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100-300 AD. Roman. A beautiful terracotta oil lamp decorated with floral and linear motifs. The oldest Roman lamps date to th

Pax Romana Auctions

Lot 567

100-300 AD. Roman. A beautiful terracotta oil lamp decorated with floral and linear motifs. The oldest Roman lamps date to the third century BC when the Romans adopted the idea from the Greek colonies of Southern Italy. By the first century BC, it became popular to use lamps in funeral ceremonies and for public celebrations. As the empire grew, the manufacture of lamps increased dramatically, as did the variation in decoration. Common decorative themes included gladiators in combat, mythological scenes, and animals. Excellent condition.Size: L:90mm / W:55mm ; 65g; Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market.

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100-300 AD. Roman. A beautiful terracotta oil lamp decorated linear motifs. The oldest Roman lamps date to the third century

Pax Romana Auctions

Lot 568

100-300 AD. Roman. A beautiful terracotta oil lamp decorated linear motifs. The oldest Roman lamps date to the third century BC when the Romans adopted the idea from the Greek colonies of Southern Italy. By the first century BC, it became popular to use lamps in funeral ceremonies and for public celebrations. As the empire grew, the manufacture of lamps increased dramatically, as did the variation in decoration. Common decorative themes included gladiators in combat, mythological scenes, and animals. Excellent condition.Size: L:65mm / W:50mm ; 40g; Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market.

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C. 100-1400 AD. Roman, Sasanian and Islamic. A collection of 20 small glass vessels, reconstructed from fragments, of various

Pax Romana Auctions

Lot 569

C. 100-1400 AD. Roman, Sasanian and Islamic. A collection of 20 small glass vessels, reconstructed from fragments, of various shapes and sizes typical of the Roman, Sasanian and Islamic periods. The various colours and forms represented (including yellows, blues and greens) are typical of ancient and Islamic period glass. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Vessel glass was also widely used in Romeâ€™s great rival, the Sasanian empire. Vessels would probably have been used for perfumes, oils (used as soap) and/or medicines in antiquity. After the fall of the Roman and Sasanian empires, the ancient glassmaking tradition was continued in the Islamic world, throughout much of the Middle Ages. Excellent condition; beautiful patinas.Size: L:Set of 20: 23 - 105mm / W:17 - 70mm ; 1.17kg; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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c. 300 BC. South Italian. A terracotta kylix with hemispherical bowl, ring foot and two equally spaced loop handles; stamped

Pax Romana Auctions

Lot 573

c. 300 BC. South Italian. A terracotta kylix with hemispherical bowl, ring foot and two equally spaced loop handles; stamped vegetal decoration is preserved in the centre of bowl. The whole of the vessel is covered in a black slip typical of Greek Apulian pottery. This beautiful piece would have been used for wine drinking, usually during social occasions or banquets. Excellent condition.Size: L:100mm / W:275mm ; 510g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.

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100-300 AD. Roman. Pale blue(?) glass unguentarium with outward flaring rim, long, slightly flaring neck and bell-shaped body

Pax Romana Auctions

Lot 575

100-300 AD. Roman. Pale blue(?) glass unguentarium with outward flaring rim, long, slightly flaring neck and bell-shaped body. The piece is now weathered with a beautiful patina. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Vessels would probably have been used for perfumes, oils (used as soap) and/or medicines in antiquity. Good condition.Size: L:140mm / W:45mm ; 35.7g; Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1990s.

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Ca.200-100 BC. A hollow-formed terracotta bust of a goddess wearing a high-girdled chiton and a radiate headdress; aperture t

Pax Romana Auctions

Lot 577

Ca.200-100 BC. A hollow-formed terracotta bust of a goddess wearing a high-girdled chiton and a radiate headdress; aperture to the reverse. In the Hellenistic period, votive figures were given in fulfilment of vows to the gods, but this piece would now make an excellent centrepiece to any modern collection. Good condition; Size: L:145mm / W:130mm ; 370g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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c. 300 BC. Greek Attic. Terracotta skypos, with deep, curved sides, ring foot and two equally spaced loop handles. The whole

Pax Romana Auctions

Lot 579

c. 300 BC. Greek Attic. Terracotta skypos, with deep, curved sides, ring foot and two equally spaced loop handles. The whole of the vessel is covered in a black slip typical of Attic ceramics. This beautiful piece would have been used for wine drinking, usually during social occasions or banquets. Good condition.Size: L:115mm / W:220mm ; 470g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.

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Ca. 618 - 907 AD. Chinese Tang Dynasty. A ceramic, hollow molded dragon head. The dragon is depicted with its lips pulled bac

Pax Romana Auctions

Lot 58

Ca. 618 - 907 AD. Chinese Tang Dynasty. A ceramic, hollow molded dragon head. The dragon is depicted with its lips pulled back from its teeth snarling, and fangs bared, a short beard, triangular ears and three centred horns, one of which is longer and thinner than the others. Traces of the original pigment survive. Chinese Tang Dynasty. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. Good condition on custom stand.Size: L:280mm / W:130mm ; 1.8kg; Provenance: Private London collection, formed in the 1990s on the UK and European art market.

