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Schönes Art Déco-Collier1930er Jahre, Platin über Gelbgold, ca. 5,73 g, Anhänger mit einem Diamant-Hauptstein (ca. 1,4 ct) und 10 weiteren Diamanten (0,70 ct), Kette mit Steckschließe und Verschlussbügel, Schließe punziert: Meistermarke "MC", L: ca. 52,5 cm. Guter Erhaltungszustand, Ketten an mehreren Stellen gelötet.
Art Déco-SahnelöffelBruckmann & Söhne, Heilbronn, um 1925, Silber 800, ca. 80 g, runde gemuldete Laffe, geschweiftes Griffstück mit reliefplastischem Dekor aus Beeren und Vögeln, punziert: Halbmond nebst Krone, Feingehaltsstempel und Herstellermarke, L: ca. 20 cm. Leichte Alters- und Kratzspuren.
le Verier, MaxNeuilly-sur-Seine 1891 - 1973 Paris, französischer Bildhauer. "Art déco Dame als Tischleuchter", Metall patiniert, vollplastische Ausführung eines weiblichen Aktes sitzend, den Glasschirm in Form einer Kugel haltend, rückseitig bez., auf einem gestuftem Steinsockel montiert, elektrifiziert, ohne Funktion, H: 23,5 cm (gesammt).
Banksy1974. "Blumenwerfer", verso bez. "Banksy in Dismal !!", Pochoir auf Leinwand, HxB: 40/40 cm. Auf dem seitlichen Rand unten links bez. "Banksy", rückseitig auf Leinwand Stempel "Dismaland Bemusement Park". Ungerahmt. Anbei Ticket, Faltblatt und Infoblatt: "This dismaland souvenir work is an 'original work of art'".
Banksy1974. "The Ballon Girl", verso auf Keilrahmen handschriftlich bez. "Banksy in Dismal !!" und num., Pochoir auf Leinwand, HxB: 40/30 cm. Auf dem seitlichen Rand unten links bez. "Banksy", rückseitig auf Leinwand Stempel "Dismaland Bemusement Park". Partiell verschmutzt. Ungerahmt. Anbei Ticket, Faltblatt und Info-Blatt: "This dismaland souvenir work is an 'original work of art'".
OchsenkarrenChina, Han Dynastie, 200 v. Chr. - 200 n. Chr., Teracotta mit Farbresten und Alterspatina, Wagen auf zwei Rädern mit Bambusachse verbunden, gezogen von einem Ochsen, HxL: ca. 23x38,5 cm. Auf Acrylstand. Erworben in den 1990er Jahren im Straßburger Kunsthandel. Thermolumineszenz-Gutachten vom 08. Oktober 1994, Alliance-Science-Art, Paris. Dazu sitzende Figur (besch. rest.).
Schrijver, Olivier degeb. 1958, belgischer Designer, tätig seit 1976, Ode's Desigen - Editor Comme Chez Vous Art: Wandspiegel Modell "Hommage à Vasarely", alte Spiegelgläser in verschiedener Färbung zusammengesetzt zu würfelartigen Reihen in 3-D-Effekt, Rückseite mit Samtüberzug, vom Designer handschriftlich sign. und numm. 7/24, HxB: ca. 143/93 cm.
Vasarely, VictorPécs/Ungarn 1908 - 1997 Annet-sur-Marne, Maler und Grafiker der Op-Art, seit 1964 freier Mitarbeiter der Firma Rosenthal. Jahresteller "Zebras", Edition 1977, Rosenthal, studio-linie, limitierte Kunstreihen, Exemplar Nr. 2543/3000, reliefierte Platte aus Bisquitporzellan, Dekor in Schwarz-Weiß mit stilisierter Darstellung zweier ineinander verschlungener Zebras, der Teller von rechteckiger Form mit abgerundeten Ecken, auf schmalem Standring, rückseitig goldene Stempelmarke, Zusatz, Limitierung sowie gedruckte Künstlersign., in Originalkarton, HxB: 35/31,5 cm. Zertifikat anbei.
