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Denzil J.G. Reeves, 1926-2008, two illuminated calligraphies, The Spell of St. Edmund's Bury 1502, with a view of Bury St. Edmunds Abbey Gate, signed watercolour, 50 x 31cm, together with another similar by the same hand of Walsingham, signed and dated 2002, 48 x 35cmDenzil Reeves was a member of Colchester Art Society and is perhaps best known for his designs for the covers of The Guinness Book of Records
JOSE CHAVEZ MORADO (MEXICAN, 1909-2002), OIL ON MASONITE, 1946, H 22", W 16", "UN ARREGLO FLORAL"Signed and dated lower right; original frame. Purchased from the artist. 1981 photo certificate of authenticity from the artist (in consignor file) is included with the sale of the painting. Additional provenance: ex. Estate of William Noble, Ferndale, MI (who purchased it from the artist), then passed down in the family. Mr. Noble was the lead feature writer for the Detroit News Sunday magazine and an avid collector of Mexican art since the 1930's.UV clean; 2 small paint chips in the LL background; original frame with stained liner.- For High Resolution Photos visit Dumouchelles website.
HOWARD E. POST, OIL ON CANVAS H 35" L 72" THREE RANCHERSThree cowboys in Texas landscape. Contemporary American artist born in Tucson. Signed lower left: "H. E. Post". Howard Post completed his bachelor’s and Master’s degrees in fine art at the University of Arizona. From the estate of Dollie Cole (Mrs. Edward ), of Michigan and Texas.Good condition.- For High Resolution Photos visit Dumouchelles website.
ATTRIBUTED TO ROBERT S. DUNCANSON (AMERICAN, 1821-1872), OIL ON CANVAS, H 33", W 60", PARADISE & PERI THEMEC. 1871; unsigned; gilt frame. Purchased c. 2002-2003 from a private individual in the Indianapolis, IN area. Thought to be possibly the missing painting that was mentioned in Joseph Ketner's book, "The Emergence of the African-American Artist, Robert S. Duncanson 1821-1872" (pp. 174-175) which was inspired by Thomas Moore's, "Paradise and the Peri" from the Orientalist poem, "Lalia Rookh". The missing Duncanson, "Paradise and the Peri" was: exhibited at Wiswell's Gallery, Cincinnati, Ohio , Aug. 1871; exhibited in Monroe, MI, Sept. 1871; exhibited in Detroit, MI, Sept. 1871 and reviewed by the Detroit Free Press, Sept. 16, 1871, page 1; acquired locally by C.L. Andrews at the Detroit exhibition; loaned to the Detroit City Hall and was hung in the sheriff's office where it was vandalized by an irate citizen in 1876; donated by Andrews to the Detroit Institute of Arts, 1903-1904; the DIA sent it to G.H. Weigert to be auctioned where it was sold Nov. 29, 1918 (see Francis Waring Robinson papers, Detroit Institute of Art, Roll 511); locations after that are unknown. Stamped on verso of stretcher, "W.G. Bickford, Dealer of Artist's Colors and Materials, 189 W. Fourth St., Cincinnati, Ohio. Mr. Bickford was listed as a "Dealer of Artist's Materials" only in 1869 and 1870. The listing changed to Artist' Emporium in 1871 with the same address. Bickford lived at 185 1/2 W. Fourth St. in 1870. Duncanson lived at 187 W. Fourth St. in 1872. Bickford's business was at 189 W. Fourth St, 1869-1875. Marked on the verso of the original canvas (before being lined): "G.W. Stubbs", "A.W. Pugh" (see photo detail). G.W. Stubbs was the brother-in-law of A.W. Pugh of the Pugh family of Cincinnati. Duncanson worked with Achilles Pugh in his print shop in Cincinnati in the 1850's to early 1860's. Duncanson was a friend of the Pugh family in Cincinnati. Both G.W. Stubbs and A.W. Pugh were in Cincinnati in 1871. PLEASE CLICK HERE TO SEE 54-PAGE SCANNED DOCUMENTS REGARDING THE PAINTING AND ARTIST.C.10% restoration of prior damage (tears, losses, etc.) as viewed under UV light; some over cleaning, lined; some stabilized craquelure; original stretchers; period frame is chipped and has losses. Natalia Nikolayev (B.A. in painting conservation), Indianapolis, IN restored the painting in June 2006 (consolidation of paint layer and ground with sturgeon glue, restoration of canvas losses with original pieces of canvas from the sides of the painting, filling made with Modostuc, lined with Beva-film, retouching with Gamblin conservation paints, etc.). Research information from the consignor, including photos of the painting before and after the restoration and the summary of the restoration done by Nikolayev, is available for viewing upon request.- For High Resolution Photos visit Dumouchelles website.
