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Click here to subscribeA CARTIER wristwatch, 750/1000 yellow gold case and wristband with ref nº 7608, quartz movement (cal. 83) with date at 15h, Switzerland, 20th/21st C., signs of use, working at the time of the expert opinion, marked, model Panthère with ref. nº 883968, without case and documents, gold with warranty mark, without Portuguese marks pursuant to Decreto-Lei no. 120-2017, of 15 September – art. 2nd, nº 2, subparagraph c), Dim. - 2,9 x 2,9 cm; Peso - (bruto) 112,6 g.
An “Inverted helmet” sauce boat, Chinese export porcelain, polychrome and gilt decoration "Flowers" with coat of arms by José Mascarenhas Pacheco Pereira Coelho de Melo, Qianlong period (1736-1795), yellowish glaze, wear to the gilt. Notes: back with trade label of JORGE WELSH - ORIENTAL PORCELAIN - WORKS OS ART. Vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império, Portugal/Brasil", ACD Editores, Lisbon, 2007, p. 145; SANTOS, A. Varela - "Portugal na Porcelana da China - 500 Anos de Comércio", volume IV, Artemágica, Lisbon, 2010, pp. 1150-1153, 6.33; and DIAS, Pedro - "Heráldica Portuguesa na Porcelana da China Qing". Lisbon: Macau Foundation, 2014, pp. 158-159., Dim. - 12,3 x 17,3 x 9 cm
Set of five scalloped flat plates, Chinese export porcelain, polychrome and gilt decoration on a brown background «Night», Qianlong period (1736-1795), small chips, faults on the glaze, wear on the decoration. Notes: vd. AYERS, John - "China for the West, Chinese Porcelain & other Decorative Arts for Export illustrated from the Mottahedeh Collection". London and New York City: Sotheby's Parke Bernet, 1978, Vol. II, p. 550, ilust. 567. Plate with the same decoration was part of the exhibition "Portugal and Porcelain", held in 1994-1995, being represented in the respective catalogue. New York City: The Metropolitan Museum of Art, p. 56, No. 59 and picture at the end., Dim. - 23,5 cm
A box, fully lacquered wood with mother-of-pearl inlays "Oriental gardens and birds, interior of the cover "Dragons", board with black and red lacquered dividers with gilt, silver mounts, Chinese, 18th C. (late), small restoration, minor faults, signs of use, silver withou marks, pursuant to Decreto-Lei No. 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - 12,5 x 28 x 14,5 cm
A pair of scalloped platters, Chinese export porcelain, polychrome and gilt decoration on brown background «Night», Qianlong period (1736-1795), small chips, wear on decoration. Notes: vd. AYERS, John - "China for the West, Chinese Porcelain & other Decorative Arts for Export illustrated from the Mottahedeh Collection". London and New Yoirk City: Sotheby's Parke Bernet, 1978, Vol. II, p. 550, ilust. 567. Plate with the same decoration was part of the exhibition "Portugal and Porcelain", held in 1994-1995, being represented in the respective catalogue. New York City: The Metropolitan Museum of Art, p. 56, No. 59 and picture at the end., Dim. - 38 x 30 cm
Saint Sebastian, polychrome and gilt wood sculpture, silver halo and three silver arrows, Portuguese, 18th C., restoration, two fingers and two silver arrows missing, other minor faults and defects, silver without marks, pursuant to Decreto-Lei nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - (total) 40 cm; (escultura) 27 cm
A writing box (qalamdan), ivory, interior with dividers for writing supplies, silver applications, Indian, 17th/18th C., minor faults and defects, silver without marks, ipursuant to Decreto-Lei nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c). Notes: a) This lot is subject to CITES export/import restrictions and is duly certified: nº 12-PT-LX1386/C; b) It is currently prohibited by several countries to import goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell; c) In Portugal, in accordance with the planned transposition into national legislation of the most recent EU guidelines on ivory trade, the issuance of re-export certificates to countries that are not part of the EU is suspended; d) In this context, potential buyers are advised to inform themselves in advance about the legislation of their country and applicable international restrictions., Dim. - 4,7 x 23,5 x 6,5 cm
The flight into Egypt, group of carved, polychrome and gilt wood sculptures, silver crowns, Portuguese, 18th C., minor faults on polychrome, silver without marks, pursuant to Decreto-Lei nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - 31 x 36 x 14 cm
A processional cross, wooden structure covered with silver plaques, decoration en relief "Crucified Christ" and "Our Lady", Colonial Spanish, 17th/18th C., restoration, faults and defects, bruises, missing cross staff, without marks, pursuant to Decreto-Lei nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - 105 cm; Peso - (bruto) 4.633 g.