Prunk-Mappe für Prinz Eitel Friedrich von Preußen zur Hochzeit am 27.2.1906 Vom Vorstand des Preußischen Landes-Kriegsverbandes als Geschenk anlässlich der Vermählung mit Herzogin Sophie Charlotte von Oldenburg in Berlin. Der Deckel aus mehrfarbigem, gestuftem Leder mit Goldprägedruck und teils farbiger Ausmalung. Zentral appliziertes, vergoldetes Monogramm unter Königskrone, die Ecken jeweils mit Messingrosetten besetzt. Beiges Moiréseiden-Innenfutter und zwei handschriftliche Schmucktafeln als Glückwunsch in der Art mittelalterlicher Buchmalerei. (Lose beiliegende Tafeln ehem. montiert, fleckig u. gebräunt, Lederrücken stark berieben, Innenfutter besch. u. fleckig.). Ca. 44×34 cm. (60850)
Victors, Jacobus (Jacomo) (Amsterdam 1640-1705) , zugeschriebenGeflügelhof mit Hennen, Küken und Taube neben Korb und rotem Tuch um 1670-1675 Auf der grauen Wand im Hintergrund schwarze Tropfen und Schmierflecken. Lwd. (doubl.) 105×82 cm. R. Provenienz geprüft durch The Art Loss Register. Beigegeben Expertise von Fred G. Meijer vom 19. August 2023. Vgl. Hintergrundwand auf signiertem und 1672 datiertem Gemälde, versteigert bei Van Ham in Köln 2020. Vgl. Korbmotiv auf Gemälde, versteigert bei Christie´s in Amsterdam 2010. Weitere Vergleichsstücke im Rijksmuseum in Amsterdam und der Pinakothek in München. Bekannt sind insgesamt nur ca. 30 Gemälde von Jacobus Victors, einige davon ehemals Melchior de Hondecoeter zugeschrieben. (60379)
Kuhnert, Wilhelm (Oppeln, Flims/Graubünden 1865-1926) , Art desMassai-Hirten mit Kühen unter Schirmakazie in der Savanne Bleistiftzeichnung. Ca. 40×50 cm. (Aufgezogen, alte Zuschreibung auf rückseitigem Montagekarton). R. Beigegeben: Friedrich, Werner (um 1922): Löwenpaar in Savannenlandschaft. Aquarell. Sign. u. dat. 1922. Ca. 22×33 cm. R. (60842)
Lehmbruck , Wilhelm (Duisburg, Berlin 1881-1919) Kleine Sinnende 1910/11 Stucco, ockerfarben getönt und glasiert. H. 53,5 cm. Sign. auf der Plinthe "W. LEHMBRUCK". Provenienz: Berliner Privatbesitz (seit den 1960er Jahren). Geprüft durch Art Lost Register am 2. Mai 2024 (ALR Ref: S00244934). Posthumer Guss, in verschiedenen Fassungen überliefert (WVZ D. Schubert. Nr. 55 A.b.2 u. B.b.3). Eine der bekanntesten Figuren des Künstlers, die als Meisterwerk der expressionistischen Plastik gilt. (60853)
Miniatur-Déjeuner in der Art von Wien Klösterle, Böhmen Kobaltblauer Fond mit Goldfriesen und Medaillons mit farbigen Genreszenen in Umdruck a) Mädchen am Bach, einen Schwan fütternd bzw. Pärchen mit Amoretten. 2 Kännchen, 2 Tassen mit Untertassen, Zuckertellerchen und ovales Henkeltablett. Einmal eingepresste Marke TK. (51419)
Sechs Dessertteller "Vollspitze" mit Watteauszenen Royal Copenhagen, um 1894/1900 Hexagonale Form mit reliefiertem und durchbrochenem Schuppenrand. Im Spiegel bunt gemalte Figurenzenen in der Art Antoine Watteaus. Unterglasurblau staffierte Fahne. Goldkonturen. D. 20,5 cm (2 min. Randbest.). Grüne Stempelmarke und blaue Wellenmarke. (60808)
