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Lot 76

Micheal Farrell (1940-2000) SANDYCOVE SERIES, 1967 screenprint signed and dated lower right; dedicated lower left 24 by 37.5in., 60 by 93.75cm. L The work of Micheal Farrell has recently been highlighted by Solstice Arts Centre with support of the Arts Council/An Chomhairle Ealaíon with a touring exhibition [Solstice Art Centre, Navan; The Crawford Gallery, Cork and The RHA, Dublin 2013/2014] to encourage a re-evaluation of his important contribution to Irish life as an artist, and as a cultural commentator.

Lot 77

Micheal Farrell (1940-2000) TRINITY II, 1964 etching; (no. 1 from an edition of 15) signed and dated in the margin lower right; titled centre; numbered lower left; with artist`s name and title inscribed on Dawson Gallery label 17.75 by 23.75in., 44.375 by 59.375cm. L Dawson Gallery;Private collection The work of Micheal Farrell has recently been highlighted by Solstice Arts Centre with support of the Arts Council/An Chomhairle Ealaíon with a touring exhibition [Solstice Art Centre, Navan; The Crawford Gallery, Cork and The RHA, Dublin 2013/2014] to encourage a re-evaluation of his important contribution to Irish life as an artist, and as a cultural commentator.

Lot 82

Cecil King (1921-1986) CIRCUS THEME, c.1966-1968 oil pastel on paper signed lower right; with partial Hendriks Gallery label on reverse 13.5 by 9.5in., 33.75 by 23.75cm. P Hendriks Gallery, Dublin;Private collection Possibly shown at `Cecil King`, Ritchie Hendriks Gallery, Dublin, (until) 28 October 1968, catalogue nos. 21 to 30 of equal size to the present work; all entitled Pastel or Pastel, 1968 In 1975 Kilkenny Art Week hosted a solo show of King`s work at Kilkenny College entitled `Cecil King Paintings 1965-1975` from 23 to 31 August 1975.Among the work shown were pastels [19 by 9in] entitled Circus Pastel variously dated between 1966 to 1968, most lent from private collections.

Lot 87

Oliver McCarron (fl.1970s-1980s) FIVE FRIESIANS oil on board signed lower right; titled on reverse 21.5 by 14.5in., 53.75 by 36.25cm. P McCarron is listed in the National Irish Visual Artists Library as having exhibited at the Dublin Art Club Annual Exhibition in 1976 and in the 1980s held at the Bank of Ireland Exhibition Hall.

Lot 90

Edward Delaney RHA (1930-2009) RESURRECTION, c.1960-1961 copper; (unique) 257.5 by 112.5 by 12in., 257.5 by 112.5 by 30cm. P Commissioned for Our Lady of Lourdes Hospital, Drogheda This 9ft long Christ figure, entitled Resurrection, is part of a major commission done by Edward Delaney for Our Lady of Lourdes Hospital in Drogheda, commissioned by the Medical Missionaries of Mary and specifically their pioneering superior, Mother Mary Martin, who wanted a modern artistic display for the new hospital. Delaney always gave great credit to the Catholic Church for its support for art, design and sculpture and for the artistic leeway that he was given. For the Drogheda project, Delaney created a dome for the mortuary chapel, with 90 square feet of bronze reliefs, depicting the life of Christ as well as this figure. The work was completed in 1961 and is very fine representation of Delaney`s early stark style, influenced by post war German Expressionist sculpture (Delaney studied sculpture in Germany from 1954 to 1958) as well the work of the Italian master Giacomo Manzu, who specialised in the virtually two dimensional paneled figure, similar to this.In a June 1963 interview with the Sunday Review (an Irish Times title), Delaney spoke about the Drogheda project and described how he believed `…a spiritual figure to be an abstract form of harmony`, and that `the spiritual quality of such a figure should come from the way the artist shapes the material; moulds and forms`. However, he said he couldn`t `explain the figure` as he didn`t think `an artist should ever explain a piece of sculpture. It is simply a statement made in bronze, or another material. If anyone doesn`t understand a statement by an artist, I don`t think it could be explained to them.`

Lot 91

Helen Sinclair (British, b.1954) DOO WAH DIDDY, 2002 bronze and steel; (no. 3 from an edition of 3) signed with initials [H.S.] and with edition number at base, rear 181.25 by 132.5 by 14.5in., 181.25 by 132.5 by 36.25cm. P Dimensions of base, 11.5 by 51.5 by 3.5ins. A copy of the artist`s certificate accompanies this work.Helen Sinclair studied sculpture at Wimbledon School of Art (1972-1976). She has been a full-time sculptor since 1988. The human figure is her principal source of inspiration. Stylistically her work is influenced by sculptural forms and mythology of ancient civilisations as well as the Renaissance sculptors and the more contemporary artists such as Giacometti.Sinclair exhibits widely in the United Kingdom and her work can be found in private collections in the UK, Ireland, Europe and internationally. Among her most prestigious clients are Lord Melvyn Bragg, chef Gary Rhodes, singer Bonnie Tyler, actors Sheila Hancock and Arnold Schwarzenegger. Helen Sinclair is married to fellow sculptor Terry Ryall. They live and work in the Gower Peninsula in South Wales.The title of this work is thought to reference the song, Do Wah Diddy Diddy, written in 1963 by Jeff Barry and Ellie Greenwich, which was a hit for British group, Manfred Mann in 1964.

