists of the middle 20th century. In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. One of the best-known images in 20th-century American art is his painting, "Christina's World," currently in the collection of the Museum of Modern Art in New York City. Image copyright © The Estate of Andrew Wyeth. [27970-3-300]
Artist: Andrew Wyeth (American, 1917-2009). Title: "May Day". Medium: Color offset lithograph. Date: Composed 1960. Printed 1963. Dimensions: Overall size: 11 3/16 x 14 3/4 in. (284 x 375 mm). Image size: 9 11/16 x 13 7/16 in. (246 x 341 mm).Lot Note(s): Signed in pencil, lower right. A proof from the edition of unknown size (c300?). Cream wove paper. Wide margins. Fine impression. Fine condition. Provenance: Private collection, Santa Barbara, California. Comment(s): Andrew Newell Wyeth was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He is one of the best-known U.S. artists of the middle 20th century. In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. One of the best-known images in 20th-century American art is his painting, "Christina's World," currently in the collection of the Museum of Modern Art in New York City. Image copyright © The Estate of Andrew Wyeth. [27969-3-225]
Artist: Pierre Boucher (French, 1908-2000). Title: "Jeune garcon nu". Medium: Original vintage photogravure. Date: Composed c1935. Printed 1935. Dimensions: Image size: 10 x 8 1/2 in. (254 x 216 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Boucher, a pioneer of photomontage (a mixture of two related but quite different media), always remained part photographer, part designer. Often this synthesis resulted in a happy marriage, as in his 1955 poster for the International Photography and Cinema Biennial. He met Herbert Matter at the Deberny et Peignot type foundry, where Charles Peignot acted over many years as a catalyst for new graphic art. Boucher founded Arts et Métiers Graphiques, the leading pre-war French design magazine. With friends he also founded the Alliance Photo, experimenting with all kinds of photographic techniques. Image copyright © The Estate of Pierre Boucher. [29470-2-225]
Artist: Charles I. Okerbloom, Jr. (American, 1908 - 1999). Title: "Iowa Farm Girl". Medium: Lithograph. Date: Composed c1940s. Dimensions: Image size: 8 x 10 in. (203 x 254 mm).Lot Note(s): Estate stamp, verso. Edition unknown, presumed small. Cream wove watermarked paper. Ample margins. Fine impression. Very good condition. Provenance: Estate of the artist. Comment(s): A listed artist, Okerbloom was born August 13, 1908, in Harrisburg, Pennsylvania. He grew up in Columbus, Ohio, graduating from Ohio State in 1930. Okerbloom served with the Army Air Corps during World War II and lived in Fayetteville, Arkansas for a number of years. He served as an associate professor at both Ohio University and the University of Tulsa. An accomplished painter, Okerbloom joined the Department of Art at the University of Arkansas in 1953, reaching the rank of full professor in 1963. He retired in 1969. His works are in collections and art museums in Dallas, Texas; Tulsa, Okla.; New Orleans, La.; and Columbus and Toledo, Ohio. His artwork is also in the permanent collection of the State University of Iowa. [7065-2-100]
Artist: Andrew Wyeth (American, 1917-2009). Title: "Helga in Orchard". Medium: Color offset lithograph. Date: Composed 1974. Printed 1987. Dimensions: Overall size: 11 3/8 x 15 3/4 in. (289 x 400 mm). Image size: 8 3/4 x 13 3/16 in. (222 x 335 mm).Lot Note(s): Signed in pencil, lower right; signed in the plate, upper right. Edition unknown. Cream wove paper. Wide margins. Fine impression. Very good to fine condition. Provenance: Private collection, Santa Barbara, California. Comment(s): Andrew Newell Wyeth was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He is one of the best-known U.S. artists of the middle 20th century. In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. One of the best-known images in 20th-century American art is his painting, "Christina's World," currently in the collection of the Museum of Modern Art in New York City. [28304-3-300]
Artist: Richard Lindner (American, 1891 - 1978). Title: "Heart [Vancouver Art Gallery]". Medium: Original color photolithograph poster. Date: Composed 1964. Dimensions: Overall size: 28 1/2 x 20 1/8 in. (724 x 511 mm). Image size: 25 x 15 1/4 in. (635 x 387 mm).Lot Note(s): Signed in the plate, lower left. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Very good condition. Comment(s): Printed under Lindner's supervision and designed by him. For the exhibition November 3rd to the 29th, 1964. Image copyright © The Estate of Richard Lindner. [17969-5-100]