Omega-Art-Deco-Schmuckuhr Platin. Oblonges Gehäuse, ganz ausgefasst mit kl. Brillanten. Helles Zifferblatt (kl. Abschürfungen). Schwarzes Rips-Lederband. Uhrwerk ca. 2,2×1,2 cm. Im Inneren bez. Omegastempel Swiss Made Fabrication Swiss. Nr. 8600163. Omegaetui mit Klebeetikett d. Fa. Carl Jos. Linnert, Köln. (60894)
A RARE AND ELEGANT VINTAGE UNISEX 18K YELLOW GOLD UNIVERSAL GENEVE AUTOMATIC BRACELET WATCH. STAMPED WITH THE SAUDI ARABIA CREST.Brand: Universal Geneve Case reference: 266 010 Year: Circa 1970's Movement: Automatic, micro-rotor, Cal. 1-66, 25 Jewels, 2 adjustments Dial: Ivory color, gilt applied baton hour markers with black insert, gilt sword hands with black insert, stamped with the Saudi Arabia crest at the 12 o'clock position Material: 18k yellow gold Bracelet/Strap: Bark finish, clasp with 2 size adjustment Signed: Dial, movement, case, bracelet Dimension: 32mmThis rare Universal Genève watch, crafted from 18k yellow gold, exemplifies the brand's legacy of elegance and exceptional craftsmanship. Featuring an integral bark finish bracelet and an ivory-colored dial, this timepiece is a stunning example of Universal Genève's dedication to luxury and precision.The watch's ivory-colored dial is distinguished by the Saudi Arabia crest, stamped in black at the 12 o'clock position, adding a layer of historical significance and exclusivity. The minimalistic design ensures that the crest stands out, making this watch not only a functional timepiece but also a piece of art with deep cultural connections.The 18k yellow gold case and integral bark finish bracelet radiate sophistication and luxury. The bark finish provides a unique texture that enhances the visual appeal and tactile experience, setting this watch apart from more conventional designs. The bracelet seamlessly integrates with the case, offering a cohesive and elegant look that is both striking and refined.At the heart of this exquisite timepiece is the automatic movement with the micro-rotor Caliber 1-66. This innovative movement is renowned for its precision and efficiency, featuring a micro-rotor that allows for a slimmer case profile without compromising on performance. The Caliber 1-66 is a testament to Universal Genève's commitment to horological excellence and innovation.The presence of the Saudi Arabia crest at the 12 o'clock position suggests that this watch was likely created as a diplomatic gift, further enhancing its rarity and desirability. Watches of this nature often hold significant historical value, as they were typically presented to dignitaries and high-ranking officials, making them highly coveted by collectors.For collectors, this Universal Genève watch represents a unique and highly desirable find. Its combination of 18k yellow gold, the esteemed Caliber 1-66 movement, and the historical Saudi Arabia crest make it a standout piece in any collection. The watch's excellent condition, luxurious materials, and cultural significance further enhance its appeal and value 32mm.