Lot 98

Helen Sinclair (British, b.1954) PERCHANCE TO DREAM (2) bronze; (no. 3 from an edition of 7) signed with initials [H.S.] and with edition number at rear 150 by 68.75 by 12in., 150 by 68.75 by 30cm. P A copy of the artist`s certificate accompanies this work.Helen Sinclair studied sculpture at Wimbledon School of Art (1972- 1976). She has been a full-time sculptor since 1988. The human figure is her principal source of inspiration. Stylistically her work is influenced by sculptural forms and mythology of ancient civilisations as well as the Renaissance sculptors and the more contemporary artists such as Giacometti.Sinclair exhibits widely in the United Kingdom and her work can be found in private collections in the UK, Ireland, Europe and internationally. Among her most prestigious clients are Lord Melvyn Bragg, Chef Gary Rhodes, singer Bonnie Tyler, actors Sheila Hancock and Arnold Schwarzenegger. Helen Sinclair is married to fellow sculptor Terry Ryall. They live and work in the Gower Peninsula in South Wales.

Lot 100

Mary Walsh INSCAPE oil on board with collage element signed lower right; with Sólás Art Gallery label with title on reverse 20 by 30in., 50 by 75cm. L Sólás Gallery Art Gallery, Cork;Private collection

Lot 131

Alexey Krasnovsky (b.1945) STILL LIFE WITH PEARS AND PLUMS, 1996 oil on canvas signed and dated lower left 11.75 by 13.75in., 29.375 by 34.375cm. L Acquired directly from the artist by the present owner Born in St. Petersburg, Krasnovsky studied for five years at the Tavrichesky College of Art under the Constructivist painter Alexander Pavlovitch Zaitsev. In the late 1970s he travelled to North America and from there to Mexico, Austria, France, Portugal and Ireland. Locally, he has had several exhibitions with Jorgensen Fine Art, whilst in London he has shown with the Albemarle Gallery. His work is in numerous collections including the Museum of Russian Art in New Jersey.

Lot 138

Robert Ballagh (b.1943) NOT AGAIN, 1979 print on canvas; (no. 2 from an edition of 15) signed, numbered and dated lower right; with inscribed David Hendriks Gallery label on reverse 16 by 18in., 40 by 45cm. L David Hendriks Gallery, Dublin;Private collection Contained in original David Hendriks Gallery frame. An example of this print can be found in the collection of the Irish Museum of Modern Art, Dublin.

Lot 147

Marshall C. Hutson RHA (1903-2001) FISHERMAN, GLENBURY 1975-76 and ST. FINANS BAY, COUNTY KERRY 1976 (A PAIR) pencil; (1); oil on board; (1) signed lower left and lower right respectively 15 by 22in., 37.5 by 55cm. L Dimensions of oil, 9 by 12.25in. Born in Bulwell, near Sherwood, Nottingham, Hutson trained at the Nottingham College of Art. In 1930 he moved to Cork, where his mother was born, and began teaching at the Crawford College of Art. He eventually became vice-principal of the college, retiring in 1962. He is best known as a sculptor; however the Crawford and National Self-Portrait collection hold paintings by him. Cork City Library holds a bust of Thomas Davis by Hutson, while the Gaiety Theatre boasts both Michael MacLiammoir and Jimmy O`Dea. Other prestigious commissions included: Cork Harbour Board, UCC, and Aer Lingus.

Lot 153

Arthur K. Maderson (b.1942) SUMMING UP" or THE FIDDLE MAKER [JERRY MARTIN]" oil on board signed lower left; signed again and titled on reverse; also with inscribed Treasures` Irish Art [Athlone] label on reverse 43.5 by 32in., 108.75 by 80cm. P Commissioned by the original owner; Private collection; with Treasures` Irish Art, Athlone; Private collection

Lot 195

James Hamilton ARSA (Scottish, 1853-1894) AFTER THE BATTLE, 1883 oil on canvas signed and dated lower right; titled in the mount lower centre; title also given in pencil on reverse 14 by 16in., 35 by 40cm. L An example by Hamilton entitled, Massacre of Glencoe, 1883-86 can be found in the collection of Glasgow Museums. Artist`s address is variously recorded as being 23, Royal Crescent, Edinburgh. He exhibited at The Glasgow Institute of Fine Arts, The Royal Academy, Manchester City Art Gallery and the Royal Scottish Academy among others.