A cup, Renaissance style, carved rock crystal stem and cup, silver base, edge and rings with decoration en relief and engraving "Flowers and other plant elements", European, 19th C., minor defects, silver without marks, pursuant to Decreto-Lei nº 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - 13,8 cm
White set of liturgical vestments for festive celebrations, fabric embroidered with silk thread and gilt, silvered and polychrome metallic thread "flowers and vegetal elements", silk lining, consisting of 2 altar fronts, 1 shoulder veil, 1 chasuble, 1 hooded sprinkling cape, 2 dalmatics, 3 handles, 2 stoles, 1 bag and 4 miscellaneous cloths, Spanish, 18th C. (late), small restorations, signs of use, minor defects, lining with traces of moth, sprinkling cape marked MICHAEL MOLERO, TOLETANUS. FECIT. TOLETI. ANNO 1791, Dim. - (casula) 113 cmused in Christmas solemnity, Christmas Time, the Holy Thursday, the Easter Vigil of the Holy Saturday, at the festivities of the Lord, and at the celebration of the saints. Also in Easter Time it is predominantly used in white.While it is an Italian inspiration model, the design is typical of the Royal Molero Factory, created in Toledo since the early 18th century and considered to be one of the most important workshops of this city. Relevant for its production of brocade vestments, with 18th century baroque decoration, and loved for its original designs. Due to its large manufacturing capacity, it was responsible for producing luxury copies for various cathedrals in Spain, Latin America and even Europe.It was Miguel Molero the main responsible for the introduction of constant improvements to the pieces produced in the Toledo factory and the technical enhancement of its fabrics. Promoting, in 1770, the design of vestments from a single piece of brocade fabric—including the gilt motto on the triming of the pieces—which earned him the honour of being able to use the royal coat of arms in his productions, privilege granted by Charles III, in 1771 - vd. SANCHIZ, Manuel Pérez - "El art del embroidered y del tejido en Murcia (Siglos XVI -XIX)". Murcia: Servicio de Publicacionones de la Universidad de Murcia, 1999, pp. 158-159.According to information consulted, Miguel Molero's signature of the pieces became frequent in the period after the declining of the production of vestments of the factory, in the end of the 18th century, vd. https://dbe.rah.es/bio/52699/migel-gregorio-molero - consulted on 09-02-2024 at 11:07 AM.
CHARLES COLEMAN OF ROME (19TH CENTURY): AN OIL PAINTING ON BOARD DEPICTING OXEN,Purchased from Old Masters Gallery. 34cm x 23cm Mounted in a frame and glazed. 52cm x 43cm See more about the artist at Royal Academy: https://www.royalacademy.org.uk/art-artists/name/charles-coleman
PETRUS ASPIANUS: A RARE PAGE FROM ASTRONOMICUM CAESAREUM, 17TH CENTURY, Provenance: Purchased from a Royal Household. 34cm x 30cm Framed and glazed. 38cm x 36cm Over 100 copies of this book were made as gifts for high ranking officials in both Catholic and Protestant Courts across Europe. The book illustrates the integration of art and science at court. The pages calculate the placement of stars to determine fate, medical diagnosis, travel and military conflict in the nobleman's every day lives.
A LARGE COLLECTION OF PRINTS / WORKS OF ART INCLUDING A CHINESE TEXTILE, WILLIAM RUSSELL FLINT PRINT, BARBARA JACKSON SIGNED PRINTS, ROY GASTON PRINTS, ONE PRINT SIGNED BACON(QTY)Two group photos (photo 1 and photo 2), then close ups. Many framed and glazed. Largest frame. 71cm x 57cm Largest frame.
A box of assorted stamps and first day covers to include used, unused and presentation pack issues. Examples include limited edition 200th anniversary of the Battle of Trafalgar (1662/2000), Cunard Queen Elizabeth II, Royal Mail Millennium Collection, Royal Air Force Celebrating 90 Years, Royal Mail David Bowie Souvenir art covers, etc.
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