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600-200 BC. Apulia. A Daunian terracotta cup with a flaring rim, carinated body, ring foot, and two high, ear-shaped handles.

Pax Romana Auctions

Lot 580

600-200 BC. Apulia. A Daunian terracotta cup with a flaring rim, carinated body, ring foot, and two high, ear-shaped handles. Several bands of brown painted decoration are visible on the body and neck. Cups like this were used for serving wine during drinking parties (symposia) in ancient societies. Ancient wine was considerably stronger than its modern counterparts and often had to be mixed with water, spices and honey in order to make it less potent. Excellent condition.Size: L:120mm / W:150mm ; 230g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.

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664â€“343 B.C. Late Dynastic / Ptolemaic Egyptian. Beaded mummy mask made of delicate faience beads in green, white, black an

Pax Romana Auctions

Lot 584

664â€“343 B.C. Late Dynastic / Ptolemaic Egyptian. Beaded mummy mask made of delicate faience beads in green, white, black and red. The face is highly stylised with large trapezoidal eyes, long thin brows, a broad, undetailed nose, a small mouth, slightly parted to reveal white teeth and lozenge shaped protruding ears. Beaded mummy masks of this type became popular during the Late Period in Egypt and were probably meant to be representations of the god Osiris, as evidenced by the green skin tone, instead of naturalistic portraits of the deceased as was more common in painted wooden masks. All mummy masks served an elaborate and important role in Egyptian funerary ritual as they served to protect the deceasedâ€™s face and head in their travels to the underworld, and in some cases helped to elevate the deceased to a god-like status through adoptions of godly attributes such as blue or gold skin. Good condition. Size: L:140mm / W:145mm ; 55g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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664â€“343 B.C. Late Dynastic / Ptolemaic Egyptian. A beautiful wooden mummy mask depicting an individual with ochre-coloured

Pax Romana Auctions

Lot 585

664â€“343 B.C. Late Dynastic / Ptolemaic Egyptian. A beautiful wooden mummy mask depicting an individual with ochre-coloured skin, arching black eyebrows, almond-shaped eyes with circular pupils, snub nose and small, closed mouth. Masks of this type were popular in Ancient Egypt and likely had both a decorative and symbolic role as the burial of the dead in Ancient Egypt was an elaborate and ritualised process. Their wide variety of faces makes it likely that these masks were stylised and idealised portraits of the deceased individual. Sarcophagus masks served an elaborate and important role in Egyptian funerary ritual as they served to protect the deceasedâ€™s face and head in their travels to the underworld, and in some cases helped to elevate the deceased to a god-like status through adoptions of godly attributes such as blue or gold skin. Good condition.Size: L:250mm / W:210mm ; 795g; Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1970s.

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C. 100-300 AD. Roman. A terracotta jug with thick rim, piriform body and ring foot; a single strap handle connects at the bod

Pax Romana Auctions

Lot 587

C. 100-300 AD. Roman. A terracotta jug with thick rim, piriform body and ring foot; a single strap handle connects at the body and the rim and the body features horizontal ribbed decoration. Jugs like this would have been used for serving wine during banquets. Excellent condition; Size: L:155mm / W:95mm ; 255g; Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1970s.

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c. 300 BC. South Italian. A terracotta kylix with hemispherical bowl, ring foot and two equally spaced loop handles; stamped

Pax Romana Auctions

Lot 588

c. 300 BC. South Italian. A terracotta kylix with hemispherical bowl, ring foot and two equally spaced loop handles; stamped vegetal decoration is preserved in the centre of bowl. The whole of the vessel is covered in a black slip typical of Greek Apulian pottery. This beautiful piece would have been used for wine drinking, usually during social occasions or banquets. Excellent condition. Size: L:50mm / W:220mm ; 215g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.

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600-200 BC. Apulia. A Daunian terracotta jug with a flaring rim, carinated body, ring foot, and two high, ear-shaped handles.

Pax Romana Auctions

Lot 589

600-200 BC. Apulia. A Daunian terracotta jug with a flaring rim, carinated body, ring foot, and two high, ear-shaped handles. Several bands of reddish orange painted decoration are visible on the body and neck. Jugs like this were used for serving wine during drinking parties (symposia) in ancient societies. Ancient wine was considerably stronger than its modern counterparts and often had to be mixed with water, spices and honey in order to make it less potent. Excellent condition.Size: L:140mm / W:170mm ; 440g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.

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Ca.960-1279 AD. Chinese Song Dynasty. A rectangular, terracotta-coloured brick with a reclining musician within a recess; the

Pax Romana Auctions

Lot 59

Ca.960-1279 AD. Chinese Song Dynasty. A rectangular, terracotta-coloured brick with a reclining musician within a recess; the figureâ€™s hair is picked out in black and the rich drapery of his(?) robe is a deep red, a colour with connotations of wealth in Chinese culture. The Song Dynasty, which ruled most of China between 960 and 1279 AD, was responsible for many innovations, including the first banknotes (paper money), as well as in the fine arts, as this beautiful ceramic brick exemplifies. Excellent condition.Size: L:170mm / W:350mm ; 6.2kg; Provenance: From an old British collection, acquired on the UK art market in the 1970s.