A RARE AND WELL-PRESERVED MEN'S OMEGA AUTOMATIC WRISTWATCH. STINGRAY COBRA.Brand: Omega Model: Stingray Cobra Case reference: 166.122 Year: Circa 1970's Movement: Automatic, Cal. 1481, No. 34756935 Dial: Three-dimensional grey sunburst dial with a silver and black chapter ring, luminous applied dots hour markers, white sword hands with luminous applied, silvered centre chand, date aperture at the 3 o'clock position with a white calendar disk and black Arabic numerals Material: Stainless steel Bracelet/Strap: Black leather, stainless steel buckle Signed: Glass, dial, movement, case, buckle Dimension: 43.3mm by 38.7mmThe Omega Stingray Cobra, case reference 166.122, is a rare and distinctive timepiece from the 1970s, embodying the pinnacle of vintage space-age design. This watch captures the innovative spirit of the era with its bold and futuristic aesthetics, making it a sought-after collectible for watch enthusiasts and connoisseurs alike.One of the standout features of the Stingray Cobra is its uniquely curved and wavy case shape, which offers exceptional ergonomics and comfort. The design ensures that the watch sits perfectly on the wrist, so much so that you may often forget you're wearing anything at all. Its smooth, flowing lines not only enhance its visual appeal but also contribute to a superb wearing experience.The dial of the Omega Stingray Cobra is a marvel to behold. It features a stunning sunburst grey center, surrounded by a grey chapter ring with recessed indices and black highlights. This intricate design creates a captivating contrast and gives the dial a unique depth and dimensionality, reminiscent of looking through the cockpit of the Millennium Falcon. The attention to detail and the play of light on the sunburst finish make the dial a true standout feature.This particular model of the Stingray Cobra comes equipped with a rotating bezel, adding both functionality and a dynamic element to its design. The rotating bezel not only enhances the watch's usability but also contributes to its bold and adventurous aesthetic.Under the hood, this Omega Stingray Cobra houses the Caliber 1481 movement, one of the two movements used in this model. The Caliber 1481 is renowned for its reliability and precision, featuring a date change function operated by pushing the crown in towards the case. This innovative feature underscores Omega's commitment to combining form and function, making the watch both practical and easy to use.While not much is known about the specific production numbers of the Stingray Cobra, its rarity and distinctive design make it a valuable piece of Omega's history. This model, produced during the height of the space-age era, captures the innovative and forward-thinking spirit of the time, making it a fascinating addition to any collection.The Omega Stingray Cobra, with its case reference 166.122 and Caliber 1481 movement, is a highly desirable timepiece for collectors. Its rare status, combined with its ergonomic design, stunning dial, and rotating bezel, make it a standout piece at any auction. Whether you are a seasoned collector or a vintage watch enthusiast, the Stingray Cobra offers a unique blend of history, design, and functionality that is hard to match.The Omega Stingray Cobra is more than just a watch; it is a testament to Omega's innovative spirit and a piece of horological art from the 1970s. Its rare design, exceptional comfort, and striking dial make it a must-have for any serious collector. Don’t miss the opportunity to own this rare and iconic timepiece. 43.3mm by 38.7mm.