Artist: Francisco Toledo (Mexican, 1940-2019). Title: "Grillos ["Art Kite" (papalote) without kite framework]". Medium: Original color stencil cut with watercolor. Date: Composed c2014. Dimensions: Overall size: 26 x 20 in. (660 x 508 mm).Lot Note(s): Signed in ballpoint pen under the image; Taller Arte Papel label, verso. Edition unknown, presumed very small. Grey hand-made textured paper. The full sheet, deckle edges all four sides. Fine impression. Fine condition. Fabricated by Taller Arte Papel Vista Hermosa, San Augustin Etla, Oaxaca, Mexico, under Toledo's supervision. Please note that, unlike some other Art Kites in our auction, this example is “loose” and not affixed to a kite framework. Provenance: Private collection, Mexico City, Mexico. Comment(s): Toledo is arguably Mexico's most famous living painter/printmaker. Most of his kites are unsigned; only occasionally does Toledo sign them, and then generally on the verso. Each art kite is created from a stencil drawn and cut by Toledo in Arches paper. The stencil is then pressed into a hand made sheet of paper and hand-colored. When separated, the resulting contrast reveals the image. Some kites are hand-sprayed with dyes to create background effects before the stencil is applied. Image copyright © Francisco Toledo. [29162-5-225]
Artist: Rene Gruau [imputee] (Italian, 1909-2004). Title: "Bella donna". Medium: Watercolor and ink on paper. Date: Composed c1950's?. Dimensions: Overall size: 11 5/8 x 8 in. (295 x 203 mm).Lot Note(s): Signed with the monogram, lower right. Light cream wove paper. Fine condition. Comment(s): "Elégante au voile," a work comparable to our example in composition, size, and medium, sold for $3,012 (€2,500) at Accademia Fine Art, Monaco, December 1, 2017, lot #80. With little doubt, no other artist has captured the world of haute couture as succinctly as René Gruau. Count Renato Zavagli Ricciardelli della Caminate, professionally known as René Gruau, was a painter and fashion illustrator whose portrayal of fashion design through painting had a lasting effect on the fashion industry. Image copyright © The Estate of Rene Gruau. [30179-2-800]
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Art about Art". Medium: Color offset lithograph. Date: Composed 1978. Dimensions: Image size: 9 7/8 x 7 in. (251 x 178 mm).Lot Note(s): Signed in black marker, lower right. Heavy white coated paper. Printed to the edge of the sheet. Fine impression. Good to very good condition. Literature/catalogue raisonne: Corlett III.12. Comment(s): Cover illustration for "Art about Art." Corlett writes: "This image was designed by Lichtenstein for use on the cover of the softbound book 'Art about Art,' by Jean Lipman and Richard Marshall (New York: E.P. Dutton, 1978), published on the occasion of the exhibition held at the Whitney Museum of American Art, July 19 - September 24, 1978. The image was also used as a poster for the exhibition." Printed by Lithochrome, New York. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [24516-1-225]
Artist: Robert Motherwell (American, 1915 - 1991). Title: "Art 1981 Chicago". Medium: Original color lithograph . Date: Composed 1981. Dimensions: Overall size: 39 1/2 x 27 1/2 in. (1003 x 698 mm). Image size: 37 1/2 x 25 1/2 in. (952 x 648 mm).Lot Note(s): Signed with the initials and dated in crayon, lower left; signed with the initials and dated in the plate, upper right of the image. Cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: See B.249 and E. and B. 282. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): Please note that this is an original color lithograph poster, not an offset lithograph. Scarce/rare, especially with the signature. Poster printed by Tyler Graphics, Ltd., Mount Kisco, New York, with their imprint. Published by Lakeside Group for the 1981 Chicago International Art Exposition. Image copyright © Licensed by VAGA, New York, NY. [23681-6-100]