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C.. 200-100 BC. Late Hellenistic. A terracotta plate with out-turned rim, hemispherical body and ring foot; an incised stylis

Pax Romana Auctions

Lot 590

C.. 200-100 BC. Late Hellenistic. A terracotta plate with out-turned rim, hemispherical body and ring foot; an incised stylised face motif, flanked by four fleur-de-lys style palmettes occupies the centre of the plate. The entire vessel, apart from the foot, is covered in a black glaze characteristic of Hellenistic ceramics. Good condition; on a custom stand.Size: L:55mm / W:185mm ; 325g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.

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C. 100 BC. Late Hellenistic. A bronze phiale comprising a flaring rim and bulging hemispherical bowl with horizontal ribs. Ph

Pax Romana Auctions

Lot 592

C. 100 BC. Late Hellenistic. A bronze phiale comprising a flaring rim and bulging hemispherical bowl with horizontal ribs. Phiales were used for pouring libations to the gods as well as during feasting. Excellent condition; beautiful patina; on a custom stand.Size: L:45mm / W:130mm ; 230g; Provenance: Property of a central London Ancient Art Gallery; previously obtained from a British private collection formed in the 1990s.

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600-1 BC. Etruscan or Early Roman. A bronze hand-mirror with a circular pllate and elongated handle with engraved decoration.

Pax Romana Auctions

Lot 593

600-1 BC. Etruscan or Early Roman. A bronze hand-mirror with a circular pllate and elongated handle with engraved decoration. The Etruscans were an Italic people who occupied the area of modern Tuscany and neighbouring regions in Italy in the pre-Roman period, before coming into conflict and eventually being conquered by Rome. Mirrors such as this one would have been used by Etruscan or Roman noble ladies. Excellent condition; beautiful patina. On a custom stand.Size: L:375mm / W:110mm ; 115g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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100-300 AD. Roman. A pale green glass flask with a folded rim, tapering neck and a globular body. Glass was a major manufactu

Pax Romana Auctions

Lot 598

100-300 AD. Roman. A pale green glass flask with a folded rim, tapering neck and a globular body. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Vessels would probably have been used for perfumes, oils (used as soap) and/or medicines in antiquity. Excellent condition; Size: L:100mm / W:60mm ; 46.6g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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100-300 AD. Roman. Transparent glass unguentarium with outward flaring rim, long, slightly flaring neck and bell-shaped body.

Pax Romana Auctions

Lot 599

100-300 AD. Roman. Transparent glass unguentarium with outward flaring rim, long, slightly flaring neck and bell-shaped body. The piece is now weathered with a beautiful patina. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Vessels would probably have been used for perfumes, oils (used as soap) and/or medicines in antiquity. Good condition.Size: L:120mm / W:55mm ; 26.8g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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C. 386-534 AD. Northern Wei Dynasty. A buff-coloured brick featuring a standing Buddha within an arched recess, depicted in l

Pax Romana Auctions

Lot 60

C. 386-534 AD. Northern Wei Dynasty. A buff-coloured brick featuring a standing Buddha within an arched recess, depicted in low relief. Buddha is depicted naked to the waist, with a flowing robe about his legs; his shoulders are draped with a light mantle. He can be identified by his characteristic topknot. In his fleshy hands is a flute, which he holds to his mouth. Buddha is often depicted with a flute in Buddhist art. The Northern Wei dynasty ruled northern China from c. 386 to 534 AD, and its most famous achievement was unifying a large empire following a long period social and political turbulence. However, craftsmen working under this dynasty were also responsible for beautiful works of art, many of a religious nature, as this brick exemplifies. Excellent condition; on a custom stand. Size: L:290mm / W:240mm ; 2.9kg; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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C. 100-1400 AD. Roman, Sasanian and Islamic. A collection of 20 small glass vessels, reconstructed from fragments, of various

Pax Romana Auctions

Lot 600

C. 100-1400 AD. Roman, Sasanian and Islamic. A collection of 20 small glass vessels, reconstructed from fragments, of various shapes and sizes typical of the Roman, Sasanian and Islamic periods. The various colours and forms represented (including yellows, blues and greens) are typical of ancient and Islamic period glass. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Vessel glass was also widely used in Romeâ€™s great rival, the Sasanian empire. Vessels would probably have been used for perfumes, oils (used as soap) and/or medicines in antiquity. After the fall of the Roman and Sasanian empires, the ancient glassmaking tradition was continued in the Islamic world, throughout much of the Middle Ages. Excellent condition; beautiful patinas; Size: L:Set of 20: 45 - 78mm / W:15 - 65mm ; 1.43kg; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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Ca. 500 AD. Chinese Northern Wei Dynasty. A terracotta brick in a cream-coloured fabric featuring a beautiful depiction of a

Pax Romana Auctions

Lot 61

Ca. 500 AD. Chinese Northern Wei Dynasty. A terracotta brick in a cream-coloured fabric featuring a beautiful depiction of a seated buddha with a red robe, black hair and green halo. The figure has a raised right hand, with the palm facing outwards and the fingers upwards while the left arm is held close to the body. This gesture, known as the Abhaya Mudra symbolises wisdom and fearlessness. The Northern Wei dynasty ruled northern China from c. 386 to 534 AD, and its most famous achievement was unifying a large empire following a long period social and political turbulence. However, craftsmen working under this dynasty were also responsible for beautiful works of art, many of which relate to Buddhist religion, as this object exemplifies. Good condition.Size: L:330mm / W:165mm ; 4.3kg; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.