A NEW MEN'S ROLEX STAINLESS STEEL GREEN DIAL BRACELET WATCH. DATEJUST FULL SET.Brand: Rolex Model: Datejust Case reference: 126300 Year: 2024 Movement: Automatic, Cal. 3235 Dial: Mint green, applied silvered baton hour markers with long-lasting blue luminescence applied, white outer minute division, silvered stick hands with long-lasting blue luminescence applied, silvered centre seconds hand, calendar aperture at the three o'clock position with a white calendar disk and black Arabic numbers Material: Oystersteel (904L stainless steel) Bracelet/Strap: Oyster, three-piece solid links, folding Oysterclasp with Easylink 5 mm comfort extension link Signed: Dial, movement, case, bracelet, clasp Dimension: 41mm Accessories: Full set. Box and papersUnmatched Elegance and ModernityThe Rolex Datejust 126300, featuring a striking mint green dial, is a masterpiece of contemporary watchmaking. Known for its timeless design and exceptional precision, the Datejust line has been an icon of style and sophistication since its introduction in 1945. The reference 126300 continues this legacy with a modern twist, offering both aesthetic appeal and cutting-edge functionality.One of the standout features of this particular Datejust is its unique mint green dial. This fresh, vibrant color adds a modern and stylish touch to the classic Datejust design. The sunray finish on the dial creates a captivating play of light, enhancing its visual appeal. The dial is adorned with polished hour markers and the iconic Cyclops lens over the date, ensuring both elegance and practicality.The Rolex Datejust 126300 is crafted from Oystersteel, a high-performance stainless steel alloy that offers superior durability and a luxurious finish. The 41mm case size strikes a perfect balance between presence and wearability, making it suitable for any occasion. The smooth bezel and Oyster bracelet with its refined finish further elevate the watch's elegance and comfort.This Datejust comes as a full set, complete with its original box and paperwork, attesting to its authenticity and provenance. First purchased in 2024, the watch is in new condition, offering the peace of mind and assurance that comes with a well-preserved timepiece. The full set enhances the watch's value and desirability, making it an excellent investment for collectors and enthusiasts.Powering this exceptional timepiece is the Rolex Caliber 3235, a state-of-the-art automatic movement known for its precision and reliability. The Caliber 3235 features Rolex's patented Chronergy escapement, which enhances energy efficiency and extends the power reserve to approximately 70 hours. This movement is a testament to Rolex's commitment to innovation and excellence in watchmaking.For collectors, the Rolex Datejust 126300 with a mint green dial is a rare and desirable find. Its combination of modern design, impeccable condition, and complete set makes it a standout piece in any collection. The distinctive mint green dial adds a touch of individuality, ensuring this watch is not only a reliable timekeeper but also a stylish statement piece.The extraordinary watch with a mint green dial is a perfect blend of classic elegance and modern sophistication. Its unique dial, coupled with the exceptional craftsmanship and reliability of the Datejust line, makes it an ideal choice for those seeking a watch that stands out in both style and performance. Complete with its original box and paperwork, and in pristine condition, this watch is a valuable addition to any collection. 41mm.
Pendule mit Konsolevielleicht Potsdam/Berlin, 18./19. Jh.Holz, durchbrochen geschnitzt, vergoldet. Geschwungener Korpus mit Vasenaufsatz, allseitig beschnitzt mit Ranken, Blüten, Gitterwerk und Rocaillen. Emailzifferblatt mit römischen und arabischen Ziffern, hellblaues Konteremail in der Art von Buzat & Comp., Friedrichstahl bei Oranienburg. Pendel mit Fadenaufhängung. 4/4-Schlagwerk auf zwei Glocken. Messingwerk bez. "henrich nitz 21 junier 1777". Schlüssel. Rest., besch., erg. Uhr: 96 x 40 x 21 cm. Konsole: 34 x 40 x 21 cm.Provenienz: Weinmüller, Auktion 105, März 1967, Kat. Nr. 798 dort als Potsdam, 1777 beschrieben.
Historische Ohrgehänge verziert mit Brillanten und RubinenAmerika, Art Dèco 1925Weißgold 750/-, getestet. ca. 54 Brillanten, zus. ca. 1,70 ct., leicht getöntes Weiß - getöntes Weiß, VS - SI 1-2. ca. 36 Rubine, zus. ca. 0,75 ct.. Im guten Zustand mit unbedeutenden zeittypischen Tragespuren. L. ca. 4,3 cm, B. ca. 2,4 cm. Ca. 10,48 g g.Goldschmiedeausführung: zauberhafte aparte Ohrgehänge mit Brillanten im Verschnitt und Rubine in Kanalfassung und AJour- Technik eingefasst. Rückseitige Stiftung mit Steckmontur.