Artist: Andy Warhol & Keith Haring (Americans, 20th Century). Title: "Andy Mouse I, Homage to Warhol [postcard edition]". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm).Lot Note(s): Signed in black marker by both Haring and Warhol, lower margin; signed in the plate by both Haring and Warhol. Edition unknown. White wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Klaus Littmann, 'Keith Haring: Editions on Paper, 1982-1990' #64-65. Comment(s): A very rare object when signed by both artists. No auction records of a signed impression located. Haring met Andy Warhol in 1984 following his second exhibition in New York at the Tony Shafrazi Gallery. He and Warhol quickly discovered a mutual admiration for Walt Disney. For his exuberant character Andy Mouse, Haring combined two of his heroes, Andy Warhol and Walt Disney. The 'Andy Mouse' series is perhaps Haring's most sought after work. The set of four color silkscreens sold for £133,250 ($208,403) at Christie's, London, September 15th, 2010, lot #167. The silkscreens, signed by both artists, were published by George Mulder Fine Art. Image copyright © The Keith Haring Foundation. [28780-1-700]
Adolf Baumgartner - Stoiloff 1850-1924 RUSSIAN COSSACKS IN TAIGAO/C, 82cm x 128cm, frame: 100cm x 146cm, signed L.L.Adolf Baumgartner (1850 - 1924) gen. Constantin Stoiloff - Öl auf Leinwand, "Silbertransport in der winterlichen Taiga"unten links handsigniert "A. Baumgartner-Stoiloff",sehr guter Erhaltungszustand - gerahmt, Bildmaße: 82cm x 128cm, Gesamtmaße: 100cm x 146cmInformationen zum KünstlerConstantin Stoiloff [geboren um 1850 in Linz - gestorben am 28.3.1924 in Wien]Österreichischer Maler. Eigentlich Adolf Baumgartner-Stoiloff. Vater des Adolf Baumgartner. Malte auch unter demPseudonym L. Lasky. Heiratete 1891 in Wien mit der Berufsbezeichnung "Akademischer Maler", begraben als"Baumgartner-Stoiloff". Schuf Stilleben, Landschaften und Genrebilder, bekannt wurden u.a.dramatisch-naturalistische Reiterbilder (z.B. Von Wölfen gejagt, Öl/Holz, signiert "Stoiloff"; Goldtransport in Sibirien,Öl/Leinwand, signiert "Stoiloff-Baumgartner"). Er hatte sich auf diese Art Bilder spezialisiert und schaffte es mitmeisterlicher Hand, die düstere Winterstimmung und die Bewegungsabläufe von Mensch und Tier darzustellen.Literatur: Günter Meißner: Allgemeines Künstlerlexikon, AKL VII, 1993, Seite 619.Expose erstellt. KEYWORDS: RUSSIAN; OIL PAINTING; ADOLF BAUMGARTNER; STOILOFF.
KLEVER, YULI (1850-1924)Fishing Nets by the Gulf of Finland (Baltic sea), signed and dated 1903.Oil on canvas, 47 cm x 63 cm, frame 55 cm x 71 cmPROVENANCE: MacDougall's Fine Art Auction, 27 November 2013, LOT 66. KEYWORDS: OIL PAINTING; SIGNED; RUSSIAN; Yuliy Yulevich (Julius) Klever; ?®л?й ?®л?Œе?²и?‡ ?šл?µв?µр; GULF OF FINLAND; SHORE; FISHING; BALTIC SEA
Oil on canvas 51 x 40cm , 2021. Jurgita Nakos (born 1979) is a Portrait painter and Figurine Artist. Her field of interest is urban space, with first and foremost in its centre with human being taking the central role. She doesn't look for any special occasions or individuals - the daily scenes and constant human movement catches her eyes. Casual scenes are the most inspiring - a facial expression, a movement of clothing, a set of bright gloves or someone's head resting on the train - it's all about collecting moments in her personal library.J. Nakos collecting mental images and storing them so one day they may take a life of their own. Memory may be based on a real moment, but the shape of it changes based on an interpretation that gives it its own identity. She does not plan the process of painting, the painting eventually develops on the canvas spontaneously. A work of art originates from the inner self, never to please anyone, but to be a thumbprint of the soul of the artist, the human. Jurgita Nakos: “The diptych Reason & Consequence is about raw emotions, not an expression of wild nature.When one sees the monkeys I would like them to look at themselves. When one doesn't have a choice and the personal freedom is constricted, taken away.How are we more than animals if we can't enjoy culture? What separates us from them? What sets us apart is our ability to appreciate human creativity. Suppression of our freedom of movement causes us hunger for culture in all its shapes and forms, hunger for face to face conversations, hunger for reading answers from human faces to our questions.I painted them because I was starving for things lost. It was an expression of moments when one can't afford to be silent, the scream burning inside, the critical moment when one is guilty without a sin, punished without a court, under a blanket called 'for your own good'…I refuse to show my face. The faceless society is suitable for me. I will take it further... From now on I am the Monkey. No more, no less. Let me see through the eyes of wonder. Let me see through the expression of horror too. If we are not touched by culture, by feeling, by reading from lips - no written language should be used.”.