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100-300 AD. Gandharan. A dark grey schist stupa reliquary in three parts comprising superimposed hemispherical segments of pr

Pax Romana Auctions

Lot 62

100-300 AD. Gandharan. A dark grey schist stupa reliquary in three parts comprising superimposed hemispherical segments of progressively smaller size atop a cylindrical pedestal base. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this stupa example belongs, was the golden age of artistic production in the area. For further discussion on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition.Size: L:330mm / W:110mm ; 3.6kg; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.

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ca. 1100 AD. Seljuk. This lot of beautiful medieval Islamic period glazed lamps were probably made under the Seljuk dynasty.

Pax Romana Auctions

Lot 63

ca. 1100 AD. Seljuk. This lot of beautiful medieval Islamic period glazed lamps were probably made under the Seljuk dynasty. Four of these lamps have a globular bodies, projecting spouts, and D-shaped handle with a thumb rest. The remainding lamp is an excellent example of a double spouted lamp with a globular body and a simple D-shaped handle. The Seljuks were a Turkic dynasty who swept out of Central Asia in the early 10th century and conquered an enormous expanse, covering most or all of present-day Turkmenistan, Iran, Iraq, Turkey and beyond. After inflicting crushing military defeats on a host of rivals, the most famous of which was perhaps that against the Byzantines at the Battle of Manzikert in 1071, the Seljuk sultans became major patrons of art and architecture. This lamp is a beautiful example of Seljuk art and reminds the viewer of Medieval Islamic folklore surrounding genies entrapped in lamps. Excellent condition.Size: L:Set of 5; 100mm / W:140mm ; 1.6kg; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.

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Ca.960-1279 AD. Chinese Song Dynasty. A bronze vessel with a wide, raised mouth, broad, sloping shoulder, truncated conical b

Pax Romana Auctions

Lot 64

Ca.960-1279 AD. Chinese Song Dynasty. A bronze vessel with a wide, raised mouth, broad, sloping shoulder, truncated conical body and flat base; the body features a projecting fin which runs the entire circumference of the vessel; below this are two bands of engraved, linear decoration. The Song Dynasty, which ruled most of China between 960 and 1279 AD, was responsible for many innovations, including the first banknotes (paper money), as well as in the fine arts, as this beautiful bronze vessel exemplifies. This beautiful vessel may have been used for serving food, wine or other liquids on ritual occasions and during everyday life. Excellent condition; on a custom stand.Size: L:55mm / W:70mm ; 165g; Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent.

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Ca.960-1279 AD. Chinese Song Dynasty. A bronze vessel with an out-turned rim, constricted neck, globular body, flaring foot a

Pax Romana Auctions

Lot 65

Ca.960-1279 AD. Chinese Song Dynasty. A bronze vessel with an out-turned rim, constricted neck, globular body, flaring foot and flat base. The shoulder, body and foot are ornamented with bands of engraved horizontal linear decoration. The Song Dynasty, which ruled most of China between 960 and 1279 AD, was responsible for many innovations, including the first banknotes (paper money), as well as in the fine arts, as this beautiful bronze vessel exemplifies. This beautiful vessel may have been used for serving food, wine or other liquids on ritual occasions and during everyday life. Excellent condition; on a custom stand.Size: L:90mm / W:65mm ; 250g; Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent.

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Ca.960-1279 AD. Chinese Song Dynasty. A bronze strainer with an out-turned rim, truncated conical body and flat base featurin

Pax Romana Auctions

Lot 66

Ca.960-1279 AD. Chinese Song Dynasty. A bronze strainer with an out-turned rim, truncated conical body and flat base featuring numerous rounded perforations. The body is ornamented with two bands of engraved horizontal linear decoration. The Song Dynasty, which ruled most of China between 960 and 1279 AD, was responsible for many innovations, including the first banknotes (paper money), as well as in the fine arts, as this beautiful bronze strainer exemplifies. This beautiful vessel may have been used for preparing wine or other liquids on ritual occasions and during everyday life. Excellent condition; on a custom stand.Size: L:35mm / W:65mm ; 80g; Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent.

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Ca. 1000 BC. Luristani. A stunning bronze vessel with an out-turned rim, slightly tapering neck, truncated conical body and f

Pax Romana Auctions

Lot 68

Ca. 1000 BC. Luristani. A stunning bronze vessel with an out-turned rim, slightly tapering neck, truncated conical body and flat base. The exterior is decorated with extensive engraved motifs, including repeating chevron and wave designs. This gorgeous piece attests to the highly skilled craftsmanship of ancient Western Asia, where artisans worked to create intricate tablewares for use in elaborate banquets. Banqueting was a major part of aristocratic culture in antiquity and required a range of specialised utensils and vessels such as this one. Excellent condition; beautiful patina; on a custom stand.Size: L:118mm / W:130mm ; 450g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.