EUGENIO (COHAILA) (PERU/CANADA), OIL ON CANVAS, H 30", W 40", NOCTURNAL SCENESigned in the lower right corner. Galerie D 'Art Le Bourget, Montreal, Canada. Born Tacna, Peru. From the Estate of Jean Mayer, Bloomfield Hills, Mich.Good condition jw- For High Resolution Photos visit Dumouchelles website.
FROYLAN OJEDA (MEXICAN, 1932-1991), OIL ON CANVAS, 1955, H 20", W 24", "FLOWERS AT THE MARKET"Signed and dated lower right; framed. Purchased directly from the artist. August 1981 letter of purchase and authenticity with the title) from the artist is in the customer file and is included with the sale of the work. Additional provenance: ex. Estate of William Noble, Ferndale, MI (who purchased it from the artist), then passed down in the family. Mr. Noble was the lead feature writer for the Detroit News Sunday magazine and an avid collector of Mexican art since the 1930's.UV clean; not lined or patched; wear to patina of frame. Rf- For High Resolution Photos visit Dumouchelles website.
PABLO PICASSO (SPANISH 1881-1973), ETCHINGS, 1962, 6, H 7 3/4" TO 8", W 5" TO 5 1/2", FORM "PICASSO LYSISTRATA ARISTOPHANES "Displayed in Les Pavilion des Arts. Bearing black pencil signatures reading "Picasso". No edition number on the prints. Published by Gilbert Seldes. Unframed. Paper size: 10 3/4" x 8 1/4". From the book edition. Provenance: "Le Pavillon des Arts Art De L'Ile De France", Paris, April 1992 certificate of authenticity (see photo detail) in customer file and accompanies the prints. Being sold for the benefit of Marygrove College, Detroit, MI. No other provenance available.Good condition; one print with small margin corner crease. Rf- For High Resolution Photos visit Dumouchelles website.
BEARS A SIGNATURE READING "ANDY WARHOL" (US, 1928-1987), GOUACHE, H 10 1/2", W 10 1/2", PORTRAIT OF A WOMAN WITH BLACK HAIRSize is paper and image. Signed lower left; stamped in ink on verso in a rectangular box, "Andy Warhol "67" (see photo detail). Provenance: sold by Anderson Art Gallery, Constanta, Romania, January 2003 and listed by them as 'attributed to.' Ink stamped on verso, "Arthur Tooth Gallery London, England" and also having a London circular stamp (mostly not readable because the stamp did not print completely) see photo detail. Includes the frame. Notation "No: A.101. 0410 " at bottom of paper on verso. Not authenticated. Being sold for the benefit of Marygrove College, Detroit, MI. No other provenance available.LR corner crease; was 'tacked down' in all 4 corners; handling creases. Now professionally removed from all of the framing materials. Rf, 12-17-2015 Sold as is - no guaranty of authenticity. Rf- For High Resolution Photos visit Dumouchelles website.
FERNANDO LEAL (MEXICAN, 1896-1964), OIL ON CANVAS, 1957, H 11 1/4", W 9 1/2", "TURISTA" ("TOURIST")Signed lower right; non-original frame. Provenance: purchased from Arte De Coleccionistas-Galeria, Mexico, May 8, 1962 and was #18 in their September 1960 exhibition of the artist's work Bill of sale, photo ID for the work and their exhibition brochure/catalogue all in consignor file and are included with the sale of the painting. Additional provenance: ex. Estate of William Noble, Ferndale, MI (who purchased it from the artist), then passed down in the family. Mr. Noble was the lead feature writer for the Detroit News Sunday magazine and an avid collector of Mexican art since the 1930's.UV clean; good condition. Rf- For High Resolution Photos visit Dumouchelles website.

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640875 item(s)/page