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Click here to subscribeAn Art Deco style ruby and diamond ring, in a white coloured metal mount See inside front cover colour illustration Condition report Report by NG Total 3.1 g (all in). Approx. ring size M ½ Centre panel approx. 12 x 10 mm. Ruby approx. 6 x 4 mm, crack to surface and others visible internally. Diamonds approx. 1 mm diameter. White mount unmarked.
An Art Nouveau 9ct gold, peridot and seed pearl pendant/brooch, on a 9ct gold chain, a pair of similar drop screw back earrings, and a similar bar brooch (3) Condition report Report by NG 9ct gold chain approx. 7.8 g Art Nouveau pendant/brooch only Approx. 4.9 g (all in). Approx. 42 x 26 mm Teardrop peridot wonky in setting. Other peridot with scratch to table. Pearls all present but colours vary.
Lewis Baumer, a three quarter length portrait of Christine Gutch, oval, pastel, signed, 51.5 x 41.5 cm Condition report Report by GH Generally good with no obvious damage or restoration. Colours generally strong. Bears a C E Clifford The St James Gallery of Art label to verso. Gilt frame also in good condition.
An Art Nouveau style pendant, set garnets, diamonds and seed pearls, a 9ct gold bar brooch, and a 19th century memoriam brooch, with hair locket to reverse (3) Condition report Report by NG Art Nouveau pendant: Approx. 4.3 g (all in). Tops suspension loop on pendant very thin. Overall height approx. 50 mm. Stones worn. Loop which would attach to chain cracked. 9ct gold bar brooch: Approx. 2.2 g (all in). Bar stamped 9CT. Amethyst approx. 6 x 4 mm. Bar approx. 50 mm long. Other brooch: Approx. 3.3 g (all in). Brooch approx. 16 x 14 mm. Amethyst approx. 7 x 5 mm. Hair lock window glass broken, part missing. Mount to reverse damaged and repaired and damaged again. Pin bent. Mount unmarked.
An Art Nouveau 9ct gold, enamel, sapphire and seed pearl brooch, and an Arts and Crafts silver and enamel brooch, Charles Horner, Chester 1908 (2) Condition report Report by NG 9ct gold brooch: stamped 9CT. Damage to enamel on both leaves, approx. 31 x 25 mm including drop suspension. Silver brooch: hallmarked CH, Chester 1908. Pin replaced. Some rubbing and wear to enamel, approx. 28 x 22 mm.
A 1927 Art Examination submission, as a verse entitled 'I nature give to you' within a wide illuminated border with ten quatrefoil shaped panels of wildlife on a ground of flowers, fruit and leaves, Board of Education label verso, 42cm x 29.5cm, ebonised frame and an unframed cloth panel printed and painted with three Chinese ladies, 33cm x 67.5cm (2)
A set of six silver plated teaknives on silver handles Sheffield 1936 cased; two glass butter dishes and a pair of silver knives Birmingham 1913 cased; a set of six Art Deco silver plated teaspoons; a cased set of four napkin rings; and a set of six Yeoman plate bean terminal coffee spoons boxed OS1
A LOUIS XV KINGWOOD AND GILT BRONZE MOUNTED SERPENTINE FRONTED COMMODE, the variegated marble top with moulded border above two short and two long drawers with marquetry crossbanding and rococo style mounts, between serpentine corners with conforming mounts, stamped to the top of one leg "Boudin JME", 34" high x 46" wide. See illustration Leonard Boudin (1735-1807) was recorded as an independent ébéniste who worked in the Faubourg Saint-Antoine district of Paris until 1767, then opening a shop in the rue Froidmanteau in the early 1770s. Throughout his career, Boudin was renowned for his skill in marquetry, parquetry and lacquer, becoming a Master Ébéniste in 1761. After a number of significant commissions, including suppliying a bureau-plat to Gilles Joubert (marchand-ébéniste to the Garde-Meuble Royal) for the Comte de Provence at Compiègne and a commode for the Comte at Fontainebleau in 1771), Boudin became one of the leading marchand-merciers in France during the 18th century Some of the most important pieces of furniture bearing Boudin's stamp are in the collections of the Louvre, Carnavalet, Chateau de Versailles and the Cleveland Museum of Art
A GEORGE III MAHOGANY AND MARQUETRY DEMI-LUNE COMMODE, the shaped top inlaid with scrolling vines and grapes, within ewer-shaped motifs, within a scrolling border, above a frieze of marquetry patera and hanging swags with a central frieze drawer above a pair of cupboard doors decorated with a neo-classical urn amongst scrolls and flowers, flanked by further bow-fronted cupboards, on shaped legs with gilt metal mounts, mid-18th century, 34.75" high x 54" wide. See illustration Provenance: Acquired from Kenneth Neame Ltd. 27 Mount Street, London, W1K 2RT For a similar forms of commodes, please see Mallett Antiques stock no. F2J0203, or 'Catalogue of Commodes' Lucy Wood, Lady Lever Art Gallery, 1994, no. 12
A PAIR OF CHINESE BLACK LACQUER HARDSTONE INLAID TWO DOOR CABINETS, the doors decorated with figures amongst stylised landscapes, the sides similarly decorated, late 19th century, 52" high x 39" wide (2). See illustration Provenance: Acquired from Partridge Fine Art, London. Exhibited: Regency Exhibition, The Royal Pavilion, Brighton, 1956. Catalogue no. 343.
Signed First Day Cover Collection. A mixed lot of seven unusual signed covers. Consists of 1994 Benham Open Golf Championship small silk cover signed by Geoffrey Hughes who played Onslo in Keeping Up Appearances, art postcard signed by golfer Tony Jacklin (slightly bent), large 1992 Lesotho Birds first day cover signed by Kenneth Kendall, large 1992 Malawi Birds first day cover signed by Bill Treacher, 2003 Benham Pub Signs single stamp cover signed by Denise Welch from Coronation Street, 1997 150th Anniversary of the Christmas Cracker Benham first day cover signed by Geoffrey Palmer and one more unidentified signed cover. Good condition. All signed items come with a Certificate of Authenticity and can be shipped worldwide.
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