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ca. 1100 AD. Seljuk. Circular bronze plate with broad lip and wide, flat base. The plate is covered with engraved decoration

Pax Romana Auctions

Lot 69

ca. 1100 AD. Seljuk. Circular bronze plate with broad lip and wide, flat base. The plate is covered with engraved decoration picked out in silver inlay: the central rondel contains a bird surrounded by a corded border, which is enclosed by a register filled with geometric and floral motifs; the lip of the plate features extensive calligraphic motifs. The Seljuks were a Turkic dynasty who swept out of Central Asia in the early 10th century and conquered an enormous expanse, covering most or all of present-day Turkmenistan, Iran, Iraq, Turkey and beyond. After inflicting crushing military defeats on a host of rivals, the most famous of which was perhaps that against the Byzantines at the Battle of Manzikert in 1071, the Seljuk sultans became major patrons of art and architecture. Excellent condition; beautiful patina; on a custom stand.Size: L:23mm / W:224mm; ; 275g; Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent.

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ca. 1100 AD. Seljuk. A rare bronze situla with a scalloped handle, short, bulging neck, out-flared body and rounded base. The

Pax Romana Auctions

Lot 70

ca. 1100 AD. Seljuk. A rare bronze situla with a scalloped handle, short, bulging neck, out-flared body and rounded base. The exterior bears an engraved calligraphic frieze below which sits a rondel featuring a (female?) figure and a horizontal corded band. This beautiful item may have been used for serving wine during banquets. The Seljuks were a Turkic dynasty who swept out of Central Asia in the early 10th century and conquered an enormous expanse, covering most or all of present-day Turkmenistan, Iran, Iraq, Turkey and beyond. After inflicting crushing military defeats on a host of rivals, the most famous of which was perhaps that against the Byzantines at the Battle of Manzikert in 1071, the Seljuk sultans became major patrons of art and architecture. Excellent condition; beautiful patina; on a custom stand.Size: L:177mm / W:185mm ; 1.66kg; Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent.

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Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting four dragon heads arranged around a centra

Pax Romana Auctions

Lot 72

Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting four dragon heads arranged around a central rondel containing a small loop for suspension. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina.Good condition. Size: L:215mm / W:215mm ; 1.5kg; Provenance: From an old British collection, acquired on the UK art market in the 1990s.

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Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting banded decoration including repeating drag

Pax Romana Auctions

Lot 73

Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting banded decoration including repeating dragons, vegetal motifs, geometric designs, and a stellate central medalion as well as small loop for suspension. The dragons' eyes, mouths and scales are carefully depicted, indicating the many hours of workmanship which must have been spent on making this piece. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition.Size: L:185mm / W:185mm ; 775g; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.

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Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting banded decoration including repeating bird

Pax Romana Auctions

Lot 74

Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting banded decoration including repeating birds, monkeys, vegetal motifs, geometric designs, and a small loop for suspension. The birds' feathers are picked out individually indicating the many hours of workmanship which must have been spent on making this piece. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition.Size: L:160mm / W:160mm ; 790g; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.

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Ca.4000 BC. Western Asiatic. Attractive creme coloured stone Tell Brak Eye Idol consisting of a traingular and two circular e

Pax Romana Auctions

Lot 79

Ca.4000 BC. Western Asiatic. Attractive creme coloured stone Tell Brak Eye Idol consisting of a traingular and two circular eyes. Idols of this kind are common in Sumer, the earliest known civilization in Western Asia. Wide eyes are symbolic of piety to the gods in much of ancient Western Asiatic art. Excellent condition. Size: L:55mm / W:80mm ; 145g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.

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ca. 4000 BC. Bactrian. Large cream-coloured alabaster bowl with a round base and curved sides and a thick, rounded rim. This

Pax Romana Auctions

Lot 80

ca. 4000 BC. Bactrian. Large cream-coloured alabaster bowl with a round base and curved sides and a thick, rounded rim. This elegant object may have been used to carry out ceremonies or make religious offerings to the gods. The vessel was carved from a monolith of calcite (alabaster) that is similar in colour and appearance to the stone commonly used by Egyptian sculptors for luxury tableware in the late 4th millennium B.C. Excellent condition; on a custom-made stand.Size: L:105mm / W:155mm ; 1.2kg; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.

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C. 3rd millennium BC. Indus Valley. A lovely buff-coloured handmade fertility idol of characteristically abstract form with d

Pax Romana Auctions

Lot 81

C. 3rd millennium BC. Indus Valley. A lovely buff-coloured handmade fertility idol of characteristically abstract form with delineated legs, curved arms holding an object, voluptuous breasts situated beneath an incised pectoral collar, and broad shoulders. The highly stylized face presents with impressed circular eyes, a narrow nose, slender lips, and tall forehead topped with a neatly arranged coiffure. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this idol belongs, was in the 3rd millennium BC. These fertility figures are common in the Indus Valley, and likely represent offerings to a deity in exchange for fertility and a healthy pregnancy. Excellent condition.Size: L:120mm / W:40mm ; 45g; Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1970s.

