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Byron Eric Dawson (1896-1968) Cathedral Church of St Nicholas, Newcastle upon Tyne, viewed past the Black Gate and Castle Keep, watercolour, signed and dated 1956, in pen-line and watercolour wash card mount and moulded gilt frame under glass, 39 cm x 48 cm sight size. ['Artists in Britain Since 1945' by David Buckman describes Dawson thus: Artist, illustrator and teacher, born in Banbury, Oxfordshire, with a special interest in architectural subjects. As an engineering apprentice in Newcastle upon Tyne, where he settled, he was encouraged to study art at Armstrong College, teaching there until 1927. Success at the RA in 1928 launched his professional painting career, which soon was concentrated in the northeast of England, although Dawson did show briefly at RSA. Drew for the Newcastle Journal. Dawson contributed nine Lancashire scenes to the Pilgrim Trust Recording Britain project and was included in the 1990 show at the Victoria & Albert Museum, which holds his work, as do Laing Art Gallery in Newcastle and Shipley Art Gallery, Gateshead. His latter years until a final illness were marked by financial hardship.]
A Belle Epoque lady's enamelled 9K yellow metal fob watch, having a Swiss crown-wound and pin-set movement, its ivory enamelled face having blue Roman numerals and decorated with raised gilding, in a polygonal case with lattice-engraved ovolo bezel and a hinged back bass taille enamelled in an Art Nouveau depiction of iris blossom, 31 mm excluding stem and bow, (running when catalogued, mainspring slipping), 22 g
Raymond James Coxon (1896 - 1997) Surreal still life of fading roses in a modernist blue glass vase, set on an intense expansive barren ground under a vivid turbulent sky, oil on canvas, in painted earlier moulded frame, 35 cm x 44 cm sight size. Provenance: By descent from the artist to the vendor. [Following Great War service with the Machine Gun Corps in the Middle East, Raymond Coxon enrolled at the Leeds School of Art. During this period (1919-1921) he met his future wife, the artist Edna Ginesi, and his life-long friend Henry Moore; each subsequently serving as the other's best man. In 1922 they visited France together, meeting several influential artists. From Leeds Coxon went on to attend the Royal College of Art, subsequently taking up a teaching position at the Richmond School of Art. In the 1920s he founded the British Independent Society with Moore and others, he became a member of the London Group in 1931 and of the Chiswick Group in 1938. During the Second World War he was employed as a War artist. In a long career Coxon was prolific. His oeuvre tending towards the abstract and surreal.]
Edna Ginesi (1902-2000) Still life of wild flowers in a vase set against a curtain, oil on canvas, in painted earlier moulded frame, 45 cm x 34 cm sight size. Provenance: by descent from the artist to the vendor. [Edna Ginesi studied at Leeds School of Art from 1920, and the Royal College of Art. She was a contemporary of Barbara Hepworth, Henry Moore and Raymond Coxon. She and Coxon married in 1926, their friend Henry Moore serving as Best Man. The four were members of the "Leeds Table", she co-formed the British Independent Society and was a member of the London Group and the Twenties Group. In the 1930s, she taught at Chelsea School of Art, serving during the Second World War as an ambulance driver and teaching painting at Guildford. Her work is representational, focusing on landscapes, nature and portraits, becoming increasingly abstract.]
Byron Eric Dawson (1896-1968) Abbey ruins, watercolour, signed, in pen-line and watercolour wash card mount and moulded gilt frame under glass, 41 cm x 52 cm sight size. ['Artists in Britain Since 1945' by David Buckman describes Dawson thus: Artist, illustrator and teacher, born in Banbury, Oxfordshire, with a special interest in architectural subjects. As an engineering apprentice in Newcastle upon Tyne, where he settled, he was encouraged to study art at Armstrong College, teaching there until 1927. Success at the RA in 1928 launched his professional painting career, which soon was concentrated in the northeast of England, although Dawson did show briefly at RSA. Drew for the Newcastle Journal. Dawson contributed nine Lancashire scenes to the Pilgrim Trust Recording Britain project and was included in the 1990 show at the Victoria & Albert Museum, which holds his work, as do Laing Art Gallery in Newcastle and Shipley Art Gallery, Gateshead. His latter years until a final illness were marked by financial hardship.]