Lyonel Feininger1871 New York - 1956 ebendaObergrunstedt I. 1920Links unten signiert und datiert 1920. Mittig bezeichnet mit "Ober-Grunstedt I". Farbiges Aquarell über Tusche auf bräunlichem Bütten. 24 x 35 cm. Blattgröße: 28,7 x 26,5 cm. Am unteren Blattrand Reißnagellöcher und fleckig gebräunt. Blatt insg. gebräunt. Rahmen mit Museumsglas, nicht ausgerahmt (48 x 49 cm).Besonders aber das Weimarer Land, diese für ihn neue "Alte Welt", faszinierte ihn, seit er hier 1906 zum ersten Mal seine spätere Frau Julia Berg besuchte. Dörfer wie Oberweimar, Vollersroda und Gelmeroda, die er mit dem Fahrrad erkundete, fesselten seine Phantasie, und vor allem die kleine gotische Dorfkirche von Gelmeroda, die er in unzähligen Naturnotizen und Gemälden festhielt, wurde zum Symbol einer romantisch verklärten Märchenwelt, die er in seine Comic-Strips, seine Gemälde und die frühen "Mummenschanzbilder" einfließen ließ, die von seltsam überlängten und historisch gekleideten Menschen bevölkert sind. Etwa seit Anfang der 1920er Jahre erschienen Städte und Dörfer im Lichte einer eingefrorenen Weltentrücktheit und Spiritualität. Sie bezeichnen Feiningers romantische Hinwendung zu einer Welt, die durch Massengesellschaft und Industrialisierung vor dem Untergang stand und nur noch in einer illusionären "Traumstadt" zu finden war. Als Feininger in die USA zurückkehrte, nahm er die imaginären thüringischen Dörfer in seinem Inneren mit, auch als er eine neue Linearität in seiner Malerei entwickelte und sich New Yorker Stadtansichten widmete. Die Ausstellung "Traumstadt - Lyonel Feininger und seine Dörfer" untersucht Feiningers intensive Auseinandersetzung mit Dörflichkeit und Urbanität im Kontext zunehmender Industrialisierung und Verstädterung zu Beginn des 20. Jahrhunderts.Provenienz: Achim Moeller Fine Art Advisory, New York / Privatsammlung Deutschland
AN ART DECO DIAMOND AND EMERALD PENDANT, the centre diamond to diamond and baguette cut emerald surround, mounted in white gold, on a yellow gold chain. Size 30mm x 10mm. Estimated: weight of centre diamond: 0.30 ct. • Approx 30mm x 10mm/1.1" x 0.4" • Brooch fittings removed to be worn as a pendant - fittings available in this lot to be made a brooch again
[ART]. SIR WILLIAM RUSSELL FLINT Flint, Sir William Russell, In Pursuit, An Autobiography, limited edition 797/1050, signed by Francis Russell Flint [the artist's son], The Medici Society, London, 1969, quarter crimson leather, top edges gilt, illustrations throughout, tall quarto, in slip-case; together with Flint, Sir William Russell. Drawings, first edition, Collins, London, 1950, original cloth, dustjacket, illustrations throughout, tall quarto; and Lewis, Ralph, & Gardner, Keith. Sir William Russell Flint 1880-1969, first edition, David & Charles, Newton Abbot, 1988, original boards, dustjacket, illustrations throughout, signed by Keith Gardner, oblong quarto, (3).
POSTCARDS - IRELAND Approximately 206 cards, comprising real photographic views of Poplar Square, Naas, Co. Kildare; The Four Courts, Dublin; Wellington Place, Belfast; and Killarney Thorpe; with printed views of the parish Church, Cappoquin; Market Square, Kildare; The Rotunda, Dublin; Lake Hotel, Inchigeela, Co. Cork; Vinnegar Hill, Enniscorthy; Bray (L. & N.W.R. Official); The Gardens, Dun-Laoghaire; O'Connell Bridge & Sackville Street, Dublin; Stephen's Green, Dublin; Science & Art Museum, Dublin; Custom House, Dublin; Grafton Street, Dublin; Bank of Ireland and Trinity College, Dublin; and others; together with ISLE OF MAN, nine assorted cards, including a printed view of Groudle Glen Station, (total approximately 215 cards; box).