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C. 3rd millennium BC. Indus Valley. An creme-coloured ceramic figurine of a zebu with exaggerated crescent horns, painted wit

Pax Romana Auctions

Lot 82

C. 3rd millennium BC. Indus Valley. An creme-coloured ceramic figurine of a zebu with exaggerated crescent horns, painted with stripes to the horns, back and shoulders, and rondel eyes. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this figurine belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bullâ€™s importance in religious sacrifice. Excellent condition. Size: L:95mm / W:130mm; ; 260g; Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s.

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C. 3rd millennium BC Indus Valley.. A lovely buff-coloured handmade fertility idol of characteristically abstract form with d

Pax Romana Auctions

Lot 83

C. 3rd millennium BC Indus Valley.. A lovely buff-coloured handmade fertility idol of characteristically abstract form with delineated legs, curved arms reaching forward, voluptuous breasts situated beneath an incised pectoral collar, and broad shoulders. The highly stylized face presents with impressed circular eyes, a narrow nose, slender lips, and tall forehead topped with a neatly arranged coiffure. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this idol belongs, was in the 3rd millennium BC. These fertility figures are common in the Indus Valley, and likely represent offerings to a deity in exchange for fertility and a healthy pregnancy. Excellent condition.Size: L:110mm / W:40mm ; 40g; Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s.

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Ca.4000 BC. Western Asiatic. Attractive brown stone Tell Brak Eye Idol consisting of a square body with slight shoulders, a s

Pax Romana Auctions

Lot 84

Ca.4000 BC. Western Asiatic. Attractive brown stone Tell Brak Eye Idol consisting of a square body with slight shoulders, a short neck and two circular eyes. Idols of this kind are common in Sumer, the earliest known civilization in Western Asia. Wide eyes are symbolic of piety to the gods in much of ancient Western Asiatic art. Excellent condition. Size: L:80mm / W:70mm ; 235g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.

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C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A rare pair of disc-shaped bronze seals with single lug handles on

Pax Romana Auctions

Lot 86

C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A rare pair of disc-shaped bronze seals with single lug handles on one side. The seal on the left comprises a solid disc: the top (handle) side is undecorated, while the bottom comprises a highly abstract motif of a human surrounded by vegetation. The seal on the right comprises an openwork disc; the bottom depicts a winged (female?) figure, perhaps a goddess, with a quadrupedal creature, possibly a tiger, inscribed within a woven border. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which these bronze seals belong, was in the 3rd Millennium BC. Excellent condition; beautiful patinas; on custom stands. Size: L:Set of 2; 58mm / W:58mm ; 125g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.

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Ca. 1400-1200 BC. Canaanite. An unusual bronze age Canaanite painted ceramic vessel in a terracotta fabric comprising an out-

Pax Romana Auctions

Lot 89

Ca. 1400-1200 BC. Canaanite. An unusual bronze age Canaanite painted ceramic vessel in a terracotta fabric comprising an out-turned rim, constricted neck, flaring shoulder, globular body and round bottom. Two rings of black paint run around the lower part of the neck, while three concentric black circles on either side of the vessel create an â€˜omphalosâ€™ or navel pattern, usually associated with representations of the centre of the world in ancient art. Excellent condition; on a custom stand.Size: L:105mm / W:85mm ; 310g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.

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C. 386-534 AD. Northern Wei Dynasty. A painted pottery figure of a horse. The horse stands foursquare with its head drawn inw

Pax Romana Auctions

Lot 9

C. 386-534 AD. Northern Wei Dynasty. A painted pottery figure of a horse. The horse stands foursquare with its head drawn inwards, and its tail lowered. Its coat is picked out in a beautiful creme, while the trappings are highlighted in shades of oragne. The creature is decked out with a carefully-modelled strap-and-boss bridle, a prominent breastgirth ornamented with bells, and a long, tasselled saddle. The horse is the seventh of the twelve animals in a zodiac cycle and represents strength, energy and an outgoing nature. Indeed, some peoples including Mongolians and Manchurians, revere and worship the horse and its power. Ceramic figures such as this item would often have ritual functions, reflecting beliefs in the ability of the horse to provide assistance, luck and companionship. The Northern Wei dynasty ruled northern China from c. 386 to 534 AD, and its most famous achievement was unifying a large empire following a long period social and political turbulence. However, craftsmen working under this dynasty were also responsible for beautiful works of art, as this object exemplifies. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:410mm / W:330mm ; 3.4kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.