Lot 199

Robert Hunter (c.1715/20-c.1803) PORTRAIT OF HARRY HOUGHTON, 1790 oil on canvas signed and dated lower left 30 by 25in., 75 by 62.5cm. P Christies, 1 March 1985, lot 113;The Collection of David White / Elizabeth Guinness;with The Bell Gallery, Belfast;Private collection Crookshank, Anne, `Robert Hunter`, Irish Arts Review Yearbook, 1989/90, Vol. 87, p.169-185 (illustrated p.179) Half-length portrait where the sitter is painted within an oval, a device used regularly by Hunter. This is the latest known portrait by the artist, which is dated 1790.Robert Hunter was the principal portrait painter of the eighteenth century. Little is known about his early life or his family other than he was born in Ulster and studied art under Thomas Pope. Hunter had a very wide range of clients such as Sir Charles Burton, Lord Taaffe, Samuel Madden and Viscount Powerscourt. He contributed six works to the exhibition of the Society of Artists in George`s Lane, Dublin in 1765. He regularly contributed to the exhibition of the Dublin Artists up to 1777, and again, for the last time, in 1788. Hunter was for many years at the head of his profession as a portrait painter until the arrival of Robert Home in 1780. Age may have been another contributing factor to the decline in his productivity. He held an exhibition and sale of his pictures in 1792.

Lot 11

AUSTRIAN ART NOUVEAU PAINTED CERAMIC BUSTCirca 1890. Impressed Amphora, Austria and with factory seal, and initialed PD on the reverse. Bust of a Maiden, Amphora. Height 26 1/2 inches. Now mounted as a lamp. Overall height 42 inches.

Lot 21

PAIR CARVED AND PAINTED ART DECO STYLE MIRROR AND CONSOLES The mirror of elongated rectangular form, above a d-shaped console with a mottled lavender marble top. Mirror measuring 100 by 36 1/4 inches. Console Height 16, Width 37 1/2, Depth 19 1/2 inches.

Lot 65

ART NOUVEAU STYLE CHAISE LOUNGECarved and painted. Height 41, Width 48 3/4, Depth 30 inches.

Lot 370

PAIR AMERICAN SILVER ART NOUVEAU BOWLSCirca 1900. Whiting Mfg. Co. No. 6073. Retailed by L.D. Peacock. Each with large floral inverted rim. Diameter 10 1/2 inches. Weighing approximately 28 oz.

Lot 475

FRENCH ART NOUVEAU CARVED IVORY FIGURE19th/20th Century. Unsigned. Of a standing nude model. Mounted on a marble base. Overall Height 16 inches.

Lot 502

FRENCH ART NOUVEAU STYLE GILT-BRONZE AND CRYSTAL "SPAGHETTI" TABLE LAMPModern. After Hector Guimard. Signed. Height 31 inches.

Lot 503

PAIR FRENCH ART NOUVEAU STYLE GILT-BRONZE AND CRYSTAL "SPAGHETTI" TABLE LAMPSModern. After Hector Guimard. Signed. Height 20 inches.

Lot 126

POTERIE en terre cuite. Mali XIIème-XVIème siècle Provenance : Galerie Noir d`Ivoire Paris Certificat d`authenticité daté de 2003 de Monsieur GROUX Expert en Art Primitif

Lot 145

PAIRE DE DEFENSES d`Eléphant d`Afrique (Loxodonta africana) I/A pré-convention sculptées et présentées sur un socle en bois exotique figurant un demi-buste d`un personnage masculin( terminaison de la pointe légerement atrophiée ) et un demi-buste d`un personnage féminin d`une ethnie du continent Africain. Ces sculptures (demi-bustes) sont insérées sur la partie médiane de chaque défense. Au vu de leur patine et ancienneté ces deux spécimens sont antérieurs à 1947 et de ce fait sont conformes au REGLE 338/97 du CE art 2-W. Ces spécimens peuvent être utilisés commercialement dans l`UE. En revanche pour une sortie de l`UE un CITES de ré-export sera nécessaire celui-ci étant à la charge du futur acquéreur. Défense buste masculin : Long: 59 cm env. circonférence ext. : 18 cm Pds brut : 1146 g Défense buste féminin : Long : 60 cm env. circonférence ext. : 16

Lot 153

Jean-Leon GEROME (1824-1904) Joueuse de boules Epreuve en bronze à patine dorée figurant une jeune femme nue tenant dans sa main des balles. Signée J.L Gerome numérotée S423 et cachet du fondeur SIOT Vers 1900. Haut : 14 5 cm (sans le socle en onyx vert) Modèle édité en bronze doré ou en bronze patiné en quatre dimensions par la Maison Siot-Decauville reproduit dans le catalogue commercial : « Bronzes et objets d`art Siot-Decauville fondeur éditeur » Paris