TWENTY 19TH CENTURY PHOTOGRAPHIC MEDALS AWARDED TO THOMAS GREEN / GREEN BROTHERS comprising those for the Photographic Society of Great Britain, bronze (Exhibition, 1887, T.A. Green); Borough of Nottingham Medal For Sucess in Art, bronze (To T.A. Green for Series Photograph Exhibition 1886); International Exhibition of Industry Science & Art, Edinburgh, 1886, bronze (Thomas A. Green, Grasmere, Fine Art Section); The Fine Art Society Champion Prize Exhibition, undated, bronze (Green Brothers, 2ns Prize, Professional Work, Landscape); Newcastle-on-Tyne and Northern Counties Photographic Association, bronze (Green Bros 1890); Photographic Exhibition Crystal Palace, bronze, 1888 and 1889; Borough of Nottingham Medal for Success in Art, silver (Exhibition of Photographs 1887 to T.A. Green for Series No.50 etc), 120g; Borough of Nottingham Medal for Success in Art, silver (Exhibition of Photographs 1888 to Green Bros for No.202 and Series), 135g; Photographic Society of Ireland, silver (To T.A. Green for Landscape View of Grasmere No.227, 1881), 62g; Cardiff Amateur Photographic Society, 1888, silver (Green Bros. Class III), 60g; Cardiff Amateur Photographic Society, 1889, silver (Class 10 Messrs Green Bros), 58g; Royal Cornwall Polytechnic Society, First Class, silver (T.A. Green for Photo: Study 1887), 37g; Newcastle-on-Tyne and Northern Counties Photographic Association (Green Bros 1890), 37g; Liverpool Amateur Photographic Association, silver (International Exhibition 1888 Green Bros), 48g; Borough of Oldham Photographic Exhibition, silver (Green Bros 1888), 33g; Dundee and East of Scotland Photographic Association, Exhibition Dundee 1886, silver, 27g; Photographic Exhibition Crystal Palace, 1890, silver (Green Bros, Class A Sec. 1), 35g; Ehrenpreis des Club der Amateur Photographen Wien, 1888 (T.H. Green in Grasmere); and Photographische Gesellschaft in Wien, silver (Green Brothers 1889), 87g; together with another medal, unnamed, Theale Photographic Exhibition, 1887, (21).
‡ A VERY FINE SOUTH GERMAN SPORTING CROSSBOW (HALBE RÜSTUNG), DATED 1587 with heavy steel bow retaining its original painted finish comprising a trellis design sown with flowerheads on the front, back, upper and lower edges, early cords, green silk pom-poms and string, iron stirrup, tiller swelling about the nut, inlaid and veneered over much of its surface with engraved staghorn plaques (very small restorations, light wear), the top applied with a large plaque over its entire surface, decorated on the right side with an elaborate contemporary woodland hunting scene ahead of a castle, the owner’s coat-of-arms and a herm and further mounted figures, on the left with figurative scenes after Joachim Meyer and a further scene including St Michael slaying the serpent, an amorous couple, scrolling foliage and ball flowers, the bottom engraved with the date around the cocking rod aperture, scrolls, a pair of marine monsters and a niche with the figure of Ceres, fitted with bone nut, a pair of iron lugs for a cranequin, horn bolt-clip, gilt copper alloy back-sight, a gilt copper alloy cartouche engraved ‘ehrlich zu leben und selig zu sterben’ (to live honestly, to die in blessedness), etched trigger-plate, leather-bound writhen iron trigger (small losses), and a gilt copper alloy plaque enclosing the top and butt of the tiller (a working life repair), the string with circular brass inventory tag ‘1438’ and the tiller with another ‘1365’ Provenance Frank Bivens The arms are for a member of the Princes Salm family. It is likely that the bow was refurbished in the 17th century, at which time the bow was painted, and the pom-poms, string, gilt copper mounts and bolt-clip were fitted. The inclusion of an apparent extract after Joachim Meyer's Art of Combat (Kunst des Fechtens) of 1570 is unusual, perhaps unique, in this context.

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