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C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an Indus Valley civilisation painted bowl with a

Pax Romana Auctions

Lot 90

C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an Indus Valley civilisation painted bowl with a hemispherical body and a ring foot in a buff fabric. The interior features aa repeating painted swastika and ibex motif â€“ the ibex can be distinguished by its magnificent curved horns, framed by concentric circular registers and chevrons. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd Millennium BC. The ibex is an important motif in Indus valley art because of the animalâ€™s reputation as a hardy survivor and fierce fighter. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition.Size: L:75mm / W:240mm ; 690g; Provenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market formed in the 1990s;

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Ca. 1368-1644 AD. Chinese Ming Dynasty. Ceramic. This figurine shows a groom, dressed in a dark blue tunic, with light blue t

Pax Romana Auctions

Lot 93

Ca. 1368-1644 AD. Chinese Ming Dynasty. Ceramic. This figurine shows a groom, dressed in a dark blue tunic, with light blue trim, a light blue belt and light blue trousers, standing by a horse with one arm extended as if to hold the reins. The horse stands still, with mane falling over its neck, and its tail flicking over the hindquarters, as though swatting flies. The horse's equipment is modelled in high relief with the saddle painted dark blue, whilst the rest of the equipment is coloured shades of light blue. Horses were an important status symbol in ancient China. These animals were brought to China via the Silk Road and were considered a luxury good. As such horses were a sign of wealth among the elite, and there were strict laws which restricted the ownership of horses to people of elevated rank. In fact, soldiers serving in Chinaâ€™s military had to provide their own mounts indicating that only the richest members of society could serve in the cavalry. This exceptionally well-preserved terracotta is part of a long tradition of horse statuettes in China, and in fact, the earliest known example of a stirrup, today a mainstay of equestrianism, was found on another Chinese statue of a horse from Hunan province, dated to AD 302 (see Cartier, M. 1993.â€˜ConsidÃ©rations sur l'histoire du harnachement et de l'Ã©quitation en Chine.â€™ Anthropozoologica, 18, 29-44). Excellent condition.Size: L:160mm / W:195mm ; 835g; Provenance: Private collection of an Oxford professional, formed in the 1970s-1990s on the UK art market.

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C. AD 618 and 907. Tang Dynasty. A pair of delicate Tang Dynasty dancers with long sleeves. Both dancers are wearing a long f

Pax Romana Auctions

Lot 95

C. AD 618 and 907. Tang Dynasty. A pair of delicate Tang Dynasty dancers with long sleeves. Both dancers are wearing a long flowing gowns with overlength sleeves which hide their hands, and a shoulder sash which ties at the hip. The orange pigment of the ladies' bodices, the light green of their skirts and the dark green of their sashes are beautifully preserved as is the red pigment which highlights their lips and cheeks as well as the black pigment of their elaborate coiffure. Dance as an art form reached its peak in China during the Tang Dynasty, which is now known as the golden age of Chinese music and dance. Indeed, during this time The Great Music Bureau (å¤ªæ¨‚ç½²) was created as a means through with to train musicians and dancers for the imperial court. Good condition.Size: L:Set of 2; 245mm / W:110mm ; 1kg; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.

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1368-1850. Ming or Qing dynasty. A pottery head of Buddha in a taupe fabric with a yellow painted topknot (ushnisha), arched

Pax Romana Auctions

Lot 96

1368-1850. Ming or Qing dynasty. A pottery head of Buddha in a taupe fabric with a yellow painted topknot (ushnisha), arched brow, heavily lidded, closed eyes, a bulbous nose, full, red lips, rounded chin and large, pendulous ears. Buddhism has been an important part of Chinese culture, religious life and art for centuries, as this beautiful piece exemplifies. Excellent condition; on a custom stand.Size: L:460mm / W:250mm ; 10.65kg; Provenance: Property of a central London Ancient Art Gallery; previously obtained from a British private collection formed before 2000.

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C. 386-534 AD. Northern Wei Dynasty. A rectangular painted brick with a buddha within an arched recess. Buddha sits cross-leg

Pax Romana Auctions

Lot 97

C. 386-534 AD. Northern Wei Dynasty. A rectangular painted brick with a buddha within an arched recess. Buddha sits cross-legged, backed by a halo, and wearing a rich red robe with black and green trimmings. His right is raised at shoulder height, with the arm bent and the palm facing outward to form the Abhaya Mudra or Gesture of Fearlessness. Buddhist tradition holds that the Buddha made this sacred hand gesture immediately after gaining enlightenment. Another story records that the Buddha was about to be attacked by a mad elephant, which charged at the Buddha and his followers. The Buddha is said to have stood calmly, raising his hand in this gesture of fearlessness. In response, the elephant stopped, became calm, and then approached the Buddha and bowed its head. The Northern Wei dynasty ruled northern China from c. 386 to 534 AD, and its most famous achievement was unifying a large empire following a long period social and political turbulence. However, craftsmen working under this dynasty were also responsible for beautiful works of art, as this object exemplifies. Excellent condition. Size: L:310mm / W:158mm ; 8.34kg; Provenance: From an old British collection formed in the 1990s;

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Art Deco style walnut piano stool, hinged upholstered seat, solid end supports (W52cm, H53cm, D36cm) an oak bobbin turned tea

David Duggleby Auctioneers & Valuers

Lot 1258

Art Deco style walnut piano stool, hinged upholstered seat, solid end supports (W52cm, H53cm, D36cm) an oak bobbin turned tea table and a Georgian style standard lamp and shade - Condition Report