A Walker & Hall Art Deco electroplate cutlery service for twelve settings, having terminals engraved "H", formerly of the Hunter family from Swan Hunter, incomplete [Swan Hunter, formerly known as Swan Hunter & Wigham Richardson, is a shipbuilding design and engineering company based in Wallsend, Tyne and Wear. The company represented the combined forces of three powerful shipbuilding families: Swan, Hunter and Wigham Richardson. The company was famously responsible for RMS Mauritania which held the Blue Riband for the fastest crossing of the Atlantic, and RMS Carpathia which rescued survivors from RMS Titanic.]
Byron Eric Dawson (1896-1968) Durham Castle and Cathedral as viewed past Framwellgate Bridge, watercolour, signed, in pen-line and watercolour wash card mount and moulded gilt frame under glass, 33 cm x 44 cm sight size. Together with a letter from the artist. ['Artists in Britain Since 1945' by David Buckman describes Dawson thus: Artist, illustrator and teacher, born in Banbury, Oxfordshire, with a special interest in architectural subjects. As an engineering apprentice in Newcastle upon Tyne, where he settled, he was encouraged to study art at Armstrong College, teaching there until 1927. Success at the RA in 1928 launched his professional painting career, which soon was concentrated in the northeast of England, although Dawson did show briefly at RSA. Drew for the Newcastle Journal. Dawson contributed nine Lancashire scenes to the Pilgrim Trust Recording Britain project and was included in the 1990 show at the Victoria & Albert Museum, which holds his work, as do Laing Art Gallery in Newcastle and Shipley Art Gallery, Gateshead. His latter years until a final illness were marked by financial hardship.]
A 1930s Art Deco walnut veneered drinks cabinet by incorporall, having adorsed fall front cupboards, each fitted to hold glasses and cocktail sticks, having bottle recesses within, the top having a drawer at one side and a pull-out shelf to the other, 61 x 61 x 64 cm
Rosenthal Henkelkorb u.a. Porzellan mit unterglasurgrüner Manufakturmarke Rosenthal Bavaria 1932, Prägemarke *L278* sowie Pinselnr., ausschwingendes Henkelkörbchen mit Vergoldung, ca. 15,5 x 10,5 cm, H ca. 16 cm dazu Art Deko Deckeldose auf 4 Tatzenfüßen, Manufakturmarke Mathes & Ebel in Mäbendorf ca. 1928/35, ovale achtfach eingezogene Form mit gweölbtem Stülpdeckel, mit Blütendekor und reicher Vergoldung (dezent berieben), ca. 11,5 x 8,5 cm, H ca. 11 cm, ges. 2 Teile 1930er Jahre
2 versilberte Ehrengaben Meerane 1941/42 stark plastisches Rotwildrelief im Rahmen bzw. auf ovaler Holzplatte mit Ehrenplakette *Sommersporttage Betreibsmeisterschaft der Kammgarnspinnerei Meeran* ausgeführt, dabei röhrender Hirsch *1941*, umseitoges Etikett *Matthias Müller Ehem. Königl. Hoflieferant, Sporthaus-Vereins- und Militärartikel Waffen aller Art Leipzig* sowie Bommer signierter Rehbock *1942*, ges. 2 Stück
Art Deko Armband mit Karneol und Markasiten punzier SIlber 800 sowie Signet, ca. 9,5 Gramm, doppelreihig ausgeführtes Armband mit Markasiten besetzten Ziergliedern sowie 2 Karneolen von ca. 10 x 10 cm besetzt, Länge mit Federring Schließe ca. 20 cm, etwas patinert, 1930er Jahre
Art Deko Rauchergarnitur 1930er Jahre zweistufiges schwarz u. grün lackiertes Messinggehäuse auf 4 Plattfüßen ausgeführt, 2 Scharnierdeckel mit 3-facher Streifen Gliederung, oberer von reliefierter Reptil Optik flankiert (partiell vergangen), dieses mit Zedernholz ausgeschlagen, unterer Deckel innen mit Zigarettenablage sowie innenliegender Glaseinsatz (geklebt), ca. 13,5 x 6,5 cm, H ca. 3,5 cm, Alters- u. Gebrauchssp.