Lot 318

Attribué à Michele Di RIDOLFO (1503-1577) La Vierge à l`Enfant avec Saint Jean-Baptiste Panneau de peuplier une planche non parqueté 76 x 58 cm Dans un cadre florentin ancien (recoupé et redoré) Notre tableau reprend avec des ajouts la composition de Raphaël La Vierge Bridgewater (toile 81 x 56 cm) conservé à Edimbourg à la National Gallery of Art. Expert : Cabinet TURQUIN

Lot 130

WALL ART, of forty-eight small mirrors, in a metal frame, 108cm x 79cm.

Lot 205

PLATED WINE COOLER, Art Deco style, 27cm H x 53cm x 37cm.

Lot 457

FRENCH ART DECO SCULPTURE, stag and doe, patinated metal on onyx and marble base inscribed 'Rochard', 62cm x 51cm H. (damage to corner of base)

Lot 472

GLASS DECANTERS, five various, with six decanters labels, also a cut glass jug and a modern art glass owl vase. (13)

Lot 526

END TABLES, a pair, Art Deco style mirror clad, 53cm x 43cm x 43cm H. (2)

Lot 527

WALL MIRRORS, a pair, Art Deco design, with bevelled central plate, 112cm H x 82cm W overall. (2)

Lot 550

ARMCHAIRS, a pair, Art Deco style, black leather and fabric on block supports, 75cm W. (2)

Lot 551

ARMCHAIR, Art Deco style, tanned leather and fabric on block supports, 75cm W. (2)

Lot 26

A 1930s Art Deco style walnut open bookcase.

Lot 249

A Carltonware Art Deco Rouge Royale 6 piece coffee set. Comprising coffee pot and cover, sugar bowl and cover, milk jug and 6 cups and saucers. Printed marks. (15)

Lot 278

A Georgian style ale flute, a Dartington glass vase, and an Art Glass vase.

Lot 368

A 1920s cased set of EPNS fish knives and forks with servers, a boxed set of Babycham glasses and an Art Deco novelty table gong stand fashioned as a pedestrian crossing.

Lot 428

An Art Deco Crown Devon table lamp base, two Bretby green glazed bowls, a Swan Pottery ewer, an Art Deco cocktail shaker and a lemonage jug.

Lot 1059

An Art Nouveau style 9ct rose gold pendant on a plated chain

Lot 674

A Wade Heath budgerigar vase and two Art Deco fawns

Lot 675

A Phoenician art glass studio vase and other glass including Caithness

Lot 684

A Bretby wall pocket, a Samford Ware Art Deco drip vase and other Art Deco vases

Lot 708

An Adam Aaronson art glass vase, height 48cm

Lot 782

A Smiths Sectric Art Deco mantel clock

Lot 783

An Art Deco table lamp in the form of a shell, height 25cm

Lot 39

An Aboriginal art painting, framed

Lot 90

An Edward VII beech framed mirror and an Art Nouveau inlaid walnut circular aneroid barometer

Lot 109

An Art Nouveau stained glass door and frame

Lot 124

An Art Nouveau oak jardiniere stand

Lot 169

An Art Deco style walnut finished console table

Lot 235

An Art Deco burr walnut three-piece bedroom suite

Lot 178

A mixed lot, including: a Portmeirion wash jug and bowl, terrarium, silver plated goblets, Art Nouveau-style wall mirror and other items.

Lot 192A

A Royal Doulton dish, transfer decorated with a seated figure from Dickens, together with three gilt framed oil landscapes signed W Hay, an Edison Bell album of 8 inch records, a mixed lot of flatware and cutlery and a quantity of Modern Masterpieces of British Art magazine.

Lot 231

A lady's 9 carat gold cased Rotary wristwatch, on an Art Deco scalloped link bracelet.

Lot 236

An Art Deco 18 carat white gold mounted brooch, set with central diamond within a tablet of diamonds and repeating stepped sapphire/diamond shoulders, 3.5cm.

Lot 247

An Art Deco silver compact of square form, the hinged lid engine turned decorated in turquoise enamel, with a fanned and swagged roundel. Birmingham hallmarks.

Lot 405

An Airguide desk barometer, together with a black plastic cased and simulated chrome Art Deco-style barometer and various others, including simulated onyx mounted barometer etc.

Lot 371

Seven boxes of art related books

Lot 79

A good Art Deco diamond set plaque brooch, of geometric form with a central large diamond and two matching outer diamonds set with baguette and other cut diamonds of varying size, possibly set in platinum.

Lot 85

An 18ct gold and platinum solitaire diamond ring with Art Deco style shoulders, the diamond measuring approx. 6mm, size O.

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