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Early 20th century Art Deco figured walnut double wardrobe, W118cm, D46cm, H194cm - Condition Report

David Duggleby Auctioneers & Valuers

Lot 1316

Early 20th century Art Deco figured walnut double wardrobe, W118cm, D46cm, H194cm - Condition Report

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Art Deco style arm chair, upholstered in purple fabric, with square supports, W70cm - Condition Report

David Duggleby Auctioneers & Valuers

Lot 1403

Art Deco style arm chair, upholstered in purple fabric, with square supports, W70cm - Condition Report

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Henry Barlow Carter (British 1804-1868): 'Valley of the Rocks Lynton Twilight', pencil unsigned, titled and dated Aug 16th 18

David Duggleby Auctioneers & Valuers

Lot 1026

Henry Barlow Carter (British 1804-1868): 'Valley of the Rocks Lynton Twilight', pencil unsigned, titled and dated Aug 16th 1861 verso 11cm x 17cm Provenance: purchased by the vendor from T B & R Jordan Fine Art Specialists Stockton on Tees; from the artist's sketch book, label versoClick here to view further images, condition reports, sale times & delivery costs for this lot.

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After Derek George Montague Gardner (British 1914-2007): Fifty South and Ice to Port, limited edition print signed in pencil

David Duggleby Auctioneers & Valuers

Lot 1032

After Derek George Montague Gardner (British 1914-2007): Fifty South and Ice to Port, limited edition print signed in pencil with Fine Art Trade Guild blindstamp 49cm x 70cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

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Arthur Spencer Roberts (British 1920-1997): 'Pauline', limited edition print signed in pencil with Fine Art Trade Guild blind

David Duggleby Auctioneers & Valuers

Lot 1052

Arthur Spencer Roberts (British 1920-1997): 'Pauline', limited edition print signed in pencil with Fine Art Trade Guild blindstamp 40cm x 77cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

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Alfred Young Nutt (British 1847-1924): 'Lake Thun Switzerland', watercolour inscribed verso 27cm x 37cmProvenance: with T B &

David Duggleby Auctioneers & Valuers

Lot 1070

Alfred Young Nutt (British 1847-1924): 'Lake Thun Switzerland', watercolour inscribed verso 27cm x 37cmProvenance: with T B & R Jordan Fine Art, Stockton on Tees, label versoClick here to view further images, condition reports, sale times & delivery costs for this lot.

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Alexander Jamieson (1873-1937) Scottish The artist's studio Oil on panel, 14.5cm by 19.5cm Provenance: Archeus Fine Art, Lo

Tennants Auctioneers

Lot 390

Alexander Jamieson (1873-1937) Scottish The artist's studio Oil on panel, 14.5cm by 19.5cm Provenance: Archeus Fine Art, London See illustration

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D Pols (19th century) Dutch Street scene with figures returning from market Signed, oil on panel, 25.5cm by 22.5cm Provena

Tennants Auctioneers

Lot 403

D Pols (19th century) Dutch Street scene with figures returning from market Signed, oil on panel, 25.5cm by 22.5cm Provenance: W H Patterson Fine Art, London . In restored condition. Cleaned and re-varnished. There is evidence of very fine, delicate and sporadic infilling to parts of the sky to replace old flaked paint. The outline/definition and some of the finer shadows of the masonry throughout the picture are likely to have also been strengthened in addition to the drainpipe delineated approx. centre. Some of the retouching within the sky is evident by eye. Light surface dirt now in evidence. Otherwise in a broadly good state of preservation.

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Paul Wilson (b.1945) ''Pewter and Fruit'' Signed, oil on board, 33cm by 58.5cm Provenance: Spencer Coleman Fine Art, Beverle

Tennants Auctioneers

Lot 428

Paul Wilson (b.1945) ''Pewter and Fruit'' Signed, oil on board, 33cm by 58.5cm Provenance: Spencer Coleman Fine Art, Beverley, East Yorkshire See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business . In an overall very good state of preservation. Some extremely light surface dirt and discoloured varnish. Not examined with a UV light.

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David Muirhead ARA (1867-1930) Scottish ''On the river Lune'' Signed and dated 1924, watercolour, together with a further wat

Tennants Auctioneers

Lot 429

David Muirhead ARA (1867-1930) Scottish ''On the river Lune'' Signed and dated 1924, watercolour, together with a further watercolour depicting ''Glencoe'' by John Steeple, 38cm by 39cm & 22cm by 24.5cm respectively (2) Provenance: Muirhead - Fine Art Society, London, Feb 1953

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Follower of Anthony Vandyke Copley Fielding (1787-1855) ''Loch Lomond'' Oil on canvas, 70cm by 95cm Provenance: Tennants Auc

Tennants Auctioneers

Lot 458

Follower of Anthony Vandyke Copley Fielding (1787-1855) ''Loch Lomond'' Oil on canvas, 70cm by 95cm Provenance: Tennants Auctioneers, Autumn Fine Art Sale, 22nd November 2007

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