Oil on canvas 51 x 40cm , 2021. Jurgita Nakos (born 1979) is a Portrait painter and Figurine Artist. Her field of interest is urban space, with first and foremost in its centre with human being taking the central role. She doesn't look for any special occasions or individuals - the daily scenes and constant human movement catches her eyes. Casual scenes are the most inspiring - a facial expression, a movement of clothing, a set of bright gloves or someone's head resting on the train - it's all about collecting moments in her personal library.J. Nakos collecting mental images and storing them so one day they may take a life of their own. Memory may be based on a real moment, but the shape of it changes based on an interpretation that gives it its own identity. She does not plan the process of painting, the painting eventually develops on the canvas spontaneously. A work of art originates from the inner self, never to please anyone, but to be a thumbprint of the soul of the artist, the human. Jurgita Nakos: “The diptych Reason & Consequence is about raw emotions, not an expression of wild nature.When one sees the monkeys I would like them to look at themselves. When one doesn't have a choice and the personal freedom is constricted, taken away.How are we more than animals if we can't enjoy culture? What separates us from them? What sets us apart is our ability to appreciate human creativity. Suppression of our freedom of movement causes us hunger for culture in all its shapes and forms, hunger for face to face conversations, hunger for reading answers from human faces to our questions.I painted them because I was starving for things lost. It was an expression of moments when one can't afford to be silent, the scream burning inside, the critical moment when one is guilty without a sin, punished without a court, under a blanket called 'for your own good'…I refuse to show my face. The faceless society is suitable for me. I will take it further... From now on I am the Monkey. No more, no less. Let me see through the eyes of wonder. Let me see through the expression of horror too. If we are not touched by culture, by feeling, by reading from lips - no written language should be used.”.
Aleksei Petrovich BOGOLYUBOV 1824-1896 "Moonlight in Venice" Alexei Petrovich BOGOLJUBOFF (1824-1896) O/C, 22cm ?… 36cm, frame 29cm x 43cm. Provenance: collection of famous russian actress Maria Gavrilovna Savina (1854 - 1915). There is no vissible signature, lot sells as attributed. KEYWORDS: Medium; Europe; Russian; Single-Piece Work; Oil; Framed; Signed; Original; cityscape; venice; italy; cloud; Gondola; Boat; Ship; transport; Sailboat; Radishchev State Art Museum; Saratov.
SET OF 3 MID CENTURY ALDO LONDI BITOSSI HORS D’OEUVRES DISHES An very stylish and collectable set of 3 hors d‘oeuvres dishes by the godfather of Italian Mid century Art Pottery, Aldo Londi Bitossi. Fabulously colourful with cutting edge design. All signed Italy with the pattern number. Excellent condition. Circa 1970s. In the same ownership from new. Each dish measures 16x11x3cm.
ART DECO SHELLY CHINA TALL TRESS PART TEA SET 14 PIECES One of the best ceramic designs of the 20th century, Shelly China, Tall Trees Pattern. A part tea set of 14 pieces, all in good condition with the exception of a hairline crack in the Sugar Bowl. Includes; 1 x Cake Plate 25x21cm, 6 x Side Plates 18cm, Milk Jug 9cm high, Sugar bowl 7cm high, 5 x Saucers 15cm.
ORIENTAL CERAMICS - JAPANESE BACHELOR TEA SET WITH BUTTERFLIES Please note.. saucer broken during photographs, otherwise good condition. A very pretty, early-mid 20th century, hand painted Japanese bachelor tea set. Beautifully hand painted with blue butterflies. Unusual Art Deco shape with sectioned milk jug/sugar bowl. Teapot 18x12cm, jug/sugar11x5.5cm, cup 6.5cm high, saucer 13.5 square.
ART DECO TUBULAR STEEL AND GLASS DRINKS TABLE ON CASTORS A rare, genuine Art Deco tubular steel circular drinks table. 64cm high, 60cm diameter. Two tier with glass top and shelf and frame forming a slight balcony. Extremely stylish and in original condition. Original glass and castors. Missing one small chrome ball shelf support cap, also two holes in one leg where perhaps an ashtray or drinks coaster was attached, some original rubber shock absorbers, others have rotted way as natural rubber does. Structurally sound, wheels screw on and off as they should. In the same home since the 1930s.
ART DECO PANDORAS BOX GLASS VASE & COVER BY SOWERBY’S A 1930s Art Deco Pandora's box vase and cover by Sowerby's. Moulded glass with 4 panels featuring an Art Deco Pandora opening her box. Good condition with just a couple of nibbles to the inner rim of the lid where it meets the vase as expected. 20x13x13cm.

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