Art Deko Rauchergarnitur 1930er Jahre zweistufiges Chromgehäuse auf 4 Plattfüßen ausgeführt, gemarkt D.R.G.M. Foreign mit Nr. (Reste), 2 Scharnierdeckel mit Chromstreifen u. beigefarbener Reptil Optik (partiell vergangen), oberer Deckel innen mit Zigarettenablage, unterer Schub mit Mechanismus, wird durch Anheben des Deckels ausgelöst, ca. 10,55 x 6 cm, H ca. 7 cm, Gebrauchssp.
Art Deko Spritzdeko Kakaokanne hell glasierter Scherben mit untergalsurbrauner Manufakturmarke Annaburg sowie blindgeprägte Modellnr. 410, ovoider 4-fach floral reliefierter Korpus auf zurückgesetztem Stand, mit Henkel und Schnaupe, braunes Spritzdekor mit Blüten und Blättern, H ca. 19,5 cm, 1930er Jahre
Die Weltkriegsspionage Original-Spionage-Werk, authentische Enthüllungen über Entstehungen, Art, Arbeit, Technik, Schliche, Handlungen, Wirkungen und Geheimnisse der Spionage vor, während und nach dem Kriege auf Grund amtlichen Materials aus Kriegs- Militär-, Gerichts- und Reichsarchiven, 624 Abb. u. Tafeln, 28 Einzelbeilagen in Tiefdruck, Vertirebsstelle amtlicher Publikationen u. Veröffentlichungen aus Kriegs-, Militär-, Gerichts- und Reichsarchiven, Verlag Justin Moser, München 1931, 688 S., OLn, gut erhalten
Posten antiker Modeschmuck teils Doublé, Silber u.a., dabei Biedermeier und Jugendstil Anhänger, Art Deko Ring mit Besatz i Silber 835, ein Paar Manschettenknöpfe, eine Bernstein Oliven Kette mit polierter Oberfläche, Ø ca. 6 bis 12 mm u.a., ges. 13 Teile in verschiedener Erhaltung, in Holzschatulle mit Branddekor
Art Deko Rauchergarnitur 1930er Jahre rechteckiger rot lackierter Chromkorpus auf 4 Kugelfüßen, innen mit Zedernholz ausgeschlagen und mit Scharnierdeckel ausgeführt, seitlich von Streichholz-Schachtelhalter und Ablage flankiert, ca. 14,5 x 7 cm, H ca. 6 cm, stärkere Gebrauchssp.
Posten Art Deko Schmuck Silber 835 u.a., dabei Ring mit oval facettiertem hellblauem Spinell in Markasiten-Entourage (RG 55), weiterer Ring mit zart fliederfarbenem Stein in ornamentierter Fassung (RG 52) dazu Anhänger mit Aquamarin-Spinell in reliefierter Fassung an Kette sowie 2 Paar Silber-Ohrstecker mit und ohne Besatz, ges. 8 Teile, um 1920/30
antike Reversnadeln u.a. Goldoublé u.a., Reversnadel in Navettenform mit Saphirbesatz, Ehrennadel Bienenzüchter sowie 2 Nadeln mit Perl- und Straßbesatz dazu Art Deko Ring in Silber 835, mit citrinfarbenem Besatz und Markasiten, RG 55, InnenØ 17,5 mm, patiniert, ges. 5 Teile, um 1910 und später
handgetriebenes Messing Tablett unterseits gemarkt Karl Bayer (*1887 Mindelheim, †1982 Deisenhofen bei München) München, Kunstgewerbliche Werkstätte sowie Nr. 46, Metallbildner, ab 1906 Besuch der Königlichen Kunstgewerbeschule in München, in Klasse von Fritz von Miller, Quelle Internet, rundes Tablett mit leicht hochgezogenem umlaufend gewellt gekniffenem sowie 10-fach eingezogenem Rand, breites geprägtes Floraldekorband, Ø ca.29 cm, Gebrauchssp., Art Deko 1930er Jahre

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641361 item(s)/page